Best Puccini 100

~ Release by Giacomo Puccini (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1La bohème: Atto I. “Questo ‘Mar Rosso’ mi ammollisce e assidera”
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Thomas Schippers (conductor and composer)
recording of:
La bohème: Atto I, no. 1. “Questo Mar Rosso” … “Nei cieli bigi" (Marcello, Rodolfo)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
5:26
2La bohème: Atto I. “Non sono in vena”
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Thomas Schippers (conductor and composer)
recording of:
La bohème: Atto I, no. 5. “Non sono in vena. Chi è là?” (Rodolfo, Mimì)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
4:02
3La bohème: Atto I. “Che gelida manina”
tenor vocals [Rodolfo]:
Nicolai Gedda (tenor)
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Thomas Schippers (conductor and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
4:27
4La bohème: Atto I. “Mi chiamano Mimì”
recorded in:
Roma (Rome), Roma, Lazio, Italy (on 1969-07-17)
soprano vocals [Mimì]:
Mirella Freni (soprano) (on 1969-07-17)
orchestra:
Orchestra del Teatro dell’Opera di Roma (on 1969-07-17)
conductor:
Thomas Schippers (conductor and composer) (on 1969-07-17)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 1964)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
live recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (on 1969-07-17)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
4:53
5La bohème: Atto I. “Ehi! Rodolfo” … “O soave fanciulla”
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Thomas Schippers (conductor and composer)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Luigi Illica and Giuseppe Giacosa (in 1896)
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
4:39
6La bohème: Atto II. “Quando men vo”
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Thomas Schippers (conductor and composer)
recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
7:10
7La bohème: Atto III. “Mimì?! Speravo di trovarvi qui”
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Thomas Schippers (conductor and composer)
recording of:
La bohème: Atto III. no. 16. “Mimì! Speravo di trovarti qui” (Marcello, Mimì)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
4:56
8La bohème: Atto III. “Marcello, finalmente” … “Mimì è tanto malata!”
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Thomas Schippers (conductor and composer)
recording of:
La bohème: Atto III. “Mimì è tanto malata!” (Rodolfo, Marcello, Mimì)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
recording of:
La bohème: Atto III. no. 17. “Marcello, finalmente” (Rodolfo, Marcello, Mimì)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
5:08
9La bohème: Atto III. “Addio” … “Donde lieta uscì”
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Thomas Schippers (conductor and composer)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
3:19
10La bohème: Atto III. “Dunque è proprio finita?”
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Thomas Schippers (conductor and composer)
recording of:
La bohème: Atto III. no. 19. “Dunque è proprio finita” … “Sempre tua, per la vita” (Mimì, Rodolfo, Marcello, Musetta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
5:26
11La bohème: Atto IV. “In un coupé?” … “O Mimì, tu più non torni”
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Thomas Schippers (conductor and composer)
recording of:
La bohème: Atto IV. no. 21. “O Mimì, tu più non torni” (Rodolfo, Marcello)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
4:23
12La bohème: Atto IV. “Vecchia zimarra”
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Thomas Schippers (conductor and composer)
recording of:
La bohème: Atto IV. no. 24. “Vecchia zimarra, senti” (Colline, Schaunard)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
1:44
13La bohème: Atto IV. “Sono andati?”
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Thomas Schippers (conductor and composer)
recording of:
La bohème: Atto IV. no. 25. “Sono andati? Fingevo di dormire” (Mimì, Rodolfo)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
5:06
14La bohème: Atto IV. “Dorme? Riposa”
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Thomas Schippers (conductor and composer)
recording of:
La bohème: Atto IV. “Dorme? … Riposa” (Musetta, Rodolfo, Marcello, Mimi)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
4:59
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1Tosca: Atto I. “Dammi i colori” … “Recondita armonia”
orchestra:
Orchestre de la Société des Concerts du Conservatoire
conductor:
Georges Prêtre (French conductor)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I (Tosca: Act 1)
?:??
2Tosca: Atto I. “Mario! Mario! Mario!”
orchestra:
Orchestre de la Société des Concerts du Conservatoire
conductor:
Georges Prêtre (French conductor)
recording of:
Tosca: Atto I. “Mario! Mario! Mario!... Son qui!” (Tosca, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
?:??
3Tosca: Atto I. “Tre sbirri, una carozza”
orchestra:
Orchestre de la Société des Concerts du Conservatoire
conductor:
Georges Prêtre (French conductor)
recording of:
Tosca: Atto I. “Tre sbirri … una carrozza …” … “Te Deum” (Scarpia, Spoletta, Coro)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Tosca: Atto I (Tosca: Act 1)
?:??
4Tosca: Atto II. “Tosca è un buon falco”
orchestra:
Orchestre de la Société des Concerts du Conservatoire
conductor:
Georges Prêtre (French conductor)
recording of:
Tosca: Atto II. “Tosca è un buon falco!” … “Ella verrà” (Scarpia, Sciarrone)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
?:??
