| # | Title | Artist | Rating | Length |
|---|
| 1 | (Everything I Do) I Do It for You- additional recording engineer:
- Ken Lomas (from 1991-04-10 until 1991)
- recording engineer:
- Nigel Green (from 1991-04-10 until 1991)
- programming:
- Phil Nicholas
- assistant engineer:
- Yan Memmi
- engineer:
- Nigel Green and Ron Obvious
- producer:
- Bryan Adams and Robert John 'Mutt' Lange
- assistant mixer:
- Avril MacKintosh (in 1991)
- mixer:
- Bob Clearmountain (in 1991)
- drums (drum set) and percussion:
- Mickey Curry (from 1991-04-10 until 1991)
- electric bass guitar [bass]:
- Larry Klein (from 1991-04-10 until 1991)
- guitar:
- Bryan Adams (from 1991-04-10 until 1991) and Keith Scott (from 1991-04-10 until 1991)
- Hammond organ and piano:
- Bill Payne (from 1991-04-10 until 1991)
- keyboard:
- Phil Nicholas (from 1991-04-10 until 1991)
- lead vocals:
- Bryan Adams (from 1991-04-10 until 1991)
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1991, in 1999), UMG Recordings, Inc. (in 1991) and Badman Ltd. (in 1999)
- recorded at:
- Air Studios in London , England, United Kingdom (from 1991-04-10 until 1991: piano), Battery Studios in London , England, United Kingdom (from 1991-04-10 until 1991), Mayfair Studios in London , England, United Kingdom (from 1991-04-10 until 1991: lead vocals) and The Warehouse Studio in Vancouver, British Columbia, Canada (from 1991-04-10 until 1991)
- mixed at:
- Mayfair Studios in London , England, United Kingdom (in 1991)
- part of:
- The Downloader’s Music Source Book (number: 162)
- recording of:
- (Everything I Do) I Do It for You (from 1991-04-10 until 1991)
- writer:
- Bryan Adams (on 1991-04-10), Michael Kamen (on 1991-04-10) and Robert John “Mutt” Lange (on 1991-04-10)
- publisher:
- 2855 Music, MCA Music Ltd., Out-of-Pocket Productions Ltd., Rondor Music (London) Ltd., WorkSongs Ltd., Zomba Enterprises Inc., Almo Music Corp. (in 1991), Miracle Creek Music, Inc. (in 1991), Zachary Creek Music Inc. (in 1991) and Zomba Music Publishers Ltd. (in 1991)
- part of:
- The 64th Academy Award for Best Original Song (number: 2)
| Bryan Adams | 3.9 | 6:34 |
| 2 | (I Can’t Help) Falling in Love With You- cover recording of:
- Can’t Help Falling in Love
- writer:
- Luigi Creatore, Hugo Peretti and George David Weiss
- publisher:
- Aberbach Musikverlag , ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music , Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. , Luigi Creatore Music and The Manor Music Co. Ltd.
- sub-publisher:
- 日音 (ended), フジパシフィックミュージック , ヤマハミュージックEH(CM) and 日音 Synch事業部
- is based on:
- Plaisir d’amour
- recording of:
- Can’t Help Falling in Love
- writer:
- Luigi Creatore, Hugo Peretti and George David Weiss
- publisher:
- Aberbach Musikverlag , ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music , Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. , Luigi Creatore Music and The Manor Music Co. Ltd.
