Art Farmer Vol.2 Seven Classic Albums

~ Release by Art Farmer (see all versions of this release, 1 available)

Annotation

Compilation of 7 previously released albums across four CDs

Annotation last modified on 2014-01-22 16:54 UTC.

Tracklist

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1▼CD: Portrait of Art Farmer / Art
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1Back in the Cage
double bass [bass]:
Addison Farmer (on 1958-04-19)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-04-19)
piano:
Hank Jones (piano) (on 1958-04-19)
trumpet:
Art Farmer (on 1958-04-19)
5:05
2Stablemates
double bass [bass]:
Addison Farmer (on 1958-04-19)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-04-19)
piano:
Hank Jones (piano) (on 1958-04-19)
trumpet:
Art Farmer (on 1958-04-19)
recording of:
Stablemates (on 1958-04-19)
composer:
Benny Golson (American jazz saxophonist and composer)
4:33
3The Very Thought of You
double bass [bass]:
Addison Farmer (on 1958-05-01)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-05-01)
piano:
Hank Jones (piano) (on 1958-05-01)
trumpet:
Art Farmer (on 1958-05-01)
instrumental recording of:
The Very Thought of You (on 1958-05-01)
lyricist and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
5:42
4'And Now'
double bass [bass]:
Addison Farmer (on 1958-05-01)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-05-01)
piano:
Hank Jones (piano) (on 1958-05-01)
trumpet:
Art Farmer (on 1958-05-01)
6:08
5Nita
double bass [bass]:
Addison Farmer (on 1958-04-19)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-04-19)
piano:
Hank Jones (piano) (on 1958-04-19)
trumpet:
Art Farmer (on 1958-04-19)
recording of:
Nita (on 1958-04-19)
composer:
George Russell (American jazz pianist and composer)
4:28
6By Myself
double bass [bass]:
Addison Farmer (on 1958-04-19)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-04-19)
piano:
Hank Jones (piano) (on 1958-04-19)
trumpet:
Art Farmer (on 1958-04-19)
instrumental recording of:
By Myself (on 1958-04-19)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Chappell & Co., Inc. (USA) and Round Hill Songs III
part of:
The Band Wagon (1953 film)
6:17
7Too Late Now
double bass [bass]:
Addison Farmer (on 1958-04-19)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-04-19)
piano:
Hank Jones (piano) (on 1958-04-19)
trumpet:
Art Farmer (on 1958-04-19)
instrumental recording of:
Too Late Now (Royal Wedding / On a Clear Day) (on 1958-04-19)
lyricist:
Alan Jay Lerner
composer:
Burton Lane
publisher:
Chappell & Co.
part of:
The 24th Academy Award for Best Original Song (number: 2)
5:57
8Earth
double bass [bass]:
Addison Farmer (on 1958-05-01)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-05-01)
piano:
Hank Jones (piano) (on 1958-05-01)
trumpet:
Art Farmer (on 1958-05-01)
4:11
9The Folks Who Live on the Hill
double bass [bass]:
Addison Farmer (on 1958-05-01)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1958-05-01)
piano:
Hank Jones (piano) (on 1958-05-01)
trumpet:
Art Farmer (on 1958-05-01)
instrumental recording of:
The Folks Who Live on the Hill (on 1958-05-01)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
High, Wide and Handsome (1937 film)
4:37
10So Beats My Heart for You
double bass:
Tommy Williams (jazz bassist) (in 1960-09)
drums (drum set):
Albert “Tootie” Heath (in 1960-09)
piano:
Tommy Flanagan (in 1960-09)
trumpet:
Art Farmer (in 1960-09)
instrumental recording of:
So Beats My Heart for You (in 1960-09)
writer:
Pat Ballard, Charles Henderson and Tom Waring
4:41
11Goodbye, Old Girl
double bass:
Tommy Williams (jazz bassist) (in 1960-09)
drums (drum set):
Albert “Tootie” Heath (in 1960-09)
piano:
Tommy Flanagan (in 1960-09)
trumpet:
Art Farmer (in 1960-09)
4:32
12Who Cares?
