| # | Title | Artist | Rating | Length |
|---|
| 1 | Because the Night | Patti Smith | | 3:06 |
| 2 | Maneater- recording of:
- Maneater
- lyricist:
- Sara Allen, Daryl Hall and John Oates
- composer:
- Daryl Hall and John Oates
- publisher:
- BMG Rights Management (UK) Ltd. , Copyright Control , Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music and Warner/Chappell Music Ltd.
| Hall & Oates | | 3:54 |
| 3 | This Little Girl | Gary “U.S.” Bonds | | 3:44 |
| 4 | More Than a Feeling- producer:
- John Boylan and Tom Scholz
- acoustic guitar, bass and electric guitar:
- Tom Scholz (from 1975-10 until 1976-04)
- drums (drum set):
- Sib Hashian (from 1975-10 until 1976-04)
- vocals:
- Brad Delp (from 1975-10 until 1976-04)
- phonographic copyright (℗) by:
- CBS, Inc. (in 1976), Epic Records (in 1976), Sony BMG Music Entertainment (in 1976), Sony Music Entertainment Inc. (in 1976) and Sony Music Entertainment (UK) Ltd. (in 2002)
- recording of:
- More Than a Feeling (from 1975-10 until 1976-04)
- lyricist and composer:
- Tom Scholz
- publisher:
- Copyright Control , PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. , Warner Chappell Music , Warner Chappell Music Ltd. , WB Music Corp. and Pure Songs (in 1976)
| Boston | 4.8 | 3:25 |
| 5 | I Love You Suzanne | Lou Reed | 4.65 | 3:18 |
| 6 | Dead Ringer for Love | Meat Loaf | 3.8 | 4:25 |
| 7 | Rush Hour | Jane Wiedlin | | 3:46 |
| 8 | Call Me- engineer:
- Harold Faltermeyer
- producer:
- Giorgio Moroder
- additional synthesizer:
- Giorgio Moroder (in 1980-01)
- bass guitar [bass]:
- Nigel Harrison (in 1980-01)
- drums (drum set) [drums]:
- Clem Burke (in 1980-01)
- electric piano:
- Jimmy Destri (in 1980-01)
- guitar:
- Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
- lead vocals:
- Debbie Harry (in 1980-01)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980, in 1981), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998), Capitol Records, Inc. (in 1998) and Capitol Records, LLC (in 2002)
- recorded at:
- Westlake Audio in Los Angeles, California, United States (in 1979) and The Power Station in Hell's Kitchen, New York, New York, United States (in 1980-01)
- mixed at:
- Allen Zentz Mastering in San Clemente, California, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 64), VH1: 100 Greatest Songs of the 80’s (number: 78) and Billboard: The 500 Best Pop Songs (number: 157)
- recording of:
- Call Me (in 1980-01)
- lyricist:
- Deborah Harry
- composer:
- Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Copyright Control , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
- sub-publisher:
- Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Blondie | 4.2 | 3:29 |
| 9 | Jessie's Girl- producer:
- Keith Olsen
- arranger:
- Neil Geraldo, Keith Olsen and Rick Springfield
- phonographic copyright (℗) by:
- BMG Entertainment (in 1981), BMG Music (in 1981), RCA Records (in 1981), RCA Records, Inc. (in 1981), Sony Music Entertainment (in 1981, in 2001) and Wizard Records (in 1981)
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 20) and Billboard: The 500 Best Pop Songs (number: 55)
- recording of:
- Jessie’s Girl
- lyricist and composer:
- Rick Springfield
- publisher:
- BMG Music, Copyright Control , Muscleman Music, PolyGram Music Publishing Ltd., Portal Music, Universal Music Publishing Ltd. , Universal–Songs of PolyGram International, Inc. and Wizard Music
| Rick Springfield | 4.45 | 3:13 |
| 10 | Centerfold- engineer:
- Dave Thoener
- producer:
- Seth Justman
- arranger:
- Seth Justman
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1981), Capitol Records, LLC (in 1981), EMI Records USA (in 1981) and EMI Catalog (in 2006)
- recorded at:
- Long View Farm in North Brookfield, Massachusetts, United States
- mixed at:
- Mix Room, Record Plant in New York, New York, United States
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 38), Billboard: Greatest of All Time Hot 100 Songs (number: 73) and Billboard: The 500 Best Pop Songs (number: 314)
- recording of:
- Centerfold
- lyricist and composer:
- Seth Justman
- publisher:
- Center City Music, Copyright Control , Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. and Warner/Chappell Music Ltd.
