L’Histoire du jazz vocal – The Story of Vocal Jazz: 1911–1940

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Tracklist errors:
Track 10.24 is listed as "Delta Blues" by Son House in the booklet and on the cover. The actual song on the medium is "Love in Vain" by Robert Johnson however.

Anmerkung zuletzt geändert am 2024-01-06 12:20 UTC.

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Some of These Days [1911]
recording of:
Some of These Days (in 1911)
Texter und Komponist(in):
Shelton Brooks
Verfasser(in):
Spencer Williams (US jazz composer, pianist & singer)
Sophie Tucker4:13
2Roll Jordan Roll [1913]
recording of:
Roll Jordan Roll (in 1913)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 6697)
Fisk University Jubilee Quartet2:41
3After You’ve Gone [1918]
recording of:
After You’ve Gone (in 1918)
Texter:
Henry Creamer (Lyricist) (in 1918)
Komponist(in):
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. und Morley Music Corp.
Teil von:
For Me and My Gal (1942 movie)
Marion Harris3:18
4Crazy Blues [1920]
Mamie Smith3:28
5Down Hearted Blues [1923]
recorded in:
New York, New York, Vereinigte Staaten (am 1923-02-16)
Klavier:
Clarence Williams (US jazz pianist, composer, singer and bandleader) (am 1923-02-16)
vocals:
Bessie Smith (Tennessee blues singer) (am 1923-02-16)
Teil von:
National Recording Registry (a list of sound recordings that are “culturally, historically, or aesthetically significant, and/or inform or reflect life in the United States”) (Nummer: 1923, inducted: 2002)
recording of:
Down Hearted Blues (am 1923-02-06)
Texter:
Alberta Hunter (in 1922)
Komponist(in):
Lovie Austin (in 1922)
Bessie Smith43:28
6I’ve Got the Blues for Rampart Street [1923]
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1923)
Klarinette:
Jimmy O'Bryant (American jazz clarinetist) (in 1923)
Klavier:
Lovie Austin (in 1923)
Kornett:
Tommy Ladnier (American jazz trumpeter) (in 1923)
vocals:
Ida Cox (in 1923)
recording of:
I've Got the Blues for Rampart Street (in 1923)
Komponist(in):
Ida Cox
Ida Cox2:49
7Graveyard Dream Blues [1923]
recorded in:
New York, New York, Vereinigte Staaten (am 1923-09-26)
Klavier:
Jimmy Jones (jazz pianist, active in the 1920s w/ Bessie Smith, if you're not sure choose the other jazz pianist) (am 1923-09-26)
vocals:
Bessie Smith (Tennessee blues singer) (am 1923-09-26)
Bessie Smith52:46
8West Indies Blues [1923]
recording of:
West Indies Blues (in 1923)
Komponist(in):
Edgar Dowell, Clarence Williams (US jazz pianist, composer, singer and bandleader) und Spencer Williams (US jazz composer, pianist & singer)
Esther Bigeou2:47
9Blues Ain’t Nothin’ Else But! [1924]
Instrumente:
Lovie Austin & Her Blue Serenaders (in 1924-04)
Klavier:
Lovie Austin (in 1924-04)
Sologesang:
Ida Cox (in 1924-04)
Ida Cox3:13
10Boweavil Blues [1924]
Bessie Smith2:54
11Weeping Willow Blues [1924]
Bessie Smith3:12
12Nobody Knows the Way I Feel Dis’ Mornin’ [1924]
recording of:
Nobody Knows the Way I Feel ‘Dis Mornin’ (in 1924)
Verfasser(in):
Pearl Delaney und Tom Delaney
publisher:
Pickwick Music Corp., Universal Studios, Inc. (formerly known as MCA Inc.) und Universal‐MCA Music Publishing (US)
Alberta Hunter2:50
13Black Snake Moan [1925]
Gitarre:
Blind Lemon Jefferson (American blues and gospel singer‐songwriter) (in 1929-03)
vocals:
Blind Lemon Jefferson (American blues and gospel singer‐songwriter) (in 1929-03)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Black Snake Moan (in 1925)
Verfasser(in):
Blind Lemon Jefferson (American blues and gospel singer‐songwriter)
Blind Lemon Jefferson2:55
14Cake Walking Babies From Home [1925]
recorded in:
New York, New York, Vereinigte Staaten (am 1925-01-08)
Banjo:
Buddy Christian (am 1925-01-08)
Klavier:
Clarence Williams (US jazz pianist, composer, singer and bandleader) (am 1925-01-08)
Kornett:
Louis Armstrong (am 1925-01-08)
Posaune:
Charlie Irvis (am 1925-01-08)
Sopransaxophon:
Sidney Bechet (am 1925-01-08)
vocals:
Eva Taylor (am 1925-01-08)
recording of:
Cake Walking Babies from Home (am 1925-01-08)
Verfasser(in):
Chris Smith (Ragtime composer), Henry Troy und Clarence Williams (US jazz pianist, composer, singer and bandleader)
Eva Taylor3:03
15Sweet Georgia Brown [1925]
recording of:
Sweet Georgia Brown (in 1925)
Texter:
Kenneth Casey (in 1925)
Komponist(in):
Ben Bernie (in 1925) und Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. und Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Ethel Waters3:10
16Soft Pedal Blues [1925]
Klavier:
Fletcher Henderson (am 1925-05-14)
Posaune:
Charlie Green (Trombonist) (am 1925-05-14)
vocals:
Bessie Smith (Tennessee blues singer) (am 1925-05-14)
Bessie Smith3:21
17Careless Love [1925]
recorded in:
New York, New York, Vereinigte Staaten (am 1925-05-26)
Klavier:
Fred Longshaw (am 1925-05-26)
Kornett:
Louis Armstrong (am 1925-05-26)
Posaune:
Charlie Green (Trombonist) (am 1925-05-26)
vocals:
Bessie Smith (Tennessee blues singer) (am 1925-05-26)
recording of:
Careless Love (am 1925-05-26)
Verfasser(in):
[traditional] (special purpose artist), William Christopher Handy, Martha Koenig und Spencer Williams (US jazz composer, pianist & singer)
Version von:
Careless Love
Bessie Smith3:28
18Shake That Thing [1925]
Ethel Waters3:13
19Too Tight Blues [1926]
Blind Blake2:57
20Sometimes I Feel Like a Motherless Child [1926]
recording of:
Sometimes I Feel Like a Motherless Child (in 1926)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 10072)
Paul Robeson3:03
21Fascinating Rhythm [1926]
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1926-04-19)
Klavier:
George Gershwin (composer) (am 1926-04-19)
vocals:
Adele Astaire (am 1926-04-19) und Fred Astaire (am 1926-04-19)
recording of:
Fascinatin’ Rhythm (am 1926-04-19)
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
WB Music Corp. (renewed) (1929–2019) und Harms, Inc. (in 1924)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
Lady, Be Good (full musical)
Fred Astaire & Adele Astaire2:24
22Death’s Black Train Is Comin’ [1926]
Rev. J.M. Gates3:04
23Young Woman Blues [1926]
recorded in:
New York, New York, Vereinigte Staaten (am 1926-10-26)
Klarinette:
Buster Bailey (clarinetist) (am 1926-10-26)
Klavier:
Fletcher Henderson (am 1926-10-26)
Kornett:
Joe Smith (American jazz trumpeter/cornetist) (am 1926-10-26)
vocals:
Bessie Smith (Tennessee blues singer) (am 1926-10-26)
recording of:
Young Woman’s Blues (am 1926-10-26)
Texter und Komponist(in):
Bessie Smith (Tennessee blues singer) (in 1927)
Bessie Smith & Her Blue Boys3:10
24Pratt City Blues [1926]
Bertha “Chippie” Hill2:56
25Mean Old Bedbug Blues [1927]
recording of:
Mean Old Bedbug Blues (in 1927)
Lonnie Johnson2:54
2▼CD
Nr.TitelKünstlerBewertungLänge
1It’s Nobody’s Fault but Mine [1927]
recorded in:
Dallas, Texas, Vereinigte Staaten (am 1927-12-03)
Gitarre:
Blind Willie Johnson (am 1927-12-03)
vocals:
Blind Willie Johnson (am 1927-12-03)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
It’s Nobody’s Fault but Mine (Blind Willie Johnson song) (am 1927-12-03)
Texter, Komponist(in) und arranger:
Blind Willie Johnson
vorher zugeschrieben zu:
[traditional] (special purpose artist)
Blind Willie Johnson53:12
2Back Water Blues [1927]
recorded in:
New York, New York, Vereinigte Staaten (am 1927-02-17)
Klavier:
James P. Johnson (am 1927-02-17)
vocals:
Bessie Smith (Tennessee blues singer) (am 1927-02-17)
recording of:
Backwater Blues (am 1927-02-17)
Texter und Komponist(in):
Bessie Smith (Tennessee blues singer) (in 1927)
Klavier arranger:
James P. Johnson (in 1927)
Bessie Smith3:20
3Alexander’s Ragtime Band [1927]
recording of:
Alexander’s Ragtime Band (am 1927-03-02)
Texter und Komponist(in):
Irving Berlin (in 1911)
arranger:
Deseő Csaba
publisher:
Williamson Music, Inc.