double bass:
Tommy Williams (jazz bassist) (in 1960-09)
drums (drum set):
Albert “Tootie” Heath (in 1960-09)
piano:
Tommy Flanagan (in 1960-09)
trumpet:
Art Farmer (in 1960-09)
instrumental recording of:
Who Cares? (Of Thee I Sing) (in 1960-09)
lyricist:
Ira Gershwin (in 1931)
composer:
George Gershwin (composer) (in 1931)
publisher:
New World Music (new age music) and WB Music Corp. (1929–2019)
part of:
An American in Paris (2015 Broadway musical)
part of:
Of Thee I Sing: Act II
5:27
13Out of the Past
double bass:
Tommy Williams (jazz bassist) (in 1960-09)
drums (drum set):
Albert “Tootie” Heath (in 1960-09)
piano:
Tommy Flanagan (in 1960-09)
trumpet:
Art Farmer (in 1960-09)
instrumental recording of:
Out of the Past (in 1960-09)
lyricist:
Jon Hendricks
composer:
Benny Golson (American jazz saxophonist and composer)
5:18
14Younger Than Springtime
double bass:
Tommy Williams (jazz bassist) (in 1960-09)
drums (drum set):
Albert “Tootie” Heath (in 1960-09)
piano:
Tommy Flanagan (in 1960-09)
trumpet:
Art Farmer (in 1960-09)
instrumental recording of:
Younger Than Springtime (in 1960-09)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company
part of:
South Pacific (Rodgers & Hammerstein musical)
5:40
15The Best Thing for You (Would Be Me)
double bass:
Tommy Williams (jazz bassist) (in 1960-09)
drums (drum set):
Albert “Tootie” Heath (in 1960-09)
piano:
Tommy Flanagan (in 1960-09)
trumpet:
Art Farmer (in 1960-09)
recording of:
The Best Thing for You (Would Be Me) (in 1960-09)
lyricist and composer:
Irving Berlin (in 1950)
4:14
2▼CD: Art (cont.) / Meet the Jazztet / Big City Sounds
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1I'm a Fool to Want You
double bass:
Tommy Williams (jazz bassist) (in 1960-09)
drums (drum set):
Albert “Tootie” Heath (in 1960-09)
piano:
Tommy Flanagan (in 1960-09)
trumpet:
Art Farmer (in 1960-09)
instrumental recording of:
I’m a Fool to Want You (in 1960-09)
writer:
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) and Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
5:29
2That Ole Devil Called Love
double bass:
Tommy Williams (jazz bassist) (in 1960-09)
drums (drum set):
Albert “Tootie” Heath (in 1960-09)
piano:
Tommy Flanagan (in 1960-09)
trumpet:
Art Farmer (in 1960-09)
instrumental recording of:
That Ole Devil Called Love (in 1960-09)
lyricist:
Doris Fisher (in 1944)
composer:
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
4:16
3Serenata
double bass:
Addison Farmer (in 1960-02)
drums (drum set):
Lex Humphries (in 1960-02)
piano:
McCoy Tyner (jazz pianist) (in 1960-02)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (in 1960-02)
trombone:
Curtis Fuller (in 1960-02)
trumpet:
Art Farmer (in 1960-02)
instrumental recording of:
Serenata (english vocals) (in 1960-02)
lyricist:
Mitchell Parish (in 1950)
composer:
Leroy Anderson (on 1947-02-12)
is based on:
Serenata (original instrumental)
3:31
4It Ain't Necessarily So
engineer:
Tommy Nola
producer:
Jack Tracy
double bass:
Addison Farmer (from 1960-02-06 until 1960-02-10)
drums (drum set):
Lex Humphries (from 1960-02-06 until 1960-02-10)
piano:
McCoy Tyner (jazz pianist) (from 1960-02-06 until 1960-02-10)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (from 1960-02-06 until 1960-02-10)
trombone:
Curtis Fuller (from 1960-02-06 until 1960-02-10)
trumpet:
Art Farmer (from 1960-02-06 until 1960-02-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-02-06 until 1960-02-10)
instrumental cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (from 1960-02-06 until 1960-02-10)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
4:28
5Avalon
double bass:
Addison Farmer (in 1960-02)
drums (drum set):
Lex Humphries (in 1960-02)
piano:
McCoy Tyner (jazz pianist) (in 1960-02)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (in 1960-02)
trombone:
Curtis Fuller (in 1960-02)
