| # | Title | Artist | Rating | Length |
|---|
| 1 | Rock the Casbah | The Clash | 4.6 | 3:42 |
| 2 | The Whole of the Moon | The Waterboys | 4.45 | 5:01 |
| 3 | Ashes to Ashes- recording engineer:
- David Bowie (from 1980-02-15 until 1980-06) and Tony Visconti (from 1980-02-15 until 1980-06)
- assistant engineer:
- Larry Alexander (from 1980-02 until 1980-04) and Jeff Hendrickson (from 1980-02 until 1980-04)
- producer:
- David Bowie and Tony Visconti
- drums (drum set):
- Dennis Davis (from 1980-02-15 until 1980-06)
- electric bass guitar:
- George Murray (from 1980-02-15 until 1980-06)
- guitar:
- Carlos Alomar (from 1980-02-15 until 1980-06)
- guitar synthesizer [Roland GR-500 guitar synthesizer]:
- Chuck Hammer (from 1980-02-15 until 1980-06)
- Minimoog and analog synthesizer [Yamaha CS-80]:
- Andy Clark (from 1980-02-15 until 1980-06)
- percussion and shakers:
- Tony Visconti (from 1980-02-15 until 1980-06)
- piano [flanged piano]:
- Roy Bittan (from 1980-02-15 until 1980-06)
- background vocals and lead vocals:
- David Bowie (from 1980-04 until 1980-06)
- phonographic copyright (℗) by:
- RCA Records (in 1980), Mainman S.A. (in 1992) and Tintoretto Music (in 1992)
- recorded at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1980-02-15 until 1980-06) and Good Earth Studios in Soho, Westminster, London , England, United Kingdom (from 1980-04 until 1980-06)
- recording of:
- Ashes to Ashes (from 1980-02-15 until 1980-06)
- lyricist and composer:
- David Bowie
- publisher:
- EMI Music Publishing , EMI Music Publishing Ltd. , RZO Music Ltd, Screen Gems–EMI Music, Inc. and Tintoretto Music
| David Bowie | 4.3 | 4:22 |
| 4 | Sgt. Rock (Is Going to Help Me) | XTC | 5 | 3:37 |
| 5 | Movin' on Up | Primal Scream | 3.55 | 3:45 |
| 6 | Echo Beach | Martha and the Muffins | 3.6 | 3:33 |
| 7 | One Way or Another- assistant engineer:
- Grey Russell and Peter Coleman
- engineer:
- Peter Coleman
- assistant producer:
- Peter Coleman
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1978-06 until 1978-07)
- drums (drum set):
- Clem Burke (from 1978-06 until 1978-07)
- guitar:
- Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
- keyboard:
- Jimmy Destri (from 1978-06 until 1978-07)
- lead vocals:
- Deborah Harry (from 1978-06 until 1978-07)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1978, in 2001), Capitol Records, LLC (in 1978, in 2001), Chrysalis Records (in 1978), Chrysalis Records, Inc. (in 1978, in 2001) and Capitol Records (in 2001)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
- mixed at:
- Forum Studio in Covington, Kentucky, United States
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 298)
- recording of:
- One Way or Another (from 1978-06 until 1978-07)
- writer:
- Nigel Harrison and Deborah Harry
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Chrysalis Songs, EMI Music Publishing Ltd. , Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. and Rare Blue Music Inc (in 1978)
| Blondie | 4.15 | 3:27 |
| 8 | Sharp Dressed Man | ZZ Top | 4.6 | 4:14 |
| 9 | Hush | Deep Purple | 4.2 | 4:25 |
| 10 | No More Heroes | The Stranglers | 5 | 2:56 |
| 11 | Staring at the Rude Boys | The Ruts | 5 | 3:13 |
| 12 | Richard III | Supergrass | 3.05 | 3:19 |
| 13 | 20th Century Boy | T. Rex | 4.8 | 3:37 |
| 14 | Let's Stick Together- assistant engineer:
- Nigel Walker and Jon Walls
- engineer:
- Steve Nye and John Punter
- producer:
- Bryan Ferry and Chris Thomas
- bass:
- John Wetton (from 1973 until 1976)
- drums (drum set):
- Paul Thompson (from 1973 until 1976)
- guitar:
- Chris Spedding (from 1973 until 1976)
- harmonica and keyboard:
- Bryan Ferry (from 1973 until 1976)
- percussion:
- Morris Pert (from 1973 until 1976)
- soprano saxophone:
- Mel Collins (from 1973 until 1976)
- synthesizer and violin:
- Eddie Jobson (from 1973 until 1976)
- tenor saxophone:
- Chris Mercer (from 1973 until 1976)
- trumpet:
- Martin Drover (from 1973 until 1976)
- choir vocals:
- Vicki Brown (from 1973 until 1976), Doreen Chanter (from 1973 until 1976), Helen Chappelle (from 1973 until 1976), Jackie Sullivan (from 1973 until 1976), Martha Walker (from 1973 until 1976) and Paddie McHugh (from 1973 until 1976)
- vocals:
- Bryan Ferry (from 1973 until 1976)
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1976), Virgin EG Records Ltd. (in 1976) and Virgin Records Ltd. (in 1976, in 1999)
- recorded at:
- Air Studios in London , England, United Kingdom and Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (from 1973 until 1976)
- cover recording of:
- Let’s Stick Together (from 1973 until 1976)
- lyricist and composer:
- Wilbert Harrison
- publisher:
- ABZ Music Corp., Copyright Control , EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. and SBK/U Catalog (in 1969)
| Bryan Ferry | 3.35 | 2:56 |
| 15 | Sweet Talkin' Woman- engineer:
- Mack
- producer:
- Jeff Lynne
- bass:
- Kelly Groucutt (in 1977)
- drums (drum set) and percussion:
- Bev Bevan (in 1977)
- guitar, synthesizer and lead vocals:
- Jeff Lynne (in 1977)
- keyboard:
- Richard Tandy (in 1977)
- violin:
- Mik Kaminski (in 1977)
- conductor:
- Louis Clark (in 1977)
- arranger:
- Louis Clark, Jeff Lynne and Richard Tandy
- phonographic copyright (℗) by:
- Jet Records (in 1977), Sony Music Entertainment (in 1977, in 2005) and Sony Music Entertainment Inc. (in 1977)
- recorded at:
- Musicland Studios in München , Bayern , Germany (in 1977)
- mixed at:
- Musicland Studios in München , Bayern , Germany
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 86)
- recording of:
- Sweet Talkin’ Woman (in 1977)
- lyricist and composer:
- Jeff Lynne
- publisher:
- EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), Jet Music Inc. (in 1977) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Electric Light Orchestra | 4.5 | 3:48 |
| 16 | Maybe I'm Amazed- engineer and mixer:
- Phil McDonald
- producer:
- Paul McCartney
- drums (drum set), electric bass guitar, electric guitar, organ, piano and lead vocals:
- Paul McCartney (on 1970-02-22)
- background vocals:
- Linda McCartney (on 1970-02-22) and Paul McCartney (on 1970-02-22)
- phonographic copyright (℗) by:
- MPL Communications Inc. (in 1970, in 2014) and MPL Communications Ltd. (in 2014)
- recorded at:
- Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London , England, United Kingdom (on 1970-02-22)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 339)
- recording of:
- Maybe I’m Amazed (on 1970-02-22)
- written in:
- London , England, United Kingdom (in 1969)
- lyricist and composer:
- Paul McCartney (in 1969)
- publisher:
- Northern Songs Ltd. and Sony/ATV Tunes LLC
| Paul McCartney | 4.5 | 3:50 |
| 17 | How Long | Ace | 3.65 | 3:20 |
| 18 | Enjoy the Silence | Depeche Mode | 4.4 | 4:15 |
| 19 | Headlights on the Parade | The Blue Nile | | 6:15 |
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