Bessie Smith3:02
4Match Box Blues [1927]
Gitarre:
Blind Lemon Jefferson (American blues and gospel singer‐songwriter) (in 1927-04)
vocals:
Blind Lemon Jefferson (American blues and gospel singer‐songwriter) (in 1927-04)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2010)
recording of:
Match Box Blues
Texter und Komponist(in):
Blind Lemon Jefferson (American blues and gospel singer‐songwriter)
Blind Lemon Jefferson3:02
5Dead Drunk Blues [1927]
Sippie Wallace3:01
6The Blues I Love to Sing [1927]
recording of:
Blues I Love to Sing (am 1927-10-26)
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Bubber Miley
Adelaide Hall with Duke Ellington & His Orchestra3:13
7Dyin’ by the Hour [1927]
recorded in:
New York, New York, Vereinigte Staaten (am 1927-10-27)
Klavier:
Fletcher Henderson (am 1927-10-27)
Kornett:
Tommy Ladnier (American jazz trumpeter) (am 1927-10-27)
Tuba [brass bass]:
June Cole (am 1927-10-27)
vocals:
Bessie Smith (Tennessee blues singer) (am 1927-10-27)
Bessie Smith3:01
8Foolish Man Blues [1927]
recorded in:
New York, New York, Vereinigte Staaten (am 1927-10-27)
Klavier:
Fletcher Henderson (am 1927-10-27)
Kornett:
Tommy Ladnier (American jazz trumpeter) (am 1927-10-27)
Tuba [brass bass]:
June Cole (am 1927-10-27)
vocals:
Bessie Smith (Tennessee blues singer) (am 1927-10-27)
Bessie Smith2:57
9Dope Head Blues [1927]
recording of:
Dope Head Blues (in 1927)
Verfasser(in):
Victoria Spivey
Victoria Spivey3:17
10Cross Eyed Blues [1927]
Helen Humes3:10
11The Man I Love [1927]
cover recording of:
The Man I Love (am 1927-12-08)
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Teil von:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
Marion Harris3:24
12Hotter Than That [1927]
recording of:
Hotter Than That (am 1927-12-13)
Komponist(in):
Lil Hardin Armstrong
Louis Armstrong3:05
13I Thought I’d Do It [1927]
Hattie McDaniel2:58
14Waiting for a Train [1928]
recorded in:
Atlanta, Georgia, Vereinigte Staaten (am 1928-10-22)
Gitarre:
Dean Bryan (country guitarist, accompanied Jimmie Rodgers) (am 1928-10-22)
Klarinette:
James Rikard (clarinetist, accompanied Jimmie Rodgers) (am 1928-10-22)
Kontrabass [string bass]:
George MacMillan (American double bassist, accompanied Jimmie Rodgers) (am 1928-10-22)
Kornett:
C.L. Hutchison (cornetist, accompanied Jimmie Rodgers) (am 1928-10-22)
Steel-Gitarre:
John Westbrook (country guitarist, accompanied Jimmie Rodgers) (am 1928-10-22)
vocals:
Jimmie Rodgers (country music pioneer, died in 1933) (am 1928-10-22)
recording of:
Waiting for a Train (am 1928-10-22)
Texter und Komponist(in):
Jimmie Rodgers (country music pioneer, died in 1933)
Jimmie Rodgers42:47
15Ain’t No Tellin’ [1928]
recorded in:
New York, New York, Vereinigte Staaten (am 1928-12-21)
Gitarre:
Mississippi John Hurt (am 1928-12-21)
vocals:
Mississippi John Hurt (am 1928-12-21)
Mississippi John Hurt2:58
16Warming by the Devil’s Fire [1928]
Rev. Johnny Blakey3:28
17When the Saints Go Marching In [1928]
recording of:
When the Saints Go Marching In (in 1928)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 13983)
Version von:
When the Saints Go Marching In
Blind Willie Davis1:57
18Peaches in the Springtime [1928]
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1928-02-13)
Gitarre:
Will Weldon (am 1928-02-13)
Jug:
Charlie Polk (jug player) (am 1928-02-13)
Kazoo:
Ben Ramey (am 1928-02-13)
Mandolinenbanjo:
Vol Stevens (am 1928-02-13)
vocals:
Ben Ramey (am 1928-02-13), Will Shade (am 1928-02-13) und Will Weldon (am 1928-02-13)
recording of:
Peaches in the Springtime Blues (am 1928-02-13)
Komponist(in):
Will Shade
Memphis Jug Band3:15
19Empty Bed Blues, Part 2: [1928]
Bessie Smith3:23
20Mississippi Jail House Blues [1928]
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1928-03) und Memphis, Tennessee, Vereinigte Staaten (in 1938-03)
Gitarre:
Rube Lacy (in 1928-03)
Sologesang:
Rube Lacy
vocals:
Rube Lacy (in 1928-03)
Rube Lacy3:24
21Georgia Crawl [1928]
recording of:
Georgia Crawl (in 1928)
Verfasser(in):
Eddie Anthony (US country blues and jazz violin player) und Henry Williams (1920s blues artist)
Henry Williams & Eddie Anthony3:23
22Prove It on Me Blues [1928]
Ma Rainey2:43
23God’s Got a Crown [1928]
Arizona Dranes3:00
24State Street Jive [1928]
Cow Cow Davenport & Ivy Smith3:04
25Guess Who’s in Town [1928]
recording of:
Guess Who's in Town (in 1928)
Verfasser(in):
J.C. Johnson und Andy Razaf
Ethel Waters2:49
3▼CD
Nr.TitelKünstlerBewertungLänge
1Kassie Jones [1928‐08‐28]
Furry Lewis3:08
2Some Cold Rainy Day [1928‐10‐13]
Bertha “Chippie” Hill3:15
3Viola Lee Blues [1928]
recording of:
Viola Lee Blues
Verfasser(in):
Noah Lewis
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) und Southern Music Publishing Company Limited
Noah Lewis3:09
4No More Woman Blues [1928]
recorded in:
San Antonio, Texas, Vereinigte Staaten (am 1928-03-09)
Gitarre:
Lonnie Johnson (American blues and jazz musician) (am 1928-03-09)
Sologesang:
Alger “Texas” Alexander (am 1928-03-09)
Alger “Texas” Alexander3:03
5Diga Diga Doo [1928‐11‐15]
Banjo:
Fred Guy (am 1928-11-15)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1928-11-15)
Kontrabass:
Wellman Braud (am 1928-11-15)
Posaune:
Joe "Tricky Sam" Nanton (am 1928-11-15)
Rohrblattinstrumente:
Barney Bigard (am 1928-11-15) und Johnny Hodges (am 1928-11-15)
Saxophon:
Otto Hardwick (am 1928-11-15)
Schlagzeug:
Sonny Greer (am 1928-11-15)
Trompete:
Freddie Jenkins (am 1928-11-15), Bubber Miley (am 1928-11-15) und Arthur Whetsel (am 1928-11-15)
vocals:
