Rock Em Stock 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Crazy Little Thing Called Love
engineer:
Mack (German rock producer/engineer Reinhold Mack)
co-producer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Mack (German rock producer/engineer Reinhold Mack), Brian May (Queen guitarist), Queen (UK rock group) and Roger Taylor (Queen drummer)
acoustic guitar [acoustic rhythm guitar] and lead vocals:
Freddie Mercury (from 1979-06 until 1979-07)
bass, bass guitar, guitar and keyboard:
John Deacon (from 1979-06 until 1979-07)
drums (drum set):
Roger Taylor (Queen drummer) (from 1979-06 until 1979-07)
electric guitar and solo guitar:
Brian May (Queen guitarist) (from 1979-06 until 1979-07)
handclaps:
John Deacon (from 1979-06 until 1979-07), Brian May (Queen guitarist) (from 1979-06 until 1979-07), Freddie Mercury (from 1979-06 until 1979-07) and Roger Taylor (Queen drummer) (from 1979-06 until 1979-07)
background vocals:
Brian May (Queen guitarist) (from 1979-06 until 1979-07), Freddie Mercury (from 1979-06 until 1979-07) and Roger Taylor (Queen drummer) (from 1979-06 until 1979-07)
phonographic copyright (℗) by:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1979, in 2014), Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1979, in 2011) and Raincloud Productions Ltd. (in 1979, in 2014)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1979-06 until 1980-05)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 371)
recording of:
Crazy Little Thing Called Love (from 1979-06 until 1979-07)
lyricist and composer:
Freddie Mercury (in 1979)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), Beechwood Music Corp. (in 1979), Queen Music Ltd. (in 1979) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
included in:
We Will Rock You (German version of the Queen musical)
Queen3.55?:??
2Don’t Do Me Like That
assistant engineer:
John Mathias (engineer), Thom Panunzio, Gray Russell, Skip Saylor and Tori Swenson
engineer and mixer:
Shelly Yakus
producer:
Jimmy Iovine and Tom Petty
12 string guitar and guitar and slide guitar:
Mike Campbell (Tom Petty and the Heartbreakers guitarist)
12 string guitar, guitar and harmonica and lead vocals:
Tom Petty
bass guitar:
Ron Blair
drums (drum set) and percussion:
Stan Lynch
harmonium, organ and piano:
Benmont Tench
background vocals:
Stan Lynch and Benmont Tench
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979)
recording of:
Don’t Do Me Like That
lyricist and composer:
Tom Petty
Tom Petty and the Heartbreakers4?:??
3Turn It On Again
engineer:
David Hentschel
assistant producer:
David Bascombe
producer:
Genesis (English rock band) and David Hentschel
bass guitar and guitar:
Mike Rutherford (from 1979-11 until 1979-12)
drums (drum set) and lead vocals:
Phil Collins (of Genesis) (from 1979-11 until 1979-12)
keyboard:
Tony Banks (Genesis) (from 1979-11 until 1979-12)
phonographic copyright (℗) by:
Charisma Records Ltd. (from 1980 to present) and Virgin Records Ltd. (not for release label use! for company relationships only) (from 1994 to present)
recorded at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden (from 1979-11 until 1979-12)
mixed at:
Maison Rouge in London (Greater London), England, United Kingdom
recording of:
Turn It On Again (from 1979-11 until 1979-12)
lyricist:
Mike Rutherford
composer:
Tony Banks (Genesis), Phil Collins (of Genesis) and Mike Rutherford
publisher:
Concord Music GmbH, Concord Sounds, Hit & Run Music (Publishing) Ltd, Imagem CV, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd., Anthony Banks Ltd. (from 1980 to present) and Philip Collins Ltd. (from 1980 to present)
Genesis4?:??
4One Way or Another
live recording of:
One Way or Another (in 1978)
writer:
Nigel Harrison and Deborah Harry
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. and Rare Blue Music Inc (in 1978)
Blondie?:??
5ElectricityOrchestral Manoeuvres in the Dark?:??
6Kids in America
recording engineer:
Jeo (from 1980 until 1981)
programming:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Ricky Wilde
additional keyboard:
Nick Priessnitz (from 1980 until 1981)
bass guitar:
Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
drums (drum set):
Bernhard Hahn (from 1980 until 1981), Chris North (UK drummer of The Enid) (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
guitar:
Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
lead vocals:
Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
vocals:
Kim Wilde (from 1980 until 1981)
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recorded at:
Amira Studio (from 1980 until 1981), RAK Studios in London (Greater London), England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen (Lower Saxony), Germany, RAK Studios in London (Greater London), England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 55)
recording of:
Kids in America (from 1980 until 1981)
writer:
Marty Wilde and Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. and Rickim Music Ltd.
