Don’t Be Cruel

~ Veröffentlichung von Bobby Brown (alle Versionen dieser Veröffentlichung ansehen, 60 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Cruel Prelude
Assistent recording engineer:
Don Emerson und John Guggenheim
recording engineer und Editing:
Jon Gass
Produzent(in):
Babyface (R&B musician Kenny Edmonds) und L.A.
assistierende(r) Mix:
Toni Greene (engineer) und Fred Howard (engineer)
Mix:
Babyface (R&B musician Kenny Edmonds), Jon Gass und L.A.
Instrumente:
Babyface (R&B musician Kenny Edmonds) und L.A.
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1988)
produced for:
LaFace Inc. (production company)
aufgenommen bei:
Silverlake Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Elumba Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Cruel Prelude
Komponist(in):
Bobby Brown (R&B singer, New Edition member)
20:37
2Don’t Be Cruel
Assistent recording engineer:
Don Emerson und John Guggenheim
recording engineer und Editing:
Jon Gass
leitende(r) Produzent(in):
Louil Silas, Jr.
Produzent(in):
Babyface (R&B musician Kenny Edmonds), L.A. und L.A. & Babyface (US R&B songwriting/production duo)
assistierende(r) Mix:
Toni Greene (engineer) und Fred Howard (engineer)
Mix:
Babyface (R&B musician Kenny Edmonds), Jon Gass und L.A.
Instrumente:
Babyface (R&B musician Kenny Edmonds) und L.A.
Hintergrundgesang:
Babyface (R&B musician Kenny Edmonds), Bobby Brown (R&B singer, New Edition member), Kayo (Kevin Roberson), Daryl Simmons und Karyn White
sonstiger Gesang [cruel rap]:
Bobby (R&B singer, New Edition member), Daryl und L.A.
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1988)
produced for:
La'Face, Inc. (production company)
aufgenommen bei:
Silverlake Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Elumba Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Don’t Be Cruel
Verfasser(in):
Antonio “L.A.” Reid, Babyface (R&B musician Kenny Edmonds) und Daryl Simmons
publisher:
Hip Trip Music (publisher), Kear Music (publisher), Wil-He Music und Chappell Music Ltd. (vom 1988 bis heute)
46:48
3My Prerogative
Assistent recording engineer und assistierende(r) Mix:
Jim Hanneman
recording engineer:
Dennis Mitchell (engineer)
drum machine-Programmierung:
Markell Riley
Produzent(in):
Gene Griffin
Mix:
Gene Griffin, Dennis Mitchell (engineer) und Teddy Riley (US R&B singer & producer)
bass saxophone, Bass-Synthesizer und Synthesizer:
Teddy Riley (US R&B singer & producer)
Fingerschnippen:
Bobby Brown (R&B singer, New Edition member)
Hintergrundgesang:
Bernard Bill, Lee Drakeford, Aaron Hall (R&B singer) und Teddy Riley (US R&B singer & producer)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1988)
produced for:
G.R. Productions
aufgenommen bei:
Axis Studios in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Soundworks (New York) in New York, New York, Vereinigte Staaten
Musikvideos:
My Prerogative von Bobby Brown (R&B singer, New Edition member)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 98) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 460)
recording of:
My Prerogative
Verfasser(in):
Bobby Brown (R&B singer, New Edition member), Gene Griffin und Teddy Riley (US R&B singer & producer)
publisher:
Bobby Brown Music, Cal-Gene Music, Donril Music, EMI Virgin Songs, Inc., MCA Music Ltd., Unicity Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music–Z Tunes LLC und Virgin Music (Publishers) Ltd.
44:52
4Roni
Assistent recording engineer:
Don Emerson und John Guggenheim
recording engineer und Editing:
Jon Gass
Produzent(in):
Babyface (R&B musician Kenny Edmonds) und L.A.
assistierende(r) Mix:
Toni Greene (engineer) und Fred Howard (engineer)
Mix:
Babyface (R&B musician Kenny Edmonds), Jon Gass und L.A.
Instrumente:
Babyface (R&B musician Kenny Edmonds) und L.A.
