Pop Complete

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1I Didn’t Know I Loved You (Till I Saw You Rock and Roll)
recording of:
I Didn’t Know I Loved You (Till I Saw You Rock and Roll)
writer:
Gary Glitter and Mike Leander
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Gary Glitter3:26
2Rasputin
producer:
Frank Farian
background vocals and lead vocals:
Marcia Barrett, Frank Farian and Liz Mitchell
phonographic copyright (℗) by:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1978)
recording of:
Rasputin
lyricist and composer:
Frank Farian, Fred Jay and George Reyam
publisher:
BMG Music and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Boney M44:28
3A Fifth of Beethoven
producer:
Thomas J. Valentino
guitar:
Mike Caruso (EP and manager)
phonographic copyright (℗) by:
Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1976)
recording of:
A Fifth of Beethoven
composer:
Ludwig van Beethoven (German composer)
arranger:
Walter Murphy (American score composer)
publisher:
Boosey & Hawkes (Aust.) and R.F.T. Music Publishing Corp.
is based on:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Walter Murphy & the Big Apple Band4.253:04
4Moonlight Feels Right
phonographic copyright (℗) by:
Private Stock Records Ltd. (not for release label use, for company relationships only) (in 1976)
recording of:
Moonlight Feels Right
lyricist and composer:
Bruce Blackman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Starbuck3.53:37
5Gimme Dat Ding
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 86)
recording of:
Gimme Dat Ding
writer:
Albert Hammond and Mike Hazlewood
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal/Dick James Music Ltd. (fka Dick James Music Ltd.) and シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
The Pipkins2:12
6Silver Lady
phonographic copyright (℗) by:
David Soul (in 1977)
recording of:
Silver Lady (in 1977)
writer:
Tony Macaulay and Geoff Stephens
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Macaulay Music Ltd., Polygram International Music Publishing Ltd. and PolyGram Music Publishing
David Soul53:44
7Devil Gate Drive
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recording of:
Devil Gate Drive
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music, BMG Music Publishing Ltd. and Universal Music Publishing MGB Australia
Suzi Quatro3:49
8Beautiful Sunday
recording of:
Beautiful Sunday
writer:
Daniel Boone (pop singer and songwriter) and Rod McQueen (singer, composer and producer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Daniel Boone3:03
9She’s a Lady
phonographic copyright (℗) by:
Tom Jones Enterprises Ltd. (in 1971)
cover recording of:
She’s a Lady (in 1971)
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. and Spanka Music Corp.
recording of:
She’s a Lady
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. and Spanka Music Corp.
Tom Jones42:56
10Band of Gold
phonographic copyright (℗) by:
Holland Group Productions Inc. (in 1970)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 278) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 391)
recording of:
Band of Gold (Freda Payne song)
writer:
Ronald Dunbar (Songwriter, A&R director and record producer), Edythe Wayne, Edythe Wayne (Motown producer & songwriter) and Edythe Wayne (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
Chelsea Music Publishing Co., Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Universal/MCA Music Ltd. (not for release label use!)
Freda Payne4.52:55
11Afternoon Delight
vocals:
Jon Carroll (of Starland Vocal Band, on vocals, keyboard, guitar), Margot Chapman (singer with Starland Vocal Band), Bill Danoff and Taffy Nivert
phonographic copyright (℗) by:
Cherry Lane Music Publishing Company Inc. (in 1976)
recording of:
Afternoon Delight
lyricist and composer:
Bill Danoff
publisher:
Cherry Lane Music Publishing Company Inc. and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Starland Vocal Band3.53:15
12Good Morning Freedom
recording of:
Good Morning Freedom
lyricist:
Mike Hazlewood
composer:
Roger Cook (US‐based British singer, songwriter and producer), Roger Greenaway and Albert Hammond
publisher:
PolyGram Music Publishing
Blue Mink2:51
13Black and White
recording of:
Black and White
lyricist:
David Arkin
composer:
Earl Robinson (40s US folk artist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Three Dog Night4.653:47
14Kara Kara
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
cover recording of:
Kara, Kara
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
translator:
Meryl George
translated version of:
Kara, Kara
New World3:14
15Keep On Singing
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
Keep On Singing
writer:
Bobby Hart and Danny Janssen (Songwriter, guitarist and singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Sosaha Music, Inc., R2M Music (BMI) and Songs of Lastrada (BMI-affiliated)
Helen Reddy3:05
16Lady Rose
recording of:
Lady Rose
lyricist and composer:
Ray Dorset
publisher:
PolyGram Music Publishing
Mungo Jerry3:10
17Let’s Work Together
cover recording of:
Let’s Work Together
lyricist:
Wilbert Harrison
publisher:
EMI Catalogue Partnership, EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Mozella Music Inc., SBK United Partnership Ltd., United Artists Music Co., Inc. and United Artists Musik GmbH
Canned Heat2:52
18The Promised Land
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
cover recording of:
The Promised Land
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Dave Edmunds2:39
2▼CD
#TitleArtistRatingLength
1Boogie Shoes
producer:
Harry Wayne Casey and Richard Finch
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2004)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 324)
recording of:
Boogie Shoes
writer:
Harry Wayne Casey and Richard Finch
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing Australia Pty Ltd (not for release label use!)
