ドビュッシー・アルバム: 作曲家と演奏家たち

~ Release by Claude Debussy (see all versions of this release, 2 available)

Annotation

possibly distributed in JP by マーュリー

Annotation last modified on 2023-06-27 18:50 UTC.

Tracklist

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1▼CD: ピアノ伴奏による歌曲 / ピアノ曲
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1グリーン
recorded in:
Paris, Île-de-France, France (in 1904-05)
producer:
Fred Gaisberg
piano:
Claude Debussy (French composer) (in 1904-05)
soprano vocals:
Mary Garden (soprano, then mezzo‐soprano) (in 1904-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
produced for:
The Gramophone and Typewriter Ltd. (name used briefly by The Gramophone Co., Ltd. in the early 1900s) (in 1904)
recording of:
Ariettes oubliées, L. 60, CD 63a : V. Aquarelles, 1. Green "Voici des fruits, des fleurs, des feuilles" (for voice and piano) (in 1904-05)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (in 1886-01)
is based on:
Green (Paul Verlaine's poem)
part of:
Ariettes oubliées, L. 60, CD 63a (for voice and piano)
1:41
2マンドリン
piano:
Gustave Cloëz (French conductor) (in 1928)
soprano vocals:
Ninon Vallin (in 1928)
recording of:
Mandoline, L. 29, CD 43 “Les donneurs de sérénades” (for voice and piano) (in 1928)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (on 1882-11-15)
dedicated to:
Marie-Blanche Vasnier
publisher:
Revue illustrée (in 1890-09)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 29) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 43)
1:32
3あやつり人形
piano:
Gustave Cloëz (French conductor) (in 1928)
soprano vocals:
Ninon Vallin (in 1928)
recording of:
Fêtes galantes (1er recueil), L. 80, CD 86 : II. Fantoches “Scaramouche et Pulcinella” (for voice and piano) (in 1928)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (from 1891 until 1892)
version of:
Fantoches, L. 21, CD 26 “Scaramouche et Pulcinella” (première version, for voice and piano)
part of:
Fêtes galantes (1er recueil), L. 80, CD 86 (for voice and piano)
1:23
4グリーン
piano:
Gustave Cloëz (French conductor) (in 1928)
soprano vocals:
Ninon Vallin (in 1928)
recording of:
Ariettes oubliées, L. 60, CD 63b, pour orchestre : V. Aquarelles, 1. Green (in 1928)
orchestrator:
André Caplet (French composer) (on 1912-12-08)
composer:
Claude Debussy (French composer) (in 1886-01)
orchestration of:
Ariettes oubliées, L. 60, CD 63a : V. Aquarelles, 1. Green "Voici des fruits, des fleurs, des feuilles" (for voice and piano)
part of:
Ariettes oubliées, L. 60, CD 63b (orch. André Caplet)
2:21
5母の願いによって聖母に祈る
piano:
Ivana Meedintiano (in 1936)
mezzo-soprano vocals:
Claire Croiza (in 1936)
recording of:
Trois Ballades de François Villon, L. 119: II. Ballade que Villon feit à la requeste de sa mère pour prier Nostre-Dame (for voice and piano) (in 1936)
lyricist:
François Villon
composer:
Claude Debussy (French composer) (in 1910-05)
part of:
Ballades de François Villon, L. 119 (for voice and piano)
3:57
6噴水
piano:
George Reeves (pianist, 1893-1960) (in 1930)
soprano vocals:
Claire Croiza (in 1930)
recording of:
Cinq poèmes de Baudelaire, L. 64, CD 70: III. Le Jet d'eau (for voice and piano) (in 1930)
lyricist:
Charles Baudelaire
composer:
Claude Debussy (French composer) (in 1889-03)
part of:
Cinq poèmes de Baudelaire, L. 64, CD 70 (for voice and piano)
4:40
7ビリティスの三つの唄: パンの笛
mezzo-soprano vocals:
Jane Bathori (in 1929)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 1. La Flûte de Pan «Pour le jour des Hyacinthies» (in 1929)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (French composer) (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
2:18
8ビリティスの三つの唄: 髪
mezzo-soprano vocals:
Jane Bathori (in 1929)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 2. La Chevelure «Il m’a dit «Cette nuit d’ai rêvé»» (in 1929)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (French composer) (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
2:45
