Original Album Classics

~ Release by Waylon Jennings (see all versions of this release, 1 available)

Annotation

5 CD box set

Annotation last modified on 2014-08-24 03:40 UTC.

Tracklist

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1▼CD: Lonesome, on’Ry and Mean (1973)
#TitleRatingLength
1Lonesome, On'ry And Mean
recording engineer:
Leslie Ladd (Engineer (Recording) aka Les Ladd), Tom Pick and Bill Vandervort
producer:
Waylon Jennings (US country musician)
bass:
Lee Miller (on 1972-12-18)
drums (drum set):
Richie Albright (on 1972-12-18)
guitar:
Waylon Jennings (US country musician) (on 1972-12-18), Billy Ray Reynolds (on 1972-12-18), Randy Scruggs (on 1972-12-18) and Chip Young (American session guitarist, bassist, producer in the genre of country) (on 1972-12-18)
steel guitar:
Ralph Mooney (on 1972-12-18)
lead vocals:
Waylon Jennings (US country musician) (on 1972-12-18)
phonographic copyright (℗) by:
BMG Music (in 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1974, in 1979) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1979)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1972-12-18)
cover recording of:
Lonesome, On’ry and Mean (on 1972-12-18)
writer:
Steve Young (US country singer/songwriter "Seven Bridges Road")
publisher:
Rich Way Music, Inc. and Sonet Productions Ltd.
43:41
2Freedom to Stay
recording engineer:
Leslie Ladd (Engineer (Recording) aka Les Ladd), Tom Pick and Bill Vandervort
producer:
Waylon Jennings (US country musician)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
Freedom to Stay
lyricist and composer:
Hoover (Willis David Hoover)
33:13
3Lay It Down
recording engineer:
Leslie Ladd (Engineer (Recording) aka Les Ladd), Tom Pick and Bill Vandervort
producer:
Ronny Light (American producer, recording engineer and songwriter.)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
Lay It Down
lyricist and composer:
Gene Thomas (US country singer)
33:19
4Gone to Denver
recording engineer:
Leslie Ladd (Engineer (Recording) aka Les Ladd), Tom Pick and Bill Vandervort
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
Gone to Denver
writer:
Johnny Cash (country music legend) and Red Lane
publisher:
Baron Music and House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
2:32
5Good Time Charlie’s Got the Blues
recording engineer:
Leslie Ladd (Engineer (Recording) aka Les Ladd), Tom Pick and Bill Vandervort
producer:
Waylon Jennings (US country musician)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
Good Time Charlie’s Got the Blues
lyricist and composer:
Danny O’Keefe
publisher:
Burlington Music Co., Ltd., Road Canon Music, Inc., Sixteen Stars Music (BMI-affiliated) and Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
43:24
6You Can Have Her
recording engineer:
Leslie Ladd (Engineer (Recording) aka Les Ladd), Tom Pick and Bill Vandervort
producer:
Ronny Light (American producer, recording engineer and songwriter.)
strings arranger:
Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
You Can Have Her (1961 song)
lyricist and composer:
Bill Cook (American songwriter)
publisher:
Big Billy Music and Big Billy Music Co.
2:44
7Pretend I Never Happened
recording engineer:
Leslie Ladd (Engineer (Recording) aka Les Ladd), Tom Pick and Bill Vandervort
producer:
Ronny Light (American producer, recording engineer and songwriter.)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
recording of:
Pretend I Never Happened
lyricist and composer:
Willie Nelson
publisher:
Willie Nelson Music, Inc.
3:05
8San Francisco Mabel Joy
recording engineer:
Leslie Ladd (Engineer (Recording) aka Les Ladd), Tom Pick and Bill Vandervort
producer:
Waylon Jennings (US country musician)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
San Francisco Mable Joy
lyricist and composer:
Mickey Newbury (American songwriter)
3:51
9Sandy Sends Her Best
recording engineer:
Leslie Ladd (Engineer (Recording) aka Les Ladd), Tom Pick and Bill Vandervort
producer:
Ronny Light (American producer, recording engineer and songwriter.)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
recording of:
Sandy Sends Her Best
writer:
Billy Ray Reynolds
2:37
10Me and Bobby McGee
recording engineer:
Leslie Ladd (Engineer (Recording) aka Les Ladd), Tom Pick and Bill Vandervort
producer:
Ronny Light (American producer, recording engineer and songwriter.)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
Me and Bobby McGee
lyricist and composer:
Fred Foster and Kris Kristofferson
publisher:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Keith Prowse Music Publishing Co. Ltd.
