Mozart 225: Theatre Classic Performances

~ Release by Mozart (see all versions of this release, 27 available)

Tracklist

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149▼Digital Media: Theatre
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1Idomeneo, K. 366: "Non temer, amato bene", K. 490
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
violin:
Wolfgang Schneiderhan (violinist) (in 1952-09)
soprano vocals:
Irmgard Seefried (soprano) (in 1952-09)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (in 1952-09)
conductor:
Ferdinand Leitner (conductor) (in 1952-09)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1954)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1952-09)
recording of:
Recitative and Aria for Tenor & Orchestra in B‐flat major, K. 490: “Non più, tutto ascoltai” … “Non temer, amato bene” (in 1952-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
publisher:
Breitkopf & Härtel (in 1881)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 490), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 490) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 490)
Wolfgang Amadeus Mozart6:45
2Die Entführung aus dem Serail, K. 384: "Hier soll ich dich denn sehen"
tenor vocals [Belmonte]:
Fritz Wunderlich (operatic tenor) (in 1965-12)
orchestra:
Bavarian State Opera Orchestra (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1965-12)
conductor:
Eugen Jochum (conductor) (in 1965-12)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1965-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte) (in 1965-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart2:43
3Die Entführung aus dem Serail, K. 384: "Wenn der Freude Tränen fließen"
tenor vocals:
Fritz Wunderlich (operatic tenor) (in 1965-12)
orchestra:
Bavarian State Opera Orchestra (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1965-12)
conductor:
Eugen Jochum (conductor) (in 1965-12)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (in 1965-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte) (in 1965-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart4:19
4Le nozze di Figaro, K. 492: "Se vuol ballare, signor Contino"
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:39
5Le nozze di Figaro, K. 492: "Non so più cosa son, cosa faccio"
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
mezzo-soprano vocals [Cherubino]:
Tatiana Troyanos (mezzo-soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:18
6Le nozze di Figaro, K. 492: "Porgi amor"
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
soprano vocals and soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart4:22
7Le nozze di Figaro, K. 492: "Venite... inginocchiatevi"
harpsichord:
John Constable (pianist) (in 1971-04)
soprano vocals:
Mirella Freni (soprano) (in 1971-04)
orchestra:
BBC Symphony Orchestra (in 1971-04)
conductor:
Sir Colin Davis (English conductor) (in 1971-04)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-04)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 13) Aria “Venite… inginocchiatevi…” (Susanna) (in 1971-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:20
8Le nozze di Figaro, K. 492: "Che soave zeffiretto"
engineer:
Michael Farrow
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Carter Burwell (American score composer) and Wolfgang Lohse
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
orchestrator:
Carter Burwell (American score composer)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) and Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart3:35
9Don Giovanni, K. 527: "Là ci darem la mano"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Güden (soprano) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
edit of:
Don Giovanni: Atto I. “Là ci darem la mano” by Cesare Siepi (operatic bass), Hilde Gueden (soprano), Lisa della Casa (soprano), Wiener Philharmoniker (Vienna Philharmonic), Josef Krips (conductor/violinist)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:01
10Don Giovanni, K. 527: "Dalla sua pace"
recorded in:
Austria (in 1954-05)
tenor vocals:
Léopold Simoneau (tenor) (from 1954-05-20 until 1954-05-22)
tenor vocals [Don Ottavio]:
Léopold Simoneau (tenor) (in 1954-05)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (in 1954-05, from 1954-05-20 until 1954-05-22)
conductor:
Bernhard Paumgartner (in 1954-05, from 1954-05-20 until 1954-05-22)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (from 1954-05-20 until 1954-05-22)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] (from 1954-05-20 until 1954-05-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 540a)
part of:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] (in 1954-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 540a)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:39
11Don Giovanni, K. 527: "Riposate, vezzose ragazze"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Don Giovanni]:
Cesare Siepi (operatic bass) (in 1955-06)
bass vocals [Leporello]:
Fernando Corena (operatic bass) (in 1955-06)