KC & the Sunshine Band4.352:12
2Dreams Are Ten a Penny
recording of:
Dreams Are Ten a Penny
writer:
John Carter (songwriter & producer, b. 1942) and Gillian Shakespeare (songwriter)
publisher:
Image Music (Australian) and Peermusic Ltd. (BMI)
Kincade2:41
3Beach Baby
recording of:
Beach Baby
writer:
John Carter (songwriter & producer, b. 1942) and Gillian Shakespeare (songwriter)
publisher:
Image Music (Australian) and Peermusic Pty. Ltd. (Australia)
First Class4:51
4The Ballroom Blitz
engineer:
Peter Coleman (British engineer & producer)
producer:
Phil Wainman
arranger:
Sweet (UK glam rock band)
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1973), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1974, in 1975) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1973)
recorded at and engineered at:
Audio International Studios in London (Greater London), England, United Kingdom
recording of:
The Ballroom Blitz
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music, BMG Music Publishing Ltd. and Universal Music Publishing MGB Australia
Sweet4.64:00
5Lay Back in the Arms of Someone
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
phonographic copyright (℗) by:
Chinnichap Records Ltd. (in 1977)
recorded at:
Whitney Recording Studios in Glendale, California, United States (from 1977-03 until 1977-04)
recording of:
Lay Back in the Arms of Someone (from 1977-03 until 1977-04)
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Musik-Edition Discoton
Smokie14:05
6Sugar Me
producer:
Gordon Mills (60s/70s UK producer and songwriter)
phonographic copyright (℗) by:
Chrysalis Copyrights Ltd. (in 1972)
recording of:
Sugar Me (in 1972)
writer:
Barry Ian Green (singer, producer, and songwriter) and Lynsey de Paul
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and ATV Kirshner (publisher) (in 1972)
Lynsey de Paul3:36
7This Ole House
recording of:
This Ole House
lyricist and composer:
Stuart Hamblen
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and Universal/MCA Music Publishing Pty Ltd
Shakin’ Stevens3:00
8Tweedle Dee Tweedle Dum
phonographic copyright (℗) by:
BMG Ariola Hamburg GmbH (in 1973)
recording of:
Tweedle Dee, Tweedle Dum (Middle of the Road song)
lyricist:
Lally Stott
composer:
Giosy Capuano and Mario Capuano
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Middle of the Road3:14
9Children of the Revolution
recording of:
Children of the Revolution
lyricist and composer:
Marc Bolan
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Wizard (Bahamas) Ltd. and Wizard Publishing Ltd. (publisher, Marc Bolan)
T-Rex2:28
10Call Me Number One
recording of:
(Call Me) Number One
writer:
Alan Blakley and Len "Chip" Hawkes
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Tremeloes3:47
11Avenues and Alleyways
recording of:
Avenues and Alleyways (The Protectors)
lyricist and composer:
Peter Callander and Mitch Murray
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing and ATV Kirshner (publisher) (in 1972)
Tony Christie3:20
12Don’t Pull Your Love
recording of:
Don't Pull Your Love
writer:
Dennis Lambert and Brian Potter (US songwriter & producer)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Hamilton, Joe Frank and Reynolds2:39
13Egyptian Reggae
recording of:
Egyptian Reggae
writer:
Earl Anthony Johnson (reggae singer Earl Zero) and Jonathan Richman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
is based on:
None Shall Escape the Judgement
Jonathan Richman and The Modern Lovers2:38
14Down on the Beach Tonight
recording of:
Down on the Beach Tonight
writer:
Roger Greenaway and Tony Macaulay
publisher:
PolyGram Music Publishing
The Drifters3:04
15It Never Rains in Southern California
producer:
D. Altfeld and Albert Hammond
recording of:
It Never Rains in Southern California
writer:
Albert Hammond and Mike Hazlewood
publisher:
April Music Inc. (ended), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI April Music Inc.