- sub-publisher:
- 日音 (ended), フジパシフィックミュージック , ヤマハミュージックEH(CM) and 日音 Synch事業部
- is based on:
- Plaisir d’amour
| UB40 | 3.25 | 3:26 |
| 3 | How Deep Is Your Love- producer:
- Bee Gees, Albhy Galuten and Karl Richardson
- bass:
- Maurice Gibb (in 1977)
- drums (drum set):
- Dennis Bryon (in 1977)
- electric guitar:
- Alan Kendall (in 1977)
- guitar [rhythm guitar]:
- Barry Gibb (in 1977)
- keyboard, piano and synthesizer:
- Blue Weaver (in 1977)
- percussion:
- Dennis Bryon (in 1977) and Joe Lala (in 1977)
- background vocals and other vocals [harmony vocals]:
- Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
- lead vocals:
- Barry Gibb (in 1977) and Robin Gibb (in 1977)
- phonographic copyright (℗) by:
- Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
- phonographic copyright (℗) by:
- Polydor Ltd. (UK) (in 1977), PolyGram International Ltd. (in 1977), PolyGram International Music B.V. (in 1977), PolyGram Records, Inc. (in 1977) and RSO Records, Inc. (in 1977)
- music videos:
- How Deep is Your Love by Bee Gees
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 6), Billboard: Greatest of All Time Hot 100 Songs (number: 27), Billboard: The 500 Best Pop Songs (number: 260) and Rolling Stone: 500 Greatest Songs of All Time (number: 367)
- recording of:
- How Deep Is Your Love (in 1977)
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Songs of Universal, Inc. , Universal Music Careers, Universal Music Publishing International MGB Ltd., Warner Chappell Music Ltd. and Gibb Brothers Music (in 1977)
- sub-publisher:
- Universal Music Publishing Group Japan , シンコーミュージック・エンタテイメント , ワーナー・チャペル音楽出版 Synch事業部 , 香港商華納音樂出版有限公司台灣分公司 , ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
- live recording of:
- How Deep Is Your Love
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Songs of Universal, Inc. , Universal Music Careers, Universal Music Publishing International MGB Ltd., Warner Chappell Music Ltd. and Gibb Brothers Music (in 1977)
- sub-publisher:
- Universal Music Publishing Group Japan , シンコーミュージック・エンタテイメント , ワーナー・チャペル音楽出版 Synch事業部 , 香港商華納音樂出版有限公司台灣分公司 , ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
| Bee Gees | 4.1 | 4:05 |
| 4 | I Just Called to Say I Love You (single version) | Stevie Wonder | 4.35 | 4:21 |
| 5 | Endless Love (from “The Endless Love” soundtrack) | Lionel Richie & Diana Ross | 3.5 | 4:26 |
| 6 | You Are So Beautiful | Joe Cocker | 3.95 | 2:43 |
| 7 | Unchained Melody- engineer:
- Larry Levine
- producer:
- Phil Spector
- solo lead vocals:
- Bobby Hatfield (in 1965-03)
- arranger:
- Jack Nitzsche
- phonographic copyright (℗) by:
- Spectrum Music , PolyGram Records, Inc. (in 1965, in 1968) and Universal Records (in 1966)
- recorded at:
- Radio Recorders Studios in West Hollywood, California, United States (in 1965-03)
- part of:
- The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (number: 366)
- cover recording of:
- Unchained Melody (in 1965-03)
- publisher:
- Hy Zaret
- lyricist:
- Hy Zaret
- composer:
- Alex North
- publisher:
- Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. , MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
- sub-publisher:
- 日音 Synch事業部
- part of:
- The 28th Academy Award for Best Original Song (number: 2)
| The Righteous Brothers | 3 | 3:36 |
| 8 | The Lady in Red | Chris de Burgh | 3.35 | 4:16 |
| 9 | All My Life (radio edit) | K‐Ci & JoJo | | 4:45 |
| 10 | Heaven- assistant engineer:
- Mike Fraser , Bruce Lampcov and Michael Sauvage
- engineer:
- Bob Clearmountain (from 1983-06-06 until 1983-06-07)
- associate producer:
- Jim Vallance
- producer:
- Bryan Adams and Bob Clearmountain
- mixer:
- Bob Clearmountain (on 1983-06-16)
- drums (drum set) [drums]:
- Steve Smith (from 1983-06-06 until 1983-06-07)
- electric bass guitar [bass]:
- Dave (from 1983-06-06 until 1983-06-07)
- guitar:
- Keith (from 1983-06-06 until 1983-06-07)
- keyboard [keyboards]:
- Rob Sabino (from 1983-06-06 until 1983-06-07)
- percussion, piano and lead vocals:
- BA (from 1983-06-06 until 1983-06-07)
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1983, in 1984, in 1985) and UMG Recordings, Inc. (in 1983)
- recorded at:
- Power Station in Hell's Kitchen, New York, New York, United States (from 1983-06-06 until 1983-06-07)
- mixed at:
- Power Station in Hell's Kitchen, New York, New York, United States (on 1983-06-16)
- part of:
- The Downloader’s Music Source Book (number: 166)
- recording of:
- Heaven (from 1983-06-06 until 1983-06-07)
- written in:
- West Vancouver, Vancouver, British Columbia, Canada (in 1983)
- writer:
- Bryan Adams (in 1983) and Jim Vallance (in 1983)
- publisher:
- Adams Communications Inc. (in 1983, in 1984), Almo Music Corp. (in 1983), Irving Music, Inc. (in 1983), Testatyme Music (in 1983), Calypso Toonz (in 1984) and Rondor Music (London) Ltd. (in 1984)
| Bryan Adams | 4.2 | 4:05 |
| 11 | L‐O‐V‐E | Nat King Cole | 5 | 2:35 |
| 12 | I’ll Make Love to You- drums (drum set) programming:
- Rayford Griffin
- assistant engineer:
- David Betancourt , Milton Chan , Marty Hornburg and Jamie Seyberth
- engineer:
- Brad Gilderman
- producer:
- Babyface
- mixer:
- Mick Guzauski
- bass:
- Reggie Hamilton
- synthesizer:
- Babyface
- produced for:
- ECAF Productions, Inc.
- recorded at:
- Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and The Enterprise in Burbank, California, United States
- mixed at:
- Encore Recording Studios in Burbank, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 185)
- recording of:
- I’ll Make Love to You
- lyricist and composer:
- Kenny Edmonds
| Boyz II Men | 4.65 | 4:06 |
| 13 | Right Here Waiting | Richard Marx | 3.75 | 4:24 |
| 14 | Anyone- recording engineer:
- Paul LaMalfa and Devin Nakao
- programming:
- Jonathan Bellion and The Monsters & Strangerz
- producer:
- Jon Bellion, The Monsters & Strangerz and Andrew Watt
- assistant mixer:
- Heidi Wang
- mixer:
- Josh Gudwin
- bass:
- Jon Bellion
- drums (drum set) [drums]:
- Jon Bellion and Andrew Watt
- guitar:
- Andrew Watt
- keyboard [keyboards]:
- Michael Pollack , The Monsters & Strangerz and Andrew Watt
- percussion:
- Raul Cubina
- piano:
- Charlie Puth
- background vocals:
- Jon Bellion, Justin Bieber, Alexander Izquierdo, Stefan Johnson , Jordan K. Johnson , Michael Pollack and Andrew Watt
- lead vocals:
- Justin Bieber
- phonographic copyright (℗) by:
- Def Jam Recordings (in 2020)
- recorded at:
- Cherry Beach Sound in Toronto, Ontario, Canada, Gold Tooth Music in Beverly Hills, California, United States and Henson Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Henson Studios in Hollywood, Los Angeles, California, United States
- music videos:
- Anyone by Justin Bieber and Anyone by Justin Bieber
- part of:
- Grammy Award: Best Pop Solo Performance nominees (number: 2022) and Billboard Year-End Hot 100 singles of 2021 (number: 74)
- recording of:
- Anyone
- writer:
- Justin Bieber, Raul Cubina , Alexander Izquierdo, Stefan Johnson , Jonathan Bellion, Jordan K. Johnson , Michael Pollack and Andrew Watt
| Justin Bieber | | 3:11 |
| 15 | I’ll Be There | The Jackson 5 | 4.35 | 3:58 |
| 16 | Please Keep Loving Me | James TW | | 3:16 |
| 17 | You’re Still the One | Shania Twain | | 3:33 |
| 18 | The Way You Look Tonight (2008 remastered)- recorded in:
- Los Angeles, California, United States (on 1964-01-27)
- vocals:
- Frank Sinatra (on 1964-01-27)
- conductor:
- Nelson Riddle (on 1964-01-27)
- arranger:
- Nelson Riddle
- cover recording of:
- The Way You Look Tonight (on 1964-01-27)
- publisher:
- Jerome Kern (on 1936-07-24)
- lyricist:
- Dorothy Fields (in 1936)
- composer:
- Jerome Kern (in 1936)
- publisher:
- Aldi Music Company, Chappell & Co., Inc. , Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (in 1936)
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
- part of:
- Swing Time
- recording of:
- The Way You Look Tonight
- publisher:
- Jerome Kern (on 1936-07-24)
- lyricist:
- Dorothy Fields (in 1936)
- composer:
- Jerome Kern (in 1936)
