You Light Up My Life: Gentle Memories of the ’70s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1You Light Up My Life
Produzent(in):
Joseph Brooks (US songwriter/film director)
arranger:
Joseph Brooks (US songwriter/film director)
produced for:
Mike Curb Productions
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 3) und Billboard: Greatest of All Time Hot 100 Songs (Nummer: 12)
recording of:
You Light Up My Life
Texter und Komponist(in):
Joseph Brooks (US songwriter/film director)
publisher:
Curb Songs, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 電通ミュージック・アンド・エンタテインメント PR第3事業部
Teil von:
The 50th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1977 winner)
Debby Boone53:39
2Feelings
phonographisches Urheberrecht (℗) von:
Som Indústria E Comércio S.A. (Brazilian record company) (in 1974)
Teil von:
The Downloader’s Music Source Book (Nummer: 322)
recording of:
Feelings
Texter:
Morris Albert
Komponist(in):
Louis Gasté
publisher:
Bucks Music Ltd, Fermata International Melodies, Inc., Peter Maurice Music Co. Ltd. und United Artists (publisher)
Version von:
Pour toi
Morris Albert33:45
3Have You Never Been Mellow
Ko-Techniker(in):
Alan Rouse
Techniker(in):
Tony Clark (engineer, Abbey Road)
Produzent(in):
John Farrar
arranger:
John Fiddy (songwriter/singer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Have You Never Been Mellow
Texter und Komponist(in):
John Farrar
publisher:
ATV Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambuck Music Ltd., John Farrar Music, Jumbuck Music, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und Universal/MCA Music Publishing Pty Ltd
Olivia Newton‐John3.53:32
4After the Lovin’
cover recording of:
After the Lovin’
Texter:
Alan Bernstein
Komponist(in):
Ritchie Adams
recording of:
After the Lovin’
Texter:
Alan Bernstein
Komponist(in):
Ritchie Adams
Engelbert Humperdinck3.53:56
5Ooh Baby Baby
recording engineer:
Val Garay
Produzent(in):
Peter Asher
alto saxophone [alto sax]:
David Sanborn
Bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
E-Gitarre:
Dan Dugmore
Klavier:
Don Grolnick
Schlagzeug [drums]:
Russell Kunkel (session drummer)
Hintergrundgesang:
Jim Gilstrap und John Lehman
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978-05)
cover recording of:
Ooo Baby Baby
Verfasser(in):
Warren “Pete” Moore und Smokey Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Linda Ronstadt53:19
6Your Song
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Gus Dudgeon
Akustikgitarre:
Frank Clark (Guitar/bassist)
Bassgitarre:
Dave Richmond
Gitarre:
Colin Green
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Barry Morgan (English drummer)
zwölfsaitige Gitarre:
Clive Hicks
conductor:
Paul Buckmaster
arranger:
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 54), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 136) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 202)
recording of:
Your Song
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) (beendet), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.954:03
7Love Will Keep Us Together
recording engineer und Mix:
Dennis Dragon
Partner-Produzent(in):
Toni Tennille
Produzent(in):
The Captain
Celesta, Clavinet, E-Bass [Fender], Hammond-Orgel, Keyboard [Clavietta], Klavier, Minimoog [Mini-moog], Synthesizer [Arp String Ensemble], Synthesizer [Odyssey], Windspiel und Wurlitzer Electric Piano:
The Captain
Conga, Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Geige / Violine:
Kenneth Yerke
Hintergrundgesang:
Melissa Tennille und Toni Tennille
Saiteninstrumente arranger:
Kenneth Yerke
arranger:
The Captain
phonographisches Urheberrecht (℗) von:
A&M Records (in 1975), A&M Records, Inc. (in 1975) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1975)
produced for:
Moonlight and Magnolia Productions
