Discover Choral Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Crux fidelis
choir vocals:
Nova Schola Gregoriana (Italian gregorian vocal ensemble)
conductor:
Alberto Turco
recording of:
Hymnus: Crux fidelis (anon)
composer:
[anonymous] (special purpose artist)
part of:
In Passione et Morte Domini
[anonymous]0:51
2Ave Maria gratia plena
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer) and John Taylor (classical producer/engineer, often associated with Naxos recordings)
choir vocals:
Oxford Camerata (English chamber choir) (from 1995-04-20 until 1995-04-21)
conductor:
Jeremy Summerly (conductor) (from 1995-04-20 until 1995-04-21)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1995-04-20 until 1995-04-21)
recording of:
Ave Maria (unspecified version)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
version of:
Ave Maria
Josquin des Prez5:32
3Missa "Gloria Tibi Trinitas": Sanctus (extract)
choir vocals:
The Sixteen (UK choir)
conductor:
Harry Christophers (conductor)
partial recording of:
Missa "Gloria tibi Trinitas": III. Sanctus
composer:
John Taverner (16th century composer)
part of:
Missa "Gloria tibi Trinitas" (a 6)
John Taverner5:29
4Christe Jesu, pastor bone
engineer:
Simon Weir
producer:
Jillian White
choir vocals:
The Cambridge Singers (in 1990-10)
conductor:
John Rutter (English choral music composer, conductor, arranger and producer, born 1945) (in 1990-10)
balance engineer:
James Hamilton (engineer)
recorded at:
Ely Cathedral in Ely, Cambridgeshire, England, United Kingdom (in 1990-10)
recording of:
Christe Jesu pastor bone (in 1990-10)
composer:
John Taverner (16th century composer)
John Taverner3:36
5In manus tuas, Domine
engineer:
Dave Harries (engineer) (from 1992-06 until 1992-07)
producer:
Chris Craker (UK musician, producer, engineer and label manager) (from 1992-06 until 1992-07)
choir vocals:
Oxford Camerata (English chamber choir) (from 1992-06-29 until 1992-07-01)
conductor:
Jeremy Summerly (conductor) (from 1992-06-29 until 1992-07-01)
recorded at:
Chapel of Wellington College in Crowthorne, Bracknell Forest, England, United Kingdom (from 1992-06-29 until 1992-07-01)
recording of:
In manus tuas, Domine, P. 202 (à 5, Cantiones sacrae (1575)) (from 1992-06-29 until 1992-07-01)
composer:
Thomas Tallis (composer)
part of:
Hamond Partbooks (British Library Add. MS 30480-30484, c. 1560-1590) (number: 55)
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
Thomas Tallis2:36
6Ladibus in sanctis
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-04-19 until 1993-04-20)
conductor:
Jeremy Summerly (conductor) (from 1993-04-19 until 1993-04-20)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-04-19 until 1993-04-20)
recording of:
Laudibus in sanctis (à 5, Cantiones sacrae II (1591)) (from 1993-04-19 until 1993-04-20)
composer:
William Byrd (English composer)
William Byrd5:47
7Missa "Aeterna Christi Munera": Agnus Dei
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Murray Khouri (clarinettist and producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1991-09-24 until 1991-09-25)
conductor:
Jeremy Summerly (conductor) (from 1991-09-24 until 1991-09-25)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1992)
recorded at:
Dorchester Abbey in Dorchester on Thames, Oxfordshire, England, United Kingdom (from 1991-09-24 until 1991-09-25)
recording of:
Missa aeterna Christi munera: VI. Agnus Dei (from 1991-09-24 until 1991-09-25)
composer:
Giovanni Pierluigi da Palestrina (composer)
Giovanni Pierluigi da Palestrina4:58
8O magnum mysterium
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (in 1992-04)
producer:
Murray Khouri (clarinettist and producer) (in 1992-04)
choir vocals:
Oxford Camerata (English chamber choir) (from 1992-04-07 until 1992-04-08)
conductor:
Jeremy Summerly (conductor) (from 1992-04-07 until 1992-04-08)
performer:
Oxford Camerata (English chamber choir)
recorded at:
New College Chapel in Oxford, Oxfordshire, England, United Kingdom (from 1992-04-07 until 1992-04-08)
recording of:
O magnum mysterium
composer:
Tomás Luis de Victoria (Spanish Renaissance composer) (in 1572)
Tomás Luis de Victoria4:17
9Vespers of the Blessed Virgin: Laudate pueri Dominum
choir vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
recording of:
Vespro della Beata Vergine, SV 206: IV. Psalmus II "Laudate pueri Dominum"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi6:06
10Jonas: Recitative. "Et crediderunt Ninevitae..."