Albert Hammond23:53
16I’m Down
recording of:
I’m Down (The Hollies)
writer:
Allan Clarke (of The Hollies), Tony Hicks and Terry Sylvester
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Hollies4:12
17Brother Louie
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973)
recording of:
Brother Louie
writer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated), Finchley Music and RAK Publishing Ltd.
Hot Chocolate54:59
18Frozen Orange Juice
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recording of:
Frozen Orange Juice
writer:
Peter Sarstedt
publisher:
EMI Catalogue Partnership
Peter Sarstedt3:14
3▼CD
#TitleArtistRatingLength
1I’m So Excited
recording of:
I’m So Excited
writer:
Anita Pointer, June Pointer, Ruth Pointer and Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
publisher:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. and SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-publisher:
Fujipacific Music Inc. SBK Division (until 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Pointer Sisters55:40
2Walking
recording of:
Walking
writer:
Hush (Australian glam rock band)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Wizard Music
Hush3:19
3Don’t Bring Me Down
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Jeff Lynne
bass guitar:
Kelly Groucutt (from 1979-03 until 1979-04)
clarinet and electric piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (from 1979-03 until 1979-04)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (from 1979-03 until 1979-04)
electric guitar and lead vocals:
Jeff Lynne (from 1979-03 until 1979-04)
piano and synthesizer:
Jeff Lynne (from 1979-03 until 1979-04) and Richard Tandy (keyboardist for Electric Light Orchestra) (from 1979-03 until 1979-04)
choir vocals:
Kelly Groucutt (from 1979-03 until 1979-04) and Jeff Lynne (from 1979-03 until 1979-04)
conductor:
Louis Clark (from 1979-03 until 1979-04)
strings arranger and choir vocals arranger:
Louis Clark, Jeff Lynne and Richard Tandy (keyboardist for Electric Light Orchestra)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1979), Jet Inc. (in 1979), Jet Records (in 1979), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2005)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1979-03 until 1979-04)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 215)
recording of:
Don’t Bring Me Down (from 1979-03 until 1979-04)
lyricist and composer:
Jeff Lynne
publisher:
April Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Ltd., Jet Music Inc., Jet Music Ltd. (British branch) and Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Electric Light Orchestra4.454:04
4American Woman
assistant recording engineer:
Ed Schnabl and Russ Vestuto
recording engineer:
Brian Christian
producer:
Jack Richardson
arranger:
The Guess Who (Canadian rock band)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1969, in 1970) and BMG Music (in 1970)
recorded at:
RCA's Mid-America Recording Center (Chicago, 1935-1969) in Chicago, Illinois, United States
edit of:
American Woman (original stereo mix) by The Guess Who (Canadian rock band)
recording of:
American Woman
writer:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) and Garry Peterson (Canadian drummer for The Guess Who)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music and Unichappell Music, Inc.
The Guess Who4.23:52
5Get Dancin’
recording of:
Get Dancin’
writer:
Bob Crewe and Kenny Nolan
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Songs Ltd., Kenny Nolan Publishing Co., Sony/ATV Music Publishing (UK) Ltd. and Warner/Chappell Artemis Music
Disco Tex and the Sex‐O‐Lettes3:48
6Cruel to Be Kind
producer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
drums (drum set):
Terry Williams (drummer)
electric bass guitar [bass guitar]:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
guitar:
Billy Bremner and Dave Edmunds
vocals:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
phonographic copyright (℗) by:
Riviera Global Record Productions Ltd. (in 1979)
part of:
TV Cream: Real 100 Best Singles Ever (number: 84) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 152)
recording of:
Cruel to Be Kind
writer:
Ian Gomm and Nick Lowe (UK singer/songwriter/instrumentalist/producer)
publisher:
Complete Music Ltd.