Irving Mills (am 1928-11-15) und Ozie Ware (am 1928-11-15)
recording of:
Diga Diga Doo (am 1928-11-15)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
Ozie Ware & Irving Mills2:56
6Basin Street Blues [1928‐12‐04]
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1928-12-04)
Banjo:
Mancy "Peck" Carr (am 1928-12-04)
Celesta [celeste]:
Earl Hines (jazz pianist and bandleader) (am 1928-12-04)
Klarinette:
Jimmy Strong (am 1928-12-04)
Posaune:
Fred Robinson (American trombonist) (am 1928-12-04)
Schlagzeug:
Zutty Singleton (am 1928-12-04)
Trompete und Sologesang:
Louis Armstrong (am 1928-12-04)
vocals:
Louis Armstrong (am 1928-12-04), Mancy "Peck" Carr (am 1928-12-04) und Earl Hines (jazz pianist and bandleader) (am 1928-12-04)
recording of:
Basin Street Blues (am 1928-12-04)
Texter und Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Louis Armstrong3:21
7Screamin’ and Hollerin’ the Blues [1929]
recorded in:
Richmond, Indiana, Vereinigte Staaten (am 1929-06-14)
Gitarre:
Charley Patton (American Delta blues musician) (am 1929-06-14)
vocals:
Charley Patton (American Delta blues musician) (am 1929-06-14)
Charley Patton3:05
8Bumble Bee [1929]
recorded in:
New York, New York, Vereinigte Staaten (am 1929-06-18)
Gitarre:
Kansas Joe McCoy (am 1929-06-18) und Memphis Minnie (am 1929-06-18)
vocals:
Memphis Minnie (am 1929-06-18)
recording of:
Bumble Bee (in 1929)
Komponist(in):
Memphis Minnie
Memphis Minnie2:49
9Georgia Bound [1929]
Blind Blake3:23
10Sloppy Joe [1929‐03‐07]
recording of:
Sloppy Joe (am 1929-03-07)
Verfasser(in):
Barney Bigard und Duke Ellington (US composer, pianist & jazz bandleader)
Sonny Greer3:17
11Decatur Street Tutti [1929‐04‐04]
alto saxophone:
Willard Brown (am 1929-04-04)
Banjo:
Ikey Robinson (am 1929-04-04)
Klavier:
Kenneth Anderson (1920s jazz piano) (am 1929-04-04)
Kornett und Trompete:
Jabbo Smith (am 1929-04-04)
Tuba [brass bass]:
Hayes Alvis (am 1929-04-04)
vocals:
Jabbo Smith (am 1929-04-04)
Jabbo Smith2:46
12Beadle‐Um‐Bum [1929‐04‐09]
recorded in:
New York, New York, Vereinigte Staaten (in 1929-04)
alto saxophone:
Jimmy Dudley (American jazz saxophonist) (in 1929-04) und Don Redman (in 1929-04)
Banjo:
Dave Wilborn (in 1929-04)
Klarinette:
Jimmy Dudley (American jazz saxophonist) (in 1929-04), Don Redman (in 1929-04), Prince Robinson (in 1929-04) und George Thomas (jazz saxophonist) (in 1929-04)
Klavier:
Todd Rhodes (in 1929-04)
Posaune:
Claude Jones (in 1929-04)
Schlagzeug:
Cuba Austin (in 1929-04)
Tenorsaxophon:
Prince Robinson (in 1929-04) und George Thomas (jazz saxophonist) (in 1929-04)
Trompete:
Langston Curl (in 1929-04) und John Nesbitt (in 1929-04)
Tuba:
Ralph Escudero (in 1929-04)
vocals:
Cuba Austin (in 1929-04), Don Redman (in 1929-04), George Thomas (jazz saxophonist) (in 1929-04) und Dave Wilborn (in 1929-04)