54:41
11Laid Back Country Picker
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass), Waylon Jennings (US country musician) and Ronny Light (American producer, recording engineer and songwriter.)
recording of:
Laid Back Country Picker
writer:
Jim Casey and Vince Matthews
33:16
12The Last One to Leave Seattle
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass), Waylon Jennings (US country musician) and Ronny Light (American producer, recording engineer and songwriter.)
recording of:
The Last One to Leave Seattle
writer:
Waylon Jennings (US country musician) and Steve Norman (US country songwriter/performer)
33:27
13Big, Big Love
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass), Waylon Jennings (US country musician) and Ronny Light (American producer, recording engineer and songwriter.)
cover recording of:
Big Big Love
writer:
Ray Carroll and Wynn Stewart (American country singer/songwriter)
2:26
2▼CD: This Time (1974)
#TitleRatingLength
1This Time
producer:
Waylon Jennings (US country musician) and Willie Nelson
bass:
Duke Goff (from 1973-10-29 until 1974-01-21)
drums (drum set):
Richie Albright (from 1973-10-29 until 1974-01-21)
guitar:
Waylon Jennings (US country musician) (from 1973-10-29 until 1974-01-21) and Larry Whitmore (from 1973-10-29 until 1974-01-21)
harmonica:
Don Brooks (from 1973-10-29 until 1974-01-21)
organ and piano:
Dee Moeller (from 1973-10-29 until 1974-01-21)
steel guitar:
Ralph Mooney (from 1973-10-29 until 1974-01-21)
trumpet:
Kyle Lehning (from 1973-10-29 until 1974-01-21)
lead vocals:
Waylon Jennings (US country musician) (from 1973-10-29 until 1974-01-21)
arranger:
Waylon Jennings (US country musician)
phonographic copyright (℗) by:
BMG Music (in 1974) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1974)
recorded at:
Glaser Sound Studios, Inc. (now known as Compass Sound Studio) in Nashville, Tennessee, United States (from 1973-10-29 until 1973-10-30, on 1974-01-21)
recording of:
This Time (from 1973-10-29 until 1974-01-21)
lyricist and composer:
Waylon Jennings (US country musician)
publisher:
Baron Music Publishing Co.
32:26
2Louisiana Women
producer:
Waylon Jennings (US country musician) and Willie Nelson
arranger:
Waylon Jennings (US country musician)
cover recording of:
Louisiana Women
lyricist and composer:
J.J. Cale
4:03
3Pick Up the Tempo
producer:
Waylon Jennings (US country musician) and Willie Nelson
arranger:
Waylon Jennings (US country musician)
cover recording of:
Pick Up the Tempo
lyricist and composer:
Willie Nelson
publisher:
Willie Nelson Music
42:33
4Slow Rollin’ Low
producer:
Waylon Jennings (US country musician) and Willie Nelson
arranger:
Waylon Jennings (US country musician)
recording of:
Slow Rollin’ Low
lyricist and composer:
Billy Joe Shaver
2:45
5Heaven or Hell
producer:
Waylon Jennings (US country musician) and Willie Nelson
arranger:
Waylon Jennings (US country musician)
cover recording of:
Heaven or Hell
lyricist and composer:
Willie Nelson
1:39
6It’s Not Supposed to Be That Way
producer:
Waylon Jennings (US country musician) and Willie Nelson
bass:
Duke Goff (from 1973-10-17 until 1973-10-18)
drums (drum set):
Richie Albright (from 1973-10-17 until 1973-10-18)
guitar:
Waylon Jennings (US country musician) (from 1973-10-17 until 1973-10-18), Willie Nelson (from 1973-10-17 until 1973-10-18), Fred Newell (from 1973-10-17 until 1973-10-18), Larry Whitmore (from 1973-10-17 until 1973-10-18) and Reggie Young (Guitarist and songwriter) (from 1973-10-17 until 1973-10-18)
harmonica:
Don Brooks (from 1973-10-17 until 1973-10-18)
organ and piano:
Jessi Colter (from 1973-10-17 until 1973-10-18)
steel guitar:
Ralph Mooney (from 1973-10-17 until 1973-10-18)
lead vocals:
Waylon Jennings (US country musician) (from 1973-10-17 until 1973-10-18)
arranger:
Waylon Jennings (US country musician)
phonographic copyright (℗) by:
BMG Music (in 1974)
recorded at:
Glaser Sound Studios, Inc. (now known as Compass Sound Studio) in Nashville, Tennessee, United States (from 1973-10-17 until 1973-10-18)
cover recording of:
It’s not Supposed to Be that Way (from 1973-10-17 until 1973-10-18)
lyricist and composer:
Willie Nelson
43:29
7Slow Movin’ Outlaw
producer:
Waylon Jennings (US country musician) and Willie Nelson
arranger:
Waylon Jennings (US country musician)
recording of:
Slow Movin' Outlaw
lyricist and composer:
Dee Moeller
3:41
8Mona
producer:
Waylon Jennings (US country musician) and Willie Nelson
arranger:
Waylon Jennings (US country musician)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1974)
cover recording of:
Mona
writer:
Jessi Colter
publisher:
Baron Music Publishing Co.
2:48
9Walkin’
producer:
Waylon Jennings (US country musician) and Willie Nelson
arranger:
Waylon Jennings (US country musician)
cover recording of:
Walkin’
lyricist and composer:
Willie Nelson (in 1974)
publisher:
EMI Full Nelson Music
2:28
10If You Could Touch Her at All
producer:
Waylon Jennings (US country musician) and Willie Nelson
arranger:
Waylon Jennings (US country musician)
cover recording of:
If You Could Touch Her at All
lyricist:
Lee Clayton
composer:
L. Clayton
publisher:
Resaca Music Publishing Co.