Kim Wilde4.35?:??
7Guilty
recording of:
Guilty
lyricist and composer:
Sal Solo
Classix Nouveaux?:??
8Baby I Love You
assistant engineer:
Bruce Gold (Engineer)
engineer:
Larry Levine and Boris Menart
producer:
Phil Spector
cover recording of:
Baby, I Love You
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company and Universal–Songs of PolyGram International, Inc.
Ramones4?:??
9“Heroes”
mastering:
Dr. Toby Mountain (American musician and mastering engineer)
producer:
David Bowie (English singer‐songwriter) and Tony Visconti
mixer:
David Bowie (English singer‐songwriter), David Richards (Swiss-based producer and engineer) and Tony Visconti
bass:
George Murray (American bass guitarist)
guitar:
Carlos Alomar and Robert Fripp
guitar, keyboard and saxophone and lead vocals:
David Bowie (English singer‐songwriter)
keyboard and synthesizer:
Brian Eno
percussion:
Dennis Davis (drummer)
recorded at:
Hansa by the Wall in Berlin, Germany (from 1977-07-23 until 1977-08-08)
recording of:
“Heroes” (from 1977-07-23 until 1977-08-08)
lyricist:
David Bowie (English singer‐songwriter)
composer:
David Bowie (English singer‐songwriter) and Brian Eno
publisher:
BMG Songs Ltd., E.G. Music Ltd. (publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music, Universal Music Careers and Universal Music Publishing International MGB Ltd.
David Bowie3.7?:??
10Wishing (If I Had a Photograph of You)
recording of:
Wishing (If I Had a Photograph of You)
writer:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score and Mike Score
publisher:
Zomba Enterprises, Inc. and Zomba Management Ltd. (Don’t confuse with Zomba Management and Publishers Ltd.)
A Flock of Seagulls?:??
11Don’t You Want Me
assistant programming:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (in 1981)
programming:
Martin Rushent (in 1981)
assistant engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
producer:
The Human League and Martin Rushent
synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) and Philip Oakey (in 1981)
background vocals:
Joanne Catherall (in 1981) and Susan Ann Sulley (in 1981)
lead vocals:
Philip Oakey (in 1981) and Susan Ann Sulley (in 1981)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom (in 1981)
music videos:
Don’t You Want Me by The Human League
part of:
TV Cream: Real 100 Best Singles Ever (number: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 79) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
lyricist:
Philip Oakey
composer:
Jo Callis, Philip Oakey and Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.85?:??
12Goodnight Tonight
acoustic guitar:
Laurence Juber (from 1978-02-06 until 1979-02) and Paul McCartney (The Beatles) (from 1978-02-06 until 1979-02)
bass, drums (drum set), synthesizer, tambourine, vocoder and lead vocals:
Paul McCartney (The Beatles) (from 1978-02-06 until 1979-02)
electric guitar:
Laurence Juber (from 1978-02-06 until 1979-02), Denny Laine (from 1978-02-06 until 1979-02) and Paul McCartney (The Beatles) (from 1978-02-06 until 1979-02)
percussion:
Steve Holley (from 1978-02-06 until 1979-02) and Paul McCartney (The Beatles) (from 1978-02-06 until 1979-02)
background vocals:
Steve Holley (from 1978-02-06 until 1979-02), Laurence Juber (from 1978-02-06 until 1979-02) and Paul McCartney (The Beatles) (from 1978-02-06 until 1979-02)
vocals:
Denny Laine (from 1978-02-06 until 1979-02) and Linda McCartney (from 1978-02-06 until 1979-02)
recorded at:
Rude Studio in Scotland, United Kingdom (on 1978-02-06, from 1978-12 until 1979-02)
mixed at:
Replica Studio in London (Greater London), England, United Kingdom (from 1978-01-23 until 1978-02-09)
recording of:
Goodnight Tonight (from 1978-02-06 until 1979-02)
lyricist and composer:
Paul McCartney (The Beatles)
Paul McCartney3?:??