- publisher:
- Aldi Music Company, Chappell & Co., Inc. , Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (in 1936)
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
- part of:
- Swing Time
| Frank Sinatra | 3.15 | 3:21 |
| 19 | Stuck on You | Lionel Richie | 4 | 3:11 |
| 20 | At Last | Etta James | 4.5 | 3:03 |
| 21 | Tonight I Celebrate My Love | Peabo Bryson & Roberta Flack | | 3:31 |
| 22 | Show Me Heaven (acoustic demo version) | Maria McKee | | 3:43 |
| 23 | Love Is All Around (from “Four Weddings and a Funeral”) | Wet Wet Wet | 3.6 | 4:05 |
| 24 | Now and Forever | Richard Marx | 3 | 3:34 |
| 25 | Lovin’ You | Minnie Riperton | | 3:24 |
| 26 | My Girl | The Temptations | | 2:56 |
| 27 | Every Breath You Take- engineer:
- Hugh Padgham
- producer:
- Hugh Padgham and The Police
- drums (drum set):
- Stewart Copeland (in 1983)
- electric bass guitar and lead vocals:
- Sting (in 1983)
- electric guitar:
- Andy Summers (in 1983)
- phonographic copyright (℗) by:
- A&M Records, Ltd. (in 1981, in 2003), A&M Records (in 1983, in 2016), A&M Records Limited (in 1983), Polydor Records (in 1983) and A&M Records, Inc. (in 1997)
- recorded at:
- AIR Studios in Hampstead, Camden , London , England, United Kingdom (in 1983) and Le Studio in Morin‐Heights, Québec , Canada (in 1983)
- music videos:
- Every Breath You Take by The Police
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 35), VH1: 100 Greatest Songs of the 80’s (number: 46), Rolling Stone: 500 Greatest Songs of All Time (number: 84), Billboard: The 500 Best Pop Songs (number: 287) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 305)
- recording of:
- Every Breath You Take (in 1983)
- lyricist and composer:
- Sting
- publisher:
- EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd , GM Sumner, Magnetic Publishing Ltd., Songs of Universal, Inc. and Virgin Music (Publishers) Ltd.
- sub-publisher:
- Universal Music Publishing France , シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 , EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| The Police | 4.1 | 4:12 |
| 28 | Easy | Commodores | 3.75 | 4:17 |
| 29 | (I Just) Died in Your Arms | Cutting Crew | 4.2 | 4:29 |
| 30 | Where We Were | Karl Jeroboan | | 3:27 |
| 31 | The Winner Takes It All- engineer:
- Michael B. Tretow
- producer:
- Benny Andersson and Björn Ulvaeus
- bass guitar:
- Mike Watson (on 1980-06-06)
- cello:
- Olle Gustafsson (on 1980-06-16) and Åke Olofsson (on 1980-06-16)
- drums (drum set):
- Ola Brunkert (on 1980-06-06)
- guitar:
- Lasse Wellander (on 1980-06-06)
- keyboard and synthesizer:
- Benny Andersson (on 1980-06-06)
- percussion:
- Åke Sundqvist (on 1980-06-06)
- viola:
- Nils Heie (on 1980-06-16), Håkan Roos (on 1980-06-16) and Bo Söderström (on 1980-06-16)
- violin:
- Martin Bylund (on 1980-06-16), Anders Dahl (on 1980-06-16), Lars Stegenberg (on 1980-06-16), Gunnar Michols (on 1980-06-16), Bernt Nylund (on 1980-06-16), Bertil Orsin (on 1980-06-16), Sixten Strömvall (on 1980-06-16) and Harry Teike (on 1980-06-16)
- background vocals:
- Frida (on 1980-06-06)
- lead vocals:
- Agnetha Fältskog (on 1980-06-06)
- cello, viola and violin arranger:
- Rutger Gunnarsson (in 1980)
- arranger:
- Benny Andersson and Björn Ulvaeus
- phonographic copyright (℗) by:
- Polar Music International AB (in 1980)
- recorded at:
- Polar Studios in Stockholm, Stockholms län , Sweden (on 1980-06-06, on 1980-06-16)
- mixed at:
- Polar Studios in Stockholm, Stockholms län , Sweden (on 1980-06-18)
- part of:
- The Downloader’s Music Source Book (number: 66)
- recording of:
- The Winner Takes It All (in 1980-06)
- writer:
- Benny Andersson and Björn Ulvaeus
- publisher:
- EMI Music Publishing (ended), Universal Music Publishing Group (ended), Universal/Union Songs Musikförlag AB (ended), Bocu Music, EMI Waterford Music, Union Songs AB , Universal PolyGram International Publishing, Inc. , Artwork Music Co., Inc. (from 1980 to ????) and Countless Songs, Ltd. (from 1980 to ????)