3:03
11That’ll Be the Day
producer:
Duane Eddy and Waylon Jennings (US country musician)
cover recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
2:25
12It Doesn’t Matter Anymore
producer:
Duane Eddy and Waylon Jennings (US country musician)
cover recording of:
It Doesn’t Matter Anymore
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) and Robert Mellin Ltd.
2:56
13Lady in the Harbor
producer:
Duane Eddy and Waylon Jennings (US country musician)
recording of:
Lady in the Harbor
writer:
Jerry Allison, Sonny Curtis, Doug Gilmore and Waylon Jennings (US country musician)
3:42
14Medley: Well All Right / It’s So Easy / Maybe Baby / Peggy Sue
medley including a cover recording of:
It’s So Easy
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Melody Lane Publications Inc., Wren Music Co. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1958)
medley including a cover recording of:
Maybe Baby
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Melody Lane Pub and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
medley including a cover recording of:
Peggy Sue
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH, Peermusic (UK) Limited, Southern Music (publisher) and Wren Music Co.
medley including a cover recording of:
Well… All Right
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Music Publishing Inc.
6:07
15If You’re Goin’ Girl
producer:
Duane Eddy and Waylon Jennings (US country musician)
cover recording of:
If You’re Goin’ Girl
writer:
Bobby Bond
3:45
3▼CD: The Ramblin’ Man (1974)
#TitleRatingLength
1I’m a Ramblin’ Man
recording engineer:
Al Pachucki (on 1974-02-08)
producer:
Waylon Jennings (US country musician) and Ray Pennington
bass:
Joe Allen (US country songwriter & bassist) (on 1974-02-08) and Leon Rhodes (on 1974-02-08)
drums (drum set):
D.J. Fontana (on 1974-02-08) and Larry Londin (on 1974-02-08)
guitar:
Waylon Jennings (US country musician) (on 1974-02-08), Dave Kirby (US country singer/songwriter) (on 1974-02-08) and Bobby Thompson (guitar & banjo player) (on 1974-02-08)
piano:
Bunky Keels (on 1974-02-08)
background vocals:
Lea Jane Berinati (on 1974-02-08), Ronald B. Drake (on 1974-02-08), Sharon Vaughn (on 1974-02-08) and Ernest West (on 1974-02-08)
lead vocals:
Waylon Jennings (US country musician) (on 1974-02-08)
phonographic copyright (℗) by:
BMG Music (in 1974) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1974)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1974-02-08)
cover recording of:
I’m a Rambling Man (on 1974-02-08)
lyricist and composer:
Ray Pennington
publisher:
Tree Publishing Co., Inc.
42:49
2Rainy Day Woman
recording engineer:
Kyle Lehning (on 1974-07-15)
producer:
Tompall Glaser (country music vocalist) and Waylon Jennings (US country musician)
bass:
Duke Goff (on 1974-07-15)
drums (drum set):
Richie Albright (on 1974-07-15)
guitar:
Waylon Jennings (US country musician) (on 1974-07-15), Fred Newell (on 1974-07-15) and Larry Whitmore (on 1974-07-15)
steel guitar:
Ralph Mooney (on 1974-07-15)
lead vocals:
Waylon Jennings (US country musician) (on 1974-07-15)
phonographic copyright (℗) by:
BMG Music (in 1974) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1974)
recorded at:
Glaser Sound Studios, Inc. (now known as Compass Sound Studio) in Nashville, Tennessee, United States (on 1974-07-15)
recording of:
Rainy Day Woman (on 1974-07-15)
lyricist and composer:
Waylon Jennings (US country musician)
publisher:
Baron Music Publishing Co., Hall-Clement Publications, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
32:31
3Cloudy Days
recorded in:
Nashville, Tennessee, United States
recording engineer:
Kyle Lehning
cover recording of:
Cloudy Days
lyricist and composer:
Billy Ray Reynolds
42:41
4Midnight Rider
recorded in:
Nashville, Tennessee, United States
recording engineer:
Kyle Lehning
cover recording of:
Midnight Rider
lyricist and writer:
Gregg Allman and Robert Kim Payne
composer:
Gregg Allman
publisher:
Elijah Blue Music, Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
23:24
5Oklahoma Sunshine
recorded in:
Nashville, Tennessee, United States
recording engineer:
Kyle Lehning
cover recording of:
Oklahoma Sunshine
writer:
Hal Bynum and Bud Reneau
43:29
6The Hunger
recorded in:
Nashville, Tennessee, United States
recording engineer:
Kyle Lehning
recording of:
The Hunger
lyricist and composer:
Lee Fry
3:31
7I Can’t Keep My Hands Off You
recorded in:
Nashville, Tennessee, United States
recording engineer:
Kyle Lehning
cover recording of:
I Can't Keep My Hands Off of You
writer:
Bobby Borchers (American songwriter) and Mack Vickery
3:38
8Memories of You and I
recorded in:
Nashville, Tennessee, United States
recording engineer:
Kyle Lehning
recording of:
Memories of You and I
lyricist and composer:
Lee Clayton
publisher:
Resaca Music Publishing Co.