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 337)
cover recording of:
Love Will Keep Us Together
Texter:
Howard Greenfield
Komponist(in):
Neil Sedaka
publisher:
Don Kirshner Music Inc., Kirshner-Warner Bros Music Ltd. und Neil Sedaka Music (BMI-affiliated)
Captain & Tennille43:24
8When I Need You
recording engineer:
Howard Steele (US producer, sound engineer) (in 1976)
assistierende(r) Techniker(in):
Dana Latham
Produzent(in):
Richard Perry (producer)
Bass:
Willie Weeks (US bass player) (in 1976)
Gitarre:
Dean Parks (American session guitarist) (in 1976)
Hybrid-Piano:
Michael Omartian (in 1976)
Saxophon:
George Palisky, Jr. (in 1976)
Schlagzeug:
Jeff Porcaro (in 1976)
Synthesizer:
James Newton Howard (American score composer) (in 1976)
vocals:
Leo Sayer (in 1976)
Synthesizer arranger:
James Newton Howard (American score composer)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1976), Chrysalis Records, Inc. (not for release label use!) (in 1976), Rhino Records, Inc. (company credits only; not for release label use!) (in 1977), Silverbird Ltd. (in 1977) und Warner Music H.K. Ltd. (in 1997)
cover recording of:
When I Need You (in 1976)
Verfasser(in):
Carole Bayer Sager und Albert Hammond
publisher:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019), Windswept Music (London) Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
When I Need You
Verfasser(in):
Carole Bayer Sager und Albert Hammond
publisher:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019), Windswept Music (London) Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Leo Sayer44:09
9We’re All Alone
Produzent(in):
David Anderle
phonographisches Urheberrecht (℗) von:
A&M Records (in 1977) und A&M Records, Inc. (Los Angeles) (in 1977)
cover recording of:
We’re All Alone
Texter und Komponist(in):
Boz Scaggs
publisher:
BMG Songs, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) und Boz Scaggs Music (publisher) (vom 1975 bis heute)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Rita Coolidge43:39
10Laughter in the Rain
recording of:
Laughter in the Rain
Texter:
Phil Cody (of Neil Sedaka-fame)
Komponist(in):
Neil Sedaka
publisher:
Entco Music, H & R Lastrada Music, R2M Publishing H. & R. Lastrada Music, Sony/ATV Tunes LLC (ASCAP) und SUITE 1510 MUSIC COMPANY 301
Neil Sedaka52:47
11Theme From Love Story (Where Do I Begin)
Henry Mancini2:52
12I’ll Never Love This Way Again
assistierende(r) Techniker(in):
Peter Darmi
Techniker(in):
Michael DeLugg
Produzent(in):
Barry Manilow
Bassgitarre [bass]:
Will Lee (US jazz/rock bassist)
Gitarre:
Mitch Holder (guitarist)
Keyboard:
Bill Mays
Klavier:
Barry Manilow
Perkussion:
Alan Estes
Schlagzeug:
Rick Schlosser (drummer)
Hintergrundgesang:
Ron Dante und Barry Manilow
Sologesang:
Dionne Warwick
arranger:
Barry Manilow
Orchestrator(in):
Artie Butler
concertmaster:
Sid Sharp
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1979)
aufgenommen bei:
United Western Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
I’ll Never Love This Way Again
Texter:
Will Jennings
Komponist(in):
Richard Kerr
publisher:
Irving Music (BMI), Irving Music, Inc., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dionne Warwick23:30
13Sometimes When We Touch
phonographisches Urheberrecht (℗) von:
GRT of Canada Ltd. (in 1977), McCauley Music Ltd. (in 1977) und McCauley Music Masters (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 33)
recording of:
Sometimes When We Touch
Texter:
Dan Hill (Canadian singer/songwriter)
Komponist(in):
Barry Mann
publisher:
Anthem Entertainment A (work publisher), Dyad Music Ltd., Mann and Weil Songs, Inc., McCauley Music Ltd., Ole Media Management LP II, Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Songs LLC, Sony/ATV Tunes LLC (ASCAP), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック (Fujipacific Music, Inc.)