5Tosca: Atto II. “Vissi d’arte”
orchestra:
Orchestre de la Société des Concerts du Conservatoire
conductor:
Georges Prêtre (French conductor)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
?:??
6Tosca: Atto III. “E lucevan le stelle”
orchestra:
Orchestre de la Société des Concerts du Conservatoire
conductor:
Georges Prêtre (French conductor)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
?:??
7Tosca: Atto III. “Ah! Franchigia a Floria Tosca” … “O dolci mani”
orchestra:
Orchestre de la Société des Concerts du Conservatoire
conductor:
Georges Prêtre (French conductor)
recording of:
Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
?:??
8Madama Butterfly: Atto I. “Dovunque al mondo” … “Amore o grillo”
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Gabriele Santini (conductor)
recording of:
Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton, Sharpless)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
recording of:
Madama Butterfly: Atto I. “Ed è bella la sposa?” … “Quale smania vi prende!” … “Amore o grillo” (Sharpless, Goro, Pinkerton)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
?:??
9Madama Butterfly: Atto I. “Quanto cielo!” … “Ancora un passo or via”
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Gabriele Santini (conductor)
recording of:
Madama Butterfly: Atto I. “Ah, ah! Quanto cielo!”… “Ancora un passo or via” (Le amiche, Butterfly, Sharpless)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
?:??
10Madama Butterfly: Atto I. “Viene la sera” … “Bimba dagli occhi pieni di malia”
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Gabriele Santini (conductor)
recording of:
Madama Butterfly: Atto I. “Bimba dagli occhi pieni di malìa” (Butterfly, Pinkerton)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
recording of:
Madama Butterfly: Atto I. “Viene la sera” (Pinkerton, Butterfly, Suzuki)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
?:??
11Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino”
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Gabriele Santini (conductor)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
?:??
12Madama Butterfly: Atto II. “Un bel dì vedremo”
soprano vocals [Butterfly]:
Victoria de los Ángeles (Spanish soprano) (from 1959-09-23 until 1959-10-03)
orchestra:
Orchestra del Teatro dell’Opera di Roma (from 1959-09-23 until 1959-10-03)
conductor:
Gabriele Santini (conductor) (from 1959-09-23 until 1959-10-03)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (in 1959, from 1959-09-23 until 1959-10-03)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
?:??
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1Madama Butterfly: Atto II. “Ebbene, che fareste” … “È questo? è questo?”
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Gabriele Santini (conductor)
recording of:
Madama Butterfly: Atto II. “È questo? È questo?” (Butterfly, Sharpless)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
?:??
2Madama Butterfly: Atto II. “Che tua madre dovrà”
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Gabriele Santini (conductor)
recording of:
Madama Butterfly: Atto II. “Che tua madre dovrà” (Butterfly)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
?:??
3Madama Butterfly: Atto II. “Una nave da guerra”
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Gabriele Santini (conductor)
recording of:
Madama Butterfly: Atto II. “Il cannone del porto! Una nave da guerra…” (Suzuki, Butterfly)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II. “Il cannone del porto!” (Butterfly, Suzuki) (Flower Duet, complete)
?:??
4Madama Butterfly: Atto II. “Scuoti quella fronda di cilegio”
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Gabriele Santini (conductor)
recording of:
Madama Butterfly: Atto II. “Scuoti quella fronda di ciliegio” (Butterfly, Suzuki)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
?:??
5Madama Butterfly: Atto II. Humming Chorus
choir vocals:
Coro del Teatro dell’Opera di Roma
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Gabriele Santini (conductor)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (in 1959)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
?:??
6Madama Butterfly: Atto II. “Addio, fiorito asil”
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Gabriele Santini (conductor)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
?:??
7Madama Butterfly: Atto II. “Con onor muore”
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Gabriele Santini (conductor)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
?:??
8Manon Lescaut: Atto I. “Tra voi, belle, brune e bionde”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Bruno Bartoletti (conductor)
recording of:
Manon Lescaut: Atto I. “Tra voi, belle, brune e bionde” (Des Grieux, Edmondo, coro)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto I
?:??
9Manon Lescaut: Atto I. “Cortese damigella, il priego mio accettate”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Bruno Bartoletti (conductor)
recording of:
Manon Lescaut: Atto I. “Cortese damigella” (Des Grieux, Manon, Lescaut)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto I
?:??
10Manon Lescaut: Atto I. “Donna non vidi mai”
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
tenor vocals:
Plácido Domingo (tenor) (in 1972)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Bruno Bartoletti (conductor) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux) (in 1972)
composer:
Giacomo Puccini (Italian composer) (in 1893)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto I
?:??