13Johnny B. Goode
producer:
Chris Kimsey and Peter Tosh
bass:
Leebert "Gibby" Morrison
clavinet:
Peter Tosh
drums (drum set):
Carlton “Santa” Davis
guitar:
Donald Kinsey and Stevie Golding
keyboard:
Byron Allred and Peter Couch
organ:
Robbie Lyn
percussion:
Scully Sims and Uziah “Sticky” Thompson
piano:
Keith Sterling
background vocals:
Audrey Hall (Jamaican reggae singer), Pam Hall, Raymond Hall (Jamaican singer), Donald Kinsey, Dorrett Myers, Peter Tosh and Betty Wright (American soul and R&B singer)
remixer:
Jellybean (US producer John Benitez)
produced for:
Intel-Diplo Enterprises Inc and Wonderknob Ltd
cover recording of:
Johnny B. Goode
lyricist and composer:
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and ロックンロール ミュージック (Rock ’n’ Roll Music)
part of:
Back to the Future: the Musical
Peter Tosh4?:??
14Food for Thought
UB40?:??
15Pretty in Pink (movie version)
recording of:
Pretty in Pink
writer:
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs), Vincent Paul Davey, Duncan Kilburn and Roger Morris (UK guitarist for The Psychedelic Furs)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30) and EMI Songs Ltd.
The Psychedelic Furs?:??
16On My Radio
recording of:
On My Radio
lyricist and composer:
Neol Davies (British musician and founder of The Selecter)
publisher:
Fairwood Music Ltd.
The Selecter?:??
17Show Me
producer:
Tony Visconti
recording of:
Show Me
writer:
James Mitchell Paterson and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
Dexys Midnight Runners4?:??
18Can, Can
recording of:
Can Can (“Bad Manners” version)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arranger:
Louis Cook, Douglas Trendle, David Farren, Paul Hyman, Chris Kane (saxophone player), Andrew Marson, Alan Sayag, Martin Stewart (member of Bad Manners, The Selecter) and Brian Tuitt
publisher:
Magnet Music Ltd. (publisher)
version of:
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (Orpheus in the Underworld: Infernal Galop, widely known as “Can-can”)
Bad Manners?:??
2CD
#TitleArtistRatingLength
1Down in the Park
assistant engineer:
Harvey Ishiki
engineer:
Jon Caffery (producer and engineer)
producer:
Gary Numan
mixer:
Jon Caffery (producer and engineer), Gary Numan and Rikki Sylvan
bass guitar:
Paul Gardiner
drums (drum set):
Jess Lidyard
guitar, keyboard and lead vocals:
Gary Numan
phonographic copyright (℗) by:
Beggars Banquet (in 1979)
recording of:
Down in the Park
lyricist and composer:
Gary Numan
publisher:
Beggars Banquet, Beggars Banquet Music Ltd., Momentum Music Ltd. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Tubeway Army4.5?:??
2Tubular Bells
oboe:
Lindsay Cooper (English female bassoon, oboe, piano, flute player, political activist)
spoken vocals:
Vivian Stanshall
edit of:
Tubular Bells, Part One by Mike Oldfield
recording of:
Mike Oldfield's Single (Theme from Mike Oldfield's album 'Tubular Bells')
composer:
Mike Oldfield
version of:
Tubular Bells, Part Two
partial recording of:
Tubular Bells, Part One
composer:
Mike Oldfield
Mike Oldfield2?:??
3Dust in the Wind
additional engineer:
Terry Diane Becker (engineer)
engineer:
Jeff Glixman (from 1977-06 until 1977-07)
producer:
Jeff Glixman (in 1977-06)
acoustic guitar and electric guitar:
Kerry Livgren (from 1977-06 until 1977-07) and Rich Williams (guitarist of Kansas) (from 1977-06 until 1977-07)
bass guitar:
Dave Hope (from 1977-06 until 1977-07)
celesta, organ, synthesizer, vibraphone and lead vocals:
Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
cello, viola and violin [violins]:
Robby Steinhardt (from 1977-06 until 1977-07)
chimes, drums (drum set), gong and timpani:
Phil Ehart (from 1977-06 until 1977-07)
clavinet and synthesizer [synthesizers]:
Kerry Livgren (from 1977-06 until 1977-07)
percussion [additional percussion]:
Phil Ehart (from 1977-06 until 1977-07), Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
piano:
Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
background vocals:
Robby Steinhardt (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
arranger:
Kansas (US prog rock band)
phonographic copyright (℗) by:
Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1976), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) and CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978)
recorded at:
Studio in the Country in Bogalusa, Louisiana, United States (from 1977-06 until 1977-07) and Woodland Studios in Nashville, Tennessee, United States (from 1977-06 until 1977-07)
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (in 1977-08)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 39)
recording of:
Dust in the Wind (from 1977-06 until 1977-07)
lyricist and composer:
Kerry Livgren
publisher:
Blackwood Music Publishing, Don Kirshner Music Inc., Kirshner CBS Music Publishing and Kirshner-Warner Bros Music Ltd.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
adaptations:
As the Sun Rises
Kansas4.05?:??
