Falstaff

~ Release by Giuseppe Verdi; Geraint Evans, Mirella Freni, Giulietta Simionato, Robert Merrill, RCA Italiana Opera Orchestra & Chorus, Sir Georg Solti (see all versions of this release, 1 available)

Annotation

Recorded Rome 1963

Conductor - Georg Solti
Orchestra - RCA Italiana Opera Orchestra
Chorus - RCA Italiana Opera Chorus

Falstaff - Geraint Evans
Fenton - Alfredo Kraus
Ford - Robert Merrill
Dr. Cajus - John Lanigan
Bardolfo - Piero De Palma
Pistola - Giovanni Foiani
Alice Ford - Ilva Ligabue
Nannetta - Mirella Freni
Meg Page - Rosalind Elias
Mistress Quickly - Giulietta Simionato

ASIN: B000787WWE(American release)

Annotation last modified on 2020-05-12 22:59 UTC.

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Falstaff: Atto I, scena 1. “Falstaff! - Olà!” (Dr. Cajus, Falstaff, Bardolfo, Pistola)
baritone vocals [Falstaff]:
Geraint Evans (baritone) (in 1963)
bass vocals [Pistola]:
Giovanni Foiani (operatic bass) (in 1963)
tenor vocals [Bardolfo]:
Piero de Palma (tenor) (in 1963)
tenor vocals [Cajus]:
John Lanigan (tenor) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto I, scena 1. “Falstaff!“ - “Olà!“ (Dr Cajus, Falstaff, Bardolfo, Pistola) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi4:56
2Falstaff: Atto I, scena 1. “Sei polli; sei scellini” (Falstaff)
baritone vocals [Falstaff]:
Geraint Evans (baritone) (in 1963)
tenor vocals [Bardolfo]:
Piero de Palma (tenor) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto I, scena 1. “Sei polli: Sei scellini” (Falstaff, Bardolfo) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi6:11
3Falstaff: Atto I, scena 1. “Ehi! Paggio! Andate a impendervi” (Falstaff)
baritone vocals [Falstaff]:
Geraint Evans (baritone) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto I, scena 1. “Ehi! Paggio!” - “L’onore! Ladri!” - “Io stesso, sì, io, io” (Falstaff) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer) and Francesco Maria Piave
part of:
Falstaff: Atto I
Giuseppe Verdi4:10
4Falstaff: Atto I, scena 2. “Alice” (Meg)
mezzo-soprano vocals [Meg]:
Rosalind Elias (mezzo-soprano) (in 1963)
mezzo-soprano vocals [Quickly]:
Giulietta Simionato (mezzo soprano) (in 1963)
soprano vocals [Alice]:
Ilva Ligabue (soprano) (in 1963)
soprano vocals [Nannetta]:
Mirella Freni (soprano) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto I, scena 2. “Alice!” - “Meg!“ - “Nannetta!“ (Meg, Alice, Quickly, Nannetta) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi1:18
5Falstaff: Atto I, scena 2. “Fulgida Alice! Amor t'offro” (Meg)
baritone vocals [Ford]:
Robert Merrill (American operatic baritone) (in 1963)
bass vocals [Pistola]:
Giovanni Foiani (operatic bass) (in 1963)
mezzo-soprano vocals [Meg]:
Rosalind Elias (mezzo-soprano) (in 1963)
mezzo-soprano vocals [Quickly]:
Giulietta Simionato (mezzo soprano) (in 1963)
soprano vocals [Alice]:
Ilva Ligabue (soprano) (in 1963)
soprano vocals [Nannetta]:
Mirella Freni (soprano) (in 1963)
tenor vocals [Bardolfo]:
Piero de Palma (tenor) (in 1963)
tenor vocals [Cajus]:
John Lanigan (tenor) (in 1963)
tenor vocals [Fenton]:
Alfredo Kraus (tenor) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto I, scena 1. “Fulgida Alice! amor t'offro” (Meg, Alice, Quickly, Nannetta, Cajus, Bardolfo, Fenton, Pistola, Ford) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi3:17
6Falstaff: Atto I, scena 2. “È un ribaldo, un furbo, un ladro” (Dr. Cajus)
baritone vocals [Ford]:
Robert Merrill (American operatic baritone) (in 1963)
bass vocals [Pistola]:
Giovanni Foiani (operatic bass) (in 1963)
mezzo-soprano vocals [Meg]:
Rosalind Elias (mezzo-soprano) (in 1963)
mezzo-soprano vocals [Quickly]:
Giulietta Simionato (mezzo soprano) (in 1963)
soprano vocals [Alice]:
Ilva Ligabue (soprano) (in 1963)