recording of:
Beedle-Um-Bum (am 1929-04-09)
Verfasser(in):
Tommy Dorsey (Swing trombone player & band leader)
recording of:
Beedle-Um-Bum (in 1929-04)
Verfasser(in):
Tommy Dorsey (Swing trombone player & band leader)
McKinney’s Cotton Pickers3:22
13Mosquito Man [1929]
Gitarre:
Blind Lemon Jefferson (American blues and gospel singer‐songwriter) (am 1929-09-24)
vocals:
Blind Lemon Jefferson (American blues and gospel singer‐songwriter) (am 1929-09-24)
Blind Lemon Jefferson3:02
14Nobody Knows When You’re Down and Out [1929‐05‐15]
recording of:
Nobody Knows You When You’re Down and Out (am 1929-05-15)
Texter und Komponist(in):
Jimmy Cox
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Help, I’m a Publisher und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Bessie Smith3:00
15Black and Blue [1929‐07‐22]
recording of:
Black and Blue (am 1929-07-22)
Texter:
Harry Brooks (jazz pianist & songwriter) und Andy Razaf
Komponist(in):
Fats Waller
publisher:
Memory Lane Music Ltd. und Redwood Music Ltd. (Carlin)
Louis Armstrong3:11
16Wichita Falls Blues [1929]
T‐Bone Walker3:12
17Camp Meeting Day [1929‐09‐10]
recording of:
Camp Meeting Day (am 1929-09-10)
Verfasser(in):
Noble Sissle
Noble Sissle3:01
18Nickel’s Worth of Liver Blues [1929‐09‐27]
Edith Johnson2:49
19Blue Spirit Blues [1929‐10‐11]
Bessie Smith2:56
20Come on Mama [1929]
Thomas A. Dorsey2:51
21After You’ve Gone [1929‐10‐18]
Banjo:
Mike Pingitore (am 1929-10-18)
Geige / Violine:
Otto Landau (Session Musician/Violin) (am 1929-10-18), Matty Malneck (am 1929-10-18) und Joe Venuti (am 1929-10-18)
Gitarre:
Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (am 1929-10-18)
Klavier:
Roy Bargy (pianist) (am 1929-10-18)
Kontrabass:
Mike Trafficante (am 1929-10-18)
Kornett:
Andy Secrest (American jazz trumpeter/cornetist) (am 1929-10-18)
Posaune:
Boyce Cullen (trombonist) (am 1929-10-18), Jack Fulton (US jazz trombonist, composer & vocalist) (am 1929-10-18), Wilbur Hall (am 1929-10-18) und Bill Rank (am 1929-10-18)
Rohrblattinstrumente:
Bernard Daly (am 1929-10-18), Irving Friedman (am 1929-10-18), Izzy Friedman (am 1929-10-18), Chester Hazlett (am 1929-10-18), Charles Strickfaden (am 1929-10-18) und Frankie Trumbauer (am 1929-10-18)
Schlagzeug:
George Marsh (drums) (am 1929-10-18)
Sopransaxophon:
Bernard Daly (am 1929-10-18)
Trompete:
Harry Goldfield (am 1929-10-18), Charlie Margulis (am 1929-10-18) und Andy Secrest (American jazz trumpeter/cornetist) (am 1929-10-18)
Tuba und Tuba [brass bass]:
Min Leibrook (am 1929-10-18)
vocals:
Bing Crosby (am 1929-10-18)
recording of:
After You’ve Gone (am 1929-10-18)
Texter:
Henry Creamer (Lyricist) (in 1918)
Komponist(in):
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. und Morley Music Corp.
