New Wave Classix

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Don't You (Forget About Me)
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Jez Coad
performer:
Simple Minds (Scottish rock band) (on 1984-07-10)
phonographic copyright (℗) by:
Simple Minds Ltd
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 25) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 340)
recording of:
Don’t You (Forget About Me) (on 1984-07-10)
writer:
Keith Forsey (drummer, producer and songwriter) and Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. and Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:19
2Change
producer:
Ross Cullum and Chris Hughes (producer, aka “Merrick”)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1983)
recording of:
Change
lyricist and composer:
Roland Orzabal (UK musician, songwriter and producer)
publisher:
Roland Orzabal Ltd.
Tears for Fears3:55
3Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell (1980s English synth‐pop duo)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 33) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 46)
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:41
4Heart of Glass
assistant engineer:
Grey Russell
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison
drums (drum set):
Clem Burke
guitar:
Frank Infante and Chris Stein
keyboard:
Jimmy Destri
lead vocals:
Deborah Harry
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records (imprint of Capitol Records, Inc.) (in 1978), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978) and Chrysalis Records, Inc. (not for release label use!) (in 1978)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1978-06)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
recording of:
Heart of Glass
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
version of:
Once I Had a Love
Blondie4.34:08
5I Wanna Be Sedated
assistant engineer:
Ray Janos
engineer and producer:
Thomas Erdelyi (Tommy Ramone) and Ed Stasium (US record producer & audio engineer)
bass guitar:
Dee Dee Ramone
drums (drum set):
Marky Ramone (Marc Bell)
guitar:
Johnny Ramone
lead vocals:
Joey Ramone
recorded at:
Media Sound in New York, New York, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 19) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 144)
recording of:
I Wanna Be Sedated
writer:
Douglas Glenn Colvin, Jeffrey Hyman and John Cummings
publisher:
Bleu Disque Music Co., Inc. (publisher), Taco Tunes Inc. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Ramones4.32:31
6Gold
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
drums (drum set):
John Keeble (in 1982)
guitar:
Gary Kemp (in 1982)
keyboard:
Jess Bailey (in 1982)
percussion and saxophone:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
lead vocals:
Tony Hadley (in 1982)
performer:
Spandau Ballet (in 1982)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
Gold (in 1982)
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:51
7The Look of Love
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Mark Lickley
keyboard:
Mark White (ABC/Vice Versa)
lead vocals:
Martin Fry
strings arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (in 1982)
part of:
TV Cream: Real 100 Best Singles Ever (number: 4), The Downloader’s Music Source Book (number: 73) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 43)
partial recording of:
The Look of Love
writer:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc. (US arm of Virgin’s publishing company)
part of:
Mantrap (ABC long-form film)
ABC3.93:30
8Golden Brown
co-producer:
Steve Churchyard
producer:
Steve Churchyard and The Stranglers
mixer:
Tony Visconti
performer:
The Stranglers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Plumbshaft-Ltd.
The Stranglers4.43:32
9Down Under
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
bass:
John Rees
drums (drum set):
Jerry Speiser (drummer for Men at Work)
guitar:
Ron Strykert
keyboard and woodwind:
Greg Ham (member of Men at Work)
vocals:
Colin Hay
phonographic copyright (℗) by:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) and Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
lyricist:
Colin Hay
composer:
Colin Hay and Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Men at Work3.953:42
10Karma Chameleon
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
guest keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
harmonica:
Judd Lander (in 1983)
background vocals:
Helen Terry (UK singer) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
Karma Chameleon by Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and BMG VM Music Ltd. (from 2013-05 to present)
Culture Club3.753:59
11Wouldn't It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistant engineer:
Roger Howorth
producer:
Peter Collins (producer)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
lead vocals:
Nik Kershaw (in 1983)
horn arranger:
Jerry Hey and Nik Kershaw
arranger:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) and MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 88)
recording of:
Wouldn’t It Be Good (in 1983)
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
part of:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:32
12Take on Me
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a-ha (Norwegian synth‐pop band) and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
lead vocals:
Morten Harket
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
music videos:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) by a‐ha (Norwegian synth‐pop band) and Take On Me (official music video, 1985 version) by a‐ha (Norwegian synth‐pop band)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 26), The Downloader’s Music Source Book (number: 284) and BILLIONS CLUB
recording of:
Take On Me
writer:
Magne Furuholmen, Morten Harket and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. and EMI Music Publishing (do not use as a release label!)