9ビリティスの三つの唄: ナイアードの墓
mezzo-soprano vocals:
Jane Bathori (in 1929)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 3. Le Tombeau des naïades: «Le long du bois couvert de givre» (in 1929)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (French composer) (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
2:30
10グリーン
piano:
Jane Bathori (in 1948)
soprano vocals:
Irène Joachim (soprano) (in 1948)
recording of:
Ariettes oubliées, L. 60, CD 63b, pour orchestre : V. Aquarelles, 1. Green (in 1948)
orchestrator:
André Caplet (French composer) (on 1912-12-08)
composer:
Claude Debussy (French composer) (in 1886-01)
orchestration of:
Ariettes oubliées, L. 60, CD 63a : V. Aquarelles, 1. Green "Voici des fruits, des fleurs, des feuilles" (for voice and piano)
part of:
Ariettes oubliées, L. 60, CD 63b (orch. André Caplet)
2:04
11ビリティスの三つの唄: パンの笛
piano:
Jane Bathori (in 1948)
soprano vocals:
Irène Joachim (soprano) (in 1948)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 1. La Flûte de Pan «Pour le jour des Hyacinthies» (in 1948)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (French composer) (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
2:08
12ビリティスの三つの唄: 髪
piano:
Jane Bathori (in 1948)
soprano vocals:
Irène Joachim (soprano) (in 1948)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 2. La Chevelure «Il m’a dit «Cette nuit d’ai rêvé»» (in 1948)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (French composer) (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
2:53
13ビリティスの三つの唄: ナイアードの墓
piano:
Jane Bathori (in 1948)
soprano vocals:
Irène Joachim (soprano) (in 1948)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 3. Le Tombeau des naïades: «Le long du bois couvert de givre» (in 1948)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (French composer) (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
2:41
14艶なる宴 第2集: うぶな人たち
piano:
Jacqueline Robin (French pianist, aka Jacqueline Bonneau) (in 1947)
baritone vocals:
Gérard Souzay (baritone) (in 1947)
recording of:
Fêtes galantes II, L. 104: I. Les Ingénus (in 1947)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (in 1904)
part of:
Fêtes galantes (Deuxième recueil), L. 104, CD 114
2:00
15艶なる宴 第2集: 半獣神
piano:
Jacqueline Robin (French pianist, aka Jacqueline Bonneau) (in 1947)
baritone vocals:
Gérard Souzay (baritone) (in 1947)
recording of:
Fêtes galantes II, L. 104: II. Le Faune (in 1947)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (in 1904)
part of:
Fêtes galantes (Deuxième recueil), L. 104, CD 114
1:37
16艶なる宴 第2集: わびしい対話
piano:
Jacqueline Robin (French pianist, aka Jacqueline Bonneau) (in 1947)
baritone vocals:
Gérard Souzay (baritone) (in 1947)
recording of:
Fêtes galantes II, L. 104: III. Colloque sentimental (in 1947)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (in 1904)
part of:
Fêtes galantes (Deuxième recueil), L. 104, CD 114
3:44
17雨の庭
piano:
Benno Moiseiwitsch (pianist) (on 1916-05-10)
recording of:
Estampes, L. 100: III. Jardins sous la pluie. Net et vif (for piano) (on 1916-05-10)
composer:
Claude Debussy (French composer) (in 1903-07)
is based on:
Images oubliées, L. 87, CD 94 : III. Quelques aspects de ‘Nous n’irons plus au bois’ parce qu’il fait un temps insupportable (for piano)
part of:
Estampes, L. 100, CD 108 (for piano)
3:20
18グラナダの夕べ
piano:
Ricardo Viñes (in 1929)
recording of:
Estampes, L. 100: II. La Soirée dans Grenade. Mouvement de Habanera (in 1929)
composer:
Claude Debussy (French composer) (in 1903-07)
part of:
Estampes, L. 100, CD 108 (for piano)
4:09
19金色の魚
piano:
Ricardo Viñes (in 1930)
recording of:
Images, Livre 2, L. 111, CD 120 : No. 3. Poissons d’or (Images, Book II: 3. Poissons d’or) (in 1930)
composer:
Claude Debussy (French composer) (in 1907-10)
dedicated to:
Ricardo Viñes
part of:
Images, Livre 2, L. 111, CD 120 (for piano)
3:25
20グラドゥス・アド・パルナッスム博士
instruments:
Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer) (in 1921)
recording of:
Children’s Corner, L. 113: I. Doctor Gradus ad Parnassum (original piano version) (in 1921)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
2:09
21ゴリウォグのケーク・ウォーク
piano:
Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer) (in 1921)
recording of:
Children’s Corner, L. 113: VI. Golliwogg’s Cake‐Walk (original piano version) (in 1921)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
3:16
22水の反映
piano:
Arthur Rubinstein (pianist) (in 1945)
recording of:
Images, Livre 1, L. 110, CD 105 : No. 1. Reflets dans l’eau (Images, Book I: 1. Reflets dans l’eau) (in 1945)
composer:
Claude Debussy (French composer) (from 1901 until 1905)
premiered at:
[Concert des " Soirées d'art "] (1905-12-14)
part of:
Images, Livre 1, L. 110, CD 105 (for piano)
4:37
23トッカータ
piano:
Benno Moiseiwitsch (pianist) (in 1946)
recording of:
Pour le piano, L. 95, CD 95: III. Toccata. À N.G. Coronio. Vif (in 1946)
composer:
Claude Debussy (French composer) (from 1894 until 1901)
dedicated to:
Nicolas G. Coronio
part of:
Pour le piano, L. 95, CD 95
3:34
24ラモーを讃えて
piano:
Marcelle Meyer (French pianist) (in 1947)
recording of:
Images, Livre 1, L. 110, CD 105 : No. 2. Hommage à Rameau (Images, Book I: 2. Hommage à Rameau) (in 1947)
composer:
Claude Debussy (French composer) (from 1901 until 1905)
part of:
Images, Livre 1, L. 110, CD 105 (for piano)
6:32
25そして月は荒れた寺にかかり
piano:
Marcelle Meyer (French pianist) (in 1947)
recording of:
Images, Livre 2, L. 111, CD 120 : No. 2. Et la lune descend sur le temple qui fut (Images, Book II: 2. Et la lune descend sur le temple qui fut) (in 1947)
composer:
Claude Debussy (French composer) (in 1907-10)
dedicated to:
Louis Laloy
part of:
Images, Livre 2, L. 111, CD 120 (for piano)
5:32
2▼CD: 管弦楽曲
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1『牧神の午後』への前奏曲
orchestra:
Orchestre des Concerts Lamoureux (Lamoureux Orchestra) (in 1922)
conductor:
Camille Chevillard (in 1922)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (in 1922)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
7:13
2海: 海の夜明けから真昼まで
orchestra:
NBC Symphony Orchestra (in 1950)
conductor:
Arturo Toscanini (conductor) (in 1950)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” (in 1950)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
8:44
3海: 波の戯れ
orchestra:
NBC Symphony Orchestra (in 1950)
conductor:
Arturo Toscanini (conductor) (in 1950)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” (in 1950)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
6:43
4海: 風と海との対話
orchestra:
NBC Symphony Orchestra (in 1950)
conductor:
Arturo Toscanini (conductor) (in 1950)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer” (in 1950)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
7:58
5『牧神の午後』への前奏曲
flute:
Marcel Moÿse (flutist) (on 1930-02-24)
orchestra:
Orchestre des Concerts Staram (on 1930-02-24)
conductor:
Walther Straram (on 1930-02-24)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (on 1930-02-24)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
9:01
6海: 海の夜明けから真昼まで
orchestra:
Orchestre Philharmonique Tcheque (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (in 1950-10)
conductor:
Roger Désormière (conductor) (in 1950-10)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” (in 1950-10)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
8:50
7海: 波の戯れ
orchestra:
Orchestre Philharmonique Tcheque (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (in 1950-10)
conductor:
Roger Désormière (conductor) (in 1950-10)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” (in 1950-10)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
6:09
8海: 風と海との対話
orchestra:
Orchestre Philharmonique Tcheque (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (in 1950-10)
conductor:
Roger Désormière (conductor) (in 1950-10)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer” (in 1950-10)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
