Bach Edition, Volume 4: Cantatas/Kantaten, Volume I

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Annotation

99363/* are the individual disc cat#s. The discs might have individual barcodes as well.

Barcode of disc 5 = 5028421936352 (only one I have!)

Annotation last modified on 2017-07-22 08:44 UTC.

Tracklist

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1CD: BWV 80, 82, 61
#TitleRatingLength
1Cantata, BWV 80 "Ein feste Burg ist unser Gott": I. Choir "Ein feste Burg ist unser Gott"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
5:16
2Cantata, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Soprano, Bass) "Mit unser Macht"
bass vocals:
Bas Ramselaar (operatic bass)
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Bass) con Choral (Sopran) "Alles, was von Gott geboren" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
3:57
3Cantata, BWV 80 "Ein feste Burg ist unser Gott": III. Recitative (Bass) "Erwäge doch, Kind Gottes"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": III. Recitativo (Bass) "Erwäge doch, Kind Gottes" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
1:56
4Cantata, BWV 80 "Ein feste Burg ist unser Gott": IV. Aria (Soprano) "Komm in mein Herzenshaus"
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": IV. Aria (Sopran) "Komm in mein Herzenshaus" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
3:16
5Cantata, BWV 80 "Ein feste Burg ist unser Gott": V. Choral (Choir) "Und wenn die Welt voll Teufel wär"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": V. Choral "Und wenn die Welt voll Teufel wär" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
3:47
6Cantata, BWV 80 "Ein feste Burg ist unser Gott": VI. Recitative (Tenor) "So stehe denn bei Christi"
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VI. Recitativo (Tenor) "So stehe dann bei Christi blutgefärbten Fahne" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
1:25
7Cantata, BWV 80 "Ein feste Burg ist unser Gott": VII. Duet (Alto, Tenor) "Wie selig sind doch die"4:01
8Cantata, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral (Choir) "Das Wort sie sollen lassen stahn"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" (in 1999-04)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Breitkopf 389 Choralgesänge (number: 76)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
1:12
9Cantata, BWV 82 "Ich habe genug": I. Aria (Bass) "Ich habe genug"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
7:43
10Cantata, BWV 82 "Ich habe genug": II. Recitative (Bass) "Ich habe genug!"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
1:13
11Cantata, BWV 82 "Ich habe genug": III. Aria (Bass) "Schlummert ein, ihr matten Augen"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
9:25
12Cantata, BWV 82 "Ich habe genug": IV. Recitative (Bass) "Mein Gott! wann kommt das schöne: Nun!"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
0:52
13Cantata, BWV 82 "Ich habe genug": V. Aria (Bass) "Ich freue mich auf meinen Tod"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
3:53
14Cantata, BWV 61 "Nun komm, der Heiden Heiland": I. Choir "Nun komm, der Heiden Heiland"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
3:01
15Cantata, BWV 61 "Nun komm, der Heiden Heiland": II. Recitative (Tenor) "Der Heiland ist gekommen"
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": II. Recitativo (Tenore): "Der Heiland ist gekommen" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
1:33
16Cantata, BWV 61 "Nun komm, der Heiden Heiland": III. Aria (Tenor) "Komm, Jesu, komm zu deiner Kirche"
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": III. Aria (Tenore) "Komm, Jesu, komm zu deiner Kirche" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
4:00
17Cantata, BWV 61 "Nun komm, der Heiden Heiland": IV. Recitative (Bass) "Siehe, ich stehe vor der Tür"0:46
18Cantata, BWV 61 "Nun komm, der Heiden Heiland": V. Aria (Soprano) "Öffne dich, mein ganzes Herze"
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": V. Aria (Soprano) "Öffne dich, mein ganzes Herze" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
3:48
19Cantata, BWV 61 "Nun komm, der Heiden Heiland": VI. Choral (Choir) "Amen, Amen!"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": VI. Choral "Amen, Amen" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
1:01
2CD: BWV 16, 170, 133
#TitleRatingLength
1Herr Gott, dich loben wir BWV 16 - I Coro1:30
2Herr Gott, dich loben wir BWV 16 - II Recitativo (Basso)
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": II. Recitativo (Basso) "So stimmen wir bei dieser frohen Zeit" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