bass vocals [Masetto]:
Walter Berry (bass‐baritone) (in 1955-06)
soprano vocals [Donna Anna]:
Suzanne Danco (soprano / mezzo-soprano) (in 1955-06)
soprano vocals [Donna Elvira]:
Lisa della Casa (soprano) (in 1955-06)
soprano vocals [Zerlina]:
Hilde Gueden (soprano) (in 1955-06)
tenor vocals [Don Ottavio]:
Anton Dermota (tenor) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Josef Krips (conductor/violinist) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Don Giovanni: Atto I. “Riposate, vezzose ragazze” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart9:19
12Don Giovanni, K. 527: "Il mio tesoro intanto"
producer:
James Mallinson (producer)
tenor vocals [Don Ottavio]:
Stuart Burrows (tenor) (in 1973-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1973-02)
conductor:
Sir John Pritchard (conductor) (in 1973-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (in 1973-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:10
13Don Giovanni, K. 527: "Mi tradi quell'alma ingrata"
producer:
Ray Minshull (record producer)
soprano vocals [Donna Elvira]:
Leontyne Price (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Erich Leinsdorf (conductor)
balance engineer:
Gordon Parry (engineer) (in 1959-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2] (in 1959-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart3:39
14Così fan tutte, K. 588: "La mia Dorabella"
producer:
Wolfgang Lohse
baritone vocals [Don Alfonso]:
Dietrich Fischer‐Dieskau (baritone) (in 1962-12)
baritone vocals [Guglielmo]:
Hermann Prey (baritone) (in 1962-12)
tenor vocals [Ferrando]:
Ernst Haefliger (tenor) (in 1962-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962-12)
conductor:
Eugen Jochum (conductor) (in 1962-12)
balance engineer:
Günter Hermanns (producer/engineer) (in 1962-12)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-12)
recording of:
Così fan tutte: Atto I. No. 1 Terzetto “La mia Dorabella capace non è” (Ferrando, Guglielmo, Don Alfonso) (in 1962-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:45
15Così fan tutte, K. 588: "Fuor la spada"
producer:
Wolfgang Lohse
baritone vocals [Don Alfonso]:
Dietrich Fischer‐Dieskau (baritone) (in 1962-12)
baritone vocals [Guglielmo]:
Hermann Prey (baritone) (in 1962-12)
tenor vocals [Ferrando]:
Ernst Haefliger (tenor) (in 1962-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962-12)
conductor:
Eugen Jochum (conductor) (in 1962-12)
balance engineer:
Günter Hermanns (producer/engineer) (in 1962-12)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-12)
recording of:
Così fan tutte: Atto I. Recitativo “Fuor la spada” (Ferrando, Guglielmo, Don Alfonso) (in 1962-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:16
16Così fan tutte, K. 588: "E la fede delle femminine"
producer:
Wolfgang Lohse
baritone vocals [Don Alfonso]:
Dietrich Fischer‐Dieskau (baritone) (in 1962-12)
baritone vocals [Guglielmo]:
Hermann Prey (baritone) (in 1962-12)
tenor vocals [Ferrando]:
Ernst Haefliger (tenor) (in 1962-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962-12)
conductor:
Eugen Jochum (conductor) (in 1962-12)
balance engineer:
Günter Hermanns (producer/engineer) (in 1962-12)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-12)
recording of:
Così fan tutte: Atto I. No. 2 Terzetto “È la fede delle femmine” (Ferrando, Guglielmo, Don Alfonso) (in 1962-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:15
17Così fan tutte, K. 588: "Scioccerie di poeti"
producer:
Wolfgang Lohse
baritone vocals [Don Alfonso]:
Dietrich Fischer‐Dieskau (baritone) (in 1962-12)
baritone vocals [Guglielmo]:
Hermann Prey (baritone) (in 1962-12)
tenor vocals [Ferrando]:
Ernst Haefliger (tenor) (in 1962-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962-12)
conductor:
Eugen Jochum (conductor) (in 1962-12)
balance engineer:
Günter Hermanns (producer/engineer) (in 1962-12)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-12)
recording of:
Così fan tutte: Atto I. Recitativo “Scioccherie di poeti!” (Ferrando, Guglielmo, Don Alfonso) (in 1962-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:27
18Così fan tutte, K. 588: "Una bella serenata"
producer:
Wolfgang Lohse
baritone vocals [Don Alfonso]:
Dietrich Fischer‐Dieskau (baritone) (in 1962-12)
baritone vocals [Guglielmo]:
Hermann Prey (baritone) (in 1962-12)
tenor vocals [Ferrando]:
Ernst Haefliger (tenor) (in 1962-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962-12)
conductor:
Eugen Jochum (conductor) (in 1962-12)
balance engineer:
Günter Hermanns (producer/engineer) (in 1962-12)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-12)
recording of:
Così fan tutte: Atto I. No. 3 Terzetto “Una bella serenata” (Ferrando, Guglielmo, Don Alfonso) (in 1962-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:15
19Così fan tutte, K. 588: "Un'aura amorosa"
recorded in:
Austria (in 1954-05)
tenor vocals:
Léopold Simoneau (tenor) (from 1954-05-20 until 1954-05-22)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (in 1954-05)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (in 1954-05, from 1954-05-20 until 1954-05-22)
