Gold

~ Release by Culture Club (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleRatingLength
1Karma Chameleon
engineer:
Simon Frith, Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
guest harmonica:
Judd Lander (in 1983)
guest keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
background vocals:
Helen Terry (UK singer) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2002, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
Karma Chameleon by Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and BMG VM Music Ltd. (from 2013-05 to present)
44:13
2Do You Really Want to Hurt Me
assistant engineer:
Gordon Milne (engineer)
engineer and producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
drums (drum set) and vibraphone:
Jon Moss
electric piano, guitar and synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
synclavier:
Keith Miller (Synthesiser Pioneer)
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom (in 1982)
music videos:
Do You Really Want to Hurt Me by Culture Club (English pop group)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 58)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. and Virgin Music (Publishers) Ltd.
3.954:23
3Church of the Poison Mind
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar and piano:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
harmonica:
Judd Lander
organ:
Phil Pickett (songwriter, producer, keyboard player)
saxophone:
Steve Grainger (saxophonist)
trumpet:
Terry Bailey (trumpeter)
background vocals:
Helen Terry (UK singer)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (from 1983 to present, in 1983, in 2003) and Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (in 1983)
produced for:
Do Not Erase Productions
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
Church of the Poison Mind by Culture Club (English pop group)
recording of:
Church of the Poison Mind (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
J. Albert & Son Pty. Ltd. and Virgin Music (Publishers) Ltd. (from 1983 to present)
3.53:33
4Miss Me Blind
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
Miss Me Blind by Culture Club (English pop group)
recording of:
Miss Me Blind (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
34:33
5Mystery Boy (Suntori Hot Whiskey Song)
recording of:
Mystery Boy
writer:
Boy George, Mikey Craig (Culture Club bassist), Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
3:35
6I’ll Tumble 4 Ya
engineer and producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
membranophone and percussion:
Jon Moss
lead vocals:
Boy George
music videos:
I'll Tumble 4 Ya! by Culture Club (English pop group)
recording of:
I’ll Tumble 4 Ya
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
Virgin Music (Publishers) Ltd.
4.52:37
7The War Song
assistant engineer:
Peter Lees
engineer:
Gordon Milne (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1984)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1984)
guest keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1984)
guest saxophone:
Steve Grainger (saxophonist) (in 1984)
guest trombone:
Kenneth McGregor (in 1984)
guest trumpet:
Ron Williams (Trumpeter) (in 1984)
guest background vocals:
Imogen Exton (in 1984), Derek Green (in 1984), Alice Kemp (in 1984), Andriana Loizou (in 1984), Alanda Marchant (in 1984), Nancy Peppers (in 1984), Phil Pickett (songwriter, producer, keyboard player) (in 1984), Chris Rainbow (in 1984), Louis Rogers (in 1984), Martin Sunley (in 1984), Helen Terry (UK singer) (in 1984), Tara Thomas ("when you’re in love") (in 1984) and Clare Torry (in 1984)
vocals:
Boy George (in 1984)
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom (in 1984)
music videos:
The War Song by Culture Club (English pop group)
recording of:
The War Song (in 1984)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
Virgin Music (Publishers) Ltd.
3.654:13
8White Boys Can’t Control It
recording engineer and producer:
Steve Levine (producer)
assistant engineer:
Gordon Milne (engineer)
engineer:
Steve Levine (producer) and Mike Ross (engineer)
mixer:
Steve Levine (producer) and Jon Moss
additional keyboard:
Phil Pickett (songwriter, producer, keyboard player)
bass guitar:
Mikey Craig (Culture Club bassist)
drums (drum set), membranophone and percussion and tambourine:
Jon Moss
guitar and tubular bells:
Roy Hay (Member of Culture Club and composer for film and television)
Moog [Moog bass]:
Michael Craig (Culture Club bassist)
saxophone:
Steve Grainger (saxophonist)
background vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
strings arranger:
Trevor Bastow
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
produced for:
Do Not Erase Productions Ltd.
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
engineered at:
Red Bus Studios in London (Greater London), England, United Kingdom
recording of:
White Boys Can’t Control It
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
Virgin Music (Publishers) Ltd. (in 1982)
43:46
9Mister Man
recording of:
Mister Man
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
3:37
10Move Away
producer:
Lew Hahn and Arif Mardin
recording of:
Move Away
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
Phil Pickett Music Ltd. and Virgin Music (Publishers) Ltd.
24:09
11Man‐Shake
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 2003)
recording of:
Man Shake
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
Virgin Music (Publishers) Ltd. (from 1983 to present)
32:36
12Love Is Cold (You Were Never No Good)
recording of:
Love Is Cold (You Were Never No Good)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
4:24
13Boy Boy (I’m the Boy)
engineer and producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
membranophone and percussion:
Jon Moss
lead vocals:
Boy George
recording of:
Boy, Boy, (I’m the Boy)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
Virgin Music (Publishers) Ltd.
43:52
14From Luxury to Heartache (It’s All Her Fault mix)
recording of:
From Luxury to Heartache
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
5:55
15Karma Chameleon (Ledge Music Electro 80 mix)
recording of:
Karma Chameleon
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and BMG VM Music Ltd. (from 2013-05 to present)
3:16
2CD
#TitleRatingLength
1Time (Clock of the Heart)
assistant engineer:
Gordon Milne (engineer)
engineer:
Steve Levine (producer) and Mike Ross (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