choir vocals:
Consortium Carissimi (Italian ensemble)
conductor:
Vittorio Zanon
partial recording of:
Jonas
composer:
Giacomo Carissimi
Giacomo Carissimi0:25
11Jonas: Chorus of Ninevites. "Peccavimus, Domine..."
choir vocals:
Consortium Carissimi (Italian ensemble)
conductor:
Vittorio Zanon
partial recording of:
Jonas
composer:
Giacomo Carissimi
Giacomo Carissimi2:26
12Die mit Tränen säen
choir vocals:
Alsfelder Vokalensemble (German vocal ensemble)
conductor:
Wolfgang Helbich
performer:
I Febiarmonici
recording of:
Die mit Tränen säen (Motet, Psalm 126), SWV 42 (Psalmen Davids)
composer:
Heinrich Schütz (composer) (until 1619)
part of:
Schütz-Werke-Verzeichnis (number: SWV 42)
part of:
Psalmen Davids sampt etlichen Moteten und Concerten, op. 2, SWV 22-47 (published 1619)
Heinrich Schütz3:40
13Weihnachtshistorie (The Christmas Story): Die Weisen (The Wise Men)
choir vocals:
Oxford Camerata (English chamber choir)
conductor:
Jeremy Summerly (conductor)
Heinrich Schütz2:39
14Salve Regina, H. 24
choir vocals:
Le Concert Spirituel (French baroque ensemble)
conductor:
Hervé Niquet (conductor)
Marc‐Antoine Charpentier6:29
15O God, the King of Glory
choir vocals:
Oxford Camerata (English chamber choir)
conductor:
Jeremy Summerly (conductor)
recording of:
O God, the king of glory
composer:
Orlando Gibbons (composer)
Orlando Gibbons4:25
16Hosanna to the Son of David
organ:
Gary Cooper (conductor/keyboardist) (from 1995-01-03 until 1995-01-04)
choir vocals:
Oxford Camerata (English chamber choir) (from 1995-01-03 until 1995-01-04)
conductor:
Jeremy Summerly (conductor) (from 1995-01-03 until 1995-01-04)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1995-01-03 until 1995-01-04)
recording of:
Hosanna to the Son of David (from 1995-01-03 until 1995-01-04)
composer:
Thomas Weelkes (English composer & organist, c. 1576–1623)
Thomas Weelkes1:49
17O God, Thou Hast Cast Us Out
choir vocals:
Oxford Camerata (English chamber choir)
conductor:
Jeremy Summerly (conductor)
recording of:
O God, Thou hast cast us out, Z. 36
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 36)
Henry Purcell3:45
18Cantata, BWV 80: Chorus. "Ein feste Burg ist unser Gott"
engineer:
Gábor Mocsáry
producer:
Tamás Benedek
choir vocals:
Magyar Rádió énekkara (Hungarian Radio and Television Chorus)
vocals:
Magyar Rádió és Televízió énekkara (Hungarian Radio and Television Chorus)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra)
conductor:
Mátyás Antal (conductor)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (in 1992-01)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach4:53
19Cantata, BWV 80: Chorale. "Und wenn die Welt voll Teufel wär"
engineer:
Gábor Mocsáry
producer:
Tamás Benedek
choir vocals:
Magyar Rádió énekkara (Hungarian Radio and Television Chorus)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra)
conductor:
Mátyás Antal (conductor)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (in 1992-01)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": V. Choral "Und wenn die Welt voll Teufel wär" (in 1992-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:39
20Cantata, BWV 80: Chorale. "Das Wort sie sollen lassen stahn"
engineer:
Gábor Mocsáry
producer:
Tamás Benedek
choir vocals:
Magyar Rádió énekkara (Hungarian Radio and Television Chorus)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra)
conductor:
Mátyás Antal (conductor)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (in 1992-01)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" (in 1992-01)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Breitkopf 389 Choralgesänge (number: 76)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:36
21Christmas Oratorio, BWV 248: Evangelist. "Da Jesus geboren war zu Bethlehem..."