trumpet:
Art Farmer (in 1960-02)
instrumental recording of:
Avalon (in 1960-02)
writer:
B. G. DeSylva, Al Jolson and Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Stephen Ballentine Music, Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Jerome H. Remick & Co. (on 1920-09-04)
3:30
6I Remember Clifford
double bass:
Addison Farmer (in 1960-02)
drums (drum set):
Lex Humphries (in 1960-02)
piano:
McCoy Tyner (jazz pianist) (in 1960-02)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (in 1960-02)
trombone:
Curtis Fuller (in 1960-02)
trumpet:
Art Farmer (in 1960-02)
recording of:
I Remember Clifford (in 1960-02)
lyricist:
Jon Hendricks
composer:
Benny Golson (American jazz saxophonist and composer)
version of:
I Remember Clifford (instrumental original)
3:11
7Blues March
double bass:
Addison Farmer (in 1960-02)
drums (drum set):
Lex Humphries (in 1960-02)
piano:
McCoy Tyner (jazz pianist) (in 1960-02)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (in 1960-02)
trombone:
Curtis Fuller (in 1960-02)
trumpet:
Art Farmer (in 1960-02)
recording of:
Blues March (in 1960-02)
composer:
Benny Golson (American jazz saxophonist and composer)
5:17
8It's All Right With Me
double bass:
Addison Farmer (in 1960-02)
drums (drum set):
Lex Humphries (in 1960-02)
piano:
McCoy Tyner (jazz pianist) (in 1960-02)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (in 1960-02)
trombone:
Curtis Fuller (in 1960-02)
trumpet:
Art Farmer (in 1960-02)
instrumental recording of:
It’s All Right with Me (Can‐Can musical) (in 1960-02)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
3:55
9Park Avenue Petite
double bass:
Addison Farmer (in 1960-02)
drums (drum set):
Lex Humphries (in 1960-02)
piano:
McCoy Tyner (jazz pianist) (in 1960-02)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (in 1960-02)
trombone:
Curtis Fuller (in 1960-02)
trumpet:
Art Farmer (in 1960-02)
recording of:
Park Avenue Petite (in 1960-02)
composer:
Benny Golson (American jazz saxophonist and composer)
3:43
10Mox Nix
double bass:
Addison Farmer (in 1960-02)
drums (drum set):
Lex Humphries (in 1960-02)
piano:
McCoy Tyner (jazz pianist) (in 1960-02)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (in 1960-02)
trombone:
Curtis Fuller (in 1960-02)
trumpet:
Art Farmer (in 1960-02)
recording of:
Mox Nix (in 1960-02)
writer:
Art Farmer
4:03
11Easy Living
double bass:
Addison Farmer (in 1960-02)
drums (drum set):
Lex Humphries (in 1960-02)
piano:
McCoy Tyner (jazz pianist) (in 1960-02)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (in 1960-02)
trombone:
Curtis Fuller (in 1960-02)
trumpet:
Art Farmer (in 1960-02)
instrumental recording of:
Easy Living (in 1960-02)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
writer:
Ralph Rainger (in 1937) and Leo Robin (US composer, lyricist & songwriter) (in 1937)
composer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1937, in 1964)
3:35
12Killer Joe
double bass:
Addison Farmer (in 1960-02)
drums (drum set):
Lex Humphries (in 1960-02)
piano:
McCoy Tyner (jazz pianist) (in 1960-02)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (in 1960-02)
trombone:
Curtis Fuller (in 1960-02)
trumpet:
Art Farmer (in 1960-02)
recording of:
Killer Joe (in 1960-02)
composer:
Benny Golson (American jazz saxophonist and composer)
publisher:
Atlantic Music (US publishing company, affiliated with BMI)
4:56
13The Cool One
recording engineer:
Tommy Nola (from 1960-09-16 until 1960-09-20)
producer:
Kay Norton
bass:
Tommy Williams (jazz bassist) (from 1960-09-16 until 1960-09-20)
drums (drum set):
Albert Heath (from 1960-09-16 until 1960-09-20)
piano:
Cedar Walton (from 1960-09-16 until 1960-09-20)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (from 1960-09-16 until 1960-09-20)
trombone:
Tom McIntosh (from 1960-09-16 until 1960-09-20)
trumpet:
Art Farmer (from 1960-09-16 until 1960-09-20)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-09-16 until 1960-09-20)
recording of:
The Cool One
composer:
Benny Golson (American jazz saxophonist and composer)
3:02
14Blues on Down
recording engineer:
Tommy Nola (from 1960-09-16 until 1960-09-20)
producer:
Kay Norton
bass:
Tommy Williams (jazz bassist) (from 1960-09-16 until 1960-09-20)
drums (drum set):
Albert Heath (from 1960-09-16 until 1960-09-20)
piano:
Cedar Walton (from 1960-09-16 until 1960-09-20)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (from 1960-09-16 until 1960-09-20)
trombone:
Tom McIntosh (from 1960-09-16 until 1960-09-20)
trumpet:
Art Farmer (from 1960-09-16 until 1960-09-20)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-09-16 until 1960-09-20)
recording of:
Blues On Down (in 1960-09)
composer:
Benny Golson (American jazz saxophonist and composer)
6:04
15Hi-Fly
recording engineer:
Tommy Nola (from 1960-09-16 until 1960-09-20)
producer:
Kay Norton
bass:
Tommy Williams (jazz bassist) (from 1960-09-16 until 1960-09-20)
drums (drum set):
Albert Heath (from 1960-09-16 until 1960-09-20)
piano:
Cedar Walton (from 1960-09-16 until 1960-09-20)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (from 1960-09-16 until 1960-09-20)
trombone:
Tom McIntosh (from 1960-09-16 until 1960-09-20)
trumpet:
Art Farmer (from 1960-09-16 until 1960-09-20)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-09-16 until 1960-09-20)
recording of:
Hi Fly (from 1960-09-16 until 1960-09-20)
composer:
Randy Weston
5:51
16My Funny Valentine
recording engineer:
Tommy Nola (from 1960-09-16 until 1960-09-20)
producer:
Kay Norton
bass:
Tommy Williams (jazz bassist) (from 1960-09-16 until 1960-09-20)
drums (drum set):
Albert Heath (from 1960-09-16 until 1960-09-20)
piano:
Cedar Walton (from 1960-09-16 until 1960-09-20)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (from 1960-09-16 until 1960-09-20)
trombone:
Tom McIntosh (from 1960-09-16 until 1960-09-20)
trumpet:
Art Farmer (from 1960-09-16 until 1960-09-20)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-09-16 until 1960-09-20)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (from 1960-09-16 until 1960-09-20)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
4:34
17Wonder Why
recording engineer:
Tommy Nola (from 1960-09-16 until 1960-09-20)
producer:
Kay Norton
bass:
Tommy Williams (jazz bassist) (from 1960-09-16 until 1960-09-20)
drums (drum set):
Albert Heath (from 1960-09-16 until 1960-09-20)
piano:
Cedar Walton (from 1960-09-16 until 1960-09-20)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (from 1960-09-16 until 1960-09-20)
trombone:
Tom McIntosh (from 1960-09-16 until 1960-09-20)
trumpet:
Art Farmer (from 1960-09-16 until 1960-09-20)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-09-16 until 1960-09-20)
instrumental recording of:
Wonder Why (Rich, Young and Pretty) (from 1960-09-16 until 1960-09-20)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
publisher:
Primary Wave Songs and Robbins Music Corp.
part of:
The 24th Academy Award for Best Original Song (number: 2)
5:53
3▼CD: Big City Sounds (cont.) / Jazztet at Birdhouse
#TitleRatingLength
1Con Alma
recording engineer:
Tommy Nola (from 1960-09-16 until 1960-09-20)
producer:
Kay Norton
bass:
Tommy Williams (jazz bassist) (from 1960-09-16 until 1960-09-20)
drums (drum set):
Albert Heath (from 1960-09-16 until 1960-09-20)
piano:
Cedar Walton (from 1960-09-16 until 1960-09-20)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (from 1960-09-16 until 1960-09-20)
trombone:
Tom McIntosh (from 1960-09-16 until 1960-09-20)
trumpet:
Art Farmer (from 1960-09-16 until 1960-09-20)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-09-16 until 1960-09-20)
recording of:
Con Alma (from 1960-09-16 until 1960-09-20)
composer:
Dizzy Gillespie
publisher:
Dizlo Music Corp.