version of:
Miss Eerie
a‐ha4.53:46
13Girls on Film
engineer and producer:
Colin Thurston
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1998)
recording of:
Girls on Film
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB and Gloucester Place Music Ltd.
version of:
Girls on Film (Pre-Le Bon version)
Duran Duran3.73:29
14Sweet Dreams
engineer:
A. Williams, D. A. Stewart (UK guitarist/singer for Eurythmics) and R. Crash
producer:
David A. Stewart (UK guitarist/singer for Eurythmics)
performer:
Eurythmics
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1983) and RCA Ltd. (UK arm of RCA) (in 1983)
music videos:
Sweet Dreams by Eurythmics
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 50), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 141), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 353) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 357)
recording of:
Sweet Dreams (Are Made of This)
lyricist:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
composer:
Eurythmics, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
arranger:
Miriama Young
publisher:
BMG Music, BMG Music Publishing Ltd., D’n’A Ltd., Sunbury Music Ltd. and Universal Music–MGB Songs
translated version of:
Світ мрій
Eurythmics4.153:37
15Enola Gay
engineer:
Laurence Diana and Max Norman
producer:
Mike Howlett and Orchestral Manoeuvres in the Dark
bass and synthesizer:
Andy McCluskey
drums (drum set) and percussion:
Malcolm Holmes (drummer)
keyboard and synthesizer:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
vocals:
Paul Humphreys (Orchestral Manoeuvres in the Dark) and Andy McCluskey
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980)
recorded at:
Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
recording of:
Enola Gay
lyricist and composer:
Andy McCluskey
publisher:
Dinsong Music and Virgin Music Publishers Ltd.
Orchestral Manoeuvres in the Dark3.753:30
16Fade to Grey
engineer:
John Hudson (producer, recording and mixing engineer)
producer:
Midge Ure and Visage (new romantic band from London)
performer:
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) and Midge Ure
arranger:
Visage (new romantic band from London)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1980)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom
mixed at:
Mayfair Sound (England) in London (Greater London), England, United Kingdom
recording of:
Fade to Grey
writer:
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) and Midge Ure
publisher:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) and Performance Music Ltd
Visage4.13:50
17Going Underground
producer:
Vic Coppersmith‐Heaven
bass:
Bruce Foxton (on 1980-01-16)
drums (drum set):
Rick Buckler (on 1980-01-16)
guitar:
Paul Weller (English singer‐songwriter and musician) (on 1980-01-16)
vocals:
Bruce Foxton (on 1980-01-16) and Paul Weller (English singer‐songwriter and musician) (on 1980-01-16)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1980)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (on 1980-01-16)
recording of:
Going Underground (on 1980-01-16)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., Stylist Music Ltd. and Universal Music Publishing MGB Australia
The Jam4.252:54
18Don't Go
engineer:
John Fryer (British producer and engineer) and Eric Radcliffe (UK producer / engineer / musician)
producer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…) and Daniel Miller (British music producer and founder of Mute Records)
vocals:
Alison Moyet
phonographic copyright (℗) by:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1982)
samples from:
Hot Dance Classics, Volume 2 by Various Artists (add compilations to this artist)
recording of:
Don’t Go
lyricist and composer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Mega Music Ltd., Musical Moments Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Music Publishing Scandinavia KB
Yazoo4.63:05
19The Model
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978)
recording of:
The Model (Kraftwerk)
lyricist:
Ralf Hütter and Emil Schult
composer:
Karl Bartos and Ralf Hütter
additional translator:
Ralf Hütter and Emil Schult
publisher:
Edition Positive Songs (publisher), Kling Klang Musik GmbH (Germany-based licensing and publishing entity controlled by Ralf Hütter), No Hassle Music, Sony/ATV Music Publishing (UK) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
translated version of:
Das Modell
Kraftwerk4.153:40
20Vienna
producer:
Conny Plank (German producer and sound engineer) and Ultravox
bass:
Chris Cross (UK bassist for Ultravox)
drums (drum set):
Warren Cann
guitar:
Midge Ure
keyboard and violin:
Billy Currie
vocals:
Midge Ure
recording of:
Vienna
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
publisher:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) and Sing Sing Songs Ltd.
