Die kompletten Werke, Volume 10: Kantaten, BWV 115-117, 119-129

~ Release by Johann Sebastian Bach; Helmuth Rilling (see all versions of this release, 43 available)

Annotation

CD1 Aufnahme: Gedächtniskirche Stuttgart. Februar/April 1980 (BWV 115); Februar/April 1980 (BWV 116); Februar 1984 (BWV 117)
CD2 Aufnahme: Gedächtniskirche Stuttgart. Januar/September 1978 (BWV 119); März/April 1973 (BWV 120); Februar/April 1980 (BWV 121)
CD3 Aufnahme: Gedächtniskirche Stuttgart. Februar 1972 (BWV 122); Februar/April 1980 (BWV 123-124); März/April 1973 (BWV 125)
CD4 Aufnahme: Gedächtniskirche Stuttgart. Februar/April 1980 (BWV 126-127); Dezember 1980/März 1981 (BWV 128); Februar/Oktober 1982 (BWV 129)

Annotation last modified on 2014-06-19 18:08 UTC.

Tracklist

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1▼CD: BWV 115-117
#TitleArtistRatingLength
1Kantate, BWV 115 "Mache dich, mein Geist, bereit": I. Choral "Mache dich, mein Geist, bereit"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": I. Choral "Mache dich, mein Geist, bereit" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
Johann Sebastian Bach3:49
2Kantate, BWV 115 "Mache dich, mein Geist, bereit": II. Aria (Alt) "Ach schläfrige Seele, wie? ruhest du noch?"
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": II. Aria (Alt) "Ach schläfrige Seele, wie? ruhest du noch?" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
Johann Sebastian Bach8:43
3Kantate, BWV 115 "Mache dich, mein Geist, bereit": III. Recitativo (Bass) "Gott, so vor deine Seele wacht"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": III. Recitativo (Bass) "Gott, so vor deine Seele wacht" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
Johann Sebastian Bach1:22
4Kantate, BWV 115 "Mache dich, mein Geist, bereit": IV. Aria (Sopran) "Bete aber auch dabei"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": IV. Aria (Sopran) "Bete aber auch dabei" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
Johann Sebastian Bach5:28
5Kantate, BWV 115 "Mache dich, mein Geist, bereit": V. Recitativo (Tenor) "Er sehnet sich nach unsrem Schreien"
tenor vocals:
Lutz-Michael Harder
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": V. Recitativo (Tenor) "Er sehnet sich nach unsrem Schreien" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
Johann Sebastian Bach0:54
6Kantate, BWV 115 "Mache dich, mein Geist, bereit": VI. Choral "Drum so laßt uns immerdar"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": VI. Choral "Drum so laßt uns immerdar" (from 1980-02 until 1980-04)
composer:
Johann Burchard Freystein (German lawyer and hymn writer) and Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 312)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
Johann Sebastian Bach1:04
7Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": I. Coro "Du Friedefürst, Herr Jesu Christ"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": I. Coro "Du Friedefürst, Herr Jesu Christ" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ"
Johann Sebastian Bach5:41
8Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": II. Aria (Alt) "Ach, unaussprechlich ist die Not"
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": II. Aria (Alt) "Ach, unaussprechlich ist die Not" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ"
Johann Sebastian Bach3:53
9Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": III. Recitativo (Tenor) "Gedenke doch, o Jesu"
tenor vocals:
Lutz-Michael Harder
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": III. Recitativo (Tenor) "Gedenke doch, o Jesu" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ"
Johann Sebastian Bach0:51
10Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": IV. Terzetto (Sopran, Tenor, Bass) "Ach, wir bekennen unsre Schuld"
bass vocals:
Philippe Huttenlocher (baritone)
soprano vocals:
Arleen Augér (soprano)
tenor vocals:
Lutz-Michael Harder
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": IV. Terzetto (Sopran, Tenor, Bass) "Ach, wir bekennen unsre Schuld" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ"
Johann Sebastian Bach5:20
11Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": V. Recitativo (Alt) "Ach, laß uns durch die scharfen Ruten"
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": V. Recitativo (Alt) "Ach, laß uns durch die scharfen Ruten" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ"
Johann Sebastian Bach1:12
12Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": VI. Choral "Erleucht auch unser Sinn und Herz"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": VI. Choral "Erleucht auch unser Sinn und Herz" (from 1980-02 until 1980-04)
lyricist:
Jakob Ebert (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 69)
part of:
Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ"
Johann Sebastian Bach1:02
13Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": I. Coro "Sei Lob und Ehr dem höchsten Gut"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": I. Coro "Sei Lob und Ehr dem höchsten Gut" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
Johann Sebastian Bach4:08
14Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": II. Recitativo (Bass) "Es danken dir die Himmelsheer"
bass vocals:
Andreas Schmidt (bass-baritone & teacher)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": II. Recitativo (Bass) "Es danken dir die Himmelsheer" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
Johann Sebastian Bach1:16
15Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": III. Aria (Tenor) "Was unser Gott geschaffen hat"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": III. Aria (Tenor) "Was unser Gott geschaffen hat" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
Johann Sebastian Bach2:52
16Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": IV. Choral "Ich rief dem Herrn in meiner Not"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": IV. Choral "Ich rief dem Herrn in meiner Not" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Breitkopf 389 Choralgesänge (number: 90)
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
Johann Sebastian Bach0:59
17Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": V. Recitativo (Alt) "Der Herr ist noch und nimmer nicht"
alto vocals:
Mechthild Georg (German mezzo-soprano)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": V. Recitativo (Alt) "Der Herr ist noch und nimmer nicht" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
Johann Sebastian Bach1:32
18Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": VI. Aria (Bass) "Wenn Trost und Hülf ermangeln muss"
bass vocals:
Andreas Schmidt (bass-baritone & teacher)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": VI. Aria (Bass) "Wenn Trost und Hülf ermangeln muss" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
Johann Sebastian Bach3:23
19Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": VII. Aria (Alt) "Ich will dich all mein Leben lang"
alto vocals:
Mechthild Georg (German mezzo-soprano)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": VII. Aria (Alt) "Ich will dich all mein Leben lang" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
Johann Sebastian Bach3:10
20Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": VIII. Recitativo (Tenor) "Ihr, die ihr Christi Namen nennt"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": VIII. Recitativo (Tenor) "Ihr, die ihr Christi Namen nennt" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
Johann Sebastian Bach0:42
21Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": IX. Choral "So kommet vor sein Angesicht"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": IX. Choral "So kommet vor sein Angesicht" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
Johann Sebastian Bach3:42
2▼CD: BWV 119-121
#TitleArtistRatingLength
1Kantate, BWV 119 "Preise, Jerusalem, den Herrn": I. Coro "Preise, Jerusalem, den Herrn"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": I. Coro "Preise, Jerusalem, den Herrn" (from 1978-01 until 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach6:57
2Kantate, BWV 119 "Preise, Jerusalem, den Herrn": II. Recitativo (Tenor) "Gesegnet Land! glückselge Stadt"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": II. Recitativo (Tenor) "Gesegnet Land! glückselge Stadt" (from 1978-01 until 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach1:23
3Kantate, BWV 119 "Preise, Jerusalem, den Herrn": III. Aria (Tenor) "Wohl dir, du Volk der Linden"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": III. Aria (Tenor) "Wohl dir, du Volk der Linden" (from 1978-01 until 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach3:09
4Kantate, BWV 119 "Preise, Jerusalem, den Herrn": IV. Recitativo (Bass) "So herrlich stehst du, liebe Stadt"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": IV. Recitativo (Bass) "So herrlich stehst du, liebe Stadt" (from 1978-01 until 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach1:57
5Kantate, BWV 119 "Preise, Jerusalem, den Herrn": V. Aria (Alt) "Die Obrigkeit ist Gottes Gabe"
alto vocals:
Ann Murray (Irish mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": V. Aria (Alt) "Die Obrigkeit ist Gottes Gabe" (from 1978-01 until 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach2:49
6Kantate, BWV 119 "Preise, Jerusalem, den Herrn": VI. Recitativo (Sopran) "Nun! Wir erkennen es und bringen dir"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": VI. Recitativo (Sopran) "Nun! Wir erkennen es und bringen dir" (from 1978-01 until 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach1:03
7Kantate, BWV 119 "Preise, Jerusalem, den Herrn": VII. Coro "Der Herr hat Guts an uns getan"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": VII. Coro "Der Herr hat Guts an uns getan" (from 1978-01 until 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach6:23
8Kantate, BWV 119 "Preise, Jerusalem, den Herrn": VIII. Recitativo (Alt) "Zuletzt! Da du uns Herr, zu deinem Volk gesetzt"
alto vocals:
Ann Murray (Irish mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": VIII. Recitativo (Alt) "Zuletzt! Da du uns Herr, zu deinem Volk gesetzt" (from 1978-01 until 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach0:47
9Kantate, BWV 119 "Preise, Jerusalem, den Herrn": IX. Choral "Hilf deinem Volk, Herr Jesu Christ"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": IX. Choral "Hilf deinem Volk, Herr Jesu Christ" (from 1978-01 until 1978-09)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1723-08-30)
part of:
Breitkopf 389 Choralgesänge (number: 134)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach0:58
10Kantate, BWV 120 "Gott, man lobet dich in der Stille": I. Aria (Alt) "Gott, man lobet dich in der Stille"
alto vocals:
Hildegard Laurich (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": I. Aria (Alt) "Gott, man lobet dich in der Stille" (former BWV 120) (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
Johann Sebastian Bach5:41
11Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120) (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