- part of:
- Mamma Mia!
| ABBA | 3.85 | 4:55 |
| 32 | Hold Me | Starian | | 3:04 |
| 33 | Love Is Back | Celeste | 5 | 4:17 |
| 34 | Someone You Loved | Lewis Capaldi | 3.05 | 3:02 |
| 35 | Everybody Hurts- additional engineer:
- George Cowan , Mark Howard , John Keane , Ted Malia and Andrew Roshberg
- engineer:
- Clif Norrell
- producer:
- Scott Litt and R.E.M.
- additional mixer:
- Ed Brooks
- assistant mixer:
- Tod Lemkuhl
- mixer:
- Scott Litt and Clif Norrell
- guest cello:
- Kathleen Kee, Daniel Laufer and Elizabeth Proctor Murphy
- guest oboe:
- Deborah Workman
- guest viola:
- Reid Harris, Paul Murphy and Heidi Nitchie
- guest violin:
- Denise Berginson-Smith , Patti Gouvas, Lonnie Ottzen , Sandy Salzinger , Sou-Chun Su and Jody Taylor
- vocals:
- Michael Stipe
- conductor:
- George Hanson
- orchestrator:
- John Paul Jones
- phonographic copyright (℗) by:
- R.E.M./Athens, Ltd. (in 1992) and R.E.M./Athens L.L.C. (in 2017)
- additionally recorded at:
- Bosstown Recording Studios in Atlanta, Georgia, United States, John Keane Studios in Athens, Georgia, United States and Kingsway Studios in New Orleans, Louisiana, United States
- recorded at:
- Bearsville Studios in Bearsville, New York, United States and Criteria Studios in Miami, Florida, United States
- mixed at:
- Bad Animals Studio in Seattle, Washington, United States
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 203)
- recording of:
- Everybody Hurts
- writer:
- Bill Berry , Peter Buck , Mike Mills and Michael Stipe
- publisher:
- Night Garden Music and Warner–Tamerlane Publishing Corp.