Ultravox3.44:39
2▼CD
#TitleArtistRatingLength
1Don't You Want Me
assistant programming:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (in 1981)
programming:
Martin Rushent (in 1981)
assistant engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
producer:
The Human League and Martin Rushent
synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) and Philip Oakey (in 1981)
background vocals:
Joanne Catherall (in 1981) and Susan Ann Sulley (in 1981)
lead vocals:
Philip Oakey (in 1981) and Susan Ann Sulley (in 1981)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom (in 1981)
music videos:
Don’t You Want Me by The Human League
part of:
TV Cream: Real 100 Best Singles Ever (number: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 79) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
lyricist:
Philip Oakey
composer:
Jo Callis, Philip Oakey and Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.853:59
2Boys Don't Cry
engineer:
Mike Hedges (UK producer/recording engineer)
producer and mixer:
Chris Parry
bass guitar:
Michael Dempsey
drums (drum set):
Lol Tolhurst
guitar and lead vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
phonographic copyright (℗) by:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
music videos:
Boys Don’t Cry by The Cure
part of:
Indie 88: Top 500 Indie Rock Songs (number: 242)
recording of:
Boys Don’t Cry (in 1979)
lyricist:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
writer and composer:
Michael Dempsey, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Lol Tolhurst
publisher:
APB Music Co.
The Cure4.552:42
3Real Wild Child (Wild One)
drum machine [Linn drum] programming:
David Richards (Swiss-based producer and engineer) (from 1986-04 until 1986-05)
engineer:
David Richards (Swiss-based producer and engineer)
producer and mixer:
David Bowie (English singer‐songwriter) and David Richards (Swiss-based producer and engineer)
bass, drums (drum set), organ, sampler [Akai S900], synthesizer [Yamaha DX7] and violin:
Erdal Kızılçay (from 1986-04 until 1986-05)
guitar:
Kevin Armstrong (UK guitarist, producer & songwriter) (from 1986-04 until 1986-05) and Steve Jones (Sex Pistols member) (from 1986-04 until 1986-05)
background vocals:
Kevin Armstrong (UK guitarist, producer & songwriter) (from 1986-04 until 1986-05), David Bowie (English singer‐songwriter) (from 1986-04 until 1986-05) and Erdal Kızılçay (from 1986-04 until 1986-05)
lead vocals:
Iggy Pop (from 1986-04 until 1986-05)
phonographic copyright (℗) by:
A&M Records (in 1986)
recorded at:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Canton of Vaud), Switzerland (from 1986-04 until 1986-05)
cover recording of:
Wild One (Real Wild Child) (from 1986-04 until 1986-05)
writer:
Johnny Greenan, Johnny O’Keefe and Dave Owens (US songwriter, known for "Wild One")
publisher:
Melodie der Welt (publisher), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited and Southern Music (publisher)
Iggy Pop3.853:35
4Just What I Needed
assistant engineer:
Nigel Walker (UK producer/engineer/guitarist)
engineer:
Geoff Workman
producer:
Roy Thomas Baker (producer)
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at and mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (in 1978-02)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 112) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 369)