additional keyboard:
Phil Pickett (songwriter, producer, keyboard player)
bass and Moog [Moog bass]:
Michael Craig (Culture Club bassist)
drums (drum set) and tambourine:
Jon Moss
guitar and tubular bells:
Roy Hay (Member of Culture Club and composer for film and television)
saxophone:
Steve Grainger (saxophonist)
background vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
strings arranger:
Trevor Bastow
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983)
produced for:
Do Not Erase Productions Ltd.
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
engineered at:
Red Bus Studios in London (Greater London), England, United Kingdom
music videos:
Time (Clock of the Heart) by Culture Club (English pop group)
recording of:
Time (Clock of the Heart)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd. (in 1982)
3.83:43
2Mistake Number 3
assistant engineer:
Peter Lees
engineer:
Gordon Milne (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1984)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1984)
guest keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1984)
guest saxophone:
Steve Grainger (saxophonist) (in 1984)
guest trombone:
Kenneth McGregor (in 1984)
guest trumpet:
Ron Williams (Trumpeter) (in 1984)
guest background vocals:
Imogen Exton (in 1984), Derek Green (in 1984), Alice Kemp (in 1984), Andriana Loizou (in 1984), Alanda Marchant (in 1984), Nancy Peppers (in 1984), Phil Pickett (songwriter, producer, keyboard player) (in 1984), Chris Rainbow (in 1984), Louis Rogers (in 1984), Martin Sunley (in 1984), Helen Terry (UK singer) (in 1984), Tara Thomas ("when you’re in love") (in 1984) and Clare Torry (in 1984)
vocals:
Boy George (in 1984)
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom (in 1984)
music videos:
Mistake No. 3 by Culture Club (English pop group)
recording of:
Mistake No. 3 (in 1984)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
44:36
3Victims
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
Victims by Culture Club (English pop group)
recording of:
Victims (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
44:54
4Love Is Love
producer:
Steve Levine (producer)
recording of:
Love Is Love
writer:
Boy George, Mikey Craig (Culture Club bassist), Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
43:52
5I Just Wanna Be Loved
remixer:
Richie Stevens (UK drummer)
music videos:
I Just Wanna Be Loved by Culture Club (English pop group)
recording of:
I Just Wanna Be Loved
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
3.54:35
6Black Money
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
recording of:
Black Money (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
35:19
7It’s a Miracle
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
It’s a Miracle by Culture Club (English pop group)
recording of:
It’s a Miracle (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
Pendulum Music Ltd., Virgin Music (Publishers) Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
3.53:24
8The Dream
42:31
9The Medal Song
assistant engineer:
Peter Lees
engineer:
Gordon Milne (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1984)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1984)
guest keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1984)
guest saxophone:
Steve Grainger (saxophonist) (in 1984)
guest trombone:
Kenneth McGregor (in 1984)
guest trumpet:
Ron Williams (Trumpeter) (in 1984)
guest background vocals:
Imogen Exton (in 1984), Derek Green (in 1984), Alice Kemp (in 1984), Andriana Loizou (in 1984), Alanda Marchant (in 1984), Nancy Peppers (in 1984), Phil Pickett (songwriter, producer, keyboard player) (in 1984), Chris Rainbow (in 1984), Louis Rogers (in 1984), Martin Sunley (in 1984), Helen Terry (UK singer) (in 1984), Tara Thomas ("when you’re in love") (in 1984) and Clare Torry (in 1984)
vocals:
Boy George (in 1984)
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom (in 1984)
music videos:
The Medal Song by Culture Club (English pop group)
recording of:
The Medal Song (in 1984)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
24:15
10Changing Every Day
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
drums (drum set) and percussion:
Jon Moss
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
recording of:
Changing Every Day
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
3.53:19
11The Dive
assistant engineer:
Peter Lees
engineer:
Gordon Milne (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1984)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1984)
guest keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1984)
guest saxophone:
Steve Grainger (saxophonist) (in 1984)
guest trombone:
Kenneth McGregor (in 1984)
guest trumpet:
Ron Williams (Trumpeter) (in 1984)
guest background vocals:
Imogen Exton (in 1984), Derek Green (in 1984), Alice Kemp (in 1984), Andriana Loizou (in 1984), Alanda Marchant (in 1984), Nancy Peppers (in 1984), Phil Pickett (songwriter, producer, keyboard player) (in 1984), Chris Rainbow (in 1984), Louis Rogers (in 1984), Martin Sunley (in 1984), Helen Terry (UK singer) (in 1984), Tara Thomas ("when you’re in love") (in 1984) and Clare Torry (in 1984)
vocals:
Boy George (in 1984)
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom (in 1984)
recording of:
The Dive (in 1984)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
2.53:48
12Stormkeeper
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
drums (drum set) and percussion:
Jon Moss
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
recording of:
Stormkeeper
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
32:49
13Murder Rap Trap
vocals:
Captain Crucial
recording of:
Murder Rap Trap
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
4:25
14God Thank You Woman
recording of:
God Thank You Woman
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
Phil Pickett Music Ltd. and Virgin Music (Publishers) Ltd.
37:03
15I’m Afraid of Me
3:17

Credits

Release

manufactured in:EU (Europe)
copyrighted (©) by and phonographic copyright (℗) by:Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 2013)
part of:Gold (Universal Records) (order: 145)
Discogs:https://www.discogs.com/release/6019774 [info]
ASIN:DE: B00G2QSWW4 [info]
purchase for mail-order:https://www.bol.com/nl/p/gold/9200000021338552/ [info]
https://www.bookspot.nl/muziek/gold-culture-club-0600753462638 [info]
other databases:https://www.muziekweb.nl/Link/JK186146/ [info]