1:26
3Herr Gott, dich loben wir BWV 16 - III Coro & Aria (Basso)
bass vocals:
Bas Ramselaar (operatic bass)
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": III. Aria (Basso) e Coro "Laßt uns jauchzen, lasst uns freuen" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
3:45
4Herr Gott, dich loben wir BWV 16 - IV Recitativo (Alto)
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": IV. Recitativo (Alto) "Ach treuer Hort" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
1:36
5Herr Gott, dich loben wir BWV 16 - V Aria (Tenore)8:09
6Herr Gott, dich loben wir BWV 16 - VI Choral (Coro)
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 16 "Herr Gott, dich loben wir": VI. Choral "All solch dein Güt wir preisen" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Paul Eber (in 1580)
part of:
Breitkopf 389 Choralgesänge (number: 125)
part of:
Kantate, BWV 16 "Herr Gott, dich loben wir"
1:13
7Vergnügte Ruh beliebte Seelenlust BWV 170 - I Aria (Alto)
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" (in 1999-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
5:27
8Vergnügte Ruh beliebte Seelenlust BWV 170 - II Recitativo (Alto)
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": II. Recitativo (Alt) "Die Welt, das Sündenhaus" (in 1999-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
1:21
9Vergnügte Ruh beliebte Seelenlust BWV 170 - III Aria (Alto)
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": III. Aria (Alt) "Wie jammern mich doch die verkehrten Herzen" (in 1999-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
7:17
10Vergnügte Ruh beliebte Seelenlust BWV 170 - IV Recitativo (Alto)
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": IV. Recitativo (Alt) "Wer sollte sich demnach" (in 1999-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
1:18
11Vergnügte Ruh beliebte Seelenlust BWV 170 - V Aria (Alto)
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": V. Aria (Alt) "Mir ekelt mehr zu leben" (in 1999-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
6:19
12Ich freue mich in dir BWV 133 - I Coro
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": I. Coro "Ich freue mich in dir" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
4:19
13Ich freue mich in dir BWV 133 - II Aria (Alto)
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": II. Aria (Alt) "Getrost! es faßt ein heilger Leib" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
4:16
14Ich freue mich in dir BWV 133 - III Recitativo (Tenore)
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": III. Recitativo (Tenor) "Ein Adam mag sich voller Schrecken" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
0:56
15Ich freue mich in dir BWV 133 - IV Aria (Soprano)
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": IV. Aria (Sopran) "Wie lieblich klingt es in den Ohren" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
7:42
16Ich freue mich in dir BWV 133 - V Recitativo (Basso)
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": V. Recitativo (Bass) "Wohlan, des Todes Furcht und Schmerz" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
1:00
17Ich freue mich in dir BWV 133 - VI Choral (Coro)
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": VI. Choral "Wohlan, so will ich mich" (in 1999-04)
lyricist:
Caspar Ziegler (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 181)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
1:07
3CD: BWV 97, 132, 72
#TitleRatingLength
1In allen meinen Taten BWV 97 - I Coro
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 97 "In allen meinen Taten": I. Coro "In allen meinen Taten" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
4:16
2In allen meinen Taten BWV 97 - II Aria (Basso)
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 97 "In allen meinen Taten": II. Aria (Bass) "Nichts ist es spat und frühe" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
3:43
3In allen meinen Taten BWV 97 - III Recitativo (Tenore)
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 97 "In allen meinen Taten": III. Recitativo (Tenor) "Es kann mir nichts geschehen" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
0:36
4In allen meinen Taten BWV 97 - IV Aria (Tenore)
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 97 "In allen meinen Taten": IV. Aria (Tenor) "Ich traue seiner Gnaden" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
5:51
5In allen meinen Taten BWV 97 - V Recitativo (Alto)
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 97 "In allen meinen Taten": V. Recitativo (Alt) "Er wolle meiner Sünden" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
0:45
6In allen meinen Taten BWV 97 - VI Aria (Alto)