soprano vocals [Nannetta]:
Mirella Freni (soprano) (in 1963)
tenor vocals [Bardolfo]:
Piero de Palma (tenor) (in 1963)
tenor vocals [Cajus]:
John Lanigan (tenor) (in 1963)
tenor vocals [Fenton]:
Alfredo Kraus (tenor) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto I, scena 2. “Ripeti” - “In due parole” – “È un ribaldo, un furbo, un ladro” (Meg, Alice, Quickly, Nannetta, Cajus, Bardolfo, Fenton, Pistola, Ford) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi2:06
7Falstaff: Atto I, scena 2. “Pst, pst, Nannetta” (Fenton)
soprano vocals [Nannetta]:
Mirella Freni (soprano) (in 1963)
tenor vocals [Fenton]:
Alfredo Kraus (tenor) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto I, scena 2. “Pst, pst, Nannetta!” - “Vien qua” - “Labbra di foco!” (Fenton, Nannetta) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi1:34
8Falstaff: Atto I, scena 2. “Falstaff m'ha canzonata” (Fenton)
mezzo-soprano vocals [Meg]:
Rosalind Elias (mezzo-soprano) (in 1963)
mezzo-soprano vocals [Quickly]:
Giulietta Simionato (mezzo soprano) (in 1963)
soprano vocals [Alice]:
Ilva Ligabue (soprano) (in 1963)
soprano vocals [Nannetta]:
Mirella Freni (soprano) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto I, scena 2. “Falstaff m'ha canzonata” (Alice, Meg, Nannetta, Quickly) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi1:32
9Falstaff: Atto I, scena 2. “Torno all'assalto” (Fenton)
soprano vocals [Nannetta]:
Mirella Freni (soprano) (in 1963)
tenor vocals [Fenton]:
Alfredo Kraus (tenor) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto I, scena 2. “Torno all'assalto” - “Torna alla gara” (Fenton, Nannetta) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi2:07
10Falstaff: Atto I, scena 2. “Udrai quanta egli sfoggia” (Bardolfo)
baritone vocals [Ford]:
Robert Merrill (American operatic baritone) (in 1963)
bass vocals [Pistola]:
Giovanni Foiani (operatic bass) (in 1963)
tenor vocals [Bardolfo]:
Piero de Palma (tenor) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto I, scena 2. “Udrai quanta egli sfoggia magniloquenza altera” (Bardolfo, Ford, Pistola) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi3:00
11Falstaff: Atto II, scena 1. “Siam pentiti e contriti” (Bardolfo)
baritone vocals [Falstaff]:
Geraint Evans (baritone) (in 1963)
bass vocals [Pistola]:
Giovanni Foiani (operatic bass) (in 1963)
tenor vocals [Bardolfo]:
Piero de Palma (tenor) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto II, scena 1. “Siam pentiti e contriti” (Bardolfo, Pistola, Falstaff) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi1:04
12Falstaff: Atto II, scena 1. “Reverenza!” (Quickly)
baritone vocals [Falstaff]:
Geraint Evans (baritone) (in 1963)
mezzo-soprano vocals [Quickly]:
Giulietta Simionato (mezzo soprano) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto II, scena 1. “Reverenza!” (Quickly, Falstaff) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi4:50
13Falstaff: Atto II, scena 1. “Alice e mia!” (Falstaff)
baritone vocals [Falstaff]:
Geraint Evans (baritone) (in 1963)
tenor vocals [Bardolfo]:
Piero de Palma (tenor) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto II, scena 1. “Alice è mia!” – “Va, vecchio John” (Falstaff, Bardolfo) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi1:44
14Falstaff: Atto II, scena 1. “Signore, v'assista il cielo!” (Ford)
baritone vocals [Falstaff]:
Geraint Evans (baritone) (in 1963)
baritone vocals [Ford]:
Robert Merrill (American operatic baritone) (in 1963)
bass vocals [Pistola]:
Giovanni Foiani (operatic bass) (in 1963)
tenor vocals [Bardolfo]:
Piero de Palma (tenor) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto II, scena 1. “Signore, v'assista il cielo!” (Ford, Falstaff, Bardolfo, Pistola) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi0:52