Dan Hill34:03
14The Way We Were / Try to Remember
recording of:
The Way We Were
Texter:
Alan Bergman (American lyricist) (in 1973) und Marilyn Bergman (in 1973)
Komponist(in):
Marvin Hamlisch (in 1973)
publisher:
Colgems-EMI Music Inc. (, in 1973), Pathe Publications (Far East) Limited und Screen Gems–EMI Music Ltd.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
The 46th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1973 winner)
Teil von:
The Way We Were
Gladys Knight & the Pips4:33
15All by Myself
assistierende(r) Techniker(in):
Joey Barbaria
Techniker(in):
Jack Sherdel
Produzent(in):
Jimmy Ienner (producer)
Sologesang:
Eric Carmen (von 1975-08 bis 1975-09)
arranger:
Eric Carmen
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975) und Arista Records, LLC (holding company - file NO releases here!) (in 1975)
produced for:
CAM Productions (US)
aufgenommen bei:
O.D.O. Sound Studios in New York, New York, Vereinigte Staaten (von 1975-08 bis 1975-09)
recording of:
All by Myself (von 1975-08 bis 1975-09)
Texter:
Eric Carmen
Komponist(in):
Eric Carmen und Sergei Rachmaninov (Sergei Rachmaninow, Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (beendet), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
basiert auf:
Let’s Pretend
basiert auf:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen4.255:02
16You and Me Against the World
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1974)
recording of:
You and Me Against the World
Verfasser(in):
Kenny Ascher und Paul Williams (US songwriter/soft rock vocalist)
Helen Reddy3:11
17Three Times a Lady
Produzent(in):
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
Sologesang:
Lionel Richie
arranger:
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1978), Motown Record Corporation (company credits only; do NOT use as release label) (in 1978, in 1979) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 10)
recording of:
Three Times a Lady
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Libren Music
Commodores3.653:39
18Too Much, Too Little, Too Late
Produzent(in):
Jack Gold
Interpret(in):
Johnny Mathis (US pop/soul singer) und Deniece Williams (US soul/funk vocalist/songwriter)
phonographisches Urheberrecht (℗) von:
Jon Mat Records, Inc. (in 1978)
recording of:
Too Much, Too Little, Too Late
Verfasser(in):
Nat Kipner (Australian producer, songwriter, label owner & publisher) und John McIntyre Vallins
publisher:
Homewood House Music und MCA Music Ltd.
Johnny Mathis & Deniece Williams43:00
19Don’t Cry Out Loud
Techniker(in):
Milt Calise
Produzent(in) und Mix:
Harry Maslin
Bassgitarre:
David Hungate
Gitarre:
Dennis Budimir und Lee Ritenour
Klavier:
Bill Payne
Schlagzeug:
Jim Keltner
Sologesang:
Melissa Manchester
arranger:
Barry Fasman
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978)
produced for:
Melissa Manchester Productions, Inc.
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Don’t Cry Out Loud
Texter:
Carole Bayer Sager (in 1976)
Komponist(in):
Peter Allen (Australian singer‐songwriter) (in 1976)
publisher:
Begonia Melodies Inc., Chappell Music Co. Inc., Chappell Music Ltd., Irving Music (BMI), Rondor Music, Rondor Music (London) Ltd. und Woolnough Music
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Melissa Manchester53:46
20With You I’m Born Again
assistierende(r) Techniker(in):
James Warmack
Techniker(in) und Mix:
F. Byron Clark
Produzent(in):
James di Pasquale und David Shire (American score composer)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) und Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1979)
recording of:
With You I’m Born Again
Texter:
Carol Connors
Komponist(in):
David Shire (American score composer)
publisher:
Check Out Music, EMI Music Publishing (do not use as a release label!) und Jobete Music (UK) Ltd.
Billy Preston & Syreeta3:39
2▼CD
Nr.TitelKünstlerBewertungLänge
1Rose Garden
cover recording of:
Rose Garden (in 1970)
Texter und Komponist(in):
Joe South
publisher:
BMG Music Publishing Ltd. und Sony/ATV Songs LLC
Version von:
’k Blijf op je wachten
Lynn Anderson4.152:53
2Behind Closed Doors
recording engineer:
Lou Bradley (American producer, engineer, also songwriter) (am 1972-11-12)
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Hintergrundgesang:
The Nashville Edition (am 1972-11-12)
Sologesang:
Charlie Rich (US country singer) (am 1972-11-12)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1972-11-12)
recording of:
Behind Closed Doors (am 1972-11-12)
Texter und Komponist(in):
Kenny O’Dell
publisher:
House of Gold Music, Inc.