engineer:
Gábor Mocsáry (from 1992-06-15 until 1992-06-30)
producer:
Tamás Benedek (from 1992-06-15 until 1992-06-30)
choir vocals:
Magyar Rádió énekkara (Hungarian Radio and Television Chorus)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1992-06-15 until 1992-06-30)
conductor:
Géza Oberfrank (conductor) (from 1992-06-15 until 1992-06-30)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (from 1992-06-15 until 1992-06-30)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) (from 1992-06-15 until 1992-06-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:26
22Christmas Oratorio, BWV 248: Chorus. "Wo ist der neugeborne König der Jüden?"
engineer:
Gábor Mocsáry (from 1992-06-15 until 1992-06-30)
producer:
Tamás Benedek (from 1992-06-15 until 1992-06-30)
alto vocals:
Németh Judit (Hungarian mezzosoprano) (from 1992-06-15 until 1992-06-30)
choir vocals:
Magyar Rádió énekkara (Hungarian Radio and Television Chorus) (from 1992-06-15 until 1992-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1992-06-15 until 1992-06-30)
conductor:
Géza Oberfrank (conductor) (from 1992-06-15 until 1992-06-30)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (from 1992-06-15 until 1992-06-30)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ (from 1992-06-15 until 1992-06-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:47
23Christmas Oratorio, BWV 248: "Dein Glanz all Finsternis verzehrt..."
engineer:
Gábor Mocsáry (from 1992-06-15 until 1992-06-30)
producer:
Tamás Benedek (from 1992-06-15 until 1992-06-30)
choir vocals:
Magyar Rádió énekkara (Hungarian Radio and Television Chorus) (from 1992-06-15 until 1992-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1992-06-15 until 1992-06-30)
conductor:
Géza Oberfrank (conductor) (from 1992-06-15 until 1992-06-30)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (from 1992-06-15 until 1992-06-30)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (from 1992-06-15 until 1992-06-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:10
2▼CD
#TitleArtistRatingLength
1"Dettingen" Te Deum: O Lord, in Thee Have I Trusted
engineer:
Eleanor Thomason (engineer) (in 1999-08)
producer:
Andrew Walton (producer) (in 1999-08)
editor:
Peter Newble (producer and engineer) (in 1999-08) and Andrew Walton (producer) (in 1999-08)
choir vocals:
Alsfelder Vokalensemble (German vocal ensemble) (from 1999-08-12 until 1999-08-16)
orchestra:
Concerto Polacco
conductor:
Wolfgang Helbich (from 1999-08-12 until 1999-08-16)
performer:
Concerto Polacco (from 1999-08-12 until 1999-08-16)
recorded at:
Sankt Maria Magdalena Kirche in Templin, Brandenburg, Germany (from 1999-08-12 until 1999-08-16)
recording of:
Te Deum, HWV 283: XVIII. O Lord, in Thee Have I Trusted (from 1999-08-12 until 1999-08-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1743)
part of:
Te Deum "Dettingen", HWV 283
Georg Friedrich Händel3:56
2Samson: Air and Chorus. "Let the Bright Seraphim in Burning Row"
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recording of:
Samson, HWV 57: Act III. Air: Let the bright seraphim (Israelite woman)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
Georg Friedrich Händel6:24
3Mass in C minor, K. 427 "Great": Gloria in excelsis
engineer:
János Bohus (Hungarian sound engineer.) (in 1998-06) and Tim Handley (engineer/editor/producer) (in 1998-06)
producer:
Ibolya Tóth (in 1998-06)
editor:
Mária Falvay (editor/engineer) (in 1998-06) and Veronika Vincze (engineer) (in 1998-06)
choir vocals:
Magyar Rádió énekkara (Hungarian Radio and Television Chorus) (from 1998-06-25 until 1998-06-28)
orchestra:
Nicolaus Esterházy Sinfonia (from 1998-06-25 until 1998-06-28)
conductor:
Michael Halász (conductor) (from 1998-06-25 until 1998-06-28)
recorded at:
Phoenix Studios in Budapest, Hungary (from 1998-06-25 until 1998-06-28)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IIa. Gloria: “Gloria in excelsis” (from 1998-06-25 until 1998-06-28)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Missa in c-Moll, K.427/417a ('Große Messe'): II. Gloria
Wolfgang Amadeus Mozart2:33
4Missa in angustiis "Nelson Mass": Benedictus. Benedictus qui venit
choir vocals:
Magyar Rádió énekkara (Hungarian Radio and Television Chorus)
orchestra:
Nicolaus Esterházy Sinfonia
conductor:
Béla Drahos (flutist and conductor)
partial recording of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": V. Benedictus (soli SATB)
composer:
Joseph Haydn (composer)
part of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse"
Joseph Haydn5:34
5Missa in angustiis "Nelson Mass": Benedictus. Hosanna in excelsis
choir vocals:
Magyar Rádió énekkara (Hungarian Radio and Television Chorus)
orchestra:
Nicolaus Esterházy Sinfonia
conductor:
Béla Drahos (flutist and conductor)
partial recording of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": V. Benedictus (soli SATB)
composer:
Joseph Haydn (composer)
part of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse"
Joseph Haydn0:45
6Die Schöpfung: Aria and Chorus. "Nun schwanden vor dem heiligen Strahle"
engineer:
Ingeborg Kiepert (engineer)
producer:
Wolfgang Mitlehner
choir vocals:
VokalEnsemble Köln
orchestra:
Capella Augustina
conductor:
Andreas Spering (harpsichordist, organist and conductor)
chorus master:
Max Ciolek
recorded at:
Deutschlandfunk Kammermusiksaal in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 2003-07)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 3. Arie und Chor "Nun schwanden vor dem heiligen Strahle" (Uriel, Chor)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn3:43
7Psalm 42: Finale. "Warum betrübst du dich"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Psalm 42, op. 42, MWV A 15: VII. Final chorus, "Was betrübst du dich, meine Seele"
composer:
Felix Mendelssohn (composer) (from 1837 until 1838)
part of:
Psalm 42, op. 42, MWV A 15: "Wie der Hirsch schreit"
Felix Mendelssohn4:43
8Os justi
choir vocals:
St. Bride’s Church Choir, Fleet Street (London)
conductor:
Robert Jones (choral conductor and singer)
recording of:
Os justi, WAB 30
composer:
Anton Bruckner (Austrian composer) (on 1879-07-18)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 30)
Anton Bruckner5:07
9Requiem, Op. 48: In Paradisum
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer) (from 1993-05-17 until 1993-05-18) and Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
organ:
Colm Carey (keyboard instrumentalist) (from 1993-05-17 until 1993-05-18)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18) and Schola Cantorum of Oxford (from 1993-05-17 until 1993-05-18)
vocals:
Oxford Camerata (English chamber choir)
orchestra:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18)
conductor:
Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-05-17 until 1993-05-18)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (from 1993-05-17 until 1993-05-18)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
part of:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:23
10Ein deutsches Requiem: IV. "Wie lieblich sind deine Wohnungen"
producer:
Martin Sauer (engineer/producer) (in 1992-06)
choir vocals:
Slovak Philharmonic Choir (from 1992-06-14 until 1992-06-18)
vocals:
Slovak Philharmonic Choir (from 1992-06-14 until 1992-06-18)
orchestra:
Czecho-Slovak Radio Symphony Orchestra (Slovak Radio Symphony Orchestra) (from 1992-06-14 until 1992-06-18)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1992-06-14 until 1992-06-18)
recorded at:
Concert Hall of the Czecho-Slovak Radio (Concert Hall of the Slovak Radio) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1992-06-14 until 1992-06-18)
recording of:
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor) (from 1992-06-14 until 1992-06-18)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms4:48