4Nights in White Satin
engineer and producer:
Robin Geoffrey Cable
cover recording of:
Nights in White Satin
lyricist and composer:
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. and Tyler Music Ltd.
The Dickies?:??
5Amanda
engineer and producer:
Tom Scholz
acoustic guitar, arpeggione [guitar violins], bass guitar, effects, electric guitar, electric piano, grand piano, Hammond organ and theatre organ:
Tom Scholz (from 1980 until 1981)
drums (drum set):
Jim Masdea (from 1980 until 1981) and Tom Scholz (from 1980 until 1981)
lead vocals:
Brad Delp (from 1980 until 1981)
arranger:
Tom Scholz
phonographic copyright (℗) by:
Geffen Records (in 1986) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1986)
recorded at:
Tom Scholz Hideaway Studio II in Massachusetts, United States (from 1980 until 1981)
recording of:
Amanda (from 1980 until 1981)
lyricist and composer:
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) and Hideaway Hits (in 1986)
Boston4.35?:??
6Just Between You and Me
April Wine?:??
7Keep On Loving You
assistant engineer:
Tom Cummings (engineer) and Jeff Eccles
engineer:
Kevin Beamish
co-producer:
Alan Gratzer
producer:
Kevin Beamish, Kevin Cronin and Gary Richrath
acoustic guitar:
Kevin Cronin
bass:
Bruce Hall (US bassist for REO Speedwagon)
drums (drum set):
Alan Gratzer
guitar:
Gary Richrath
Hammond organ:
Neal Doughty
background vocals:
Kevin Cronin, Tom Kelly (songwriter) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
arranger:
Kevin Cronin
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980, in 1981) and CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 67)
recording of:
Keep On Loving You (on 1980-09-03)
lyricist and composer:
Kevin Cronin
publisher:
Bucks Music Group Ltd. (Bucks Music Group), Bug Music Ltd., Fate Music, HoriPro Entertainment Group, Hornall Brothers Music Ltd. (limited company), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Taiyō Music
R.E.O. Speedwagon3.7?:??
8Don’t Stop Believin’
assistant engineer:
Wally Buck
engineer:
Kevin Elson
producer:
Kevin Elson and Mike Stone (producer and engineer, 1960s–80s)
bass guitar:
Ross Valory (from 1981-04 until 1981-06)
drums (drum set) and percussion:
Steve Smith (US drummer most associated with Journey) (from 1981-04 until 1981-06)
guitar:
Neal Schon (from 1981-04 until 1981-06)
keyboard and piano:
Jonathan Cain (from 1981-04 until 1981-06)
background vocals:
Jonathan Cain (from 1981-04 until 1981-06), Neal Schon (from 1981-04 until 1981-06) and Ross Valory (from 1981-04 until 1981-06)
lead vocals:
Steve Perry (former lead singer of Journey) (from 1981-04 until 1981-06)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1981-04 until 1981-06)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
part of:
SWR1 Hitparade 2022 (Baden-Württemberg) (number: 10), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 11), Offizielle deutsche Charts – Single-Jahrescharts 2025 (number: 34), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 51) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 133)
recording of:
Don’t Stop Believin’ (Journey song) (from 1981-04 until 1981-06)
writer:
Jonathan Cain, Steve Perry (former lead singer of Journey) and Neal Schon
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Universal/MCA Music Ltd. (not for release label use!) and Weedhigh‐Nightmare Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), 日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Journey4.3?:??
9Suddenly Last Summer
recording engineer and producer:
Val Garay
mixer:
Doug Sax
lead vocals:
Martha Davis (of The Motels)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (from 1983-01-30 until 1983-08-05)
recording of:
Suddenly Last Summer
lyricist and composer:
Martha Davis (of The Motels)
The Motels4?:??
10Tonight She Comes
engineer:
Mike Shipley (audio engineer, mixer, producer)
producer:
The Cars and Mike Shipley (audio engineer, mixer, producer)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1985) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
engineered at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
Tonight She Comes
lyricist and composer:
Ric Ocasek
publisher:
Lido Music, Inc.
