All Through the Night: Julie London Sings the Choicest of Cole Porter

~ Release by Julie London with The Bud Shank Quintet (see all versions of this release, 7 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1I’ve Got You Under My Skin
engineer and producer:
Richard Bock (record producer)
bass:
Monty Budwig (from 1965-07-12 until 1965-07-16)
drums (drum set) and membranophone:
Colin Bailey (drummer) (from 1965-07-12 until 1965-07-16)
guitar:
Joe Pass (jazz guitarist) (from 1965-07-12 until 1965-07-16)
instruments:
The Bud Shank Quintet (from 1965-07-12 until 1965-07-16)
piano:
Russ Freeman (pianist) (from 1965-07-12 until 1965-07-16)
woodwind:
Bud Shank (from 1965-07-12 until 1965-07-16)
vocals:
Julie London (from 1965-07-12 until 1965-07-16)
arranger:
Russ Freeman (pianist)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (from 1965-07-12 until 1965-07-16)
cover recording of:
I’ve Got You Under My Skin (from 1965-07-12 until 1965-07-16)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
3:00
A2You Do Something to Me
engineer and producer:
Richard Bock (record producer)
bass:
Monty Budwig (from 1965-07-12 until 1965-07-16)
drums (drum set) and membranophone:
Colin Bailey (drummer) (from 1965-07-12 until 1965-07-16)
guitar:
Joe Pass (jazz guitarist) (from 1965-07-12 until 1965-07-16)
instruments:
The Bud Shank Quintet (from 1965-07-12 until 1965-07-16)
piano:
Russ Freeman (pianist) (from 1965-07-12 until 1965-07-16)
woodwind:
Bud Shank (from 1965-07-12 until 1965-07-16)
vocals:
Julie London (from 1965-07-12 until 1965-07-16)
arranger:
Russ Freeman (pianist)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (from 1965-07-12 until 1965-07-16)
cover recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (from 1965-07-12 until 1965-07-16)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
Fifty Million Frenchmen
2:15
A3Get Out of Town
engineer and producer:
Richard Bock (record producer)
bass:
Monty Budwig (from 1965-07-12 until 1965-07-16)
drums (drum set) and membranophone:
Colin Bailey (drummer) (from 1965-07-12 until 1965-07-16)
guitar:
Joe Pass (jazz guitarist) (from 1965-07-12 until 1965-07-16)
instruments:
The Bud Shank Quintet (from 1965-07-12 until 1965-07-16)
piano:
Russ Freeman (pianist) (from 1965-07-12 until 1965-07-16)
woodwind:
Bud Shank (from 1965-07-12 until 1965-07-16)
vocals:
Julie London (from 1965-07-12 until 1965-07-16)
arranger:
Russ Freeman (pianist)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (from 1965-07-12 until 1965-07-16)
cover recording of:
Get Out of Town (from 1965-07-12 until 1965-07-16)
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
recording of:
Get Out of Town
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
2:55
A4All Through the Night
engineer and producer:
Richard Bock (record producer)
bass:
Monty Budwig (from 1965-07-12 until 1965-07-16)
drums (drum set) and membranophone:
Colin Bailey (drummer) (from 1965-07-12 until 1965-07-16)
guitar:
Joe Pass (jazz guitarist) (from 1965-07-12 until 1965-07-16)
instruments:
The Bud Shank Quintet (from 1965-07-12 until 1965-07-16)
piano:
Russ Freeman (pianist) (from 1965-07-12 until 1965-07-16)
woodwind:
Bud Shank (from 1965-07-12 until 1965-07-16)
vocals:
Julie London (from 1965-07-12 until 1965-07-16)
arranger:
Russ Freeman (pianist)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (from 1965-07-12 until 1965-07-16)
cover recording of:
All Through the Night (from 1965-07-12 until 1965-07-16)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
WB Music Corp. (1929–2019)
part of:
Anything Goes
4:32
A5So in Love
engineer and producer:
Richard Bock (record producer)
bass:
Monty Budwig (from 1965-07-12 until 1965-07-16)
drums (drum set) and membranophone:
Colin Bailey (drummer) (from 1965-07-12 until 1965-07-16)
guitar:
Joe Pass (jazz guitarist) (from 1965-07-12 until 1965-07-16)
instruments:
The Bud Shank Quintet (from 1965-07-12 until 1965-07-16)
piano:
Russ Freeman (pianist) (from 1965-07-12 until 1965-07-16)
woodwind:
Bud Shank (from 1965-07-12 until 1965-07-16)
vocals:
Julie London (from 1965-07-12 until 1965-07-16)
arranger:
Russ Freeman (pianist)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (from 1965-07-12 until 1965-07-16)