Charlie Rich52:57
3She Believes in Me
cover recording of:
She Believes in Me
Texter und Komponist(in):
Steve Gibb (Stephen Mathias Gibb, singer-songwriter)
publisher:
Angel Wing Music und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
recording of:
She Believes in Me
Texter und Komponist(in):
Steve Gibb (Stephen Mathias Gibb, singer-songwriter)
publisher:
Angel Wing Music und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Kenny Rogers4:21
4Here You Come Again
vocals:
Dolly Parton
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1977) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 60)
cover recording of:
Here You Come Again
Texter:
Cynthia Weil
Komponist(in):
Barry Mann
publisher:
Dyad Music Ltd., EMI Music Publishing Australia Pty. Limited (not for release label use!), Screen Gems–EMI Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Summerhill Music Songs und Summerhill Songs
Dolly Parton4.52:56
5Hey, Won’t You Play Another Somebody Done Somebody Wrong Song
cover recording of:
(Hey Won’t You Play) Another Somebody Done Somebody Wrong Song (1974 song)
Verfasser(in):
Larry Butler (US country music producer, songwriter & pianist) und Chips Moman
B.J. Thomas3:21
6Rhinestone Cowboy
phonographisches Urheberrecht (℗) von:
Nashville Records (country label, used to be under Starday Records in Nashville, TN, today under Capitol Records, Inc.) (in 1975) und Capitol Records Nashville (in 2003)
recording of:
Rhinestone Cowboy (am 1975-02-24)
Texter und Komponist(in):
Larry Weiss (American singer-songwriter)
publisher:
House of Weiss Music Co, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
Glen Campbell43:13
7Don’t It Make My Brown Eyes Blue
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1976) und Capitol Nashville (in 1977, in 1979)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 71)
cover recording of:
Don’t It Make My Brown Eyes Blue
Texter und Komponist(in):
Richard Leigh (American country music songwriter and singer)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Crystal Gayle4.42:33
8It Was Almost Like a Song
recording of:
It Was Almost Like a Song
Texter:
Hal David
Komponist(in):
Archie Jordan (producer, arranger, conductor, pianist, keyboardist and session singer-songwriter)
publisher:
Casa David und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Ronnie Milsap3:38
9The Happiest Girl in the Whole U.S.A.
recording of:
The Happiest Girl in the Whole USA (1972 song)
Texter und Komponist(in):
Donna Fargo
Donna Fargo2:33
10For the Good Times
Teil von:
Rolling Stone: 40 Saddest Country Songs of All Time (2019 re-issued) (Nummer: 18)
cover recording of:
For the Good Times
Texter und Komponist(in):
Kris Kristofferson
publisher:
Careers Music, Inc., Careers-BMG Music, Careers‐BMG Music Publishing, Universal Music Publishing International MGB Ltd., Universal Music Publishing MGB Ltd., Valentine Music Ltd. und Universal Music Careers (in 1968)
recording of:
For the Good Times
Texter und Komponist(in):
Kris Kristofferson
publisher:
Careers Music, Inc., Careers-BMG Music, Careers‐BMG Music Publishing, Universal Music Publishing International MGB Ltd., Universal Music Publishing MGB Ltd., Valentine Music Ltd. und Universal Music Careers (in 1968)
Ray Price3:50
11Southern Nights
phonographisches Urheberrecht (℗) von:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1977)
cover recording of:
Southern Nights
Texter und Komponist(in):
Allen Toussaint
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Glen Campbell3.73:00
12Blue Bayou
recording engineer und Mix:
Val Garay
assistierende(r) Techniker(in):
Mark Howlett
Produzent(in):
Peter Asher
Akustikgitarre:
Waddy Wachtel (von 1977-05-23 bis 1977-07-22)
Bassgitarre [bass] und Mandoline:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (von 1977-05-23 bis 1977-07-22)
cowbell, elektronisches Schlagzeug / E-Drums [syn-drums] und Schlagzeug:
Rick Marotta (US drummer/percussionist) (von 1977-05-23 bis 1977-07-22)
Hybrid-Piano:
Don Grolnick (von 1977-05-23 bis 1977-07-22)
Marimba:
Steve Forman (US percussionist) (von 1977-05-23 bis 1977-07-22)
Steel-Gitarre:
Dan Dugmore (von 1977-05-23 bis 1977-07-22)
Hintergrundgesang:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (von 1977-05-23 bis 1977-07-22) und Don Henley (von 1977-05-23 bis 1977-07-22)
Sologesang:
Linda Ronstadt (von 1977-05-23 bis 1977-07-22)
phonographisches Urheberrecht (℗) von:
Asylum Records (Warner Music subsidiary) (in 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 2017)
aufgenommen bei:
Sound Factory, LA (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1977-05-23 bis 1977-07-22)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 61)
cover recording of:
Blue Bayou (von 1977-05-23 bis 1977-07-22)
Texter:
Joe Melson (in 1963) und Roy Orbison (in 1963)
Komponist(in):
Joe Melson und Roy Orbison
publisher:
Acuff-Rose Publications, Inc. (BMI) (in 1961)
Linda Ronstadt4.253:53
13The Most Beautiful Girl
recording engineer:
Lou Bradley (American producer, engineer, also songwriter) (am 1973-02-09)
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Hintergrundgesang:
The Nashville Edition (am 1973-02-09)
Sologesang:
Charlie Rich (US country singer) (am 1973-02-09)
vocals:
Charlie Rich (US country singer) (am 1973-02-09)
Saiteninstrumente arranger:
Bill McElhiney
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
aufgenommen bei:
Columbia Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1973-02-09)
cover recording of:
The Most Beautiful Girl (am 1973-02-09)
Verfasser(in):
Rory Bourke, Billy Sherrill (US songwriter/producer/arranger) und Norris “Norro” Wilson
publisher:
Al Gallico Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated) und Gallico Music Ltd.