Teil von:
For Me and My Gal (1942 movie)
Bing Crosby3:04
22Travelin’ Blues [1929‐10‐30]
Blind Willie McTell3:22
23St. Louis Blues [1929‐12‐13]
Louis Armstrong3:04
24Milk Cow Blues [1930]
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1930-05-13)
Gitarre:
Sleepy John Estes (am 1930-05-13)
Klavier:
Jab Jones (am 1930-05-13)
Mandoline:
Yank Rachell (am 1930-05-13)
vocals:
Sleepy John Estes (am 1930-05-13)
recording of:
Milk Cow Blues (John Estes' version, aka Leaving Trunk) (am 1930-05-13)
Texter und arranger:
Sleepy John Estes
Komponist(in):
[traditional] (special purpose artist)
publisher:
Peermusic (UK) Limited
Version von:
Milk Cow Blues
Sleepy John Estes3:04
25I Dreamed of the Judgment Morning [1930]
Dunham Jubilee Singers2:41
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Nr.TitelKünstlerBewertungLänge
1Puttin’ on the Ritz [1930‐03‐26]
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1930-03-26)
vocals und Interpret(in):
Fred Astaire (am 1930-03-26)
Orchester:
Columbia Studio Orchestra (am 1930-03-26) und Van Phillips and His Orchestra (am 1930-03-26)
recording of:
Puttin’ On the Ritz (am 1930-03-26)
Texter und Komponist(in):
Irving Berlin (in 1929)
publisher:
Berlin Irving Music Corp und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Teil von:
Idiot’s Delight (film)
Fred Astaire2:34
2On Revival Day [1930‐06‐09]
recording of:
On Revival Day (am 1930-06-09)
Texter und Komponist(in):
Andy Razaf
Bessie Smith2:58
3Baby Won’t You Please Come Home [1930‐07‐28]
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1930-07-28)
alto saxophone:
Jimmy Dudley (American jazz saxophonist) (am 1930-07-28) und Don Redman (am 1930-07-28)
Banjo:
Dave Wilborn (am 1930-07-28)
Klarinette:
Jimmy Dudley (American jazz saxophonist) (am 1930-07-28), Don Redman (am 1930-07-28), Prince Robinson (am 1930-07-28) und George Thomas (jazz saxophonist) (am 1930-07-28)
Klavier und Vibraphon [vibes]:
Todd Rhodes (am 1930-07-28)
Posaune:
Ed Cuffee (am 1930-07-28)
Schlagzeug:
Cuba Austin (am 1930-07-28)
Sopransaxophon:
Don Redman (am 1930-07-28)
Tenorsaxophon:
Prince Robinson (am 1930-07-28) und George Thomas (jazz saxophonist) (am 1930-07-28)
Trompete:
Langston Curl (am 1930-07-28), George "Buddy" Lee (American jazz trumpeter, 1920s) (am 1930-07-28) und Joe Smith (American jazz trumpeter/cornetist) (am 1930-07-28)
Tuba:
Ralph Escudero (am 1930-07-28)
vocals:
George Thomas (jazz saxophonist) (am 1930-07-28)
cover recording of:
Baby Won’t You Please Come Home (am 1930-07-28)
Verfasser(in):
Charles Warfield und Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) und Universal/MCA Music Ltd. (not for release label use!)
George Thomas & McKinney’s Cotton Pickers3:14
4Good News [1930‐08‐08]
recording of:
Good News (am 1930-08-08)
Texter und Komponist(in):
[traditional] (special purpose artist)
Hall Johnson1:17
5I Got Rhythm [1930‐11‐18]
recording of:
I Got Rhythm (am 1930-11-18)
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV und New World Music Co. (in 1930)
Teil von:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
Ethel Waters3:09
6No Woman No Nickel [1931]
Bumble Bee Slim3:31
7Shine [1931‐03‐09]
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1931-03-09)
alto saxophone [alto sax]:
Les Hite (am 1931-03-09) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1931-03-09)
Banjo:
Bill Perkins (jazz guitar and banjo) (am 1931-03-09)
Klarinette und Tenorsaxophon [tenor sax]:
Charlie Jones (jazz clarinet/sax) (am 1931-03-09)
Klavier:
Henry Prince (am 1931-03-09)
Kontrabass [bass] und Tuba:
Joe Bailey (US double bassist and songwriter) (am 1931-03-09)
Posaune:
Luther Craven (am 1931-03-09)
Schlagzeug:
Lionel Hampton (am 1931-03-09)
Trompete:
Louis Armstrong (am 1931-03-09), McLure "Red Mac" Morris (am 1931-03-09) und Harold Scott (am 1931-03-09)
vocals:
Louis Armstrong (am 1931-03-09)
recording of:
Shine (am 1931-03-09)
Texter:
Lew Brown (in 1910) und Cecil Mack (in 1910)
Komponist(in):
Ford Dabney (in 1910)
Louis Armstrong & His Sebastian New Cotton Club Orchestra3:27
8Shipwreck Blues [1931‐06‐11]
Bessie Smith3:24
9Heebie Jeebies [1931‐06‐26]
recording of:
Heebie Jeebies (am 1931-06-26)
Texter und Komponist(in):
Boyd Atkins
George Morton & Mills Blue Rhythm Band3:13
10It’s the Girl [1931‐07‐08]
recording of:
It's the Girl (am 1931-07-08)
Texter:
David Oppenheim (songwriter, composer)
Komponist(in):
Abel Baer
publisher:
EMI Feist Catalog Inc.