conductor:
Bernhard Paumgartner (in 1954-05, from 1954-05-20 until 1954-05-22)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (from 1954-05-20 until 1954-05-22)
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando) (from 1954-05-20 until 1954-05-22)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando) (in 1954-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:52
20Die Zauberflöte, K. 620: "Dies Bildnis ist bezaubernd schön"
producer:
Wolfgang Lohse
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (from 1965-10-31 until 1965-11-03)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-10-31 until 1965-11-03)
conductor:
Karl Böhm (Austrian conductor) (from 1965-10-31 until 1965-11-03)
performer:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (from 1965-10-31 until 1965-11-03) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (from 1965-10-31 until 1965-11-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:40
21Die Zauberflöte, K. 620: "Bei Männern, welche Liebe fühlen"
recording engineer:
Gordon Parry (engineer) (in 1971-10)
producer:
Christopher Raeburn (producer)
baritone vocals and baritone vocals [Papageno]:
Tom Krause (bass-baritone) (in 1971-10)
soprano vocals and soprano vocals [Pamina]:
Lucia Popp (soprano) (in 1971-10)
orchestra:
Vienna Haydn Orchestra (in 1971-10)
conductor:
István Kertész (conductor) (in 1971-10)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1971-10)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (in 1971-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:05
22Die Zauberflöte, K. 620: "Der Hölle Rache kocht in meinem Herzen"
producer:
Wolfgang Lohse
soprano vocals [Die Königin der Nacht]:
Rita Streich (soprano) (in 1955-06)
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1955)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:04
23Die Zauberflöte, K. 620: "Ein Mädchen oder Weibchen"
producer:
Wolfgang Lohse
baritone vocals [Papageno]:
Dietrich Fischer‐Dieskau (baritone) (in 1955-06)
orchestra:
RIAS-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1955-06)
conductor:
Ferenc Fricsay (conductor) (in 1955-06)
balance engineer:
Alfred Steinke (in 1955-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1955-06)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:52
150▼Digital Media: Theatre
#TitleArtistRatingLength
1Le Nozze di Figaro, K. 492: Overture
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart4:09
2Le Nozze di Figaro, K. 492: Act I. "Cinque...dieci...venti...trenta"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 1) Duetto “Cinque… dieci… Venti… trenta…” (Figaro, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:25
3Le Nozze di Figaro, K. 492: Act I. "Se a caso madama"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 2) Duettino “Se a caso madama la notte ti chiama” (Figaro, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart4:00
4Le Nozze di Figaro, K. 492: Act I. "Bravo, signor padrone!...Se vuol ballare"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. “Bravo, signor padrone” (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart4:19
5Le Nozze di Figaro, K. 492: Act I. "La vendetta"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena III. (no. 4) Aria “La vendetta, oh, la vendetta” (Bartolo)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:46
6Le Nozze di Figaro, K. 492: Act I. "Via, resti servita"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena IV. (no. 5) Duettino “Via, resti servita, madama brillante” (Marcellina, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart4:12
7Le Nozze di Figaro, K. 492: Act I. "Non so più cosa son"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart5:54
8Le Nozze di Figaro, K. 492: Act I. "Cosa sento! Tosto andate"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VII. (no. 7) Terzetto “Cosa sento! tosto andante” (Il Conte, Basilio, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart10:32
9Le Nozze di Figaro, K. 492: Act I. "Non più andrai"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
bass vocals [Figaro]:
Cesare Siepi (operatic bass) (in 1955-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:51
10Le Nozze di Figaro, K. 492: Act II. "Porgi amor"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart8:10
11Le Nozze di Figaro, K. 492: Act II. "Voi che sapete"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:51
12Le Nozze di Figaro, K. 492: Act II. "Venite, inginocchiatevi"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 13) Aria “Venite… inginocchiatevi…” (Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart5:48
13Le Nozze di Figaro, K. 492: Act II. "Che novità!"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena III. Recitativo “Che novità!” (Il Conte, La Contessa)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart1:12
14Le Nozze di Figaro, K. 492: Act II. "Susanna, or via, sortite"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena III. (no. 14) Terzetto “Susanna or via, sortite” (Il Conte, La Contessa, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart4:03