5:01
2Lament
recording engineer:
Tommy Nola (from 1960-09-16 until 1960-09-20)
producer:
Kay Norton
bass:
Tommy Williams (jazz bassist) (from 1960-09-16 until 1960-09-20)
drums (drum set):
Albert Heath (from 1960-09-16 until 1960-09-20)
piano:
Cedar Walton (from 1960-09-16 until 1960-09-20)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (from 1960-09-16 until 1960-09-20)
trombone:
Tom McIntosh (from 1960-09-16 until 1960-09-20)
trumpet:
Art Farmer (from 1960-09-16 until 1960-09-20)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-09-16 until 1960-09-20)
recording of:
Lament (from 1960-09-16 until 1960-09-20)
composer:
J.J. Johnson (jazz/bop trombonist/session leader)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
3:32
3Bean Bag
recording engineer:
Tommy Nola (from 1960-09-16 until 1960-09-20)
producer:
Kay Norton
bass:
Tommy Williams (jazz bassist) (from 1960-09-16 until 1960-09-20)
drums (drum set):
Albert Heath (from 1960-09-16 until 1960-09-20)
piano:
Cedar Walton (from 1960-09-16 until 1960-09-20)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (from 1960-09-16 until 1960-09-20)
trombone:
Tom McIntosh (from 1960-09-16 until 1960-09-20)
trumpet:
Art Farmer (from 1960-09-16 until 1960-09-20)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-09-16 until 1960-09-20)
recording of:
Bean Bag (from 1960-09-16 until 1960-09-20)
composer:
Benny Golson (American jazz saxophonist and composer)
4:54
4Five Spot After Dark
recording engineer:
Tommy Nola (from 1960-09-16 until 1960-09-20)
producer:
Kay Norton
bass:
Tommy Williams (jazz bassist) (from 1960-09-16 until 1960-09-20)
drums (drum set):
Albert Heath (from 1960-09-16 until 1960-09-20)
piano:
Cedar Walton (from 1960-09-16 until 1960-09-20)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (from 1960-09-16 until 1960-09-20)
trombone:
Tom McIntosh (from 1960-09-16 until 1960-09-20)
trumpet:
Art Farmer (from 1960-09-16 until 1960-09-20)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-09-16 until 1960-09-20)
recording of:
Five Spot After Dark (from 1960-09-16 until 1960-09-20)
writer:
Benny Golson (American jazz saxophonist and composer)
3:20
5Junction
double bass:
Tommy Williams (jazz bassist) (on 1961-05-15)
drums (drum set):
Albert “Tootie” Heath (on 1961-05-15)
flugelhorn and trumpet and trumpet:
Art Farmer (on 1961-05-15)
piano:
Cedar Walton (on 1961-05-15)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1961-05-15)
trombone:
Tom McIntosh (on 1961-05-15)
recorded at:
Birdhouse in Chicago, Illinois, United States (on 1961-05-15)
live recording of:
Junction (on 1961-05-15)
composer:
Benny Golson (American jazz saxophonist and composer)
5:52
6Farmer's Market
double bass:
Tommy Williams (jazz bassist) (on 1961-05-15)
drums (drum set):
Albert “Tootie” Heath (on 1961-05-15)
flugelhorn and trumpet and trumpet:
Art Farmer (on 1961-05-15)
piano:
Cedar Walton (on 1961-05-15)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1961-05-15)
trombone:
Tom McIntosh (on 1961-05-15)
recorded at:
Birdhouse in Chicago, Illinois, United States (on 1961-05-15)
live recording of:
Farmer's Market (on 1961-05-15)
composer:
Art Farmer
8:35
7Darn That Dream
double bass:
Tommy Williams (jazz bassist) (on 1961-05-15)
drums (drum set):
Albert “Tootie” Heath (on 1961-05-15)
flugelhorn and trumpet and trumpet:
Art Farmer (on 1961-05-15)
piano:
Cedar Walton (on 1961-05-15)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1961-05-15)
trombone:
Tom McIntosh (on 1961-05-15)
recorded at:
Birdhouse in Chicago, Illinois, United States (on 1961-05-15)
live instrumental recording of:
Darn That Dream (on 1961-05-15)
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
4:26
8Shutterbug
double bass:
Tommy Williams (jazz bassist) (on 1961-05-15)
drums (drum set):
Albert “Tootie” Heath (on 1961-05-15)