11Manon Lescaut: Atto I. “Vedete? Io son fedele alla parola mia”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Bruno Bartoletti (conductor)
recording of:
Manon Lescaut: Atto I. “Vedete? Io son fedele” (Manon, Des Grieux)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto I
?:??
12Manon Lescaut: Atto II. “In quelle trine morbide”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Bruno Bartoletti (conductor)
recording of:
Manon Lescaut: Atto II. “In quelle trine morbide” (Manon)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto II
?:??
13Manon Lescaut: Atto II. “Oh, sarò la più bella!”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Bruno Bartoletti (conductor)
recording of:
Manon Lescaut: Atto II. “Oh, sarò la più bella … Tu, tu amore?” (Manon, Des Grieux)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto II
?:??
14Manon Lescaut: Atto II. “Ah, Manon, mi tradisce!”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Bruno Bartoletti (conductor)
recording of:
Manon Lescaut: Atto II. “Ah, Manon, mi tradisce” (Des Grieux, Manon)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto II
?:??
15Manon Lescaut: Atto II. Intermezzo
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Bruno Bartoletti (conductor)
recording of:
Manon Lescaut: Atto III. Intermezzo (Intermezzo between Acts II and III)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut
?:??
16Manon Lescaut: Atto III. “Manon! Des Grieux!”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Bruno Bartoletti (conductor)
recording of:
Manon Lescaut: Atto III. “Manon! … Des Grieux!” (Des Grieux, Manon, Lampionaio)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto III
?:??
17Manon Lescaut: Atto III. “Presto in fila! Marciate!” … “No! Pazzo son”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Bruno Bartoletti (conductor)
recording of:
Manon Lescaut: Atto III. “Presto! In fila!…No! No! pazzo son” (Des Grieux, Sergente, Comandante)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto III
?:??
18Manon Lescaut: Atto IV. “Sola, perduta, abbandonata”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Bruno Bartoletti (conductor)
recording of:
Manon Lescaut: Atto IV. “Sola, perduta, abbandonata” … “Fra le tue braccia, amore” (Manon, Des Grieux)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto IV
?:??
19Manon Lescaut: Atto IV. “Fra le tue braccia, amore”
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Bruno Bartoletti (conductor)
partial recording of:
Manon Lescaut: Atto IV
composer:
Giacomo Puccini (Italian composer)
part of:
Manon Lescaut
?:??
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1La fanciulla del West: Atto I. “Dove eravamo?”
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Lovro von Matačić (conductor)
recording of:
La fanciulla del West: Atto I. “Dove eravamo?” (Minnie, Harry, Trin, Joe, Billy, Nick)
composer:
Giacomo Puccini (Italian composer)
part of:
La fanciulla del West: Atto I
?:??
2La fanciulla del West: Atto I. “Minnie, dalla mia casa son partito” … "Laggiù nel Soledad
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Lovro von Matačić (conductor)
recording of:
La fanciulla del West: Atto I. “Laggiù nel Soledad” (Minnie, Rance, Johnson)
composer:
Giacomo Puccini (Italian composer)
part of:
La fanciulla del West: Atto I
recording of:
La fanciulla del West: Atto I. “Minnie, dalla mia casa son partito” (Rance)
composer:
Giacomo Puccini (Italian composer)
part of:
La fanciulla del West: Atto I
?:??
3La fanciulla del West: Atto I. “Ah, non temete, nessuno ardirà”
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Lovro von Matačić (conductor)
recording of:
La fanciulla del West: Atto I. “Oh, non temete, nessuno ardirà!” (Johnson, Minnie)
composer:
Giacomo Puccini (Italian composer)
part of:
La fanciulla del West: Atto I
?:??
4La fanciulla del West: Atto II. “Vieni fuori?” … “Or son sei mesi che mio padre mori”
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Lovro von Matačić (conductor)
recording of:
La fanciulla del West: Atto II. “Vieni fuori!…” … “Or son sei mesi che mio padre morì…” (Minnie, Johnson)
composer:
Giacomo Puccini (Italian composer)
librettist:
Guelfo Civinini (Italian librettist) and Carlo Zangarini
part of:
La fanciulla del West: Atto II
?:??
5La fanciulla del West: Atto III. “Ch’ella mi creda libero e lontano”
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Lovro von Matačić (conductor)
recording of:
La fanciulla del West: Atto III. “Ch’ella mi creda libero e lontano” (Johnson, Rance)
composer:
Giacomo Puccini (Italian composer) (in 1910)
librettist:
Guelfo Civinini (Italian librettist) and Carlo Zangarini
part of:
La fanciulla del West: Atto III
?:??
6La fanciulla del West: Atto III. “E anche tu lo vorrai, Joe”
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Lovro von Matačić (conductor)
recording of:
La fanciulla del West: Atto III. “E anche tu lo vorrai, Joe” (Minnie, Sonora, minatori)
composer:
Giacomo Puccini (Italian composer)
part of:
La fanciulla del West: Atto III
?:??