Johann Sebastian Bach7:15
12Kantate, BWV 120 "Gott, man lobet dich in der Stille": III. Recitativo (Bass) "Auf, du geliebte Lindenstadt"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": III. Recitativo (Bass) "Auf, du geliebte Lindenstadt" (former BWV 120) (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
Johann Sebastian Bach1:27
13Kantate, BWV 120 "Gott, man lobet dich in der Stille": IV. Aria (Sopran) "Heil und Segen"
soprano vocals:
Helen Donath (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": IV. Aria (Sopran) "Heil und Segen" (former BWV 120) (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
Johann Sebastian Bach5:56
14Kantate, BWV 120 "Gott, man lobet dich in der Stille": V. Recitativo (Tenor) "Nun, Herr, so weihe selbst"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": V. Recitativo (Tenor) "Nun, Herr, so weihe selbst" (former BWV 120) (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
Johann Sebastian Bach0:56
15Kantate, BWV 120 "Gott, man lobet dich in der Stille": VI. Choral "Nun hilf uns, Herr, den Dienern dein"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": VI. Choral "Nun hilf uns, Herr, den Dienern dein" (former BWV 120) (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Martin Luther (German theologian of the Reformation) (in 1529)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany
part of:
Breitkopf 389 Choralgesänge (number: 135)
part of:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille" (former BWV 120)
Johann Sebastian Bach1:10
16Kantate, BWV 121 "Christum wir sollen loben schon": I. Coro "Christum wir sollen loben schon"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": I. Coro "Christum wir sollen loben schon" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach3:32
17Kantate, BWV 121 "Christum wir sollen loben schon": II. Aria (Tenor) "O du von Gott erhöhte Kreatur"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": II. Aria (Tenor) "O du von Gott erhöhte Kreatur" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach5:15
18Kantate, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alt) "Der Gnad unermeßlichs Wesen"
alto vocals:
Doris Soffel (mezzo soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alt) "Der Gnad unermeßlichs Wesen" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:22
19Kantate, BWV 121 "Christum wir sollen loben schon": IV. Aria (Bass) "Johannis freudenvolles Springen"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": IV. Aria (Bass) "Johannis freudenvolles Springen" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach8:09
20Kantate, BWV 121 "Christum wir sollen loben schon": V. Recitativo (Sopran) "Doch wie erblickt es dich in deiner Krippen"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": V. Recitativo (Sopran) "Doch wie erblickt es dich in deiner Krippen" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:17
21Kantate, BWV 121 "Christum wir sollen loben schon": VI. Choral "Lob, Ehr und Dank sei dir gesagt"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": VI. Choral "Lob, Ehr und Dank sei dir gesagt" (from 1980-02 until 1980-04)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Breitkopf 389 Choralgesänge (number: 42)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:11
3▼CD: BWV 122-125
#TitleArtistRatingLength
1Kantate, BWV 122 "Das neugeborne Kindelein": I. Coro "Das neugeborne Kindelein"
choir vocals:
Frankfurter Kantorei
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": I. Coro "Das neugeborne Kindelein" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach3:38
2Kantate, BWV 122 "Das neugeborne Kindelein": II. Aria (Bass) "O Menschen, die ihr täglich sündigt"
bass vocals:
Niklaus Tuller (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": II. Aria (Bass) "O Menschen, die ihr täglich sündigt" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach6:24
3Kantate, BWV 122 "Das neugeborne Kindelein": III. Recitativo (Sopran) "Die Engel, welche sich zuvor"
soprano vocals:
Helen Donath (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": III. Recitativo (Sopran) "Die Engel, welche sich zuvor" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach1:33
4Kantate, BWV 122 "Das neugeborne Kindelein": IV. Terzetto (Sopran, Alt, Tenor) con Choral (Coro Alt) "Ist Gott versöhnt"
alto vocals:
Helen Watts (contralto)
soprano vocals:
Helen Donath (soprano)
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": IV. Terzetto (Sopran, Alt, Tenor) con Choral (Coro Alt) "Ist Gott versöhnt" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach2:44
5Kantate, BWV 122 "Das neugeborne Kindelein": V. Recitativo (Bass) "Dies ist ein Tag, den selbst der Herr gemacht"
bass vocals:
Niklaus Tuller (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": V. Recitativo (Bass) "Dies ist ein Tag, den selbst der Herr gemacht" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach1:28
6Kantate, BWV 122 "Das neugeborne Kindelein": VI. Choral "Es bringt das rechte Jubeljahr"
choir vocals:
Frankfurter Kantorei
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": VI. Choral "Es bringt das rechte Jubeljahr" (in 1972-02)
lyricist:
Cyriacus Schneegaß
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Breitkopf 389 Choralgesänge (number: 57)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
Johann Sebastian Bach0:45
7Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": I. Coro "Liebster Immanuel, Herzog der Frommen"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": I. Coro "Liebster Immanuel, Herzog der Frommen" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-06)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