Hintergrundgesang:
Babyface (R&B musician Kenny Edmonds), Bobby Brown (R&B singer, New Edition member), Kayo (Kevin Roberson), Daryl Simmons und Karyn White
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1988)
produced for:
LaFace Inc. (production company)
aufgenommen bei:
Silverlake Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Elumba Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Roni
Verfasser(in):
Babyface (R&B musician Kenny Edmonds) und Darnell Bristol (R&B songwriter and producer)
publisher:
Chappell Music Ltd., Hip Chic Music, Hip Trip Music (publisher) und Kear Music (publisher)
55:58
5Rock Wit’cha
Assistent recording engineer:
Don Emerson und John Guggenheim
recording engineer und Editing:
Jon Gass
Produzent(in):
Babyface (R&B musician Kenny Edmonds) und L.A.
assistierende(r) Mix:
Toni Greene (engineer) und Fred Howard (engineer)
Mix:
Babyface (R&B musician Kenny Edmonds), Jon Gass und L.A.
Instrumente:
Babyface (R&B musician Kenny Edmonds) und L.A.
Hintergrundgesang:
Babyface (R&B musician Kenny Edmonds) und Bobby Brown (R&B singer, New Edition member)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1988)
produced for:
LaFace Inc. (production company)
aufgenommen bei:
Silverlake Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Elumba Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Rock Wit’cha
Verfasser(in):
Antonio “L.A.” Reid und Babyface (R&B musician Kenny Edmonds)
publisher:
Chappell Music Ltd.
54:49
6Every Little Step
Assistent recording engineer:
Don Emerson und John Guggenheim
recording engineer und Editing:
Jon Gass
Produzent(in):
Babyface (R&B musician Kenny Edmonds) und L.A.
assistierende(r) Mix:
Toni Greene (engineer) und Fred Howard (engineer)
Mix:
Babyface (R&B musician Kenny Edmonds), Jon Gass und L.A.
Instrumente:
Babyface (R&B musician Kenny Edmonds) und L.A.
Hintergrundgesang:
Babyface (R&B musician Kenny Edmonds), Bobby Brown (R&B singer, New Edition member), Kayo (Kevin Roberson), Daryl Simmons und Karyn White
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1988)
produced for:
LaFace Inc. (production company)
aufgenommen bei:
Silverlake Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Elumba Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Every Little Step
Verfasser(in):
Antonio “L.A.” Reid und Babyface (R&B musician Kenny Edmonds)
publisher:
Chappell Music Ltd., Hip Trip Music (publisher) und Kear Music (publisher)
33:57
7I’ll Be Good to You
Assistent recording engineer und assistierende(r) Mix:
Jim Hanneman
recording engineer:
Dennis Mitchell (engineer)
drum machine-Programmierung:
Markell Riley
Produzent(in):
Gene Griffin
Mix:
Gene Griffin, Dennis Mitchell (engineer) und Teddy Riley (US R&B singer & producer)
Hintergrundgesang:
Bernard Bill, Lee Drakeford, Aaron Hall (R&B singer) und Teddy Riley (US R&B singer & producer)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1988)
produced for:
B. Brown Productions und G.R. Productions
aufgenommen bei:
Axis Studios in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Soundworks (New York) in New York, New York, Vereinigte Staaten
recording of:
I’ll Be Good to You
Verfasser(in):
Bobby Brown (R&B singer, New Edition member) und Gene Griffin
publisher:
Cal-Gene Music, Inc., MCA Music Ltd. und Virgin Music (Publishers) Ltd.