7La fanciulla del West: Atto III. “Le tue parole sono di Dio”
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Lovro von Matačić (conductor)
recording of:
La fanciulla del West: Atto III. “Le tue parole sono di Dio” (Sonora, Johnson, Minnie, tutti)
composer:
Giacomo Puccini (Italian composer)
part of:
La fanciulla del West: Atto III
?:??
8La rondine: Atto I. “Chi il bel sogno di Doretta”
soprano vocals [Bianca]:
Patrizia Ciofi (Italian soprano)
soprano vocals [Lisette]:
Inva Mula (soprano)
soprano vocals [Magda]:
Angela Gheorghiu (Romanian soprano)
tenor vocals [Prunier]:
William Matteuzzi (tenor)
orchestra:
London Symphony Orchestra
conductor:
Antonio Pappano (conductor and pianist)
recording of:
La rondine: Atto I. “Ch’il bel sogno di Doretta” (Prunier, Magda, Lisette, Suzy, Yvette, Bianca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami
part of:
La rondine: Atto I
?:??
9La rondine: Atto I. “Denaro! Nient’altro che denaro!”
soprano vocals [Bianca]:
Patrizia Ciofi (Italian soprano)
soprano vocals [Magda]:
Angela Gheorghiu (Romanian soprano)
orchestra:
London Symphony Orchestra
conductor:
Antonio Pappano (conductor and pianist)
recording of:
La rondine: Atto I. “Denaro! Nient’altro che denaro!” (Magda, Bianca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami
part of:
La rondine: Atto I
?:??
10La rondine: Atto I. “Parigi! è la città dei desideri”
tenor vocals [Ruggero]:
Roberto Alagna (tenor)
orchestra:
London Symphony Orchestra
conductor:
Antonio Pappano (conductor and pianist)
recording of:
La Rondine: Atto I. “Parigi! è la città dei desideri” (Ruggero)
composer:
Giacomo Puccini (Italian composer)
part of:
La rondine: Atto I
?:??
11La rondine: Atto II. “Scusatemi” … “Scusate”
choir vocals:
London Voices
soprano vocals [Magda]:
Angela Gheorghiu (Romanian soprano)
tenor vocals [Ruggero]:
Roberto Alagna (tenor)
orchestra:
London Symphony Orchestra
conductor:
Antonio Pappano (conductor and pianist)
recording of:
La rondine: Atto II. “Scusatemi” … “Scusate” (Magda, Ruggero, coro)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami
part of:
La rondine: Atto II
?:??
12La rondine: Atto II. “Paulette! I nostri amici”
soprano vocals [Magda]:
Angela Gheorghiu (Romanian soprano)
tenor vocals [Ruggero]:
Roberto Alagna (tenor)
orchestra:
London Symphony Orchestra
conductor:
Antonio Pappano (conductor and pianist)
partial recording of:
La rondine: Atto II. “Nella trepida luce d’un mattin” … “Paulette!” (Ruggero, Magda)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami
part of:
La rondine: Atto II
?:??
13La rondine: Atto III. “Senti? Anche il mare respira sommesso”
soprano vocals [Magda]:
Angela Gheorghiu (Romanian soprano)
tenor vocals [Ruggero]:
Roberto Alagna (tenor)
orchestra:
London Symphony Orchestra
conductor:
Antonio Pappano (conductor and pianist)
recording of:
La rondine: Atto III. “Senti? Anche il mare respira sommesso” (Magda, Ruggero)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami
part of:
La rondine: Atto III
?:??
14La rondine: Atto III. “E siam fuggiti qui per nasconderlo”
soprano vocals [Magda]:
Angela Gheorghiu (Romanian soprano)
tenor vocals [Ruggero]:
Roberto Alagna (tenor)
orchestra:
London Symphony Orchestra
conductor:
Antonio Pappano (conductor and pianist)
recording of:
La rondine: Atto III. “E siam fuggiti qui per nasconderlo!” … “Oggi lascia che ancor” (Ruggero, Magda)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami
part of:
La rondine: Atto III
?:??
15La rondine: Atto III. “Amore mio!”
soprano vocals [Magda]:
Angela Gheorghiu (Romanian soprano)
tenor vocals [Ruggero]:
Roberto Alagna (tenor)
orchestra:
London Symphony Orchestra
conductor:
Antonio Pappano (conductor and pianist)
recording of:
La rondine: Atto III. “Amore mio! Mia madre!” (Ruggero, Magda)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami
part of:
La rondine: Atto III
?:??
16La rondine: Atto III. “No! Non dir questo”
soprano vocals [Magda]:
Angela Gheorghiu (Romanian soprano)
tenor vocals [Ruggero]:
Roberto Alagna (tenor)
orchestra:
London Symphony Orchestra
conductor:
Antonio Pappano (conductor and pianist)
recording of:
La rondine: Atto III. “No! Non dir questo! No!” (Ruggero, Magda)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami
part of:
La rondine: Atto III
?:??