15Falstaff: Atto II, scena 1. “In me vedete un uom” (Ford)
baritone vocals [Falstaff]:
Geraint Evans (baritone) (in 1963)
baritone vocals [Ford]:
Robert Merrill (American operatic baritone) (in 1963)
bass vocals [Pistola]:
Giovanni Foiani (operatic bass) (in 1963)
tenor vocals [Bardolfo]:
Piero de Palma (tenor) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto II, scena 1. “In me vedete un uom che ha un'abbondanza grande” (Ford, Falstaff, Bardolfo, Pistola) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi8:38
16Falstaff: Atto II, scena 1. “E' sogno? O realta?” (Ford)
baritone vocals [Ford]:
Robert Merrill (American operatic baritone) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto II, scena 1. “È sogno? o realtà?” (Ford) (Ford's monologue) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi5:39
17Falstaff: Atto II, scena 2. “Presenteremo un bill”(Fenton)
mezzo-soprano vocals [Meg]:
Rosalind Elias (mezzo-soprano) (in 1963)
mezzo-soprano vocals [Quickly]:
Giulietta Simionato (mezzo soprano) (in 1963)
soprano vocals [Alice]:
Ilva Ligabue (soprano) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto II, scena 2. “Presenteremo un “bill” per una tassa al parlamento” (Alice, Quickly, Meg) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi2:05
18Falstaff: Atto II, scena 2. “Olà! Ned! Willl!” (Fenton)
mezzo-soprano vocals [Quickly]:
Giulietta Simionato (mezzo soprano) (in 1963)
soprano vocals [Alice]:
Ilva Ligabue (soprano) (in 1963)
soprano vocals [Nannetta]:
Mirella Freni (soprano) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto II, scena 2. “Olà! Ned! Will! È già tutto preparato” (Alice, Quickly, Nanetta) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi3:34
19Falstaff: Atto II, scena 2. “Alfin t'ho colto” (Falstaff)
baritone vocals [Falstaff]:
Geraint Evans (baritone) (in 1963)
soprano vocals [Alice]:
Ilva Ligabue (soprano) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto II, scena 2. “Alfin t'ho colto, raggiante fior” (Falstaff, Alice) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi3:47
20Falstaff: Atto II, scena 2. “Voi mi celiate” (Fenton)
baritone vocals [Falstaff]:
Geraint Evans (baritone) (in 1963)
baritone vocals [Ford]:
Robert Merrill (American operatic baritone) (in 1963)
bass vocals [Pistola]:
Giovanni Foiani (operatic bass) (in 1963)
mezzo-soprano vocals [Meg]:
Rosalind Elias (mezzo-soprano) (in 1963)
mezzo-soprano vocals [Quickly]:
Giulietta Simionato (mezzo soprano) (in 1963)
soprano vocals [Alice]:
Ilva Ligabue (soprano) (in 1963)
tenor vocals [Bardolfo]:
Piero de Palma (tenor) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
partial recording of:
Falstaff: Atto II, scena 2. “Quand'ero paggio del Duca di Norfolk” … “Voi mi celiate” (Falstaff, Alice, Quickly, Meg, Ford, Bardolfo, Pistola) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi3:54
21Falstaff: Atto II, scena 2. “Al ladro!” (Dr. Cajus)
baritone vocals [Ford]:
Robert Merrill (American operatic baritone) (in 1963)
bass vocals [Pistola]:
Giovanni Foiani (operatic bass) (in 1963)
tenor vocals [Bardolfo]:
Piero de Palma (tenor) (in 1963)
tenor vocals [Cajus]:
John Lanigan (tenor) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto II, scena 2. “Al ladro!“ (Cajus, Ford, Pistola, Bardolfo) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi0:46
22Falstaff: Atto II, scena 2. “Se t'agguanto!” (Ford)
baritone vocals [Falstaff]:
Geraint Evans (baritone) (in 1963)
baritone vocals [Ford]:
Robert Merrill (American operatic baritone) (in 1963)
bass vocals [Pistola]:
Giovanni Foiani (operatic bass) (in 1963)
choir vocals:
Coro della RCA Italiana (in 1963)
mezzo-soprano vocals [Meg]:
Rosalind Elias (mezzo-soprano) (in 1963)
mezzo-soprano vocals [Quickly]:
Giulietta Simionato (mezzo soprano) (in 1963)
soprano vocals [Alice]:
Ilva Ligabue (soprano) (in 1963)
soprano vocals [Nannetta]:
Mirella Freni (soprano) (in 1963)
tenor vocals [Bardolfo]:
Piero de Palma (tenor) (in 1963)
tenor vocals [Cajus]:
John Lanigan (tenor) (in 1963)
tenor vocals [Fenton]:
Alfredo Kraus (tenor) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto II, scena 2. “C'è - C'è! - Se t'agguanto!” (Ford, Cajus, Quickly, Meg, Bardolfo, Pistola, Falstaff, Fenton, Nannetta, Alice, gente del vicinato) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi4:48
2▼CD
#TitleArtistRatingLength
1Falstaff: Atto III, scena 1. “Ehi! Taverniere!“ (Falstaff)
baritone vocals [Falstaff]:
Geraint Evans (baritone) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto III, scena 1. “Ehi! Taverniere!” - “Io, dunque, avrò vissuto tanti anni” (Falstaff) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi5:57
2Falstaff: Atto III, scena 1. “Reverenza. La bella Alice“ (Quickly)
baritone vocals [Falstaff]:
Geraint Evans (baritone) (in 1963)
baritone vocals [Ford]:
Robert Merrill (American operatic baritone) (in 1963)
mezzo-soprano vocals [Meg]:
Rosalind Elias (mezzo-soprano) (in 1963)
mezzo-soprano vocals [Quickly]:
Giulietta Simionato (mezzo soprano) (in 1963)
soprano vocals [Alice]:
Ilva Ligabue (soprano) (in 1963)
soprano vocals [Nannetta]:
Mirella Freni (soprano) (in 1963)
tenor vocals [Cajus]:
John Lanigan (tenor) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto III, scena 1. “Reverenza! La bella Alice” (Quickly, Falstaff, Alice, Ford, Nannetta, Meg, Cajus) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi7:33
3Falstaff: Atto III, scena 1. “Non dubitar, tu sposerai mia figlia” (Ford)
baritone vocals [Ford]:
Robert Merrill (American operatic baritone) (in 1963)
mezzo-soprano vocals [Meg]:
Rosalind Elias (mezzo-soprano) (in 1963)
mezzo-soprano vocals [Quickly]:
Giulietta Simionato (mezzo soprano) (in 1963)
soprano vocals [Alice]:
Ilva Ligabue (soprano) (in 1963)
soprano vocals [Nannetta]:
Mirella Freni (soprano) (in 1963)
tenor vocals [Cajus]:
John Lanigan (tenor) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto III, scena 1. “Non dubitar, tu sposerai mia figlia” (Ford, Cajus, Alice, Meg, Quickly, Nannetta) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi2:04
4Falstaff: Atto III, scena 2. “Dal labbro il canto“ (Fenton)
choir vocals:
Coro della RCA Italiana (in 1963)
soprano vocals [Nannetta]:
Mirella Freni (soprano) (in 1963)
tenor vocals [Fenton]:
Alfredo Kraus (tenor) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto III, scena 2. “Dal labbro il canto estasiato vola” (Fenton, Nannetta) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi5:25
5Falstaff: Atto III, scena 2. “Una, due, tre, quattro“ (Falstaff)
baritone vocals [Falstaff]:
Geraint Evans (baritone) (in 1963)
mezzo-soprano vocals [Meg]:
Rosalind Elias (mezzo-soprano) (in 1963)
soprano vocals [Alice]:
Ilva Ligabue (soprano) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto III, scena 2. “Una, due, tre, quattro, cinque, sei” … “Odo un soave passo!” (Falstaff, Alice, Meg) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi3:17
6Falstaff: Atto III, scena 2. “Ninfe! Elfi! Silfi! Doridi! Sirene!“ (Nannetta)
baritone vocals [Falstaff]:
Geraint Evans (baritone) (in 1963)
soprano vocals [Alice]:
Ilva Ligabue (soprano) (in 1963)
soprano vocals [Nannetta]:
Mirella Freni (soprano) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto III, scena 2. “Ninfe! Elfi! Silfi! Doridi! Sirene!” (Nannetta, Fate, Falstaff, Alice) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi5:49
7Falstaff: Atto III, scena 2. “Alto là!“ (Bardolfo)
baritone vocals [Falstaff]:
Geraint Evans (baritone) (in 1963)