Johann Sebastian Bach5:21
8Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": II. Recitativo (Alt) "Die Himmelssüßigkeit, der Auserwähten Lust"
alto vocals:
Helen Watts (contralto)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": II. Recitativo (Alt) "Die Himmelssüßigkeit, der Auserwähten Lust" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-06)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
Johann Sebastian Bach0:57
9Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": III. Aria (Tenor) "Auch die harte Kreuzesreise"
tenor vocals:
Adalbert Kraus (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": III. Aria (Tenor) "Auch die harte Kreuzesreise" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-06)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
Johann Sebastian Bach5:08
10Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": IV. Recitativo (Bass) "Kein Höllenfeind kann mich verschlingen"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": IV. Recitativo (Bass) "Kein Höllenfeind kann mich verschlingen" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-06)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
Johann Sebastian Bach0:47
11Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": V. Aria (Bass) "Laß, o Welt, mich aus Verachtung"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": V. Aria (Bass) "Laß, o Welt, mich aus Verachtung" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-06)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
Johann Sebastian Bach6:11
12Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": VI. Choral "Drum fahrt nur immer hin"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen": VI. Choral "Drum fahrt nur immer hin" (from 1980-02 until 1980-04)
lyricist:
Ahasverus Fritsch
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-06)
part of:
Breitkopf 389 Choralgesänge (number: 229)
part of:
Kantate, BWV 123 "Liebster Immanuel, Herzog der Frommen"
Johann Sebastian Bach1:30
13Kantate, BWV 124 "Meinen Jesum laß ich nicht": I. Coro "Meinen Jesum laß ich nicht"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht": I. Coro "Meinen Jesum laß ich nicht" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-07)
part of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht"
Johann Sebastian Bach3:39
14Kantate, BWV 124 "Meinen Jesum laß ich nicht": II. Recitativo (Tenor) "Solange sich ein Tropfen Blut"
tenor vocals:
Aldo Baldin (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht": II. Recitativo (Tenor) "Solange sich ein Tropfen Blut" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-07)
part of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht"
Johann Sebastian Bach0:54
15Kantate, BWV 124 "Meinen Jesum laß ich nicht": III. Aria (Tenor) "Und wenn der harte Todesschlag"
tenor vocals:
Aldo Baldin (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht": III. Aria (Tenor) "Und wenn der harte Todesschlag" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-07)
part of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht"
Johann Sebastian Bach2:39
16Kantate, BWV 124 "Meinen Jesum laß ich nicht": IV. Recitativo (Bass) "Doch ach! Welch schweres Ungemach"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht": IV. Recitativo (Bass) "Doch ach! Welch schweres Ungemach"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-07)
part of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht"
Johann Sebastian Bach1:04
17Kantate, BWV 124 "Meinen Jesum laß ich nicht": V. Aria (Duetto Sopran, Alt) "Entziehe dich eilends, mein Herze, der Welt"
alto vocals:
Helen Watts (contralto)
soprano vocals:
Arleen Augér (soprano)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht": V. Aria (Duetto Sopran, Alt) "Entziehe dich eilends, mein Herze, der Welt" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-07)
part of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht"
Johann Sebastian Bach4:51
18Kantate, BWV 124 "Meinen Jesum laß ich nicht": VI. Choral "Jesum laß ich nicht von mir"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht": VI. Choral "Jesum laß ich nicht von mir" (from 1980-02 until 1980-04)
lyricist:
Christian Keymann (17th century hymnwriter)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1725-01-07)
part of:
Breitkopf 389 Choralgesänge (number: 246)
part of:
Kantate, BWV 124 "Meinen Jesum laß ich nicht"
Johann Sebastian Bach1:05
19Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": I. Coro "Mit Fried und Freud ich fahr dahin"
choir vocals:
Figuralchor der Gedächtniskirche Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": I. Coro "Mit Fried und Freud ich fahr dahin" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"
Johann Sebastian Bach7:24
20Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": II. Aria (Alt) "Ich will auch mit gebrochnen Augen"
alto vocals:
Marga Höffgen (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": II. Aria (Alt) "Ich will auch mit gebrochnen Augen" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"
Johann Sebastian Bach7:13
21Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": III. Recitativo e Choral (Bass) "O Wunder, daß dein Herz"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": III. Recitativo e Choral (Bass) "O Wunder, daß dein Herz" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"
Johann Sebastian Bach2:17
22Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": IV. Aria (Duetto Tenor, Bass) "Ein unbegreiflich Licht erfüllt"