17Morire? Song for voice & piano
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Morire? SC 89 (Song for voice and piano)
composer:
Giacomo Puccini (Italian composer)
?:??
18Il tabarro: “O Luigi, ancora una passata”
soprano vocals [Giorgetta]:
Maria Guleghina (soprano)
tenor vocals [Luigi]:
Neil Shicoff (tenor)
orchestra:
London Symphony Orchestra
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Il tabarro: “Eccola la passata!” (Luigi, Giorgetta, il Tinca, il Talpa)
composer:
Giacomo Puccini (Italian composer)
part of:
Il tabarro
?:??
19Il tabarro: “Hai ben ragione”
tenor vocals [Luigi]:
Neil Shicoff (tenor)
orchestra:
London Symphony Orchestra
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Il tabarro: “Hai ben ragione” (Luigi)
composer:
Giacomo Puccini (Italian composer)
part of:
Il tabarro
?:??
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1Il tabarro: “Dimmi: perchè gli hai chiesto”
soprano vocals [Giorgetta]:
Maria Guleghina (soprano)
tenor vocals [Luigi]:
Neil Shicoff (tenor)
orchestra:
London Symphony Orchestra
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Il tabarro: “Dimmi: perché gli hai chiesto di sbarcati a Rouen?” (Giorgetta, Luigi)
composer:
Giacomo Puccini (Italian composer)
part of:
Il tabarro
?:??
2Il tabarro: “Nulla! Silenzio!”
baritone vocals [Michele]:
Carlo Guelfi (baritone)
orchestra:
London Symphony Orchestra
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Il tabarro: “Nulla! Silenzio!” (Michele)
composer:
Giacomo Puccini (Italian composer)
part of:
Il tabarro
?:??
3Suor Angelica: “Senza mamma”
soprano vocals [Suor Angelica]:
Kiri Te Kanawa (soprano)
orchestra:
London Symphony Orchestra
conductor:
Myung-Whun Chung (pianist and conductor)
recording of:
Suor Angelica: “Senza mamma, o bimbo, tu sei morto!” (Suor Angelica)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A.
part of:
Suor Angelica
?:??
4Gianni Schicchi: “Firenze è come un albero fiorito”
tenor vocals [Rinuccio]:
Roberto Alagna (tenor)
orchestra:
London Symphony Orchestra
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Gianni Schicchi: Aria “Firenze è come un albero fiorito” (Rinuccio)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
part of:
Gianni Schicchi
?:??
5Gianni Schicchi: “O mio babbino caro"
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) (from 1997-08-12 until 1997-08-15)
producer:
David Groves (classical music producer at EMI)
editor:
Caroline Haigh, Simon Kiln and Jørn Pedersen
soprano vocals:
Angela Gheorghiu (Romanian soprano) (in 1999)
soprano vocals [Lauretta]:
Angela Gheorghiu (Romanian soprano) (from 1997-08-12 until 1997-08-15)
vocals:
Angela Gheorghiu (Romanian soprano)
orchestra:
London Symphony Orchestra (from 1997-08-12 until 1997-08-15, in 1999)
conductor:
Antonio Pappano (conductor and pianist) (from 1997-08-12 until 1997-08-15, in 1999)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1999) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1999)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-08-12 until 1997-08-15)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (from 1997-08-12 until 1997-08-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
?:??
6Gianni Schicchi: “Lauretta mia"
baritone vocals [Schicchi]:
José van Dam (Belgian operatic bass-baritone)
soprano vocals [Lauretta]:
Angela Gheorghiu (Romanian soprano)
tenor vocals [Rinuccio]:
Roberto Alagna (tenor)
orchestra:
London Symphony Orchestra
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Gianni Schicchi: “Lauretta mia, staremo sempre qui” (Rinuccio, Lauretta, Schicchi)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
part of:
Gianni Schicchi
?:??
7Turandot: Atto I. “Perché tarda la luna?”
choir vocals:
Coro del Teatro dell’Opera di Roma
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Francesco Molinari‐Pradelli (conductor)
recording of:
Turandot: Atto I. “Perché tarda la luna” (La folla)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
?:??
8Turandot: Atto I. “Signore, ascolta”
soprano vocals [Liù]:
Renata Scotto (operatic soprano)
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Francesco Molinari‐Pradelli (conductor)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
?:??