recording of:
Just What I Needed (in 1978-02)
lyricist and composer:
Ric Ocasek
publisher:
BMG Music Publishing Ltd., Lido Music, Inc. and Lido Music (not for release label use!) (in 1978)
The Cars4.33:45
5Psycho Killer
additional engineer:
Matt Cohen (US producer and engineer)
engineer:
Ed Stasium (US record producer & audio engineer)
executive producer:
Karen Ahmed and Robin Hurley
producer:
Tony Bongiovi, Lance Quinn and Talking Heads
bass guitar:
Tina Weymouth (from 1976 until 1977)
drums (drum set):
Chris Frantz (from 1976 until 1977)
guitar:
David Byrne (Talking Heads) (from 1976 until 1977) and Jerry Harrison (Talking Heads & producer) (from 1976 until 1977)
guitar and keyboard and keyboard:
Jerry Harrison (Talking Heads & producer) (from 1976 until 1977)
lead vocals:
David Byrne (Talking Heads) (from 1976 until 1977)
vocals:
Jerry Harrison (Talking Heads & producer) (from 1976 until 1977)
phonographic copyright (℗) by:
Sire Records Inc. (in 1977)
recorded at:
Sundragon Studios in Flatiron District, New York, New York, United States (from 1976 until 1977)
mixed at:
Mediasound Studios in New York, New York, United States (in 2005)
samples from:
Lexicon Valley #190, "Beyond the Five Ws" by John McWhorter
part of:
Indie 88: Top 500 Indie Rock Songs (number: 108)
recording of:
Psycho Killer (from 1976 until 1977)
lyricist:
David Byrne (Talking Heads), Chris Frantz and Tina Weymouth
composer:
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music (publisher as Warner/Chappell Music)
Talking Heads4.054:21
6Is She Reallly Going Out With Him
engineer:
Rod Hewison
producer:
David Kershenbaum
bass guitar:
Graham Maby (in 1978-08)
drums (drum set):
David Houghton (in 1978-08)
guitar:
Gary Sanford (in 1978-08)
lead vocals:
Joe Jackson (English musician) (in 1978-08)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 438)
recording of:
Is She Really Going Out With Him? (in 1978-08)
lyricist and composer:
Joe Jackson (English musician)
publisher:
Kobalt Music (publisher) and Pokazuka Limited
Joe Jackson4.43:39
7Heaven
additional engineer:
Dave Wittman
engineer:
Steve Hodge (engineer and producer)
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Dave Wittman
bass:
Tim Butler (co‐founder of The Psychedelic Furs)
drums (drum set) and percussion:
Keith Forsey (drummer, producer and songwriter) and Tommy Price
guitar:
John Ashton
saxophone:
Mars Williams (US jazz and rock saxophonist)
vocals:
Richard Butler (singer)
remixer:
Dave Wittman
arranger:
The Psychedelic Furs
recording of:
Heaven
lyricist:
Richard Butler (singer)
writer:
Tim Butler (co‐founder of The Psychedelic Furs)
publisher:
EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
The Psychedelic Furs53:25
8Happy Hour
engineer:
Phil Bodger (engineer)
producer:
John Williams (English A&R executive, producer, songwriter...)
bass guitar:
Norman Cook (in 1986)
chimes:
P.d. Heaton (in 1986)
drums (drum set):
Hugh Whitaker (in 1986)
guitar:
Stan Cullimore (in 1986)
background vocals:
Norman Cook (in 1986), Stan Cullimore (in 1986), P.d. Heaton (in 1986) and Hugh Whitaker (in 1986)
lead vocals:
Paul Heaton (in 1986)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!)