4:16
9It’ll Be Her
recorded in:
Nashville, Tennessee, United States
recording engineer:
Kyle Lehning
cover recording of:
It’ll Be Her
writer:
Billy Ray Reynolds
3:03
10Amanda
recording engineer:
Kyle Lehning (from 1974-07-15 until 1979-04-09)
producer:
Waylon Jennings (US country musician) and Ken Mansfield
bass:
Jerry Bridges (from 1974-07-15 until 1979-04-09) and Duke Goff (from 1974-07-15 until 1979-04-09)
drums (drum set):
Richie Albright (from 1974-07-15 until 1979-04-09)
guitar:
Carl Gay (from 1974-07-15 until 1979-04-09), Waylon Jennings (US country musician) (from 1974-07-15 until 1979-04-09), Fred Newell (from 1974-07-15 until 1979-04-09), Billy Ray Reynolds (from 1974-07-15 until 1979-04-09), Larry Whitmore (from 1974-07-15 until 1979-04-09) and John Wilkin (from 1974-07-15 until 1979-04-09)
harmonica:
Roger Crabtree (from 1974-07-15 until 1979-04-09)
keyboard:
Kyle Lehning (from 1974-07-15 until 1979-04-09)
steel guitar:
Ralph Mooney (from 1974-07-15 until 1979-04-09)
lead vocals:
Waylon Jennings (US country musician) (from 1974-07-15 until 1979-04-09)
vocals:
Garth Fundis (from 1974-07-15 until 1979-04-09)
phonographic copyright (℗) by:
BMG Music (in 1974), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1974, in 1979) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1979, in 1980)
recorded at:
Glaser Sound Studios, Inc. (now known as Compass Sound Studio) in Nashville, Tennessee, United States (on 1974-07-15) and American Studios in Nashville, Tennessee, United States (on 1979-04-09)
cover recording of:
Amanda (from 1974-07-15 until 1979-04-09)
lyricist and composer:
Bob McDill
publisher:
Gold Dust Music, Ranger Bob Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
42:56
11Got a Lot Going for Me
recorded in:
Nashville, Tennessee, United States
recording engineer:
Kyle Lehning
producer:
Waylon Jennings (US country musician) and Ray Pennington
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1974)
recording of:
Got a Lot Going for Me
writer:
Dave Kirby (US country singer/songwriter)
publisher:
Tree Publishing Co., Inc.
2:32
12The Last Letter
recorded in:
Nashville, Tennessee, United States
recording engineer:
Kyle Lehning
cover recording of:
The Last Letter
lyricist and composer:
Rex Griffin (American country musician and songwriter)
4:07
13The One I Sing My Love Song To
recorded in:
Nashville, Tennessee, United States
recording engineer:
Kyle Lehning
recording of:
The One I Sing My Love Songs To
lyricist and composer:
Wayland Holyfield
2:49
4▼CD: Ol’ Waylon (1977)
#TitleRatingLength
1Luckenbach, Texas (Back to the Basics of Love)
engineer:
Don Cobb and Neil Wilburn
producer:
Chips Moman
bass:
Sherman Hayes (from 1977-01-07 until 1977-01-08)
drums (drum set):
Richie Albright (from 1977-01-07 until 1977-01-08)
guitar:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician) (from 1977-01-07 until 1977-01-08), Waylon Jennings (US country musician) (from 1977-01-07 until 1977-01-08), Gordon Payne (from 1977-01-07 until 1977-01-08), Rance Wasson (from 1977-01-07 until 1977-01-08) and Reggie Young (Guitarist and songwriter) (from 1977-01-07 until 1977-01-08)
keyboard:
Clifford Barny Robertson (from 1977-01-07 until 1977-01-08)
steel guitar:
Ralph Mooney (from 1977-01-07 until 1977-01-08)
background vocals:
Carter Robertson (from 1977-01-07 until 1977-01-08)
lead vocals:
Waylon Jennings (US country musician) (from 1977-01-07 until 1977-01-08) and Willie Nelson (from 1977-01-07 until 1977-01-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1977), BMG Music (in 1977), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1977) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1977)
recorded at:
American Studios in Nashville, Tennessee, United States (from 1977-01-07 until 1977-01-08)
mixed at:
American Studios in Nashville, Tennessee, United States
recording of:
Luckenbach, Texas (Back to the Basics of Love) (from 1977-01-07 until 1977-01-08)
composer:
Bobby Emmons and Chips Moman
publisher:
Baby Chick Music, Baby Chick Music, Inc. and Essex (publisher)
cover recording of:
Luckenbach, Texas (Back to the Basics of Love)
composer:
Bobby Emmons and Chips Moman
publisher:
Baby Chick Music, Baby Chick Music, Inc. and Essex (publisher)
43:22
2If You See Me Getting Smaller
engineer:
Don Cobb and Neil Wilburn
producer:
Chips Moman
background vocals:
Larry Keith (American songwriter in AOR Rock, Country, R&B) and Steve Pippin (American songwriter, session singer and actor)
recorded at and mixed at:
American Studios in Nashville, Tennessee, United States
cover recording of:
If You See Me Getting Smaller I'm Leaving
composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
43:39
3Lucille
engineer:
Don Cobb and Neil Wilburn
producer:
Chips Moman
recorded at and mixed at:
American Studios in Nashville, Tennessee, United States
cover recording of:
Lucille
writer:
Roger Bowling and Hal Bynum
publisher:
ATV Music Corp., Sony/ATV Music Publishing Australia Pty Ltd., Andite Invasion (publisher) (in 1976) and Brougham Hall Music Co., Inc. (publisher) (in 1976)
44:07
4Sweet Caroline
engineer:
Don Cobb and Neil Wilburn
producer:
Chips Moman
recorded at and mixed at:
American Studios in Nashville, Tennessee, United States
cover recording of:
Sweet Caroline
lyricist:
Neil Diamond
composer:
Neil Diamond (in 1969)
publisher:
Ahab Music Co., Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Sony Tunes, Inc., Stone Bridge Music Co., Tree Publishing and MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1969)
3:10
5I Think I’m Gonna Kill Myself
engineer:
Don Cobb and Neil Wilburn
producer:
Chips Moman
recorded at and mixed at:
American Studios in Nashville, Tennessee, United States
cover recording of:
I Think I'm Gonna Kill Myself
lyricist and composer:
Buddy Knox (US country rocker, of The Rhythm Orchids)
2:23
6Belle of the Ball
engineer:
Don Cobb and Neil Wilburn
producer:
Chips Moman
phonographic copyright (℗) by:
RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1977) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1977)
recorded at and mixed at:
American Studios in Nashville, Tennessee, United States
recording of:
Belle of the Ball
composer:
Waylon Jennings (US country musician)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Waylon Jennings Music
43:26
7Medley of Elvis Hits: That’s All Right / My Baby Left Me
engineer:
Don Cobb and Neil Wilburn
producer:
Chips Moman
recorded at and mixed at:
American Studios in Nashville, Tennessee, United States
recording of:
Medley of Elvis Hits: That's All Right / My Baby Left Me
composer:
Arthur “Big Boy” Crudup
medley of:
That’s All Right
medley of:
My Baby Left Me
2:37
8Till I Gain Control Again
engineer:
Don Cobb and Neil Wilburn
producer:
Chips Moman
recorded at and mixed at:
American Studios in Nashville, Tennessee, United States
cover recording of:
Till I Gain Control Again
lyricist and composer:
Rodney Crowell
publisher:
Tessa Publishing Co. (BMI)
4:18
9Brand New Goodbye Song
engineer:
Don Cobb and Neil Wilburn
producer:
Chips Moman
recorded at and mixed at:
American Studios in Nashville, Tennessee, United States
cover recording of:
Brand New Goodbye Song
composer:
Chips Moman and Reggie Young (Guitarist and songwriter)
2:54
10Satin Sheets
engineer:
Don Cobb and Neil Wilburn
producer:
Chips Moman
background vocals:
Jessi Colter and Toni Wine
recorded at and mixed at:
American Studios in Nashville, Tennessee, United States
cover recording of:
Satin Sheets
lyricist and composer:
Willis Alan Ramsey
42:43
11This Is Getting Funny (But There Ain’t Nobody Laughing)
engineer:
Don Cobb and Neil Wilburn
producer:
Chips Moman
recorded at and mixed at:
American Studios in Nashville, Tennessee, United States
cover recording of:
This Is Getting Funny (But There Ain't Nobody Laughing)
composer:
Micheal Smotherman
32:48
5▼CD: Waylon & Willie (1978)
#TitleRatingLength
1Mammas Don’t Let Your Babies Grow Up to Be Cowboys
bass:
Sherman Hayes (in 1977-11)
drums (drum set):
Richie Albright (in 1977-11)
guitar:
John Hug (in 1977-11), Waylon Jennings (US country musician) (in 1977-11), Chips Moman (in 1977-11), Gordon Payne (in 1977-11), Rance Wasson (in 1977-11) and Reggie Young (Guitarist and songwriter) (in 1977-11)
guitar [guitar harmony] and harmonica:
Gordon Payne (in 1977-11)
keyboard and organ:
Barny Robertson (in 1977-11)
steel guitar:
Sherman Hayes (in 1977-11) and Ralph Mooney (in 1977-11)
background vocals:
Barny Robertson (in 1977-11), Gordon Payne (in 1977-11), Carter Robertson (in 1977-11), Rance Wasson (in 1977-11) and Becky Williams (country vocals) (in 1977-11)
lead vocals:
Waylon Jennings (US country musician) (in 1977-11) and Willie Nelson (in 1977-11)
vocals:
Waylon Jennings (US country musician) (in 1977-11) and Willie Nelson (in 1977-11)
performer:
Waylon Jennings (US country musician)
phonographic copyright (℗) by:
BMG Music (in 1977), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2003)
recorded at:
American Studios in Nashville, Tennessee, United States (in 1977-11)
cover recording of:
Mammas Don’t Let Your Babies Grow Up to Be Cowboys (in 1977-11)
writer:
Ed Bruce (American country music songwriter, singer and actor) and Patsy Bruce
publisher:
Tree Publishing Inc.