| R.E.M. | 4.6 | 5:19 |
| 36 | The Book of Love | Jeanette Biedermann | | 2:57 |
| 37 | Unchained Melody- engineer:
- Larry Levine
- producer:
- Phil Spector
- solo lead vocals:
- Bobby Hatfield (in 1965-03)
- arranger:
- Jack Nitzsche
- phonographic copyright (℗) by:
- Spectrum Music , PolyGram Records, Inc. (in 1965, in 1968) and Universal Records (in 1966)
- recorded at:
- Radio Recorders Studios in West Hollywood, California, United States (in 1965-03)
- part of:
- The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (number: 366)
- cover recording of:
- Unchained Melody (in 1965-03)
- publisher:
- Hy Zaret
- lyricist:
- Hy Zaret
- composer:
- Alex North
- publisher:
- Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. , MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
- sub-publisher:
- 日音 Synch事業部
- part of:
- The 28th Academy Award for Best Original Song (number: 2)
| The Righteous Brothers | 3 | 3:36 |
| 38 | Hello | Lionel Richie | 3.85 | 4:08 |
| 39 | I’d Do Anything for Love (but I Won’t Do That) | Meat Loaf | | 12:01 |
| 40 | Peer Pressure | James Bay & Julia Michaels | 3 | 2:57 |
| 41 | Turn Me On | Norah Jones | | 2:35 |
| 42 | Hold Me While You Wait | Lewis Capaldi | | 3:26 |
| 43 | Ruby Tuesday | The Rolling Stones | | 3:13 |
| 44 | Read All About It, Pt. III | Emeli Sandé | | 4:44 |
| 45 | To Love Somebody- co-producer:
- Ossie Byrne
- producer:
- Barry Gibb, Maurice Gibb, Robin Gibb and Robert Stigwood
- conductor:
- Bill Shepherd
- arranger:
- Bill Shepherd
- phonographic copyright (℗) by:
- Barry Gibb (in 1967), Maurice Gibb (in 1967) and Robin Gibb (in 1967)
- phonographic copyright (℗) by:
- PolyGram International Ltd. (in 1967), PolyGram International Music B.V. (in 1967), Robert Stigwood Organisation Ltd. (in 1967), RSO Records, Inc. (in 1967) and RSO Records, Ltd. (in 1969)
- recorded at:
- IBC Studios in London , England, United Kingdom (in 1967-04)
- recording of:
- To Love Somebody (in 1967-04)
- written in:
- New York, New York, United States (in 1967)
- writer:
- Barry Gibb (in 1967) and Robin Gibb (in 1967)
- publisher:
- Abigail Music, BMG Music, BMG Music Publishing , BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. and Universal Music Careers
- part of:
- 50/50
| Bee Gees | 4.25 | 3:02 |
| 46 | Better Together | Jack Johnson | 3.4 | 3:28 |
| 47 | You Can’t Hurry Love | The Supremes | | 3:02 |
| 48 | Before You Go | Lewis Capaldi | 3.15 | 3:35 |
| 49 | When You’re in Love With a Beautiful Woman | Dr. Hook | | 5:15 |
| 50 | Alone | Heart | 3.55 | 3:39 |
| 51 | For Once in My Life | Stevie Wonder | 4.1 | 2:47 |
| 52 | Lay It Down | Al Green & Anthony Hamilton | | 4:30 |
| 53 | She | Elvis Costello | 2.5 | 3:06 |
| 54 | God Only Knows (mono / remastered 1997) | The Beach Boys | | 2:53 |
| 55 | 2 Become 1 | Spice Girls | | 4:01 |
| 56 | Cherish | Kool & the Gang | | 4:21 |
| 57 | Sharing the Night Together | Dr. Hook | | 2:52 |
| 58 | Do That to Me One More Time- recording engineer and mixer:
- Roger Young
- assistant engineer:
- David Cole , Ira Leslie and Wayne Neuendorf
- producer:
- Daryl Dragon
- acoustic guitar:
- Lee Ritenour
- bass guitar:
- Scott Edwards
- drums (drum set) [drums]:
- Ralph Humphrey
- percussion:
- Ken Watson
- Rhodes piano [Fender Rhodes electric piano], background vocals and lead vocals:
- Toni Tennille
- synthesizer [Oberheim Four Voice]:
- Daryl Dragon
- wind synthesizer [flute synthesizer]:
- Tom Scott
- assistant remixer:
- Wayne Neuendorf
- phonographic copyright (℗) by:
- Casablanca Record & FilmWorks, Inc. and UMG Recordings, Inc. (in 1979)
- recorded at:
- Capitol Records Studio in Hollywood, Los Angeles, California, United States and Rumbo Recorders in Canoga Park, Los Angeles, California, United States
- mixed at:
- The Village Recorders in Los Angeles, California, United States
- recording of:
- Do That to Me One More Time
- lyricist and composer:
- Toni Tennille
- publisher:
- Fujipacific Music, Inc. and Moonlight & Magnolias Music Publ. Co.
| Captain & Tennille | 3.85 | 4:17 |
| 59 | (They Long to Be) Close to You | Carpenters | | 4:31 |
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