part of:
10 Things I Hate About You
Nick Lowe4.353:27
7Rosanna
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
recording of:
Rosanna
lyricist and composer:
David Paich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Spirit Two Music
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Toto3.84:02
8Escape (Pina Colada Song)
recording of:
Escape (The Piña Colada Song)
lyricist and composer:
Rupert Holmes
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rupert Holmes4:11
9Jack and Jill
recording of:
Jack & Jill
lyricist and composer:
Ray Parker Jr.
publisher:
EMI Music Publishing (do not use as a release label!) and Raydiola Music
Raydio4:32
10Tired of Toein’ the Line
recording of:
Tired of Toein’ the Line
writer:
Rocky Burnette and Ronald Donavon Coleman
publisher:
Cheshire Music Inc., NFC, Onward Music Ltd. and キュー・ミュージック・ジャパン (Q Music Japan)
Rocky Burnette3:31
11(Last Night) I Didn’t Get to Sleep at All
recording of:
(Last Night) I Didn’t Get to Sleep at All
lyricist and composer:
Tony Macaulay
publisher:
PolyGram Music Publishing
Fifth Dimension3:12
12Hey Girl Don’t Bother Me
recording of:
Hey Girl Don’t Bother Me
lyricist and composer:
Ray Whitley (60s/70s songwriter)
publisher:
BMG Music Publishing Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Tams2:24
13Words
producer:
Jean-Michel Gallois-Montbrun (Rolando Tambin) and Frédéric Leibovitz
arranger:
Daniel Darras, F.R. David and Frédéric Leibovitz
phonographic copyright (℗) by:
Carrère (just “Carrère" or “Disques Carrère”, not “CARRÈRE MUSIC”) (in 1982)
recording of:
Words
lyricist:
Martin Kupersmith and Louis Sandy Yagura
writer:
Martin Kupersmith, Louis Sandy Yagura and Robert Fitoussi (French artist)
composer:
Robert Fitoussi (French artist)
publisher:
Fable Music and Warner Chappell
translated version of:
Sen můj a Lízin
FR David4.53:27
14Say, Has Anybody Seen My Sweet Gypsy Rose
recording of:
Say, Has Anybody Seen My Sweet Gypsy Rose
writer:
L. Russell Brown (lyricist) and Irwin Levine
Dawn52:55
15I’ll Meet You Halfway
recording of:
I’ll Meet You Halfway
writer:
Wes Farrell and Gerry Goffin
publisher:
EMI Music Publishing (do not use as a release label!)
The Partridge Family3:50
16Every Woman in the World
recording of:
Every Woman in the World
writer:
Dominic Bugatti and Frank Musker
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Notting Hill Music (UK) Ltd., Universal Music Careers, Universal Music Publishing MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply3:21
17Reminiscing
recorded in:
Australia (in 1978-03)
produced in:
Australia
producer:
John Boylan and Little River Band
bass:
George McArdle (in 1978-03)
drums (drum set):
Derek Pellicci (in 1978-03)
electric guitar:
Beeb Birtles (in 1978-03), David Briggs (producer, guitarist of Little River Band) (in 1978-03) and Graham Goble (in 1978-03)
guest electric piano:
Peter Jones (Australian pianist/composer) (in 1978-03)
solo flugelhorn:
Bob Venier (brass) (in 1978-03)
solo trumpet:
Bill Harrower (in 1978-03)
strings:
Rick Formosa (in 1978-03)
vocals:
Beeb Birtles (in 1978-03), Graham Goble (in 1978-03) and Glenn Shorrock (in 1978-03)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1978), EMI Music Australia Pty. Limited (not for release label use!) (in 1978, in 2002), EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 1978) and EMI Music Australia (defunct holding company, not for release label use!) (in 2002)
produced for:
Tumbleweed Productions
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 17) and Billboard Year-End Hot 100 singles of 1978 (number: 65)
recording of:
Reminiscing (in 1978-03)
lyricist and composer:
Graeham Goble
publisher:
American Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019), Wheatley Music Pty Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Little River Band54:12
18Better Love Next Time
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
Better Love Next Time
composer:
Larry Keith (American songwriter in AOR Rock, Country, R&B), Steve Pippin (American songwriter, session singer and actor) and Johnny Slate
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Dr. Hook3:02
19Turn Your Radio On
cover recording of:
Turn Your Radio On
writer:
Albert E. Brumley (in 1938)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Ray Stevens2:15