version of:
Mama Don't Let Your Cowboys Grow Up to Be Babies
42:34
2The Year 2003 Minus 25
bass:
Sherman Hayes (in 1977-11)
drums (drum set):
Richie Albright (in 1977-11)
guitar:
John Hug (in 1977-11), Waylon Jennings (US country musician) (in 1977-11), Chips Moman (in 1977-11), Gordon Payne (in 1977-11), Rance Wasson (in 1977-11) and Reggie Young (Guitarist and songwriter) (in 1977-11)
harmonica:
Gordon Payne (in 1977-11)
steel guitar:
Ralph Mooney (in 1977-11)
background vocals:
Gordon Payne (in 1977-11), Carter Robertson (in 1977-11), Rance Wasson (in 1977-11) and Becky Williams (country vocals) (in 1977-11)
vocals:
Waylon Jennings (US country musician) (in 1977-11) and Willie Nelson (in 1977-11)
recorded at:
American Studios in Nashville, Tennessee, United States (in 1977-11)
cover recording of:
The Year 2000 Minus 25 (in 1977-11)
lyricist and composer:
Kris Kristofferson
3.53:04
3Pick Up the Tempo
producer:
Waylon Jennings (US country musician) and Willie Nelson
bass:
Duke Goff (from 1973-10-16 until 1973-10-17)
drums (drum set):
Richie Albright (from 1973-10-16 until 1973-10-17)
electric guitar:
Reggie Young (Guitarist and songwriter) (from 1973-10-16 until 1973-10-17)
guitar:
Waylon Jennings (US country musician) (from 1973-10-16 until 1973-10-17), Willie Nelson (from 1973-10-16 until 1973-10-17) and Larry Whitmore (from 1973-10-16 until 1973-10-17)
organ and piano:
Kyle Lehning (from 1973-10-16 until 1973-10-17)
vocals:
Waylon Jennings (US country musician) (in 1977-11) and Willie Nelson (in 1977-11)
recorded at:
American Studios in Nashville, Tennessee, United States (from 1976-10-16 until 1976-10-17, in 1977-11)
cover recording of:
Pick Up the Tempo (from 1973-10-16 until 1977-11)
lyricist and composer:
Willie Nelson
publisher:
Willie Nelson Music
3.52:32
4If You Can Touch Her at All
producer:
Waylon Jennings (US country musician) and Willie Nelson
bass:
Duke Goff (from 1973-10-29 until 1973-10-30)
drums (drum set):
Richie Albright (from 1973-10-29 until 1973-10-30)
guitar:
Waylon Jennings (US country musician) (from 1973-10-29 until 1973-10-30)
organ and piano:
Dee Moeller (from 1973-10-29 until 1973-10-30)
trumpet:
Kyle Lehning (from 1973-10-29 until 1973-10-30)
vocals:
Waylon Jennings (US country musician) (in 1977-11) and Willie Nelson (in 1977-11)
recorded at:
American Studios in Nashville, Tennessee, United States (from 1973-10-29 until 1973-10-30, in 1977-11)
recording of:
If You Could Touch Her at All (from 1973-10-29 until 1977-11)
lyricist:
Lee Clayton
composer:
L. Clayton
publisher:
Resaca Music Publishing Co.
33:04
5Lookin’ for a Feeling
producer:
Chips Moman
acoustic guitar:
Gordon Payne (from 1977-08-14 until 1977-08-15) and Rance Wasson (from 1977-08-14 until 1977-08-15)
bass:
Sherman Hayes (from 1977-08-14 until 1977-08-15)
drums (drum set):
Richie Albright (from 1977-08-14 until 1977-08-15) and Eddy Anderson (American drummer and percussionist) (from 1977-08-14 until 1977-08-15)
guitar:
Waylon Jennings (US country musician) (from 1977-08-14 until 1977-08-15)
keyboard:
Barny Robertson (from 1977-08-14 until 1977-08-15)
steel guitar:
Buddy Emmons (from 1977-08-14 until 1977-08-15) and Ralph Mooney (from 1977-08-14 until 1977-08-15)
background vocals:
Gordon Payne (from 1977-08-14 until 1977-08-15) and Carter Robertson (from 1977-08-14 until 1977-08-15)
vocals:
Waylon Jennings (US country musician) (from 1977-08-14 until 1977-08-15)
recorded at:
American Studios in Nashville, Tennessee, United States (from 1977-08-14 until 1977-08-15)
recording of:
Lookin’ for a Feeling (from 1977-08-14 until 1977-08-15)
writer:
Waylon Jennings (US country musician)
publisher:
Waylon Jennings Music
42:38
6It’s Not Supposed to Be That Way
producer:
Waylon Jennings (US country musician) and Willie Nelson
bass:
Duke Goff (from 1973-10-17 until 1973-10-18)
drums (drum set):
Richie Albright (from 1973-10-17 until 1973-10-18)
electric guitar:
Reggie Young (Guitarist and songwriter) (from 1973-10-17 until 1973-10-18)
guitar:
Waylon Jennings (US country musician) (from 1973-10-17 until 1973-10-18), Willie Nelson (from 1973-10-17 until 1973-10-18), Fred Newell (from 1973-10-17 until 1973-10-18) and Larry Whitmore (from 1973-10-17 until 1973-10-18)
harmonica:
Don Brooks (from 1973-10-17 until 1973-10-18)
organ and piano:
Jessi Colter (from 1973-10-17 until 1973-10-18)