Version von:
Hey Mister
Charlie Rich4.352:43
14Georgia on My Mind
cover recording of:
Georgia on My Mind
Nationalhymne von:
Georgia, Vereinigte Staaten (vom 1979 bis heute)
Texter:
Stuart Gorrell (in 1930)
Komponist(in):
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (vom 1930 bis heute) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (vom 1930 bis heute)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Arrangement von:
Georgia on My Mind (Solo piano arrangement)
Willie Nelson4:21
15(If Loving You Is Wrong) I Don’t Want to Be Right
cover recording of:
(If Loving You Is Wrong) I Don’t Want to Be Right
Verfasser(in):
Homer Banks (soul singer and songwriter), Carl Hampton (pianist, songwriter and producer) und Raymond Jackson (songwriter, guitarist and producer)
publisher:
East/Memphis Music, Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Barbara Mandrell43:07
16My Woman, My Woman, My Wife
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1970-01-02)
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
recording of:
My Woman, My Woman, My Wife (am 1970-01-02)
Texter und Komponist(in):
Marty Robbins
publisher:
Mariposa Music Inc. (publisher) (in 1970)
Marty Robbins3:32
17Come a Little Bit Closer
cover recording of:
Come a Little Bit Closer
Verfasser(in):
Tommy Boyce (US songwriter of Boyce and Hart), Wes Farrell und Bobby Hart
publisher:
Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Morris Music Inc
Johnny Duncan & Janie Fricke3:12
18Before the Next Teardrop Falls
cover recording of:
Before the Next Teardrop Falls
Verfasser(in):
Vivian Keith und Ben Peters (country music songwriter)
publisher:
Shelby Singleton Music Inc.
Freddy Fender52:36
19Help Me Make It Through the Night
phonographisches Urheberrecht (℗) von:
Dominion Entertainment, Inc. (company credits only; file no releases here!) (in 1971)
cover recording of:
Help Me Make It Through the Night (in 1971)
Texter und Komponist(in):
Kris Kristofferson
publisher:
BMG Songs Ltd., Combine Music Corp., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Keith Prowse Music Publishing Co. Ltd. und KPM (music publisher)
sub-publisher:
Air Music Scandinavia AB
Sammi Smith2:34
20Baby Don’t Get Hooked on Me
recording of:
Baby, Don’t Get Hooked on Me
Verfasser(in):
Mac Davis (US country singer, songwriter & actor)
publisher:
EMI Music Publishing Australia Pty. Limited (not for release label use!)