11Roméo et Juliette: Prologue. Latent Ancient Hatreds
choir vocals:
San Diego Master Chorale
orchestra:
San Diego Symphony
conductor:
Yoav Talmi (conductor and composer)
partial recording of:
Roméo et Juliette, op. 17 : Première partie: Nº 1. Prologue : Récitatif Chorale « D’anciennes haines endormies » / Strophes « Premiers transports que nul n’oublie ! » / Récitatif et Scherzetto « Bientôt de Roméo »
lyricist:
Émile Deschamps (poet)
composer:
Hector Berlioz (French composer)
part of:
Roméo et Juliette, symphonie dramatique pour alto, ténor, basse, chœur et orchestre, op. 17, H. 79 (Romeo and Juliet, op. 17)
Hector Berlioz2:54
12Symphony No. 8 in E-flat major "Symphony of a Thousand", Part I: "Veni, creator spiritus"
producer:
Aleksandra Nagórko and Andrzej Sasin (producer, engineer)
choir vocals:
Cardinal Stefan Wyszynski University Choir (from 2005-06-01 until 2005-06-06), Chór Filharmonii Narodowej (Warsaw National Philharmonic Choir) (from 2005-06-01 until 2005-06-06) and Chór Polskiego Radia w Krakowie (Polish Radio Chorus of Krakow) (from 2005-06-01 until 2005-06-06)
orchestra:
Warsaw National Philharmonic Orchestra (The Warsaw National Philharmonic Orchestra) (from 2005-06-01 until 2005-06-06)
conductor:
Antoni Wit (conductor) (from 2005-06-01 until 2005-06-06)
recorded at:
Warsaw Philharmonic Concert Hall in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (from 2005-06-01 until 2005-06-06)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) (from 2005-06-01 until 2005-06-06)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:23
13Symphony No. 8 in E-flat major "Symphony of a Thousand", Part I: "Imple superna gratia"
producer:
Aleksandra Nagórko and Andrzej Sasin (producer, engineer)
choir vocals:
Cardinal Stefan Wyszynski University Choir (from 2005-06-01 until 2005-06-06), Chór Filharmonii Narodowej (Warsaw National Philharmonic Choir) (from 2005-06-01 until 2005-06-06) and Chór Polskiego Radia w Krakowie (Polish Radio Chorus of Krakow) (from 2005-06-01 until 2005-06-06)
solo alto vocals [Alto I]:
Jadwiga Rappé (alto) (from 2005-06-01 until 2005-06-06)
solo alto vocals [Alto II]:
Ewa Marciniec (alto) (from 2005-06-01 until 2005-06-06)
solo baritone vocals:
Wojciech Drabowicz (Polish baritone) (from 2005-06-01 until 2005-06-06)
solo bass vocals:
Piotr Nowacki (Polish operatic bass) (from 2005-06-01 until 2005-06-06)
solo soprano vocals [Soprano I]:
Barbara Kubiak (soprano) (from 2005-06-01 until 2005-06-06)
solo soprano vocals [Soprano II]:
Izabela Kłosińska (soprano) (from 2005-06-01 until 2005-06-06)
solo soprano vocals [Soprano III]:
Marta Boberska (soprano) (from 2005-06-01 until 2005-06-06)
solo tenor vocals:
Timothy Bentch (tenor) (from 2005-06-01 until 2005-06-06)
orchestra:
Warsaw National Philharmonic Orchestra (The Warsaw National Philharmonic Orchestra) (from 2005-06-01 until 2005-06-06)
conductor:
Antoni Wit (conductor) (from 2005-06-01 until 2005-06-06)
recorded at:
Warsaw Philharmonic Concert Hall in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (from 2005-06-01 until 2005-06-06)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) (from 2005-06-01 until 2005-06-06)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler4:09
14The Blue Bird
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1994-03-21 until 1994-03-22)
soprano vocals:
Carys-Anne Lane (soprano) (from 1994-03-21 until 1994-03-22)
vocals:
Oxford Camerata (English chamber choir)
conductor:
Jeremy Summerly (conductor) (from 1994-03-21 until 1994-03-22)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1994-03-21 until 1994-03-22)
recording of:
Eight Partsongs, op. 119: No. 3. The blue bird (from 1994-03-21 until 1994-03-22)
lyricist:
Mary Elizabeth Coleridge
composer:
Sir Charles Villiers Stanford (Irish composer)
publisher:
Stainer & Bell Ltd.