9Turandot: Atto I. “Non piangere, Liù” … “Ah! per l’ultima volta!”
baritone vocals [Ping]:
Guido Mazzini (bass-baritone)
bass vocals [Timur]:
Bonaldo Giaiotti (operatic bass)
choir vocals:
Coro del Teatro dell’Opera di Roma
soprano vocals [Liù]:
Renata Scotto (operatic soprano)
tenor vocals [Calaf]:
Franco Corelli (tenor)
tenor vocals [Pang]:
Franco Ricciardi (Italian tenor)
tenor vocals [Pong]:
Piero de Palma (tenor)
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Francesco Molinari‐Pradelli (conductor)
recording of:
Turandot: Atto I. “Ah! per l’ultima volta!” (Timur, Liù, Ministri, Calaf, coro)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
recording of:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
?:??
10Turandot: Atto II. “Ho una casa nell’Honan”
baritone vocals [Ping]:
Guido Mazzini (bass-baritone)
tenor vocals [Pang]:
Franco Ricciardi (Italian tenor)
tenor vocals [Pong]:
Piero de Palma (tenor)
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Francesco Molinari‐Pradelli (conductor)
recording of:
Turandot: Atto II, scena 1. “Ho una casa nell’Honan” (Ping, Pang, Pong)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
?:??
11Turandot: Atto II. “In questa reggia”
choir vocals:
Coro del Teatro dell’Opera di Roma
soprano vocals [Turandot]:
Birgit Nilsson (soprano)
tenor vocals [Calaf]:
Franco Corelli (tenor)
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Francesco Molinari‐Pradelli (conductor)
recording of:
Turandot: Atto II, scena 2. “In questa reggia” (Turandot, La folla, Calaf)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
?:??
12Turandot: Atto II. “Straniero, ascolta”
choir vocals:
Coro del Teatro dell’Opera di Roma
soprano vocals [Turandot]:
Birgit Nilsson (soprano)
tenor vocals [Calaf]:
Franco Corelli (tenor)
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Francesco Molinari‐Pradelli (conductor)
recording of:
Turandot: Atto II, scena 2. “Straniero, ascolta! Nella cupa notte” … “Sì! Rinasce!” (Turandot, Calaf, Sapienti)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
?:??
13Turandot: Atto II. “Figlio del cielo!”
choir vocals:
Coro del Teatro dell’Opera di Roma
soprano vocals [Turandot]:
Birgit Nilsson (soprano)
tenor vocals [Altoum]:
Angelo Mercuriali (tenor)
tenor vocals [Calaf]:
Franco Corelli (tenor)
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Francesco Molinari‐Pradelli (conductor)
recording of:
Turandot: Atto II, scena 2. “Figlio del cielo!” (Turandot, Altoum, La folla, Calaf)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
?:??
14Turandot: Atto II. “Tre enigmi m’hai proposto!”
tenor vocals [Altoum]:
Angelo Mercuriali (tenor)
tenor vocals [Calaf]:
Franco Corelli (tenor)
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Francesco Molinari‐Pradelli (conductor)
recording of:
Turandot: Atto II, scena 2. “Tre enigmi m’hai proposto!” (Calaf, Altoum)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
?:??
15Turandot: Atto III. “Nessun dorma”
tenor vocals [Calaf]:
Franco Corelli (tenor)
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Francesco Molinari‐Pradelli (conductor)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
?:??
16Turandot: Atto III. “Tu, che di gel sei cinta”
choir vocals:
Coro del Teatro dell’Opera di Roma
soprano vocals [Liù]:
Renata Scotto (operatic soprano)
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Francesco Molinari‐Pradelli (conductor)
recording of:
Turandot: Atto III, scena 1. “Tu, che di gel sei cinta” (Liù, La folla)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto III (Turandot: Act III)
?:??
17Turandot: Atto III. “Principessa di morte!”
choir vocals:
Coro del Teatro dell’Opera di Roma
soprano vocals [Turandot]:
Birgit Nilsson (soprano)
tenor vocals [Calaf]:
Franco Corelli (tenor)
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Francesco Molinari‐Pradelli (conductor)
recording of:
Turandot: Atto III, scena 1. “Principessa di morte!” (Calaf, Turandot)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto III (Turandot: Act III)
?:??
18Turandot: Atto III. “Del primo pianto”
choir vocals:
Coro del Teatro dell’Opera di Roma
soprano vocals [Turandot]:
Birgit Nilsson (soprano)
tenor vocals [Calaf]:
Franco Corelli (tenor)
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Francesco Molinari‐Pradelli (conductor)
recording of:
Turandot: Atto III, scena 1. “Del primo pianto…ah!” (Turandot, Calaf)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto III (Turandot: Act III)
?:??