The Cars3.35?:??
11Once Bitten Twice Shy
cover recording of:
Once Bitten Twice Shy
lyricist and composer:
Ian Hunter (Mott the Hoople)
publisher:
April (publisher), EMI April Music Inc. and Ian Hunter Music Inc.
Great White?:??
12Got Me Under Pressure
engineer:
Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
drums (drum set) and percussion:
Frank Beard (ZZ Top drummer)
electric bass guitar:
Dusty Hill
electric guitar and lead vocals:
Billy Gibbons
vocals:
Dusty Hill
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
recording of:
Got Me Under Pressure
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
Music of Stage Three and Songs of Mosaic
ZZ Top4.3?:??
13Working for the Weekend
assistant engineer:
Mike Fraser (Canadian record producer, engineer and mixer) and Rob Porter
engineer:
Bob Rock and Keith Stein
producer:
Paul Dean (Canadian guitarist) and Bruce Fairbairn
bass guitar:
Scott Smith (Canadian bassist for Loverboy)
drums (drum set):
Matt Frenette
guitar and background vocals:
Paul Dean (Canadian guitarist)
keyboard:
Doug Johnson (Canadian keyboardist for Loverboy)
lead vocals:
Mike Reno
phonographic copyright (℗) by:
Sony Music Entertainment Canada Inc. (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
recorded at:
Mushroom Studios in Vancouver, British Columbia, Canada
mixed at:
Little Mountain Sound in Vancouver, British Columbia, Canada
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 100)
recording of:
Working for the Weekend
writer:
Paul Dean (Canadian guitarist), Matt Frenette and Mike Reno
Loverboy4.2?:??
14My Sharona
bass:
Prescott Niles (in 1979-04)
drums (drum set):
Bruce Gary (in 1979-04)
guitar [lead guitar]:
Berton Averre (in 1979-04)
guitar [rhythm guitar] and lead vocals:
Doug Fieger (in The Knack) (in 1979-04)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979)
recording of:
My Sharona (in 1979-04)
writer:
Berton Averre and Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia and Wise Brothers Music LLC
The Knack4.2?:??
15Panic
recording of:
Panic
lyricist:
Morrissey (English singer‐songwriter)
composer:
Johnny Marr
publisher:
Morrissey Marr Songs Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Smiths?:??
16The Whole of the Moon
producer:
Mike Scott (The Waterboys)
mixer:
Mick Glossop (producer & engineer)
bass synthesizer and synthesizer:
Karl Wallinger (in 1985-05)
drums (drum set):
Chris Whitten (in 1985-05)
guitar and piano:
Mike Scott (The Waterboys) (in 1985-05)
percussion:
Martin Ditcham (in 1985-05)
saxophone:
Anthony Thistlethwaite (in 1985-05)
trumpet:
Roddy Lorimer (in 1985-05)
background vocals:
Max Edie (in 1985-05) and Karl Wallinger (in 1985-05)
vocals:
Mike Scott (The Waterboys) (in 1985-05)
phonographic copyright (℗) by:
Ensign Records Ltd. (company; do NOT use as release label) (in 1985), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1985) and Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 2020)
recording of:
The Whole of the Moon (in 1985-05)
lyricist and composer:
Mike Scott (The Waterboys)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Dizzy Heights Music Publishing Ltd. (publisher; do NOT use as release label) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Waterboys4.45?:??
17Don’t You (Forget About Me)
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Jez Coad
performer:
Simple Minds (Scottish rock band) (on 1984-07-10)
phonographic copyright (℗) by:
Simple Minds Ltd
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 25) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 340)
recording of:
Don’t You (Forget About Me) (on 1984-07-10)
writer:
Keith Forsey (drummer, producer and songwriter) and Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. and Universal Music (plain logo: “Universal Music”)
Simple Minds4.25?:??
18The Killing Moon
recording engineer and producer:
David Lord (British composer, engineer and producer)
mixer:
Echo & the Bunnymen and Gil Norton (British record producer)
arranger:
Adam Peters
recording of:
The Killing Moon
writer:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson and Will Sergeant
Echo & the Bunnymen4.65?:??

Credits

Release

compiler:Luís Filipe Barros (Portuguese producer and radio show host)
copyrighted (©) by and phonographic copyright (℗) by:EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2000)
Discogs:https://www.discogs.com/release/10301054 [info]