steel guitar:
Ralph Mooney (from 1973-10-17 until 1973-10-18)
vocals:
Willie Nelson (in 1977-11)
recorded at:
American Studios in Nashville, Tennessee, United States (from 1973-10-17 until 1973-10-18, in 1977-11)
cover recording of:
It’s not Supposed to Be that Way (from 1973-10-17 until 1977-11)
lyricist and composer:
Willie Nelson
53:20
7I Can Get Off on You
producer:
Waylon Jennings (US country musician) (in 1977-11) and Willie Nelson (in 1977-11)
bass:
Sherman Hayes (in 1977-11)
drums (drum set):
Richie Albright (in 1977-11)
guitar:
John Hug (in 1977-11), Waylon Jennings (US country musician) (in 1977-11), Chips Moman (in 1977-11), Gordon Payne (in 1977-11) and Reggie Young (Guitarist and songwriter) (in 1977-11)
harmonica:
Gordon Payne (in 1977-11)
keyboard and organ:
Barny Robertson (in 1977-11)
steel guitar:
Ralph Mooney (in 1977-11)
background vocals [vocal harmony]:
Barny Robertson (in 1977-11), Gordon Payne (in 1977-11), Carter Robertson (in 1977-11), Rance Wasson (in 1977-11) and Becky Williams (country vocals) (in 1977-11)
vocals:
Waylon Jennings (US country musician) (in 1977-11) and Willie Nelson (in 1977-11)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1978)
recording of:
I Can Get Off on You (in 1977-11)
writer:
Waylon Jennings (US country musician) and Willie Nelson
publisher:
EMI Full Nelson Music, Nelson-Willie-Music Inc., Waylon Jennings Music and Willie Nelson Music
32:24
8Don’t Cuss the Fiddle
bass:
Sherman Hayes (in 1977-11)
drums (drum set):
Richie Albright (in 1977-11)
guitar:
John Hug (in 1977-11), Waylon Jennings (US country musician) (in 1977-11), Chips Moman (in 1977-11), Gordon Payne (in 1977-11), Rance Wasson (in 1977-11) and Reggie Young (Guitarist and songwriter) (in 1977-11)
harmonica:
Gordon Payne (in 1977-11)
keyboard and organ:
Barny Robertson (in 1977-11) and Carter Robertson (in 1977-11)
steel guitar:
Ralph Mooney (in 1977-11)
background vocals:
Barny Robertson (in 1977-11), Gordon Payne (in 1977-11), Carter Robertson (in 1977-11), Rance Wasson (in 1977-11) and Becky Williams (country vocals) (in 1977-11)
vocals:
Waylon Jennings (US country musician) (in 1977-11) and Willie Nelson (in 1977-11)
recorded at:
American Studios in Nashville, Tennessee, United States (in 1977-11)
cover recording of:
Don't Cuss the Fiddle (in 1977-11)
lyricist and composer:
Kris Kristofferson
3.53:04
9Gold Dust Woman
bass:
Sherman Hayes (in 1977-11)
drums (drum set):
Richie Albright (in 1977-11)
guitar:
John Hug (in 1977-11), Waylon Jennings (US country musician) (in 1977-11), Chips Moman (in 1977-11), Gordon Payne (in 1977-11), Rance Wasson (in 1977-11) and Reggie Young (Guitarist and songwriter) (in 1977-11)
harmonica:
Gordon Payne (in 1977-11)
keyboard and organ:
Barny Robertson (in 1977-11)
steel guitar:
Ralph Mooney (in 1977-11)
background vocals:
Barny Robertson (in 1977-11), Gordon Payne (in 1977-11), Carter Robertson (in 1977-11), Rance Wasson (in 1977-11) and Becky Williams (country vocals) (in 1977-11)
vocals:
Waylon Jennings (US country musician) (in 1977-11)
recorded at:
American Studios in Nashville, Tennessee, United States (in 1977-11)
cover recording of:
Gold Dust Woman (in 1977-11)
lyricist and composer:
Stevie Nicks
publisher:
Sony/ATV Songs LLC, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Gentoo Music, Inc. (in 1977) and Welsh Witch Music (BMI affiliated) (in 1977)
44:00
10A Couple More Years
producer:
Waylon Jennings (US country musician) and Willie Nelson
bass:
Sherman Hayes (from 1976-03-24 until 1976-03-25)
bass guitar:
Duke Goff (from 1976-03-24 until 1976-03-25)
drums (drum set):
Richie Albright (from 1976-03-24 until 1976-03-25)
guitar:
John Hug (from 1976-03-24 until 1976-03-25) and Waylon Jennings (US country musician) (from 1976-03-24 until 1976-03-25)
piano:
Barny Robertson (from 1976-03-24 until 1976-03-25)
steel guitar:
Ralph Mooney (from 1976-03-24 until 1976-03-25)
background vocals:
Carter Robertson (from 1976-03-24 until 1976-03-25)
vocals:
Willie Nelson (in 1977-11)
recorded at:
American Studios in Nashville, Tennessee, United States (from 1976-03-24 until 1976-03-25, in 1977-11)
cover recording of:
A Couple More Years (from 1976-03-24 until 1977-11)
writer and composer:
Dennis Locorriere and Shel Silverstein
publisher:
Evil Eye Music Inc. and Horse Hairs Music, Inc.