cover recording of:
So in Love (from Kiss Me, Kate) (from 1965-07-12 until 1965-07-16)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
part of:
Kiss Me, Kate (musical)
4:03
B1At Long Last Love
engineer and producer:
Richard Bock (record producer)
bass:
Monty Budwig (from 1965-07-12 until 1965-07-16)
drums (drum set) and membranophone:
Colin Bailey (drummer) (from 1965-07-12 until 1965-07-16)
guitar:
Joe Pass (jazz guitarist) (from 1965-07-12 until 1965-07-16)
instruments:
The Bud Shank Quintet (from 1965-07-12 until 1965-07-16)
piano:
Russ Freeman (pianist) (from 1965-07-12 until 1965-07-16)
woodwind:
Bud Shank (from 1965-07-12 until 1965-07-16)
vocals:
Julie London (from 1965-07-12 until 1965-07-16)
arranger:
Russ Freeman (pianist)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (from 1965-07-12 until 1965-07-16)
cover recording of:
At Long Last Love (from 1965-07-12 until 1965-07-16)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
part of:
You Never Know
3:27
B2Easy to Love
engineer and producer:
Richard Bock (record producer)
bass:
Monty Budwig (from 1965-07-12 until 1965-07-16)
drums (drum set) and membranophone:
Colin Bailey (drummer) (from 1965-07-12 until 1965-07-16)
guitar:
Joe Pass (jazz guitarist) (from 1965-07-12 until 1965-07-16)
instruments:
The Bud Shank Quintet (from 1965-07-12 until 1965-07-16)
piano:
Russ Freeman (pianist) (from 1965-07-12 until 1965-07-16)
woodwind:
Bud Shank (from 1965-07-12 until 1965-07-16)
vocals:
Julie London (from 1965-07-12 until 1965-07-16)
arranger:
Russ Freeman (pianist)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (from 1965-07-12 until 1965-07-16)
cover recording of:
Easy to Love (from 1965-07-12 until 1965-07-16)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
2:27
B3My Heart Belongs to Daddy
producer:
Richard Bock (record producer)
double bass:
Monty Budwig (on 1965-07-12)
drums (drum set) and membranophone:
Colin Bailey (drummer) (on 1965-07-12)
guitar:
Joe Pass (jazz guitarist) (on 1965-07-12)
instruments:
The Bud Shank Quintet (on 1965-07-12)
piano:
Russ Freeman (pianist) (on 1965-07-12)
woodwind:
Bud Shank (on 1965-07-12)
vocals:
Julie London (on 1965-07-12)
arranger:
Russ Freeman (pianist)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1965-07-12)
cover recording of:
My Heart Belongs to Daddy (on 1965-07-12)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
recording of:
My Heart Belongs to Daddy
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
2:45
B4Ev’ry Time We Say Goodbye
engineer and producer:
Richard Bock (record producer)
bass:
Monty Budwig (from 1965-07-12 until 1965-07-16)
drums (drum set) and membranophone:
Colin Bailey (drummer) (from 1965-07-12 until 1965-07-16)
guitar:
Joe Pass (jazz guitarist) (from 1965-07-12 until 1965-07-16)
instruments:
The Bud Shank Quintet (from 1965-07-12 until 1965-07-16)
piano:
Russ Freeman (pianist) (from 1965-07-12 until 1965-07-16)
woodwind:
Bud Shank (from 1965-07-12 until 1965-07-16)
vocals:
Julie London (from 1965-07-12 until 1965-07-16)
arranger:
Russ Freeman (pianist)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (from 1965-07-12 until 1965-07-16)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (from 1965-07-12 until 1965-07-16)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:20
B5In the Still of the Night
engineer and producer:
Richard Bock (record producer)
bass:
Monty Budwig (from 1965-07-12 until 1965-07-16)
drums (drum set) and membranophone:
Colin Bailey (drummer) (from 1965-07-12 until 1965-07-16)
guitar:
Joe Pass (jazz guitarist) (from 1965-07-12 until 1965-07-16)
instruments:
The Bud Shank Quintet (from 1965-07-12 until 1965-07-16)
piano:
Russ Freeman (pianist) (from 1965-07-12 until 1965-07-16)
woodwind:
Bud Shank (from 1965-07-12 until 1965-07-16)
vocals:
Julie London (from 1965-07-12 until 1965-07-16)
performer:
The Bud Shank Quintet
arranger:
Russ Freeman (pianist)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (from 1965-07-12 until 1965-07-16)
cover recording of:
In the Still of the Night (Cole Porter song) (from 1965-07-12 until 1965-07-16)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
2:34