bass vocals:
Wolfgang Schöne (bass-baritone)
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": IV. Aria (Duetto Tenor, Bass) "Ein unbegreiflich Licht erfüllt" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"
Johann Sebastian Bach5:48
23Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": V. Recitativo (Alt) "O unerschöpfter Schatz der Güte"
alto vocals:
Marga Höffgen (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": V. Recitativo (Alt) "O unerschöpfter Schatz der Güte" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"
Johann Sebastian Bach0:54
24Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": VI. Choral "Er ist das Heil und selig Licht"
choir vocals:
Figuralchor der Gedächtniskirche Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": VI. Choral "Er ist das Heil und selig Licht" (from 1973-03 until 1973-04)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 251)
part of:
Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"
Johann Sebastian Bach0:51
4▼CD: BWV 126-129
#TitleArtistRatingLength
1Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort": I. Coro "Erhalt uns Herr bei deinem Wort"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort": I. Coro "Erhalt uns Herr bei deinem Wort" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort"
Johann Sebastian Bach2:55
2Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort": II. Aria (Tenor) "Sende deine Macht von oben"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort": II. Aria (Tenor) "Sende deine Macht von oben" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort"
Johann Sebastian Bach4:14
3Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort": III. Recitativo e Choral (Alt, Tenor) "Der Menschen Gunst und Macht"
alto vocals:
Helen Watts (contralto)
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort": III. Recitativo e Choral (Alt, Tenor) "Der Menschen Gunst und Macht" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort"
Johann Sebastian Bach2:03
4Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort": IV. Aria (Bass) "Stürze zu Boden schwülstige Stolze!"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort": IV. Aria (Bass) "Stürze zu Boden schwülstige Stolze!" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort"
Johann Sebastian Bach5:26
5Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort": V. Recitativo (Tenor) "So wird dein Wort und Wahrheit offenbar"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort": V. Recitativo (Tenor) "So wird dein Wort und Wahrheit offenbar" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort"
Johann Sebastian Bach1:02
6Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort": VI. Choral "Verleih uns Frieden gnädiglich"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort": VI. Choral "Verleih uns Frieden gnädiglich" (from 1980-02 until 1980-04)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 321)
part of:
Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort"
Johann Sebastian Bach2:09
7Kantate, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": I. Coro "Herr Jesu Christ, wahr' Mensch und Gott"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": I. Coro "Herr Jesu Christ, wahr' Mensch und Gott" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 127 "Herr Jesu Christ, wahr’ Mensch und Gott"
Johann Sebastian Bach5:55
8Kantate, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": II. Recitativo (Tenor) "Wenn alles sich zur letzten Zeit entsetzt"
tenor vocals:
Lutz-Michael Harder
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": II. Recitativo (Tenor) "Wenn alles sich zur letzten Zeit entsetzt" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 127 "Herr Jesu Christ, wahr’ Mensch und Gott"
Johann Sebastian Bach1:29
9Kantate, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": III. Aria (Sopran) "Die Seelen ruht in Jesu Händen"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": III. Aria (Sopran) "Die Seelen ruht in Jesu Händen" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 127 "Herr Jesu Christ, wahr’ Mensch und Gott"
Johann Sebastian Bach7:20
10Kantate, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": IV. Recitativo ed Aria (Bass) "Wenn einst die Posaunen schallen"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": IV. Recitativo ed Aria (Bass) "Wenn einst die Posaunen schallen" (from 1980-02 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 127 "Herr Jesu Christ, wahr’ Mensch und Gott"
Johann Sebastian Bach4:16
11Kantate, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": V. Choral "Ach, Herr, vergib all unser Schuld"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-02 until 1980-04)
recording of:
Kantate, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": V. Choral "Ach, Herr, vergib all unser Schuld" (from 1980-02 until 1980-04)
lyricist:
Paul Eber
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 147)
part of:
Kantate, BWV 127 "Herr Jesu Christ, wahr’ Mensch und Gott"
Johann Sebastian Bach1:09
12Kantate, BWV 128 "Auf Christi Himmelfahrt allein": I. Coro "Auf Christi Himmelfahrt allein"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-03)
recording of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein": I. Coro "Auf Christi Himmelfahrt allein" (from 1980-12 until 1981-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein"
Johann Sebastian Bach4:52
13Kantate, BWV 128 "Auf Christi Himmelfahrt allein": II. Recitativo (Tenor) "Ich binn bereit, komm, hole mich!"