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 97 "In allen meinen Taten": VI. Aria (Alt) "Leg ich mich späte nieder" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
4:20
7In allen meinen Taten BWV 97 - VII Duetto (Soprano, Basso)
bass vocals:
Bas Ramselaar (operatic bass)
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 97 "In allen meinen Taten": VII. Duetto (Sopran, Bass) "Hat er es denn beschlossen" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
3:53
8In allen meinen Taten BWV 97 - VIII Aria (Soprano)
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 97 "In allen meinen Taten": VIII. Aria (Sopran) "Ihm hab ich mich ergeben" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
3:22
9In allen meinen Taten BWV 97 - IX Choral (Coro)
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 97 "In allen meinen Taten": IX. Choral "So sei nun, Seele, deine" (in 1999-04)
lyricist:
Paul Fleming (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Breitkopf 389 Choralgesänge (number: 297)
part of:
Kantate, BWV 97 "In allen meinen Taten"
1:04
10Bereitet die Wege, bereitet die Bahn BWV 132 - I Aria (Soprano)5:41
11Bereitet die Wege, bereitet die Bahn BWV 132 - II Recitativo (Tenore)2:22
12Bereitet die Wege, bereitet die Bahn BWV 132 - III Aria (Basso)2:35
13Bereitet die Wege, bereitet die Bahn BWV 132 - IV Recitativo (Alto)1:56
14Bereitet die Wege, bereitet die Bahn BWV 132 - V Aria (Alto)3:36
15Bereitet die Wege, bereitet die Bahn BWV 132 - VI Choral (Coro)1:05
16Alles nur nach Gottes Willen BWV 72 - I Coro
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 72 "Alles nur nach Gottes Willen": I. Coro "Alles nur nach Gottes Willen" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 72 "Alles nur nach Gottes Willen"
3:45
17Alles nur nach Gottes Willen BWV 72 - II Recitativo (Alto)
alto vocals:
Sytse Buwalda
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 72 "Alles nur nach Gottes Willen": II. Recitativo (Alt) "O selger Christ" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 72 "Alles nur nach Gottes Willen"
2:09
18Alles nur nach Gottes Willen BWV 72 - III Aria (Alto)4:18
19Alles nur nach Gottes Willen BWV 72 - IV Recitativo (Basso)
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 72 "Alles nur nach Gottes Willen": IV. Recitativo (Bass) "So glaube nun!" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 72 "Alles nur nach Gottes Willen"
1:00
20Alles nur nach Gottes Willen BWV 72 - V Aria (Soprano)
soprano vocals:
Ruth Holton (soprano)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 72 "Alles nur nach Gottes Willen": V. Aria (Sopran) "Mein Jesus will es tun" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 72 "Alles nur nach Gottes Willen"
4:41
21Alles nur nach Gottes Willen BWV 72 - VI Choral (Coro)1:09
4CD: BWV 113,42
#TitleRatingLength
1Herr Jesu Christ, du höchstes Gut BWV 113 - I Coro3:40
2Herr Jesu Christ, du höchstes Gut BWV 113 - II Choral (Alto)4:18
3Herr Jesu Christ, du höchstes Gut BWV 113 - III Aria (Basso)
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": III. Aria (Bass) "Fürwahr, wenn mir das kömmet ein" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut"
3:30
4Herr Jesu Christ, du höchstes Gut BWV 113 - IV Recitativo (Basso)2:23
5Herr Jesu Christ, du höchstes Gut BWV 113 - V Aria (Tenore)
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut": V. Aria (Tenor) "Jesus nimmt die Sünder an" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 113 "Herr Jesu Christ, du höchstes Gut"
5:32
6Herr Jesu Christ, du höchstes Gut BWV 113 - VI Recitativo (Tenore)2:00
7Herr Jesu Christ, du höchstes Gut BWV 113 - VII Aria (Duetto- Soprano, Alto)2:25
8Herr Jesu Christ, du höchstes Gut BWV 113 - VIII Choral (Coro)1:15
9Am Abend aber desselbigen Sabbats BWV 42 - I Sinfonia
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": I. Sinfonia (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
6:51
10Am Abend aber desselbigen Sabbats BWV 42 - II Recitativo (Tenore)0:32
11Am Abend aber desselbigen Sabbats BWV 42 - III Aria (Alto)11:01
12Am Abend aber desselbigen Sabbats BWV 42 - IV Aria (Duetto- Soprano, Tenore)
soprano vocals:
Ruth Holton (soprano)
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": IV. Choral (Duetto: Soprano, Tenore) "Verzage nicht, o Häuflein klein" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
2:54
13Am Abend aber desselbigen Sabbats BWV 42 - V Recitativo (Basso)0:56
14Am Abend aber desselbigen Sabbats BWV 42 - VI Aria (Basso)
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": VI. Aria (Basso) "Jesus ist ein Schild der Seinen" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