part of:
Eight Partsongs, op. 119
Sir Charles Villiers Stanford3:47
15Gloria: Qui sedes ad dexteram Patris
choir vocals:
Chœur régional Vittoria d’Île‐de‐France (Regional Île‐de‐France Vittoria Choir)
orchestra:
Orchestre de la Cité
conductor:
Michel Piquemal (French baritone and conductor)
recording of:
Gloria, for Soprano, Chorus and Orchestra, FP 177: VI. Qui sedes ad dexteram Patris
composer:
Francis Poulenc (French composer and pianist) (from 1959 until 1960)
part of:
Gloria, for Soprano, Chorus and Orchestra, FP 177
Francis Poulenc5:43
16Mass in G minor: Sanctus - Osanna I
choir vocals:
Elora Festival Singers
conductor:
Noel Edison (conductor)
partial recording of:
Mass in G minor: IV. Sanctus - Osanna I - Benedictus - Osanna II
composer:
Ralph Vaughan Williams (English composer) (in 1921)
part of:
Mass in G minor
Ralph Vaughan Williams2:39
17St. Nicolas: He Journeys to Palestine
engineer:
Mike Hatch (engineer/editor)
producer:
John H. West (classical engineer/producer)
organ:
Joseph Cullen (organist / chorus master) (from 1996-03-16 until 1996-03-17)
piano:
Rolf Hind (pianist and composer) (from 1996-03-16 until 1996-03-17) and David Owen Norris (pianist) (from 1996-03-16 until 1996-03-17)
choir vocals:
Tallis Chamber Choir (from 1996-03-16 until 1996-03-17)
tenor vocals:
Philip Langridge (tenor) (from 1996-03-16 until 1996-03-17)
orchestra:
English Chamber Orchestra (from 1996-03-16 until 1996-03-17)
conductor:
Steuart Bedford (conductor) (from 1996-03-16 until 1996-03-17)
recording of:
St. Nicolas, op. 42: IV. He journeys to Palestine (from 1996-03-16 until 1996-03-17)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1948)
dedicated to:
Saint Nicholas (ancient Roman bishop)
part of:
St. Nicolas, op. 42
Benjamin Britten7:34
18Antiphon
engineer:
Eleanor Thomason (engineer) (from 1999-07-13 until 1999-07-15)
producer:
Andrew Walton (producer)
choir vocals:
Choir of St John’s College, Cambridge (from 1999-07-13 until 1999-07-15)
conductor:
Christopher Robinson (British conductor & organist) (from 1999-07-13 until 1999-07-15)
recorded at:
St John’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1999-07-13 until 1999-07-15)
recording of:
Antiphon, op. 56b (from 1999-07-13 until 1999-07-15)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1956)
part of:
Works of Benjamin Britten by opus number (number: op. 56b)
Benjamin Britten5:12
19Psalm 95: Cantate Domino canticum novum
choir vocals:
Elora Festival Singers
conductor:
Noel Edison (conductor)
recording of:
Cantate Domino canticum novum (for mixed choir or soloists and organ)
lyricist:
[anonymous] (special purpose artist)
composer:
Arvo Pärt (Estonian composer) (from 1977 until 1996)
Arvo Pärt3:25

Credits

Release

ASIN:US: B000T8QEM6 [info]