The Boswell Sisters3:13
11Can’t Be Bothered With No Sheik [1931‐08‐19]
Rosa Henderson3:20
12Stardust [1931‐11‐04]
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-04)
alto saxophone:
Lester Boone (am 1931-11-04) und George James (US jazz saxophonist) (am 1931-11-04)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-04)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-04)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-04)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-04)
Schlagzeug:
Tubby Hall (am 1931-11-04)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-04)
Trompete:
Louis Armstrong (am 1931-11-04) und Zilner Randolph (am 1931-11-04)
vocals:
Louis Armstrong (am 1931-11-04)
recording of:
Stardust (the jazz standard) (am 1931-11-04)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
Louis Armstrong3:37
13Need a Little Sugar in My Bowl [1931‐11‐20]
recording of:
Need a Little Sugar in My Bowl (Bessie Smith's version) (am 1931-11-20)
Verfasser(in):
James “Tim” Brymn, Dally Small und Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Bessie Smith2:50
14Georgia on My Mind [1931‐11‐24]
recording of:
Georgia on My Mind (am 1931-11-24)
Nationalhymne von:
Georgia, Vereinigte Staaten (vom 1979 bis heute)
Texter:
Stuart Gorrell (in 1930)
Komponist(in):
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (vom 1930 bis heute) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (vom 1930 bis heute)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Arrangement von:
Georgia on My Mind (Solo piano arrangement)
Mildred Bailey3:30
15Too‐Too Train [1932]
Big Bill Broonzy2:54
16How Long Has That Evening Train Been Gone [1932]
Leroy Carr2:54
17It Don’t Mean a Thing If It Ain’t Got That Swing [1932‐02‐02]
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (am 1932-02-02)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Ivie Anderson3:12
18I Wanna Count Sheep [1932‐03‐10]
recording of:
I Wanna Count Sheep Till the Cows Come Home (am 1932-03-10)
Verfasser(in):
Little Jack Little und Joe Young (US lyricist)
Harlan Lattimore3:04
19Some of These Days [1932‐05‐26]
recording of:
Some of These Days (am 1932-05-26)
Texter und Komponist(in):
Shelton Brooks
Verfasser(in):
Spencer Williams (US jazz composer, pianist & singer)
Bing Crosby2:36
20Little Brother Blues [1932]
Josh White3:03
21Rockin’ Chair [1932‐08‐18]
Produzent(in):
Barry Feldman
vocals:
Mildred Bailey (am 1932-08-18)
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song) (am 1932-08-18)
Texter:
Hoagy Carmichael
Komponist(in):
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
Mildred Bailey & The Matty Malneck Orchestra3:03
22Willow Weep for Me [1932‐09‐26]
recording of:
Willow Weep for Me (am 1932-09-26)
Texter und Komponist(in):
Ann Ronell (in 1932)
publisher:
Ann Ronell Music und Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Irene Taylor3:28
23My Honey’s Lovin’ Arms [1933‐01‐26]
recording of:
My Honey’s Loving Arms (am 1933-01-26)
Verfasser(in):
Joseph Meyer (US songwriter) und Harry Ruby
Bing Crosby & The Mills Brothers3:01
24I Gotta Right to Sing the Blues [1933‐03‐07]
recording of:
I Gotta Right to Sing the Blues (am 1933-03-07)
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
Lee Wiley & The Dorsey Brothers Orchestra2:46
25Stormy Weather [1933‐05‐03]
recording of:
Stormy Weather (am 1933-05-03)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
Ethel Waters & The Dorsey Brothers Orchestra3:05
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