flugelhorn and trumpet:
Art Farmer (on 1961-05-15)
piano:
Cedar Walton (on 1961-05-15)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1961-05-15)
trombone:
Tom McIntosh (on 1961-05-15)
recorded at:
Birdhouse in Chicago, Illinois, United States (on 1961-05-15)
live recording of:
Shutterbug (on 1961-05-15)
composer:
J.J. Johnson (jazz/bop trombonist/session leader)
4:49
9'round Midnight
double bass:
Tommy Williams (jazz bassist) (on 1961-05-15)
drums (drum set):
Albert “Tootie” Heath (on 1961-05-15)
flugelhorn and trumpet:
Art Farmer (on 1961-05-15)
piano:
Cedar Walton (on 1961-05-15)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1961-05-15)
trombone:
Tom McIntosh (on 1961-05-15)
recorded at:
Birdhouse in Chicago, Illinois, United States (on 1961-05-15)
live recording of:
’Round Midnight (on 1961-05-15)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
10:11
10November Afternoon
double bass:
Tommy Williams (jazz bassist) (on 1961-05-15)
drums (drum set):
Albert “Tootie” Heath (on 1961-05-15)
flugelhorn and trumpet:
Art Farmer (on 1961-05-15)
piano:
Cedar Walton (on 1961-05-15)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1961-05-15)
trombone:
Tom McIntosh (on 1961-05-15)
recorded at:
Birdhouse in Chicago, Illinois, United States (on 1961-05-15)
live recording of:
November Afternoon (on 1961-05-15)
composer:
Tom McIntosh
6:15
4▼CD: Here and Now / Another Git Together
#TitleRatingLength
1Tonk
double bass [bass]:
Herbie Lewis (on 1962-03-02)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (on 1962-03-02)
flugelhorn:
Art Farmer (on 1962-03-02)
piano:
Harold Mabern (American jazz pianist) (on 1962-03-02)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1962-03-02)
trombone:
Grachan Moncur III (trombonist) (on 1962-03-02)
recording of:
Tonk (on 1962-03-02)
composer:
Ray Bryant (US jazz pianist, composer, and arranger)
6:46
2Rue Prevail
double bass [bass]:
Herbie Lewis (on 1962-02-28)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (on 1962-02-28)
flugelhorn:
Art Farmer (on 1962-02-28)
piano:
Harold Mabern (American jazz pianist) (on 1962-02-28)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1962-02-28)
trombone:
Grachan Moncur III (trombonist) (on 1962-02-28)
recording of:
Rue Prevail (on 1962-02-28)
writer:
Art Farmer
4:22
3Richie's Dilemma
double bass [bass]:
Herbie Lewis (on 1962-03-02)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (on 1962-03-02)
flugelhorn:
Art Farmer (on 1962-03-02)
piano:
Harold Mabern (American jazz pianist) (on 1962-03-02)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1962-03-02)
trombone:
Grachan Moncur III (trombonist) (on 1962-03-02)
trumpet:
Art Farmer
5:07
4Whisper Not
double bass [bass]:
Herbie Lewis (on 1962-03-02)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (on 1962-03-02)
flugelhorn:
Art Farmer (on 1962-03-02)
piano:
Harold Mabern (American jazz pianist) (on 1962-03-02)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1962-03-02)
trombone:
Grachan Moncur III (trombonist) (on 1962-03-02)
recording of:
Whisper Not (original instrumental composition) (on 1962-03-02)
composer:
Benny Golson (American jazz saxophonist and composer) (in 1956)
5:17
5Just in Time
double bass [bass]:
Herbie Lewis (on 1962-02-28)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (on 1962-02-28)
flugelhorn:
Art Farmer (on 1962-02-28)
piano:
Harold Mabern (American jazz pianist) (on 1962-02-28)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1962-02-28)
trombone:
Grachan Moncur III (trombonist) (on 1962-02-28)
instrumental recording of:
Just in Time (Bells Are Ringing) (on 1962-02-28)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Bells Are Ringing (stage musical)
5:23
6Ruby My Dear
double bass [bass]:
Herbie Lewis (on 1962-02-28)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (on 1962-02-28)
flugelhorn:
Art Farmer (on 1962-02-28)
piano:
Harold Mabern (American jazz pianist) (on 1962-02-28)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1962-02-28)
trombone:
Grachan Moncur III (trombonist) (on 1962-02-28)
recording of:
Ruby, My Dear (on 1962-02-28)
composer:
Thelonious Monk (in 1948)
publisher:
Embassy Music Corporation
5:07
7In Love in Vain
double bass [bass]:
Herbie Lewis (on 1962-02-28)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (on 1962-02-28)
flugelhorn:
Art Farmer (on 1962-02-28)
piano:
Harold Mabern (American jazz pianist) (on 1962-02-28)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1962-02-28)
trombone:
Grachan Moncur III (trombonist) (on 1962-02-28)
instrumental recording of:
In Love in Vain (on 1962-02-28)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Jerome Kern
7:09
8Sonny's Back
double bass [bass]:
Herbie Lewis (on 1962-03-02)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (on 1962-03-02)
flugelhorn:
Art Farmer (on 1962-03-02)
piano:
Harold Mabern (American jazz pianist) (on 1962-03-02)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1962-03-02)
trombone:
Grachan Moncur III (trombonist) (on 1962-03-02)
trumpet:
Art Farmer
recording of:
Sonny's Back (on 1962-03-02)
composer:
Grachan Moncur III (trombonist)
4:03
9Space Station
double bass:
Herbie Lewis (in 1962)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1962)
piano:
Harold Mabern (American jazz pianist) (in 1962)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (in 1962)
trombone:
Grachan Moncur III (trombonist) (in 1962)
trumpet:
Art Farmer (in 1962)
5:14
10Domino
double bass:
Herbie Lewis (in 1962)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1962)
piano:
Harold Mabern (American jazz pianist) (in 1962)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (in 1962)
trombone:
Grachan Moncur III (trombonist) (in 1962)
trumpet:
Art Farmer (in 1962)
instrumental recording of:
Domino (André Claveau song) (in 1962)
lyricist:
Jacques Plante
composer:
Louis Ferrari (musette accordionist and composer)
publisher:
Éditions Beuscher Arpège
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
7:04
11Another Git Together
double bass:
Herbie Lewis (in 1962)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1962)
piano:
Harold Mabern (American jazz pianist) (in 1962)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (in 1962)
trombone:
Grachan Moncur III (trombonist) (in 1962)
trumpet:
Art Farmer (in 1962)
6:15
12Along Came Betty
double bass:
Herbie Lewis (in 1962)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1962)
piano:
Harold Mabern (American jazz pianist) (in 1962)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (in 1962)
trombone:
Grachan Moncur III (trombonist) (in 1962)
trumpet:
Art Farmer (in 1962)
recording of:
Along Came Betty (in 1962)
composer:
Benny Golson (American jazz saxophonist and composer)
publisher:
Time Step Music (publisher for Benny Golson)
5:29
13This Nearly Was Mine
double bass:
Herbie Lewis (in 1962)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1962)
piano:
Harold Mabern (American jazz pianist) (in 1962)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (in 1962)
trombone:
Grachan Moncur III (trombonist) (in 1962)
trumpet:
Art Farmer (in 1962)
instrumental recording of:
This Nearly Was Mine (South Pacific) (in 1962)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
South Pacific (Rodgers & Hammerstein musical)
6:27
14Reggie
double bass:
Herbie Lewis (in 1962)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1962)
piano:
Harold Mabern (American jazz pianist) (in 1962)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (in 1962)
trombone:
Grachan Moncur III (trombonist) (in 1962)
trumpet:
Art Farmer (in 1962)
4:30