recorded at:
Strongroom in Shoreditch, Hackney, London (Greater London), England, United Kingdom (in 1986)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Happy Hour (in 1986)
lyricist:
Paul Heaton
composer:
Stan Cullimore
publisher:
Go! Discs Music (publisher)
The Housemartins4.52:23
9Dance Hall Days
producer:
Ross Cullum and Chris Hughes (producer, aka “Merrick”)
phonographic copyright (℗) by:
Geffen Records
recording of:
Dance Hall Days
writer:
Darren Costin, Nick Feldman and Jack Hues
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wang Chung3.23:58
10What Is Love?
engineer:
Stephen W. Tayler (UK engineer)
producer:
Rupert Hine
lead vocals:
Howard Jones (English singer, songwriter)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
What Is Love?
lyricist:
William Bryant (UK lyricist, writer and speaker) and Howard Jones (English singer, songwriter)
composer:
Howard Jones (English singer, songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Howard Jones Music Ltd., Kobalt Music Group and Warner Chappell Publishing
Howard Jones4.53:41
11Come On Eileen
producer:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) and Alan Winstanley (English record producer)
creative direction:
Clive Langer and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982) and Phonogram Ltd. (not for release label use!) (in 1982)
recording of:
Come On Eileen
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:08
12A Message to You Rudy
producer:
Elvis Costello
guest trombone:
Rico Rodriguez (Jamaican trombonist)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 132)
cover recording of:
A Message to You, Rudy
lyricist and composer:
Dandy Livingstone
recording of:
A Message to You, Rudy
lyricist and composer:
Dandy Livingstone
The Specials42:55
13Tempted
producer:
Roger Bechirian and Elvis Costello
bass:
John Bentley (UK bassist, member of Squeeze)
drums (drum set):
Gilson Lavis
guitar:
Chris Difford and Glenn Tilbrook
keyboard and lead vocals:
Paul Carrack
background vocals:
Elvis Costello and Glenn Tilbrook
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 82)
recording of:
Tempted
lyricist:
Chris Difford
composer:
Glenn Tilbrook
publisher:
Illegal Songs Inc.
Squeeze4.153:55
14I Don't Like Mondays
producer:
Phil Wainman
strings arranger:
Fiachra Trench
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1979)
recorded at:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
music videos:
I Don’t Like Mondays by The Boomtown Rats
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 66)
recording of:
I Don’t Like Mondays
lyricist and composer:
Johnnie Fingers and Bob Geldof
publisher:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. and Zomba Music Publishing Ltd.
The Boomtown Rats44:18
15Annie, I'm Not Your Daddy
music videos:
Annie, I’m Not Your Daddy by Kid Creole & the Coconuts
recording of:
Annie, I’m Not Your Daddy
lyricist and composer:
August Darnell (singer, songwriter)
Kid Creole and the Coconuts23:49
16Video Killed the Radio Star
producer:
The Buggles
electric guitar and lead vocals:
Trevor Horn (in 1979)
keyboard:
Geoff Downes (in 1979)
choir vocals:
Debi Doss (photographer and singer, Kinks) (in 1979) and Linda Jardim (in 1979)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1979)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 40)
recording of:
Video Killed the Radio Star
writer:
Geoff Downes, Trevor Horn and Bruce Woolley
publisher:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Buggles3.953:21
17It's My Life
producer:
Tim Friese‐Greene
phonographic copyright (℗) by:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1984) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
It’s My Life
writer:
Tim Friese‐Greene and Mark Hollis
publisher:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.753:53
18Lies
engineer:
Phil Thornalley
producer:
Alex Sadkin
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982)
recording of:
Lies
writer:
Tom Bailey (Thompson Twins), Alannah Currie and Joe Leeway
publisher:
BMG Songs, Inc., CD Baby Publishing (publisher, not a release label!), Point Music Ltd. and Zomba Enterprises, Inc.