19Turandot: Atto III. “La mia gloria è il tuo amplesso!”
soprano vocals [Turandot]:
Birgit Nilsson (soprano)
tenor vocals [Calaf]:
Franco Corelli (tenor)
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Francesco Molinari‐Pradelli (conductor)
recording of:
Turandot: Atto III, scena 1. “So il tuo nome!” (Turandot, Calaf)
composer:
Giacomo Puccini (Italian composer)
part of:
Turandot: Atto III (Turandot: Act III)
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6▼CD
#TitleRatingLength
1Preludio sinfonico, for orchestra in A major
producer:
David Groves (classical music producer at EMI)
editor:
Sally Drew (Decca engineer)
orchestra:
London Symphony Orchestra (in 2000-09)
conductor:
Antonio Pappano (conductor and pianist) (in 2000-09)
balance engineer:
Jonathan Allen (engineer)
recorded at:
No 1 Studio, Abbey Road, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2000-09)
recording of:
Preludio sinfonico for orchestra, op. 1, SC 32
composer:
Giacomo Puccini (Italian composer)
part of:
Giacomo Puccini: Catalogue of the Works (“SC”) (number: SC 32)
version of:
Preludio Sinfonico (Original Version)
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2Le Villi: Atto II. Preludio
orchestra:
London Symphony Orchestra
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Le Villi: Atto II. Preludio e scene "Anima santa della figlia mia" (Guglielmo)
composer:
Giacomo Puccini (Italian composer)
part of:
Le Villi: Atto II
?:??
3Le Villi: Atto II. “Ecco la casa. Dio, che orrenda notte!”
orchestra:
London Symphony Orchestra
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Le Villi: Atto II. “Ecco la casa. Dio, che orrenda notte!” (Roberto)
part of:
Le Villi: Atto II
?:??
4Le Villi: Atto II. “Torna ai felici dì”
orchestra:
London Symphony Orchestra
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Le Villi: Atto II. Scene dramatica, romanza "Torna ai felici di" (Roberto)
lyricist:
Ferdinando Fontana
composer:
Giacomo Puccini (Italian composer)
part of:
Le Villi: Atto II
?:??
5Le Villi: Atto II. Intermezzo (Part 1: The Abandoning) “Come un giglio reciso”
orchestra:
London Symphony Orchestra
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Le Villi: Atto II. L'abbandono
composer:
Giacomo Puccini (Italian composer)
part of:
Le Villi: Atto II
?:??
6Le Villi: Atto II. Intermezzo (Part 2: The Witches’ Sabbath)
orchestra:
London Symphony Orchestra
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Le Villi: Atto II. La tregenda
composer:
Giacomo Puccini (Italian composer)
part of:
Le Villi: Atto II
?:??
7Crisantemi (Chrysanthemums), elegy for string quartet
producer:
David Groves (classical music producer at EMI)
editor:
Sally Drew (Decca engineer)
orchestra:
London Symphony Orchestra (in 2000-09)
conductor:
Antonio Pappano (conductor and pianist) (in 2000-09)
balance engineer:
Jonathan Allen (engineer)
recorded at:
No 1 Studio, Abbey Road, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2000-09)
recording of:
I Crisantemi, SC 65 (for string orchestra) (in 2000-09)
composer:
Giacomo Puccini (Italian composer) (in 1890)
orchestration of:
Crisantemi (for string quartet)
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8Messa di gloria: Kyrie
producer:
David Groves (classical music producer at EMI)
editor:
Sally Drew (Decca engineer)
baritone vocals:
Thomas Hampson (baritone)
choir vocals:
London Symphony Chorus (in 2000-09)
tenor vocals:
Roberto Alagna (tenor)
orchestra:
London Symphony Orchestra (in 2000-09)
conductor:
Antonio Pappano (conductor and pianist) (in 2000-09)
performer:
Roberto Alagna (tenor) and Thomas Hampson (baritone)
balance engineer:
Jonathan Allen (engineer)
recorded at:
No 1 Studio, Abbey Road, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2000-09)
recording of:
Messa di Gloria: I. Kyrie
composer:
Giacomo Puccini (Italian composer) (in 1880)
publisher:
Belwin-Mills Publishing Corp. and Éditions Mario Bois
part of:
Messa di Gloria, op. posth.
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9Messa di gloria: Gloria. Gloria in excelsis Deo – In terra pax – Laudamus te
producer:
David Groves (classical music producer at EMI)
editor:
Sally Drew (Decca engineer)
choir vocals:
London Symphony Chorus (in 2000-09)
orchestra:
London Symphony Orchestra (in 2000-09)
conductor:
Antonio Pappano (conductor and pianist) (in 2000-09)
balance engineer:
Jonathan Allen (engineer)
recorded at:
No 1 Studio, Abbey Road, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2000-09)
recording of:
Messa di Gloria: II. Gloria. Gloria in excelsis Deo – In terra pax – Laudamus te
composer:
Giacomo Puccini (Italian composer) (in 1880)
part of:
Messa di Gloria: II. Gloria
?:??
10Messa di gloria: Gloria. Gratias agimus tibi – Gloria in excelsis deo
orchestra:
London Symphony Orchestra
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Messa di Gloria: II. Gloria. Gratias agimus tibi
composer:
Giacomo Puccini (Italian composer) (in 1880)
part of:
Messa di Gloria: II. Gloria
?:??