44:02
11The Wurlitzer Prize (I Don’t Want to Get Over You)
producer:
Chips Moman
acoustic guitar:
Gordon Payne (from 1977-08-14 until 1977-08-15) and Rance Wasson (from 1977-08-14 until 1977-08-15)
bass:
Sherman Hayes (from 1977-08-14 until 1977-08-15)
drums (drum set):
Richie Albright (from 1977-08-14 until 1977-08-15) and Eddy Anderson (American drummer and percussionist) (from 1977-08-14 until 1977-08-15)
guitar:
Waylon Jennings (US country musician) (from 1977-08-14 until 1977-08-15)
keyboard:
Barny Robertson (from 1977-08-14 until 1977-08-15)
steel guitar:
Buddy Emmons (from 1977-08-14 until 1977-08-15) and Ralph Mooney (from 1977-08-14 until 1977-08-15)
background vocals:
Gordon Payne (from 1977-08-14 until 1977-08-15) and Carter Robertson (from 1977-08-14 until 1977-08-15)
vocals:
Waylon Jennings (US country musician) (from 1977-08-14 until 1977-08-15)
recorded at:
American Studios in Nashville, Tennessee, United States (from 1977-08-14 until 1977-08-15)
cover recording of:
The Wurlitzer Prize (I Don’t Want to Get Over You) (from 1977-08-14 until 1977-08-15)
writer:
Bobby Emmons and Chips Moman
publisher:
Baby Chick Music, Baby Chick Music, Inc. and RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle)
3.52:08

Credits

Release

manufactured in:Europe
art direction:Herb Burnette
photography:John Donegan (artistic direction and photographer)
Bob Jones (art)
Marshall Fallwell, Jr. (photographer)
Melinda Wickman
liner notes:Chet Flippo
John L. Smith
horn arranger:The Muscle Shoals Horns
acoustic guitar:Gordon Payne
Rance Wasson
bass:Joe Allen (US country songwriter & bassist)
Bobby Dyson
Duke Goff
Sherman Hayes
Lee Miller
Norbert Putnam
Roy Huskey (father of Roy Huskey, Jr.)
Don Smith (US session bassist, Nashville based)
Henry Strzelecki
bass guitar:Leon Rhodes
cello:Byron T. Bach
David Vanderkooi (Nashville cellist)
drums (drum set):Willie Ackerman (US studio drummer)
Richie Albright
Jerry Carrigan (US drummer)
Buddy Harman (Session drummer and songwriter)
Larrie Londin
electric bass guitar:Bobby Dyson
electric guitar:Fred Carter
Dave Kirby (US country singer/songwriter)
Billy Sanford (guitar)
Dale Sellers (Nashville session guitarist)
fiddle:Thomas Jackson
guitar:Jimmy Capps (guitarist (session), James D. Capps)
Carl Gay
Duke Goff
Waylon Jennings (US country musician)
Jerry Stembridge (American session guitarist, bassist, producer in the genre of country)
John Christopher (Guitarist, lyricist, composer, singer, session musician)
Charlie McCoy (white blues harmonica player, 1960s-present)
Willie Nelson
Alfred Newell
Fred Newell
Billy Ray Reynolds
Randy Scruggs
Bobby Thompson (guitar & banjo player)
Larry Whitmore
John Wilkin
Reggie Young (Guitarist and songwriter)
harmonica:Don Brooks
Roger Crabtree
Charlie McCoy (white blues harmonica player, 1960s-present)
keyboard:Clifford Robertson
organ:Jessi Colter
Kyle Lehning
Dee Moeller
Billy Sanford (guitar)
piano:David Briggs (English organist and composer)
Jessi Colter
Hargus Robbins
Bunky Keels
Kyle Lehning
Dee Moeller
Henry Strzelecki
resonator guitar [dobro] and steel guitar:Ralph Mooney
steel guitar:Pete Drake (steel guitar player)
trumpet:Kyle Lehning
viola:Gary Van Osdale
Marvin D. Chantry
violin:Brenton Banks
George Binkley III (violinist, session musician)
Lennie Haight (US violinist)
Sheldon Kurland
background vocals:Gordon Payne
Carter Robertson
Rance Wasson
vocals:Waylon Jennings (US country musician)
manufactured by and distributed by:Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008)
copyrighted (©) by:RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1974, in 1977)
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2008)
phonographic copyright (℗) by:Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2007)
Discogs:https://www.discogs.com/release/2642746 [info]

Release group

includes:Lonesome, On’ry and Mean
Ol’ Waylon
The Ramblin’ Man
This Time
Waylon & Willie by Waylon (US country musician) & Willie
part of:Original Album Classics (Sony Music anthology series) (order: 6)