8:06
9雲
orchestra:
Orchestre Symponique de Boston (in 1955)
conductor:
Pierre Monteux (conductor) (in 1955)
recording of:
Nocturnes, L. 91, CD 98 : I. Nuages (in 1955)
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
7:06
10祝祭
orchestra:
Orchestre Symponique de Boston (in 1955)
conductor:
Pierre Monteux (conductor) (in 1955)
recording of:
Nocturnes, L. 91, CD 98 : II. Fêtes (in 1955)
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
6:08
3▼CD: 歌劇『ペレアスとメリザンド』より / 管弦楽伴奏付の声楽曲
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1私の長い髪が
soprano vocals:
Mary Garden (soprano, then mezzo‐soprano) (in 1904)
partial recording of:
Pelléas et Mélisande, L. 88, CD 93 (original piano version) (in 1904)
composer:
Claude Debussy (French composer) (from 1893 until 1895)
1:51
2もうこの森から出られないだろう
baritone vocals [Golaud]:
Hector Dufranne (Belgian 19/20th century operatic baritone) (in 1928)
soprano vocals [Mélisande]:
Marthe Nespoulous (soprano) (in 1928)
orchestra:
Orchestre Symphonique ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1928)
conductor:
Georges Truc (in 1928)
recording of:
Pelléas et Mélisande: Act I, Scene I. "Je ne pourrai plus sortir de cette forêt" (Golaud, Mélisande) (in 1928)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte I, Scène 1: Une forêt
8:06
3これが弟のベレアスからの手紙です
bass vocals [Arkel]:
Armand Narçon (operatic bass) (in 1928)
mezzo-soprano vocals [Geneviève]:
Claire Croiza (in 1928)
orchestra:
Orchestre Symphonique ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1928)
conductor:
Georges Truc (in 1928)
recording of:
Pelléas et Mélisande: Act I, Scene II. "Voici ce qu'il écrit à son frère Pelléas: 'Un soir, je l'ai trouvée'" (Geneviève) (in 1928)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte I, Scène 2: Un appartement dans le château
7:54
4ああ、全て大丈夫だ
baritone vocals [Golaud]:
Hector Dufranne (Belgian 19/20th century operatic baritone) (in 1928)
soprano vocals [Mélisande]:
Marthe Nespoulous (soprano) (in 1928)
orchestra:
Orchestre Symphonique ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1928)
conductor:
Georges Truc (in 1928)
recording of:
Pelléas et Mélisande: Act II, Scene II. "Ah! Ah! Tout va bien, cela ne sera rien" (Golaud, Mélisande) (in 1928)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte II, Scène 2: Un appartement dans le chateau
7:41
5どこへ連れてこられたのか、分からないでしょう
baritone vocals [Pelléas]:
Charles Panzéra (in 1927)
soprano vocals [Mélisande]:
Yvonne Brothier (soprano) (in 1927)
orchestra:
Orchestre des Concerts Pasdeloup (in 1927)
conductor:
Piero Coppola (in 1927)
recording of:
Pelléas et Mélisande: Act II, Scene I. "Vous ne savez pas où je vous ai menée?" (Pelléas, Mélisande) (in 1927)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte II, Scène 1: Une fontaine dans le parc
7:13
6ああ、やっと息ができる!
baritone vocals [Pelléas]:
Charles Panzéra (in 1927)
orchestra:
Orchestre des Concerts Pasdeloup (in 1927)
conductor:
Piero Coppola (in 1927)
recording of:
Pelléas et Mélisande: Act III, Scene III. "Ah! Je respire enfin!" (Pelléas, Golaud) (in 1927)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 3: Une terrasse au sortir des souterrains
4:11
7果てしない無垢だ
baritone vocals [Golaud]:
Vanni Marcoux (bass-baritone) (in 1927)
orchestra:
Orchestre des Concerts Pasdeloup (in 1927)
conductor:
Piero Coppola (in 1927)
partial recording of:
Pelléas et Mélisande: Acte IV, Scène 1: Un appartement dans le château (in 1927)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte IV
3:04
8ずいぶん前に、私たちここへ来たわね
baritone vocals [Pelléas]:
Charles Panzéra (in 1927)
soprano vocals [Mélisande]:
Yvonne Brothier (soprano) (in 1927)
orchestra:
Orchestre des Concerts Pasdeloup (in 1927)
conductor:
Piero Coppola (in 1927)
partial recording of:
Pelléas et Mélisande: Acte IV, Scène 4 : le même lieu (in 1927)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte IV
4:35
9あの物音は何?