baritone vocals [Ford]:
Robert Merrill (American operatic baritone) (in 1963)
bass vocals [Pistola]:
Giovanni Foiani (operatic bass) (in 1963)
choir vocals:
Coro della RCA Italiana (in 1963)
mezzo-soprano vocals [Meg]:
Rosalind Elias (mezzo-soprano) (in 1963)
mezzo-soprano vocals [Quickly]:
Giulietta Simionato (mezzo soprano) (in 1963)
soprano vocals [Alice]:
Ilva Ligabue (soprano) (in 1963)
soprano vocals [Nannetta]:
Mirella Freni (soprano) (in 1963)
tenor vocals [Bardolfo]:
Piero de Palma (tenor) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto III, scena 2. “Alto là!” (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, Coro, Ford) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi6:19
8Falstaff: Atto III, scena 2. “Ogni sorta di gente dozzinale“ (Falstaff)
baritone vocals [Falstaff]:
Geraint Evans (baritone) (in 1963)
baritone vocals [Ford]:
Robert Merrill (American operatic baritone) (in 1963)
bass vocals [Pistola]:
Giovanni Foiani (operatic bass) (in 1963)
choir vocals:
Coro della RCA Italiana (in 1963)
mezzo-soprano vocals [Meg]:
Rosalind Elias (mezzo-soprano) (in 1963)
mezzo-soprano vocals [Quickly]:
Giulietta Simionato (mezzo soprano) (in 1963)
soprano vocals [Alice]:
Ilva Ligabue (soprano) (in 1963)
soprano vocals [Nannetta]:
Mirella Freni (soprano) (in 1963)
tenor vocals [Bardolfo]:
Piero de Palma (tenor) (in 1963)
tenor vocals [Cajus]:
John Lanigan (tenor) (in 1963)
tenor vocals [Fenton]:
Alfredo Kraus (tenor) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto III, scena 2. “Ogni sorta di gente dozzinale” (Falstaff, Tutti, Ford, Alice, Cajus, Pistola, Coro, Meg, Quickly, Bardolfo, Fenton, Nannetta) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi2:15
9Falstaff: Atto III, scena 2. “Ah! Ah! Ah! Ah!“ (Falstaff/Quickly/Ford/Nannetta/Fenton)
baritone vocals [Falstaff]:
Geraint Evans (baritone) (in 1963)
baritone vocals [Ford]:
Robert Merrill (American operatic baritone) (in 1963)
bass vocals [Pistola]:
Giovanni Foiani (operatic bass) (in 1963)
choir vocals:
Coro della RCA Italiana (in 1963)
mezzo-soprano vocals [Meg]:
Rosalind Elias (mezzo-soprano) (in 1963)
mezzo-soprano vocals [Quickly]:
Giulietta Simionato (mezzo soprano) (in 1963)
soprano vocals [Alice]:
Ilva Ligabue (soprano) (in 1963)
soprano vocals [Nannetta]:
Mirella Freni (soprano) (in 1963)
tenor vocals [Bardolfo]:
Piero de Palma (tenor) (in 1963)
tenor vocals [Cajus]:
John Lanigan (tenor) (in 1963)
tenor vocals [Fenton]:
Alfredo Kraus (tenor) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto III, scena 2. “Ah! Ah! Ah! Ah!” (tutti) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi1:37
10Falstaff: Atto III, scena 2. “Tutto nel mondo e burla“ (Falstaff)
baritone vocals [Falstaff]:
Geraint Evans (baritone) (in 1963)
baritone vocals [Ford]:
Robert Merrill (American operatic baritone) (in 1963)
bass vocals [Pistola]:
Giovanni Foiani (operatic bass) (in 1963)
choir vocals:
Coro della RCA Italiana (in 1963)
mezzo-soprano vocals [Meg]:
Rosalind Elias (mezzo-soprano) (in 1963)
mezzo-soprano vocals [Quickly]:
Giulietta Simionato (mezzo soprano) (in 1963)
soprano vocals [Alice]:
Ilva Ligabue (soprano) (in 1963)
soprano vocals [Nannetta]:
Mirella Freni (soprano) (in 1963)
tenor vocals [Bardolfo]:
Piero de Palma (tenor) (in 1963)
tenor vocals [Cajus]:
John Lanigan (tenor) (in 1963)
tenor vocals [Fenton]:
Alfredo Kraus (tenor) (in 1963)
orchestra:
Orchestra della RCA Italiana (established early 1960s, from the former disbanded RCA Victor Symphony Orchestra) (in 1963)
conductor:
Sir Georg Solti (conductor) (in 1963)
recording of:
Falstaff: Atto III, scena 2. “Un coro e terminiam la scena” - “Tutto nel mondo è burla” (Falstaff, Ford, Tutti) (in 1963)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi3:07