44:26
8Take It Slow
recording engineer:
Michael Denten und Howard Johnston (engineer, co-owner “Different Fur Recording”)
sonstige Unterstützung:
Michael Denten
Techniker(in) und Produzent(in):
Larry White (US guitarist/songwriter, member of Collage)
Mix:
Michael Denten und Larry White (US guitarist/songwriter, member of Collage)
Bass und Synthesizer [bass]:
Kirk Crumpler
Bass [tastie bass] und Schlagzeug:
Larry White (US guitarist/songwriter, member of Collage)
Effektgerät [special f/x and sound]:
Ruben Laxamana
Fingerschnippen:
Tommy Brown (executive producer, brother of Bobby Brown), Ervilinda Nasaira Hill und Mel Jay
Gitarre:
Emilio Conesa und Larry White (US guitarist/songwriter, member of Collage)
Keyboard:
Ben Rayes, Percy Scott und Dewayne Sweet
membranophone [fills]:
Richard Aguon
Sopransaxophon:
“The Cat” Melicio Magdaluyo
Hintergrundgesang:
Richard Aguon, Ollie Bolds, Lee Peters (member of Collage), Ronnie Watkins und Larry White (US guitarist/songwriter, member of Collage)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1988)
aufgenommen bei:
Different Fur Studios in San Francisco, California (Kalifornien), Vereinigte Staaten und Infinite Studio in Alameda, California (Kalifornien), Vereinigte Staaten
recording of:
Take It Slow
Verfasser(in):
Jay Logan, Lee Peters (member of Collage) und Larry White (US guitarist/songwriter, member of Collage)
publisher:
BMG Music Publishing Ltd. und MCA Music Ltd.
5:23
9All Day All Night
recording engineer:
Michael Denten und Howard Johnston (engineer, co-owner “Different Fur Recording”)
Produzent(in):
Larry White (US guitarist/songwriter, member of Collage)
Mix:
Michael Denten und Larry White (US guitarist/songwriter, member of Collage)
Keyboard:
Ben Rayes, Percy Scott, Dewayne Sweet und Larry White (US guitarist/songwriter, member of Collage)
Schlagzeug [drums]:
Richard Aguon und Dewayne Sweet
Synthesizer [bass]:
Dewayne Sweet
Hintergrundgesang:
Richard Aguon, Ollie Bolds, Michael Denten und Lee Peters (member of Collage)
Sprecher [telephone conversation]:
Ervilinda Nasaira Hill
remixer:
Louil Silas, Jr.
zusätzlich remixer:
K2 (engineer), Mark Slagle und Larry White (US guitarist/songwriter, member of Collage)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1988)
aufgenommen bei:
Different Fur Studios in San Francisco, California (Kalifornien), Vereinigte Staaten und Infinite Studio in Alameda, California (Kalifornien), Vereinigte Staaten
recording of:
All Day All Night
Verfasser(in):
Lee Peters (member of Collage), Dewayne Sweet, Dennis Wadlington und Larry White (US guitarist/songwriter, member of Collage)
publisher:
MCA Music Ltd.
34:40
10I Really Love You Girl
recording engineer:
Phil Waters
Produzent(in):
Gordon Jones (new jack swing producer/songwriter)
assistierende(r) Mix:
Paul Einger
Mix:
Mitch Gibson (engineer) und Gordon Jones (new jack swing producer/songwriter)
Editing:
Bill Dirks
Instrumente:
Gordon Jones (new jack swing producer/songwriter)
membranophone [overdubs]:
Flip Kirby
Hintergrundgesang:
Gordon Jones (new jack swing producer/songwriter) und Porsche Griffin
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1988)
produced for:
B. Brown Productions und Flash Productions
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Cochrane Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
I Really Love You Girl
Verfasser(in):
Bobby Brown (R&B singer, New Edition member) und Gordon Jones (new jack swing producer/songwriter)
publisher:
MCA Music Ltd.
45:11
11Cruel Reprise
Assistent recording engineer:
Don Emerson und John Guggenheim
recording engineer und Editing:
Jon Gass
Produzent(in):
Babyface (R&B musician Kenny Edmonds) und L.A.
assistierende(r) Mix:
Toni Greene (engineer) und Fred Howard (engineer)
Mix:
Babyface (R&B musician Kenny Edmonds), Jon Gass und L.A.
Instrumente:
Babyface (R&B musician Kenny Edmonds) und L.A.
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1988)
produced for:
LaFace Inc. (production company)
aufgenommen bei:
Silverlake Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Elumba Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Cruel Reprise
Komponist(in):
Bobby Brown (R&B singer, New Edition member)
20:20