| The J. Geils Band | 4 | 3:38 |
| 11 | Don't Stop Believing- assistant engineer:
- Wally Buck
- engineer:
- Kevin Elson
- producer:
- Kevin Elson and Mike Stone
- bass guitar:
- Ross Valory (from 1981-04 until 1981-06)
- drums (drum set) and percussion:
- Steve Smith (from 1981-04 until 1981-06)
- guitar:
- Neal Schon (from 1981-04 until 1981-06)
- keyboard and piano:
- Jonathan Cain (from 1981-04 until 1981-06)
- background vocals:
- Jonathan Cain (from 1981-04 until 1981-06), Neal Schon (from 1981-04 until 1981-06) and Ross Valory (from 1981-04 until 1981-06)
- lead vocals:
- Steve Perry (from 1981-04 until 1981-06)
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1981), Columbia Records (in 1981), Sony Music Entertainment (in 1981) and Sony Music Entertainment Inc. (in 1981)
- recorded at:
- Fantasy Studios in Berkeley, California, United States (from 1981-04 until 1981-06)
- mixed at:
- Fantasy Studios in Berkeley, California, United States
- part of:
- SWR1 Hitparade 2022 (number: 10), VH1: 100 Greatest Songs of the 80’s (number: 11), Offizielle deutsche Charts – Single-Jahrescharts 2025 (number: 34), Billboard: The 500 Best Pop Songs (number: 51) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 133)
- recording of:
- Don’t Stop Believin’ (from 1981-04 until 1981-06)
- writer:
- Jonathan Cain, Steve Perry and Neal Schon
- publisher:
- BMG Rights Management (UK) Ltd. , Lacey Boulevard Music, Sharandall Music, Sony Music , Universal/MCA Music Ltd. and Weedhigh‐Nightmare Music
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス , 日音 Synch事業部 , フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
| Journey | 4.3 | 4:11 |
| 12 | Rosanna | Toto | 3.8 | 4:03 |
| 13 | We Built This City- assistant engineer:
- Paul Ericksen
- engineer:
- Jeremy Smith
- producer:
- Jeremy Smith and Peter Wolf
- mixer:
- Bill Bottrell
- other vocals [DJ voice]:
- Les Garland (in 1985)
- arranger:
- Peter Wolf
- phonographic copyright (℗) by:
- BMG Music (in 1985) and RCA Records (in 1985)
- mixed at:
- Fantasy Studios in Berkeley, California, United States
- remixed at:
- The Soundcastle in Silver Lake, Los Angeles, California, United States
- recording of:
- We Built This City (in 1985)
- writer:
- Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf
- publisher:
- BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control , Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. , Universal Music–MGB Songs, Warner/Chappell Music Ltd. , Zomba Enterprises and Zomba Enterprises, Inc.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Starship | 3.9 | 4:52 |
| 14 | Bette Davis Eyes- recording engineer:
- Val Garay (in 1981-01)
- producer:
- Val Garay
- electric guitar:
- Waddy Wachtel (in 1981-01)
- lead vocals:
- Kim Carnes (in 1981-01)
- phonographic copyright (℗) by:
- Capitol Records, LLC , Capitol Records (in 1981), Capitol Records, Inc. (in 1981), Chrysalis Records (in 1981), EMI America Records, Inc. (in 1981), EMI Records Ltd. (in 1981), EMI Records USA (in 1981), EMI USA (in 1981) and EMI–Manhattan Records (in 1981)
- recorded at:
- Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (number: 425)
- cover recording of:
- Bette Davis Eyes (in 1981-01)
- writer:
- Jackie DeShannon and Donna Weiss
- publisher:
- Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd.
| Kim Carnes | 3.95 | 3:40 |
| 15 | Some Weird Sin | Iggy Pop | | 3:40 |