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-03)
recording of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein": II. Recitativo (Tenor) "Ich binn bereit, komm, hole mich!" (from 1980-12 until 1981-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein"
Johann Sebastian Bach0:53
14Kantate, BWV 128 "Auf Christi Himmelfahrt allein": III. Aria e Recitativo (Bass) "Auf, auf, mit hellem Schall"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-03)
recording of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein": III. Aria e Recitativo (Bass) "Auf, auf, mit hellem Schall" (from 1980-12 until 1981-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein"
Johann Sebastian Bach3:45
15Kantate, BWV 128 "Auf Christi Himmelfahrt allein": IV. Aria (Duetto Alt, Tenor) "Sein Allmacht zu ergründen"
alto vocals:
Gabriele Schreckenbach (contralto)
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-03)
recording of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein": IV. Aria (Duetto Alt, Tenor) "Sein Allmacht zu ergründen" (from 1980-12 until 1981-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein"
Johann Sebastian Bach5:37
16Kantate, BWV 128 "Auf Christi Himmelfahrt allein": V. Choral "Alsdann so wirst du mich"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-03)
recording of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein": V. Choral "Alsdann so wirst du mich" (from 1980-12 until 1981-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 279)
part of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein"
Johann Sebastian Bach1:17
17Kantate, BWV 129 "Gelobet sei der Herr": I. Coro "Gelobet sei der Herr"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 129 "Gelobet sei der Herr": I. Coro "Gelobet sei der Herr" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Olearius (in 1665)
part of:
Kantate, BWV 129 "Gelobet sei der Herr"
Johann Sebastian Bach3:59
18Kantate, BWV 129 "Gelobet sei der Herr": II. Aria (Bass) "Gelobet sei der Herr"
baritone vocals and bass vocals:
Philippe Huttenlocher (baritone)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 129 "Gelobet sei der Herr": II. Aria (Bass) "Gelobet sei der Herr" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Olearius (in 1665)
part of:
Kantate, BWV 129 "Gelobet sei der Herr"
Johann Sebastian Bach3:58
19Kantate, BWV 129 "Gelobet sei der Herr": III. Aria (Sopran) "Gelobet sei der Herr"
soprano vocals:
Arleen Augér (soprano)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 129 "Gelobet sei der Herr": III. Aria (Sopran) "Gelobet sei der Herr" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Olearius (in 1665)
part of:
Kantate, BWV 129 "Gelobet sei der Herr"
Johann Sebastian Bach4:14
20Kantate, BWV 129 "Gelobet sei der Herr": IV. Aria (Alt) "Gelobet sei der Herr"
alto vocals:
Gabriele Schreckenbach (contralto)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 129 "Gelobet sei der Herr": IV. Aria (Alt) "Gelobet sei der Herr" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Olearius (in 1665)
part of:
Kantate, BWV 129 "Gelobet sei der Herr"
Johann Sebastian Bach4:46
21Kantate, BWV 129 "Gelobet sei der Herr": V. Choral "Dem wir das Heilig itzt"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 129 "Gelobet sei der Herr": V. Choral "Dem wir das Heilig itzt" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Olearius (in 1665)
part of:
Kantate, BWV 129 "Gelobet sei der Herr"
Johann Sebastian Bach1:39