Thompson Twins3.93:14
19Temptation
producer:
B.E.F. and Greg Walsh (producer and engineer)
recording of:
Temptation
writer:
Glenn Gregory, Ian Craig Marsh and Martyn Ware
publisher:
Cradle of Filth Music Ltd. (publishing company for British metal band Cradle of Filth), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 173.54:40
20Da Da Da
engineer:
Jim Duncombe (Swiss musician / engineer) (in 1982-01)
producer:
Klaus Voormann (in 1982-01)
bass guitar:
Klaus Voormann (in 1982-01)
castanets:
Hans‐Joachim Behrendt (in 1982-01)
drums (drum set):
Peter Behrens (in 1982-01)
keyboard:
Stephan Remmler (in 1982-01)
background vocals:
Annette Humpe (in 1982-01)
lead vocals:
Stephan Remmler (in 1982)
performer:
Kralle Krawinkel (in 1982-01)
engineered at:
Audio Studios in Berlin, Germany (in 1982-01) and Powerplay Studios in Maur, Zürich (Canton of Zürich), Switzerland (in 1982-01)
edit of:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha by Trio (80s German band)
music videos:
Da Da Da (I Don't Love You) by Trio (80s German band)
recording of:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha (in 1982-01)
lyricist and composer:
Kralle (in 1981) and Stephan Remmler (in 1981)
translator:
Kralle and Stephan Remmler
publisher:
Just Us Music Production GmbH
translated version of:
Da da da ich lieb dich nicht du liebst mich nicht aha aha aha
Trio3.353:21
3▼CD
#TitleArtistRatingLength
1What I Like About You
producer:
Peter Solley (English pianist, songwriter and producer)
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1979) and Nemperor Records, Inc. (in 1979)
recorded at:
Coconut Recording in Miami, Florida, United States (in 1979-10)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 97) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 483)
recording of:
What I Like About You (in 1979-10)
writer:
Jimmy Marinos (American drummer), Wally Palmar (Guitarist and songwriter) and Mike Skill (Singer, bassist, guitarist, songwriter)
publisher:
EMI April Music Inc. and EMI Music Publishing Australia Pty. Limited (not for release label use!)
part of:
Freaky Friday (2003)
The Romantics4.752:58
2Rock Lobster
assistant engineer:
Cass Rigby
engineer:
Robert Ash (sound engineer)
co-producer:
Robert Ash (sound engineer)
producer:
Chris Blackwell (Island Records)
bass synthesizer and farfisa [farfisa organ]:
Kate Pierson (from 1978 until 1979-06)
drums (drum set) and percussion:
Keith Strickland (from 1978 until 1979-06)
guitar:
Ricky Wilson (The B‐52’s) (from 1978 until 1979-06)
tambourine:
Cindy Wilson (from 1978 until 1979-06)
background vocals:
Kate Pierson (from 1978 until 1979-06) and Cindy Wilson (from 1978 until 1979-06)
lead vocals:
Fred Schneider (US singer‐songwriter, frontman of The B‐52s) (from 1978 until 1979-06)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1978 until 1979-06)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Indie 88: Top 500 Indie Rock Songs (number: 433)
recording of:
Rock Lobster (from 1978 until 1979-06)
writer:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland, Cindy Wilson and Ricky Wilson (The B‐52’s)
publisher:
Boo-fant Tunes, Inc. (publisher)
The B‐52s4.46:51
3Eloise
engineer and producer:
Jon Kelly (engineer at Air London Studios)
cover recording of:
Eloise
lyricist and composer:
Paul Ryan (UK singer, songwriter & producer) (in 1968)
publisher:
Carlin Music Corporation and Hill & Range (publisher)
The Damned3.55:10
4Rock This Town
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981)
recording of:
Rock This Town
lyricist and composer:
Brian Setzer
publisher:
EMI Music Publishing (do not use as a release label!), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Windswept Pacific Music Ltd. (publishing company)
Stray Cats3:26
5I Got You
engineer and producer:
David Tickle
bass:
Nigel Griggs