3:33
15Am Abend aber desselbigen Sabbats BWV 42 - VII Choral (Coro)
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": VII. Choral "Verleih uns Frieden gnädiglich" (in 1999-04)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 322)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
1:48
5CD: BWV 33, 56, 37
#TitleRatingLength
1Cantata, BWV 33 "Allein zu dir, Herr Jesu Christ": I. Choir "Allein zu dir, Herr Jesu Christ"4:51
2Cantata, BWV 33 "Allein zu dir, Herr Jesu Christ": II. Recitative (Bass) "Mein Gott und Richter"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ": II. Recitativo (Basso) "Mein Gott und Richter" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ"
1:09
3Cantata, BWV 33 "Allein zu dir, Herr Jesu Christ": III. Aria (Alto) "Wie furchtsam wankten"7:39
4Cantata, BWV 33 "Allein zu dir, Herr Jesu Christ": IV. Recitative (Tenor) "Mein Gott, verwirf mich nicht"1:10
5Cantata, BWV 33 "Allein zu dir, Herr Jesu Christ": V. Duet (Tenor, Bass) "Gott, der du die Liebe heißt"
bass vocals:
Bas Ramselaar (operatic bass)
tenor vocals:
Knut Schoch (tenor)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ": V. Aria (Duetto: Tenore, Basso) "Gott, der du die Liebe heißt" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ"
4:35
6Cantata, BWV 33 "Allein zu dir, Herr Jesu Christ": VI. Choral (Choir) "Ehr sei Gott in dem höchsten Thron"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ": VI. Choral "Ehr sei Gott in dem höchsten Thron" (in 1999-04)
lyricist:
Johannes Schneesing (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 16)
part of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ"
1:28
7Cantata, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria (Bass) "Ich will den Kreuzstab gerne tragen"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria "Ich will den Kreuzstab gerne tragen" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
6:44
8Cantata, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative (Bass) "Mein Wandel auf der Welt"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative "Mein Wandel auf der Welt" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
1:56
9Cantata, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria (Bass) "Endlich, endlich wird mein Joch"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria "Endlich, endlich wird mein Joch" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
7:27
10Cantata, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative (Bass) "Ich stehe fertig und bereit"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative and Arioso "Ich stehe fertig und bereit" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
1:36
11Cantata, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Choral (Choir) "Komm, o Tod, du Schlafes Bruder"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
John Franck (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 72)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
1:34
12Cantata, BWV 37 "Wer da gläubet und getauft wird": I. Choir "Wer da gläubet und getauft wird"2:46
13Cantata, BWV 37 "Wer da gläubet und getauft wird": II. Aria (Tenor) "Der Glaube ist das Pfand der Liebe"5:11
14Cantata, BWV 37 "Wer da gläubet und getauft wird": III. Choral (Soprano, Alto) "Herr Gott Vater, mein starker Held"2:56
15Cantata, BWV 37 "Wer da gläubet und getauft wird": IV. Recitative (Bass) "Ihr Sterblichen, verlanget ihr mit mir"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 37 "Wer da gläubet und getauft wird": IV. Recitativo (Basso) "Ihr Sterblichen, verlanget ihr" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 37 "Wer da gläubet und getauft wird"
1:04
16Cantata, BWV 37 "Wer da gläubet und getauft wird": V. Aria (Bass) "Der Glaube schafft der Seele Flügel"
bass vocals:
Bas Ramselaar (operatic bass)
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 37 "Wer da gläubet und getauft wird": V. Aria (Basso) "Der Glaube schafft der Seele Flügel" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 37 "Wer da gläubet und getauft wird"
3:02
17Cantata, BWV 37 "Wer da gläubet und getauft wird": VI. Choral (Choir) "Den Glauben mir verleihe"
choir vocals:
Holland Boys Choir
orchestra:
Netherlands Bach Collegium
conductor:
Pieter Jan Leusink
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (from 1999-04 until 1999-09)
recording of:
Kantate, BWV 37 "Wer da gläubet und getauft wird": VI. Choral "Den Glauben mir verleihe" (in 1999-04)
lyricist:
Johannes Kolrose (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 178)
part of:
Kantate, BWV 37 "Wer da gläubet und getauft wird"
1:15

Credits

Release group

part of:Bach Edition (number: 4) (order: 4)