Mac Davis3:03
3▼CD
Nr.TitelKünstlerBewertungLänge
1My Eyes Adored You
recording of:
My Eyes Adored You
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music Co., Inc., Sound of Nolan Music, Stone Diamond Music Corporation und TannyBoy Music
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Frankie Valli3:28
2Alone Again (Naturally)
Produzent(in):
Gordon Mills (60s/70s UK producer and songwriter)
phonographisches Urheberrecht (℗) von:
O.S.M. Inc. (in 1972)
recording of:
Alone Again (Naturally)
Texter und Komponist(in):
Gilbert O’Sullivan
publisher:
Grand Upright Music Ltd. und 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Gilbert O’Sullivan53:39
3Please Mr. Please
Ko-Techniker(in):
Alan Rouse
Techniker(in):
Tony Clark (engineer, Abbey Road)
Produzent(in):
John Farrar
arranger:
John Fiddy (songwriter/singer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
cover recording of:
Please Mr. Please
Texter und Komponist(in):
John Rostill und Bruce Welch (English guitarist, singer, songwriter and producer)
arranger:
John Fiddy (songwriter/singer)
publisher:
Blue Gum Music, Inc. und Blue Gum Music, Ltd
recording of:
Please Mr. Please
Texter und Komponist(in):
John Rostill und Bruce Welch (English guitarist, singer, songwriter and producer)
arranger:
John Fiddy (songwriter/singer)
publisher:
Blue Gum Music, Inc. und Blue Gum Music, Ltd
Olivia Newton‐John43:23
4Sad Eyes
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1979) und EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1979)
recording of:
Sad Eyes
Texter und Komponist(in):
Robert John (US singer‐songwriter)
publisher:
BMG Music Publishing, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co., Chappell & Co., Inc. (USA), Six Continents Music Publishing Inc., Unichappell Music, Unichappell Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Robert John3:32
5Do That to Me One More Time
recording engineer und Mix:
Roger Young (engineer)
assistierende(r) Techniker(in):
David Cole (American recording engineer and producer), Ira Leslie und Wayne Neuendorf
Produzent(in):
Daryl Dragon
Akustikgitarre:
Lee Ritenour
Bassgitarre:
Scott Edwards (bassist)
Perkussion:
Ken Watson (American percussionist)
Rhodes Piano [Fender Rhodes electric piano], Hintergrundgesang und Sologesang:
Toni Tennille
Schlagzeug [drums]:
Ralph Humphrey (American drummer and teacher)
Synthesizer [Oberheim Four Voice]:
Daryl Dragon
Windsynthesizer [flute synthesizer]:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Assistent remixer:
Wayne Neuendorf
phonographisches Urheberrecht (℗) von:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979)
aufgenommen bei:
Capitol Records Studio (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Do That to Me One More Time
Texter und Komponist(in):
Toni Tennille
publisher:
Fujipacific Music, Inc. und Moonlight & Magnolias Music Publ. Co. (BMI-affiliated)
Captain & Tennille3.854:13
6Reunited
Produzent(in):
Freddie Perren
phonographisches Urheberrecht (℗) von:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978)
Bearbeitung von:
Reunited von Peaches & Herb
recording of:
Reunited
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Peaches & Herb54:00
7I’d Really Love to See You Tonight
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
I’d Really Love to See You Tonight
Texter und Komponist(in):
Parker McGee
publisher:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing und Sutjujo Music
England Dan & John Ford Coley52:39
8Lovin’ You
Produzent(in):
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) und Stevie Wonder
Bassgitarre:
Reggie McBride
Becken, Klavier, Mundharmonika und Schlagzeug:
El Toro Negro
Conga:
Kwasi "Rocki" Dzidzornu
Gitarre:
Marlo Henderson und Michael Sembello
Schlagzeug [drum kit]:
Ollie E. Brown (US drummer, session musician & record producer) und El Toro Negro
Hintergrundgesang:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) und Yvonne Wright
vocals:
Minnie Riperton
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Lovin’ You
Verfasser(in):
Minnie Riperton und Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:24
9Without You
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Akustikgitarre:
John Uribe (in 1971-06)
Bassgitarre:
Klaus Voormann (in 1971-06)
Klavier:
Gary Wright (US singer/keyboardist) (in 1971-06)
Schlagzeug:
Jim Keltner (in 1971-06)
vocals:
Harry Nilsson (US singer-songwriter) (in 1971-06)
conductor:
Paul Buckmaster (in 1971-06)
Blechblasinstrumente und Saiteninstrumente arranger:
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
BMG Music (in 1971, in 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1972) und RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1989)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 496)
cover recording of:
Without You (in 1971-06)
Verfasser(in):
Tom Evans (UK guitarist for Badfinger) und W. Peter Ham
publisher:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, vom 1970 bis heute), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Nilsson4.33:21
10Mr. Bojangles
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1974)
cover recording of:
Mr. Bojangles
Texter und Komponist(in):
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Australia Pty. Ltd.