baritone vocals [Pelléas]:
Charles Panzéra (in 1927)
soprano vocals [Mélisande]:
Yvonne Brothier (soprano) (in 1927)
orchestra:
Orchestre des Concerts Pasdeloup (in 1927)
conductor:
Piero Coppola (in 1927)
recording of:
Pelléas et Mélisande: Act IV, Scene IV. "Quel est ce bruit? On ferme les portes" (Pelléas, Mélisande) (in 1927)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 4 : le même lieu
4:19
10リアのレシタティフとアリア
soprano vocals:
Ninon Vallin (in 1930)
orchestra:
Orchestre ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1930)
conductor:
Gustave Cloëz (French conductor) (in 1930)
recording of:
L’Enfant prodigue, L. 57, CD 61: II. Air "L'année, en vain chasse l'année ; Azaël, pourquoi m'as-tu quittée?" (in 1930)
lyricist:
Édouard Guinand
composer:
Claude Debussy (French composer) (on 1884-05-24)
revised by:
Claude Debussy (French composer) (from 1907 until 1908)
part of:
L’Enfant prodigue, L. 57, CD 61 (1908 revision)
4:42
11洞窟
soprano vocals:
Ninon Vallin (in 1943)
orchestra:
Orchestre Symphonique ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1943)
conductor:
Louis Beydts (in 1943)
recording of:
Le promenoir des deux amants, L. 118, CD 129 : I. "Auprès de cette grotte sombre" (for voice and piano) (in 1943)
lyricist:
Tristan l'Hermite (French poet and dramatist)
composer:
Claude Debussy (French composer) (in 1904)
part of:
Le promenoir des deux amants, L. 118, CD 129 (for voice and piano)
2:09
12クリメーヌよ、私の勧めを信じなさい
soprano vocals:
Ninon Vallin (in 1943)
orchestra:
Orchestre Symphonique ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1943)
conductor:
Louis Beydts (in 1943)
recording of:
Le promenoir des deux amants, L. 118, CD 129 : II. "Crois mon conseil, chère Climène" (for voice and piano) (in 1943)
lyricist:
Tristan l'Hermite (French poet and dramatist)
composer:
Claude Debussy (French composer) (in 1910)
part of:
Le promenoir des deux amants, L. 118, CD 129 (for voice and piano)
1:51
13あなたの顔を見て、私は震える
soprano vocals:
Ninon Vallin (in 1943)
orchestra:
Orchestre Symphonique ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1943)
conductor:
Louis Beydts (in 1943)
recording of:
Le promenoir des deux amants, L. 118, CD 129 : III. "Je tremble en voyant ton visage" (for voice and piano) (in 1943)
lyricist:
Tristan l'Hermite (French poet and dramatist)
composer:
Claude Debussy (French composer) (in 1910)
part of:
Le promenoir des deux amants, L. 118, CD 129 (for voice and piano)
1:59
14母の願いによって聖母に祈る
baritone vocals:
Gérard Souzay (baritone) (in 1950)
conductor:
Édouard Lindenberg (in 1950)
performer:
Orchestre de la Société des Concerts du Conservatoire (in 1950)
recording of:
Ballades de François Villon, L. 119: II. Ballade que Villon feit à la requeste de sa mère pour prier Nostre-Dame (for voice and orchestra) (in 1950)
composer:
Claude Debussy (French composer) (in 1910-05)
arrangement of:
Trois Ballades de François Villon, L. 119: II. Ballade que Villon feit à la requeste de sa mère pour prier Nostre-Dame (for voice and piano)
part of:
Ballades de François Villon, L. 119 (for voice and orchestra)
4:17
15洞窟
baritone vocals:
Gérard Souzay (baritone) (in 1950)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1950)
conductor:
Édouard Lindenberg (in 1950)
recording of:
Trois Chansons de France, L. 102: II. La Grotte: Auprès de cette grotte sombre (catch-all for arrangements) (in 1950)
composer:
Claude Debussy (French composer) (in 1904)
arrangement of:
Trois Chansons de France, L. 102, CD 115 : II. La Grotte: Auprès de cette grotte sombre (for voice and piano)
2:24
16マンドリン
baritone vocals:
Gérard Souzay (baritone) (in 1950)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1950)
conductor:
Édouard Lindenberg (in 1950)
recording of:
Mandoline, L. 29, CD 43 “Les donneurs de sérénades” (for voice and piano) (in 1950)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (on 1882-11-15)
dedicated to:
Marie-Blanche Vasnier
publisher:
Revue illustrée (in 1890-09)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 29) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 43)
1:22
17森
baritone vocals:
Charles Panzéra (in 1928)
orchestra:
Orchestre du Gramophone (in 1928)
conductor:
Piero Coppola (in 1928)
recording of:
Le Vieux Coffret: No. 4. Forêt (in 1928)
lyricist:
Remy de Gourmont
composer:
André Caplet (French composer) (from 1914 until 1917)
part of:
Le Vieux Coffret
4:37