drums (drum set):
Malcolm Green (UK/Australian drummer)
guitar:
Neil Finn
keyboard:
Tim Finn and Eddie Rayner (New Zealand keyboardist, singer, songwriter & producer)
percussion:
Noel Crombie
vocals:
Neil Finn and Tim Finn
phonographic copyright (℗) by:
Mushroom Records Pty Ltd (in 1980) and Mushroom Records (in 2006)
recording of:
I Got You
lyricist and composer:
Neil Finn
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Mushroom Music (Mushroom label’s publishing company)
part of:
APRA Top 100 New Zealand Songs of All Time (number: 11)
Split Enz3.53:31
6Egyptian Reggae
recording of:
Egyptian Reggae
writer:
Earl Anthony Johnson (reggae singer Earl Zero) and Jonathan Richman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
is based on:
None Shall Escape the Judgement
Jonathan Richman & The Modern Lovers2:39
7In a Big Country
engineer:
Will Gosling
producer:
Steve Lillywhite
music videos:
In a Big Country by Big Country
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 17)
recording of:
In a Big Country
lyricist:
Stuart Adamson
composer:
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) and Bruce Watson (member of Big Country)
publisher:
10 Music Ltd., Big Country Music Ltd., BMG Gold Songs, EMI 10 Music and Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1983)
Big Country44:44
8Rattlesnakes
producer:
Paul Hardiman
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1984)
recording of:
Rattlesnakes
lyricist:
Lloyd Cole
composer:
Neil Clark (Scottish guitarist, The Commotions) and Lloyd Cole
publisher:
CBS Songs Ltd., Chrysalis Music Ltd. (music publisher, affiliated with PRS) and EMI April Music Inc.
Lloyd Cole and the Commotions53:27
9Hold Back the Night
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1977)
recording of:
Hold Back the Night
writer:
Ron Baker, Allan Felder and Norman Harris (American Philly Soul guitarist, producer, and songwriter)
publisher:
Carlin Music Corporation, Golden Fleece Music, Mured Music Co. and Reservoir 416
version of:
Scrub Board
Graham Parker & The Rumour3:03
10Immaculate Fools
recording of:
Immaculate Fools
writer:
Kevin Weatherill
Immaculate Fools4:32
11Wot
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982)
recording of:
Wot!
lyricist and composer:
Raymond Ian Burns
publisher:
Rock Music Co., Ltd.
Captain Sensible35:34
12Guilty
recording of:
Guilty
lyricist and composer:
Sal Solo
Classix Nouveaux4:41
13I Ran
recording engineer:
Mike Score
engineer:
Mike Shipley (audio engineer, mixer, producer)
producer:
Mike Howlett
bass guitar and background vocals:
Frank Maudsley
drums (drum set):
Ali Score
guitar:
Paul Reynolds (UK guitarist, in A Flock of Seagulls) and Mike Score
keyboard and lead vocals:
Mike Score
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982), Zomba Productions Limited (in 1982) and Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
music videos:
I Ran by A Flock of Seagulls
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 55)
recording of:
I Ran
writer:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score and Mike Score
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
A Flock of Seagulls4.355:05
14Wordy Rappinghood
recording engineer and mixer:
Steven Stanley (audio engineer, record producer and keyboardist from Jamaica)
co-producer:
Steven Stanley (audio engineer, record producer and keyboardist from Jamaica)
producer:
Chris Frantz and Steven Stanley (audio engineer, record producer and keyboardist from Jamaica)
recording of:
Wordy Rappinghood
writer:
Chris Frantz, Steven Stanley (audio engineer, record producer and keyboardist from Jamaica) and Tina Weymouth
Tom Tom Club4.256:29
15Vicious Games
recording of:
Vicious Games
lyricist:
Dieter Meier (member of Yello)
composer:
Boris Blank
Yello3:38

Credits

Release

ASIN:ES: B003EHPYXY [info]