The Nitty Gritty Dirt Band53:33
11The Night They Drove Old Dixie Down
Produzent(in):
Norbert Putnam
cover recording of:
The Night They Drove Old Dixie Down
Texter und Komponist(in):
Robbie Robertson
publisher:
Canaan Music Inc, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Joan Baez53:23
12Just When I Needed You Most
Produzent(in):
Del Newman (British conductor, orchestrator, arranger)
phonographisches Urheberrecht (℗) von:
Bearsville Records Inc. (in 1979) und Rhino Records, Inc. (company credits only; not for release label use!) (in 1979)
recording of:
Just When I Needed You Most
Texter und Komponist(in):
Randy VanWarmer
publisher:
Fourth Floor Music Inc. (US publisher), Terraform Music (publisher), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Randy VanWarmer4:02
13Torn Between Two Lovers
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976) und Arista Records, LLC (holding company - file NO releases here!) (in 1976)
recording of:
Torn Between Two Lovers (There are times when a woman has to say what’s on her mind…)
Texter:
Phillip Jarrell
Komponist(in):
Peter Yarrow
publisher:
Muscle Shoals Sound Publishing, Peermusic France, Peermusic III, Ltd. (BMI), Silver Dawn Music, WB Music Corp. (1929–2019) und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Mary MacGregor3:45
14Time in a Bottle
Produzent(in):
Terry Cashman und Tommy West
vocals:
Jim Croce (am 1971-10-11)
phonographisches Urheberrecht (℗) von:
R2M Music (BMI) (in 1972), BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (in 1973), Lastrada Entertainment Co., Ltd. (in 1973) und LeFrak-Moelis Records (in 1973)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (am 1971-10-11)
recording of:
Time in a Bottle (am 1971-10-11)
Texter und Komponist(in):
Jim Croce
publisher:
American Broadcasting Music, Inc., Blendingwell Music, Inc., DenJac Music Company und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.352:26
15Afternoon Delight
vocals:
Jon Carroll (of Starland Vocal Band, on vocals, keyboard, guitar), Margot Chapman (singer with Starland Vocal Band), Bill Danoff und Taffy Nivert
phonographisches Urheberrecht (℗) von:
Cherry Lane Music Publishing Company Inc. (in 1976)
recording of:
Afternoon Delight
Texter und Komponist(in):
Bill Danoff
publisher:
Cherry Lane Music Publishing Company Inc. und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Starland Vocal Band3.53:12
16Diary
Sologesang:
David Gates (singer/songwriter, lead singer of Bread)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
recording of:
Diary
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
Bread3:08
17Cat’s in the Cradle
Produzent(in):
Paul Leka
arranger:
Paul Leka
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead), Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1974)
aufgenommen bei:
Connecticut Recording Studios in Connecticut, Vereinigte Staaten
recording of:
Cat’s in the Cradle
Verfasser(in):
Sandra Campbell Chapin und Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin3.83:40
18Me and You and a Dog Named Boo
recording of:
Me and You and a Dog Named Boo
Texter und Komponist(in):
Lobo (American singer-songwriter Roland Kent LaVoie)
Lobo4.52:57
19The Last Farewell
recording of:
The Last Farewell (1971 song)
Texter:
Ron Webster (silversmith)
Komponist(in):
Roger Whittaker
Roger Whittaker3:42
4▼CD
Nr.TitelKünstlerBewertungLänge
1Tie a Yellow Ribbon Round the Ole Oak Tree
phonographisches Urheberrecht (℗) von:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 52)
recording of:
Tie a Yellow Ribbon Round the Ole Oak Tree
Verfasser(in):
Lawrence Russell Brown (lyricist) und Irwin Levine
publisher:
Irwin Levine Music (BMI-affiliated), Larball Publishing Co., Inc. und peermusic (publisher)
Tony Orlando & Dawn53:21
2New World Coming
Techniker(in):
Phil Kaye
Koproduzent(in):
Joel Sill
Produzent(in):
Steve Barri
recording of:
New World Coming
Verfasser(in):
Barry Mann und Cynthia Weil
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Mama Cass Elliot2:10
3He Ain’t Heavy, He’s My Brother
Produzent(in):
Ron Richards
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969) und The Hollies Ltd. (von 1969 bis 1970)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1969-06-25)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 46)
cover recording of:
He Ain’t Heavy, He’s My Brother (am 1969-06-25)
Verfasser(in):
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) und Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
live cover recording of:
He Ain’t Heavy, He’s My Brother
Verfasser(in):
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) und Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
recording of:
He Ain’t Heavy, He’s My Brother
Verfasser(in):
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) und Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Hollies4.24:16
4I Am Woman
Blechblasinstrumente und Saiteninstrumente arranger:
Jim Horn (saxophonist, hornist, flutist and oboist)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2006)
recording of:
I Am Woman (in 1970)
Texter:
Helen Reddy
Komponist(in):
Ray Burton (Australian singer/songwriter)
publisher:
Rondor Music und Rondor Music (Australia) Pty Ltd
Helen Reddy53:22
5I’d Like to Teach the World to Sing (in Perfect Harmony)
Produzent(in):
David Mackay (Australian producer, arranger, musical director)
vocals:
Eve Graham
arranger:
David Mackay (Australian producer, arranger, musical director)
recording of:
I’d Like to Teach the World to Sing
Verfasser(in):
Bill Backer, Roger Cook (US‐based British singer, songwriter and producer), Roquel Davis und Roger Greenaway
publisher:
PolyGram Music Publishing
Version von:
I’d Like to Buy the World a Coke (original commercial jingle off which “I’d Like to Teach the World to Sing” was based)
The New Seekers3.652:22
6Stop and Smell the Roses
recording of:
Stop and Smell the Roses
Texter und Komponist(in):
Dan Treacy
Mac Davis2:56
7Seasons in the Sun
Produzent(in):
Terry Jacks
arranger:
Terry Jacks
phonographisches Urheberrecht (℗) von:
Bell Records Inc. (record company behind the Bell Records and Mala labels) (in 1973), Arista Records, LLC (holding company - file NO releases here!) (in 1974) und Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980)
produced for:
Poppy Family Productions Ltd.
