| # | Title | Artist | Rating | Length |
|---|
| 1 | Is You Is Or Is you Ain’t My Baby | Dinah Washington | | 4:59 |
| 2 | Beyond The Sea | Robbie Williams | | 4:31 |
| 3 | More Than This- assistant engineer:
- Reuben Kaller
- engineer:
- Joe Ferla
- producer:
- Joe Ferla and Charlie Hunter
- assistant mixer:
- Suzie Barros
- guest vocals:
- Norah Jones
- recorded at:
- Water Music in Hoboken, New Jersey, United States
- mixed at:
- River Sound Studio in New York, New York, United States
- instrumental cover recording of:
- More Than This
- lyricist and composer:
- Bryan Ferry
- publisher:
- BMG Platinum Songs US, E.G. Music Inc., EMI Virgin Music Ltd. , EMI Virgin Songs, Inc., Virgin Songs, Inc. and E.G. Music Ltd. (in 1982)
| Charlie Hunter & Norah Jones | 3 | 4:10 |
| 4 | Besame Mucho | Diana Krall | | 6:40 |
| 5 | It’s Crazy | Laura Fygi | | 4:05 |
| 6 | Better Now | De‐Phazz | | 3:00 |
| 7 | Let There Be Love | Nat King Cole & George Shearing | | 2:45 |
| 8 | Aguas de Marco | 小野リサ | | 3:40 |
| 9 | Bewitched, Bothered and Bewildered | Silje Nergaard | | 5:23 |
| 10 | Can’t Take My Eyes Off You | Vikki Carr | | 3:09 |
| 11 | Goodbye Sadness (Tristeza) | Astrud Gilberto | | 3:32 |
| 12 | Fly Me to the Moon | Julie London | 4 | 2:33 |
| 13 | The Way You Look Tonight- recorded in:
- Los Angeles, California, United States (in 1952-12)
- producer:
- Norman Granz
- double bass:
- Ray Brown (in 1952-12)
- drums (drum set):
- Alvin Stoller (in 1952-12)
- guitar:
- Barney Kessel (in 1952-12)
- piano:
- Oscar Peterson (in 1952-12)
- tenor saxophone:
- Flip Phillips (in 1952-12)
- trumpet:
- Charlie Shavers (in 1952-12)
- vocals:
- Fred Astaire (in 1952-12)
- recording of:
- The Way You Look Tonight (in 1952-12)
- publisher:
- Jerome Kern (on 1936-07-24)
- lyricist:
- Dorothy Fields (in 1936)
- composer:
- Jerome Kern (in 1936)
- publisher:
- Aldi Music Company, Chappell & Co., Inc. , Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (in 1936)
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
- part of:
- Swing Time
| Fred Astaire | | 3:00 |
| 14 | At Last | Dianne Reeves & Lou Rawls | | 3:39 |
| 15 | Misty- alto saxophone:
- Marcel Hrasko (on 1958-07-07)
- baritone saxophone:
- William Boucaya (on 1958-07-07) and Jo Hrasko (on 1958-07-07)
- drums (drum set):
- Kenny Clarke (on 1958-07-07)
- guitar:
- Pierre Cullaz (on 1958-07-07)
- piano:
- Ronnell Bright (on 1958-07-07)
- tenor saxophone:
- Zoot Sims (on 1958-07-07)
- vibraphone:
- Michel Hausser (on 1958-07-07)
- orchestra:
- Quincy Jones and His Orchestra
- arranger:
- Quincy Jones
- recorded at:
- Studio Hoche in Paris, Île-de-France, France (on 1958-07-07)
- cover recording of:
- Misty (on 1958-07-07)
- lyricist:
- Johnny Burke
- composer:
- Erroll Garner
- publisher:
- Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. and WB Music Corp.
- is based on:
- Misty
| Sarah Vaughan | | 3:00 |
| 16 | The Weight | Cassandra Wilson | | 6:04 |
| 17 | Every Time We Say Goodbye | Ella Fitzgerald | | 3:33 |
| 18 | On & On | Claressa Monteiro & Stephen Bishop | | 4:08 |
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