15Le Nozze di Figaro, K. 492: Act II. "Aprite, presto, aprite"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena IV. (no. 15) Duettino “Aprite, presto, aprite” (Susanna, Cherubino)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart1:39
151▼Digital Media: Theatre
#TitleArtistRatingLength
1Le Nozze di Figaro, K. 492: Act II. "Tutto e come il lasciai"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena V. Recitativo “Tutto è come io lasciai” (Il Conte, La Contessa)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart1:19
2Le Nozze di Figaro, K. 492: Act II. "Esci omai, garzon malnato"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Esci, ormai, garzon malnato” (Il Conte, La Contessa, Susanna) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart8:43
3Le Nozze di Figaro, K. 492: Act II. "Signore, di fuori"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena IX. (no. 16) Finale “Signore, di fuori” (Figaro, Il Conte, Susanna, La Contessa) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart9:19
4Le Nozze di Figaro, K. 492: Act II. "Voi signor, che giusto siete"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena XI. (no. 16) Finale “Voi signor che giusto siete” (Marcellina, Basilio, Bartolo, Il Conte, Susanna, La Contessa, Figaro) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:56
5Le Nozze di Figaro, K. 492: Act III. "Che imbarazzo e mai questo!"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena I. Recitativo “Che imbarazzo è mai questo!” (Il Conte, La Contessa, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:20
6Le Nozze di Figaro, K. 492: Act III. "Crudel! perche finora"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena II. (no. 17) Duetto “Crudel! Perché finora farmi languir così?” (Il Conte, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart3:20
7Le Nozze di Figaro, K. 492: Act III. "Hau gua vunta la causa!... Vedro, mentr'io sospiro"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Recitativo “Hai già vinta la causa” (Il Conte)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart6:28
8Le Nozze di Figaro, K. 492: Act III. "Riconosci in questo amplesso"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena V. (no. 19) Sestetto “Riconosci in questo amplesso” (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart6:33
9Le Nozze di Figaro, K. 492: Act III. "E Susanna non vien!... Dove sono i bei momenti"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart6:39
10Le Nozze di Figaro, K. 492: Act III. "Cosa mi narri?"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. Recitativo “Cosa mi narri” (La Contessa, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart7:42
11Le Nozze di Figaro, K. 492: Act III. "Ecco la marcia"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scenas XII-XIV. (no. 23) Finale “Ecco la marcia, Andiamo” (Barbarina, Coro) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart6:22
152▼Digital Media: Theatre
#TitleArtistRatingLength
1Le Nozze di Figaro, K. 492: Act IV. "L'ho perduta, me meschina!"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena I. (no. 24) Cavatina “L’ho perduta… me meschina” (Barbarina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart4:37
2Le Nozze di Figaro, K. 492: Act IV. "Il capro e la capretta"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena VI. (no. 25) Aria “Il capro e la capretta” (Marcellina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart5:31
3Le Nozze di Figaro, K. 492: Act IV. "In quegli anni, in cui val poco"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena VII. (no. 26) Aria “In quegli anni in cui val poco” (Basilio) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart4:07
4Le Nozze di Figaro, K. 492: Act IV. "Tutto è disposto...Aprite un po' quegl' occhi"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Recitativo “Tutto è disposto” (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart5:26
5Le Nozze di Figaro, K. 492: Act IV. "Giunse alfin il momento...Deh vieni, non tardar"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart4:49
6Le Nozze di Figaro, K. 492: Act IV. "Pian pianin le andrò più presso"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Pian pianin le andrò più presso” (Cherubino, La Contessa, Il Conte, Susanna, Figaro) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart11:41
7Le Nozze di Figaro, K. 492: Act IV. "Gente! gente! all'armi, all'armi!"
engineer:
James Brown (Decca engineer, 1960s) (in 1955-06) and Cyril Windebank (in 1955-06)
producer:
Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1955-06)
conductor:
Erich Kleiber (conductor) (in 1955-06)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien (Vienna), Austria (in 1955-06)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Gente gente, all’armi all’armi!” (Il Conte, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna) (in 1955-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart4:38