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 19)
cover recording of:
Seasons in the Sun
Texter und Übersetzer:
Rod McKuen
Komponist(in):
Jacques Brel
publisher:
E.B. Marks Music Corp. und Francis, Day & Hunter Ltd. (in 1973)
übersetzte Version von:
Le Moribond
Terry Jacks3.23:30
8Wedding Song (There Is Love)
Petula Clark3:16
9Everything Is Beautiful
Techniker(in):
Charlie Tallent
Produzent(in):
Ray Stevens (US singer‐songwriter & comedian)
arranger:
Ray Stevens (US singer‐songwriter & comedian)
phonographisches Urheberrecht (℗) von:
Barnaby Records, Inc. (in 1970)
recording of:
Everything Is Beautiful (1970 song)
Texter und Komponist(in):
Ray Stevens (US singer‐songwriter & comedian)
publisher:
J. Albert & Son Pty. Ltd.
Ray Stevens3:32
10The Entertainer
Marvin Hamlisch3:06
11Love Theme From the Godfather (Speak Softly Love)
Produzent(in):
Dick Glasser
recording of:
Speak Softly Love (The Godfather, Love Theme) (am 1972-02-17)
Texter:
Larry Kusik (Lyricist)
Komponist(in):
Nino Rota (Italian composer)
publisher:
Famous Chappell Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
Version von:
Love Theme from The Godfather
Andy Williams3:02
12The Morning After (From the Poseidon Adventure)
Techniker(in):
Arnie Rosenberg
Produzent(in):
Carl Maduri
arranger:
Joe Hudson (US composer, string arranger and conductor)
phonographisches Urheberrecht (℗) von:
20th Century-Fox Record Corporation (in 1972) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
recording of:
The Morning After (from "The Poseidon Adventure")
Verfasser(in):
Joel Hirschhorn (songwriter) und Al Kasha (composer, songwriter and arranger)
publisher:
Fox Fanfare Music und Twentieth Century Music Corp.
Teil von:
The 45th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1972 winner)
Maureen McGovern52:20
13Song From M*A*S*H
instrumental cover recording of:
Suicide Is Painless
Texter:
Mike Altman
Komponist(in):
Johnny Mandel (American composer and arranger)
publisher:
Chappell Music Ltd., Twentieth Century Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Al De Lory & His Orchestra2:30
14I’m Easy
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
I’m Easy
Texter und Komponist(in):
Keith Carradine
publisher:
Easy Music, Lion’s Gate Music und Universal‐MCA Music Publishing (US)
Teil von:
The 48th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1975 winner)
Keith Carradine3:05
15Midnight Cowboy
cover recording of:
Midnight Cowboy
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
Ferrante and Teicher3:20
16Through the Eyes of Love (theme from Ice Castles)
Produzent(in):
Arif Mardin
vocals:
Melissa Manchester
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1979)
recording of:
Through the Eyes of Love (Ice Castles, theme)
Texter:
Carole Bayer Sager
Komponist(in):
Marvin Hamlisch
publisher:
EMI Gold Horizon Music Corp. und EMI Golden Torch Music Corp.
Teil von:
The 52nd Academy Award for Best Original Song (Nummer: 2)
Melissa Manchester4:13
17Raindrops Keep Falling on My Head
recording of:
Raindrops Keep Fallin’ on My Head
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Teil von:
The 42nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1969 winner)
B.J. Thomas3:15

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