11Messa di gloria: Gloria. Qui tollis peccata mundi – Quoniam tu solus Sanctus
orchestra:
London Symphony Orchestra
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Messa di Gloria: II. Gloria. Qui tollis peccata mundi
composer:
Giacomo Puccini (Italian composer) (in 1880)
part of:
Messa di Gloria: II. Gloria
?:??
12Messa di gloria: Gloria. Cum Sancto Spiritu in gloria Dei Patris
producer:
David Groves (classical music producer at EMI)
editor:
Sally Drew (Decca engineer)
choir vocals:
London Symphony Chorus (in 2000-09)
orchestra:
London Symphony Orchestra (in 2000-09)
conductor:
Antonio Pappano (conductor and pianist) (in 2000-09)
balance engineer:
Jonathan Allen (engineer)
recorded at:
No 1 Studio, Abbey Road, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2000-09)
recording of:
Messa di Gloria: II. Gloria. Cum Sancto Spiritu in gloria Dei Patris – Gloria in excelsis
composer:
Giacomo Puccini (Italian composer) (in 1880)
part of:
Messa di Gloria: II. Gloria
?:??
13Messa di gloria: Credo. Credo in unum Deum – Et incarnatus est
producer:
David Groves (classical music producer at EMI)
editor:
Sally Drew (Decca engineer)
choir vocals:
London Symphony Chorus (in 2000-09, in 2001)
tenor vocals:
Roberto Alagna (tenor) (in 2000-09, in 2001)
orchestra:
London Symphony Orchestra (in 2000-09, in 2001)
conductor:
Antonio Pappano (conductor and pianist) (in 2000-09, in 2001)
balance engineer:
Jonathan Allen (engineer)
recorded at:
No 1 Studio, Abbey Road, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2000-09)
recording of:
Messa di Gloria: III. Credo. Et incarnatus est (in 2001)
composer:
Giacomo Puccini (Italian composer) (in 1880)
part of:
Messa di Gloria: III. Credo
recording of:
Messa di Gloria: III. Credo. Credo in unum Deum
composer:
Giacomo Puccini (Italian composer) (in 1880)
part of:
Messa di Gloria: III. Credo
?:??
14Messa di gloria: Credo. Et resurrexit tertia die – Et in Spiritum Sanctum
producer:
David Groves (classical music producer at EMI)
editor:
Sally Drew (Decca engineer)
choir vocals:
London Symphony Chorus (in 2000-09)
orchestra:
London Symphony Orchestra (in 2000-09)
conductor:
Antonio Pappano (conductor and pianist) (in 2000-09)
balance engineer:
Jonathan Allen (engineer)
recorded at:
No 1 Studio, Abbey Road, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2000-09)
recording of:
Messa di Gloria: III. Credo. Et resurrexit tertia die - Et in Spiritum Sanctum
composer:
Giacomo Puccini (Italian composer) (in 1880)
part of:
Messa di Gloria: III. Credo
?:??
15Messa di gloria: Credo. Et unam sanctam catholicam
orchestra:
London Symphony Orchestra
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Messa di Gloria: III. Credo. Et unam sanctam catholicam
composer:
Giacomo Puccini (Italian composer) (in 1880)
part of:
Messa di Gloria: III. Credo
?:??
16Messa di gloria: Sanctus & Benedictus. Sanctus Dominus Deus sabaoth – Benedictus qui venit in nomine Domini
orchestra:
London Symphony Orchestra
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Messa di Gloria: IV. Sanctus. Benedictus qui venit in nomine Domini
composer:
Giacomo Puccini (Italian composer) (in 1880)
part of:
Messa di Gloria: IV. Sanctus
recording of:
Messa di Gloria: IV. Sanctus. Sanctus Dominus Deus sabaoth
composer:
Giacomo Puccini (Italian composer) (in 1880)
part of:
Messa di Gloria: IV. Sanctus
?:??
17Messa di gloria: Agnus Dei
producer:
David Groves (classical music producer at EMI)
editor:
Sally Drew (Decca engineer)
baritone vocals:
Thomas Hampson (baritone) (in 2000-09)
choir vocals:
London Symphony Chorus (in 2000-09)
orchestra:
London Symphony Orchestra (in 2000-09)
conductor:
Antonio Pappano (conductor and pianist) (in 2000-09)
balance engineer:
Jonathan Allen (engineer)
recorded at:
No 1 Studio, Abbey Road, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2000-09)
recording of:
Messa di Gloria: V. Agnus Dei
composer:
Giacomo Puccini (Italian composer) (in 1880)
publisher:
Belwin-Mills Publishing Corp. and Éditions Mario Bois
part of:
Messa di Gloria, op. posth.
?:??

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ASIN:US: B001MIG1ZC [info]