Superman: The Movie (32 page booklet)

~ Release by John Williams, London Symphony Orchestra (see all versions of this release, 12 available)

Annotation

Identifying This Release

There are at least three other versions of this album (see their annotations for even more identifying information):

This release is a EU-release with (at least) the following characteristics:

  • The back side of the cardboard slip-sleeve, the back side of the front cover inlay (that is the black and white picture of “Jor-El” and his wife “Lara”) and the two mediums have the catalogue number “8122-75874-2”.
  • Further, the back cover of the jewel case doesn’t have the catalogue number “8122-75874-2”.
  • Further, the spine of the jewel case most likely has the catalogue number “8122-75874-2”.
  • Further, the back side of the cardboard slip-sleeve, the back cover of the jewel case and the two mediums have the catalogue number “R2 75874”.
  • The barcodes on the back side of the cardboard slip-sleeve and the back cover of the jewel case are written as “0 81227 58742 0”.
  • The back cover of the jewel case has the notice “Manufactured in the E.U.”.
  • The back side of the cardboard slip-sleeve and the two mediums have the notice “Made in Germany”.
  • The back side of the cardboard slip-sleeve has no informational/copyright text below the “RhinoPhonic” logo.
  • The back cover of the jewel case has informational/copyright text below the “RhinoPhonic” logo.
  • The back side of the cardboard slip-sleeve, the back cover of the jewel case and the two mediums have a label code.
  • The back side of the cardboard slip-sleeve has above the barcode and right of the catalogue number “8122-75874-2” the distribution code “WE856”.
  • The album comes in a standard-thickness double-tray jewel case which is inside a cardboard slip-sleeve.
  • A 32 pages booklet (inserted between the cardboard slip-sleeve and the jewel case) is included.
  • The front cover of the jewel case is a single sheet insert.

Track Groups

Medium 1

Tracks 15-17: Bonus Tracks

Medium 2

Tracks 15-18: Bonus Tracks

Annotation last modified on 2016-01-13 20:18 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Prelude and Main Title March
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams5:30
2The Planet Krypton
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams6:40
3Destruction of Krypton
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams7:52
4Star Ship Escapes
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams2:21
5The Trip to Earth
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams2:29
6Growing Up
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams2:35
7Death of Jonathan Kent
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams3:24
8Leaving Home
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams4:52
9The Fortress of Solitude
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams9:18
10Welcome to Metropolis
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams2:12
11Lex Luthor’s Lair
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams4:48
12The Big Rescue
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams5:55
13Super Crime Fighter
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams3:20
14Super Rescues
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams2:14
15Luthor’s Luau (source)
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams2:48
16The Planet Krypton (alternate)
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams4:25
17Main Title March (alternate)
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams4:37
2▼CD
#TitleArtistRatingLength
1Superman March (alternate)
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams3:49
2The March of the Villains
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams3:36
3The Terrace
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams1:34
4The Flying Sequence
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams8:14
5Lois and Clark
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams0:50
6Crime of the Century
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams3:24
7Sonic Greeting
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams2:22
8Misguided Missiles and Kryptonite
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams3:27
9Chasing Rockets
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams4:55
10Superfeats
recording engineer:
Eric Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
recording of:
The Golden Gate Bridge (Superman: The Movie) (on 1978-10-15)
orchestrator:
Arthur Morton
composer:
John Williams (American score composer)
publisher:
Warner-Barham Music LLC
recording of:
The Rescue of Jimmy (Superman: The Movie) (on 1978-10-15)
orchestrator:
Arthur Morton
composer:
John Williams (American score composer)
publisher:
Warner-Barham Music LLC
John Williams4:53
11Super Dam and Finding Lois
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams5:11
12Turning Back the World
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams2:07
13Finale and End Title March
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
John Williams5:42
14Love Theme From Superman
recording engineer:
Eric Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07, on 1978-09-07)
conductor:
John Williams (American score composer) (in 1978-07, on 1978-09-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07, on 1978-09-07)
recording of:
Can You Read My Mind (Superman: The Movie, love theme) (in 1978-07)
lyricist:
Leslie Bricusse
composer:
John Williams (American score composer)
publisher:
Warner-Barham Music LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
version of:
Flying Part III (Superman: The Movie)
part of:
Superman: The Movie (1978 film soundtrack)
recording of:
Love Theme From Superman (Superman: The Movie) (on 1978-09-07)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
publisher:
Warner-Barham Music LLC
John Williams5:06
15Can You Read My Mind? (alternate)
recording engineer:
Eric A. Tomlinson (British recording engineer)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
spoken vocals:
Margot Kidder
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom
recording of:
Can You Read My Mind (Superman: The Movie, love theme)
lyricist:
Leslie Bricusse
composer:
John Williams (American score composer)
publisher:
Warner-Barham Music LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
version of:
Flying Part III (Superman: The Movie)
part of:
Superman: The Movie (1978 film soundtrack)
John Williams2:58
16The Flying Sequence / Can You Read My Mind?
recording engineer:
Eric Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
spoken vocals:
Margot Kidder
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
recording of:
I Like Pink (Superman: The Movie) (from 1978-07-06 until 1978-07-10)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
publisher:
Warner-Barham Music LLC
recording of:
Can You Read My Mind (Superman: The Movie, love theme) (in 1978-07)
lyricist:
Leslie Bricusse
composer:
John Williams (American score composer)
publisher:
Warner-Barham Music LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
version of:
Flying Part III (Superman: The Movie)
part of:
Superman: The Movie (1978 film soundtrack)
recording of:
The Flying Sequence (Superman: The Movie) (in 1978-07)
composer:
John Williams (American score composer)
part of:
Superman: The Movie (1978 film soundtrack)
recording of:
The Flying Sequence / Can You Read My Mind? (in 1978-07)
lyricist:
Leslie Bricusse
composer:
John Williams (American score composer)
recording of:
To the Moon (Superman: The Movie) (on 1978-09-09)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
publisher:
Warner-Barham Music LLC
recording of:
I Can Fly (Flying Sequence) (Superman: The Movie) (on 1978-10-06)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
publisher:
Warner-Barham Music LLC
John Williams8:10
17Can You Read My Mind? (alternate instrumental)
recording engineer:
Eric A. Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
recording of:
Can You Read My Mind (Superman: The Movie, love theme) (in 1978-07)
lyricist:
Leslie Bricusse
composer:
John Williams (American score composer)
publisher:
Warner-Barham Music LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
version of:
Flying Part III (Superman: The Movie)
part of:
Superman: The Movie (1978 film soundtrack)
John Williams2:57
18Theme From Superman (concert version)
recording engineer:
Eric Tomlinson (British recording engineer) (in 1978-07)
producer:
Michael Matessino and Nick Redman (Soundtrack and Film Producer)
orchestra:
London Symphony Orchestra (in 1978-07)
conductor:
John Williams (American score composer) (in 1978-07)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1978-07)
recording of:
Main Theme (Superman: The Movie) (in 1978-07)
composer:
John Williams (American score composer)
part of:
Superman: The Movie (1978 film soundtrack)
John Williams24:23