4▼CD
#TitleArtistRatingLength
1The Heat Is On
producer:
Harold Faltermeyer and Keith Forsey (drummer, producer and songwriter)
bass and keyboard:
Harold Faltermeyer
drums (drum set) and background vocals:
Keith Forsey (drummer, producer and songwriter)
guitar:
Rick Vito
solo guitar and lead vocals:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
vocals and performer:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
phonographic copyright (℗) by:
Geffen Records (in 1984) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1984)
recording of:
The Heat Is On
lyricist and composer:
Harold Faltermeyer and Keith Forsey (drummer, producer and songwriter)
publisher:
Famous Chappell
live cover recording of:
The Heat Is On
lyricist and composer:
Harold Faltermeyer and Keith Forsey (drummer, producer and songwriter)
publisher:
Famous Chappell
Glenn Frey3.53:46
2Hit Me With Your Rhythm Stick
producer:
Laurie Latham
drums (drum set):
Charley Charles (UK drummer) (in 1978)
electric bass guitar:
Norman Watt-Roy (in 1978)
guitar:
John Turnbull (in 1978)
Hammond organ:
Mick Gallagher (UK hammond organ player) (in 1978)
piano:
Chaz Jankel (English musician and songwriter) (in 1978)
saxophone:
Davey Payne (UK saxophonist) (in 1978)
lead vocals:
Ian Dury (in 1978)
phonographic copyright (℗) by:
Templemill Music Ltd (in 1979)
recorded at:
The Workhouse in London (Greater London), England, United Kingdom (in 1978)
recording of:
Hit Me With Your Rhythm Stick (in 1978)
lyricist:
Ian Dury
composer:
Chaz Jankel (English musician and songwriter)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ian Dury3.93:44
3Simply Irresistible
recording of:
Simply Irresistible
lyricist and composer:
Robert Palmer (English singer‐songwriter)
publisher:
Heavy Nova Music
Robert Palmer4:15
4Runaway Boys
producer:
Dave Edmunds
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980) and EMI America Records, Inc. (holding – file NO releases here!) (in 1982)
recording of:
Runaway Boys
writer:
Slim Jim Phantom and Brian Setzer
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Stray Cats3.653:01
5Don’t Be Cruel
cover recording of:
Don’t Be Cruel
writer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp. and Williamson Music Company
Cheap Trick3:10
6She Bop
additional engineer:
John Jansen (US recording engineer and producer) and Rod O’Brien
assistant engineer:
John Agnello (engineer & producer)
engineer:
William Wittman
associate producer:
William Wittman
producer:
Rick Chertoff
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
She Bop
writer:
Rick Chertoff, Gary Corbett, Cyndi Lauper and Steve Lunt (British musician, songwriter, music executive also credited as Stephen Broughton)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), ATV/Sony Songs, LLC, Concord Copyrights (BMI), Hobbler Music, Mushroom Music Pty. Ltd., Noyb Music Company, Perfect Punch Music (publisher), Rellla Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spirit One Music, Twenty Twenty 6 Music, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Wall to Wall Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
“The Filthy Fifteen” (PRMC’s list of songs with “offensive lyrical content”) (number: 15)
Cyndi Lauper4.13:48
7Showing Out (Get Fresh at the Weekend)
producer:
Stock Aitken Waterman
arranger:
Stock Aitken Waterman
produced for:
PWL
recording of:
Showing Out (Get Fresh at the Weekend)
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
Mel & Kim5:11
8View From a Bridge
producer:
Ricky Wilde
lead vocals:
Kim Wilde
phonographic copyright (℗) by:
Cherry Pop (a division of Cherry Red Records Ltd.), RAK, EMI France (in 1993), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996, in 2001) and EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recording of:
View From a Bridge
writer:
Marty Wilde and Ricky Wilde
Kim Wilde43:30
9King of Wishful Thinking
recording of:
King of Wishful Thinking
writer:
Peter Cox (Artist and songwriter), Richard Drummie and Martin Page
publisher:
Bug Music (music publishing), Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Sony/ATV Music Publishing (UK) Ltd., Warner Chappell and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Go West4:01
10The Model
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978)
recording of:
The Model (Kraftwerk)
lyricist:
Ralf Hütter and Emil Schult
composer:
Karl Bartos and Ralf Hütter
additional translator:
Ralf Hütter and Emil Schult
publisher:
Edition Positive Songs (publisher), Kling Klang Musik GmbH (Germany-based licensing and publishing entity controlled by Ralf Hütter), No Hassle Music, Sony/ATV Music Publishing (UK) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
translated version of:
Das Modell
Kraftwerk4.153:41
11Love Missile F1‐11
recording of:
Love Missile F1‐11
lyricist and composer:
Martin Degville, Tony James (UK bassist/guitarist) and Neal Whitmore
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Sigue Sigue Sputnik3:49
12Abadabadango
recording of:
Abadabadango
writer:
Kim Carnes, Dave Ellingson and Duane Hitchings
Kim Carnes3:55
13Church of the Poison Mind
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar and piano:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
harmonica:
Judd Lander
organ:
Phil Pickett (songwriter, producer, keyboard player)
saxophone:
Steve Grainger (saxophonist)
trumpet:
Terry Bailey (trumpeter)
background vocals:
Helen Terry (UK singer)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (from 1983 to present, in 1983, in 2003) and Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (in 1983)
produced for:
Do Not Erase Productions
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
Church of the Poison Mind by Culture Club (English pop group)
recording of:
Church of the Poison Mind (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
J. Albert & Son Pty. Ltd. and Virgin Music (Publishers) Ltd. (from 1983 to present)
Culture Club3.53:32
14Road to Nowhere
recording engineer and mixer:
Eric “E.T.” Thorngren
assistant engineer:
Melanie West (engineer) (task: second engineer)
producer:
Talking Heads
bass synthesizer [synth bass]:
Tina Weymouth
drums (drum set):
Chris Frantz
guest accordion:
Jimmy MacDonell
guest bongos, guest congas and guest tambourine:
Steve Scales
guest saxophone:
Lenny Pickett (saxophone)
guest washboard:
Andrew Cader
guitar:
David Byrne (Talking Heads) and Jerry Harrison (Talking Heads & producer)
guitar and keyboard and keyboard:
Jerry Harrison (Talking Heads & producer)
background vocals:
Jerry Harrison (Talking Heads & producer) and Tina Weymouth
guest background vocals:
Ellen Bernfeld, Erin Dickens, Diva Gray, Gordon Grody, Lani Groves and Kurt Yahijian
lead vocals:
David Byrne (Talking Heads)
vocals:
David Byrne (Talking Heads)
arranger:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) and Tina Weymouth
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Sire Records Company (not for release label use!) (in 1985) and Talking Heads Tours Inc. (in 1985)
recorded at and mixed at:
Sigma Sound (New York) in New York, New York, United States
music videos:
Road to Nowhere (music video) by Talking Heads
recording of:
Road to Nowhere
lyricist and composer:
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co. (publisher), Index Music, Inc., Warner Bros. Music Co., Ltd. and Warner Bros. Music Corp.
Talking Heads4.24:21
15It’s My Party
engineer:
Nick Bradford
producer:
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
electronic drum set [SDS V], electronic instruments [claptrap], keyboard [keyboards] and vocoder:
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
background vocals:
Amanda Parsons
lead vocals:
Barbara Gaskin
recorded at and mixed at:
Matrix Studios in Soho, Westminster, London (Greater London), England, United Kingdom (from 1981-06 until 1981-07)
cover recording of:
It’s My Party
writer:
John Gluck, Jr., Wally Gold, Seymour Gottlieb and Herb Weiner
publisher:
A. Schroeder Music Ltd. and Chappell & Co., Inc. (USA)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Stewart and Barbara Gaskin33:48
16Puttin’ on the Ritz
tap dance:
Taco (Dutch singer)
music videos:
Puttin’ On the Ritz by Taco (Dutch singer)
cover recording of:
Puttin’ On the Ritz
lyricist and composer:
Irving Berlin (in 1929)
publisher:
Berlin Irving Music Corp and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
Idiot’s Delight (film)
Taco44:37
17Nothing’s Gonna Stop Us Now
recording of:
Nothing’s Gonna Stop Us Now
writer:
Albert Hammond and Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) and Windswept Pacific Music Ltd. (publishing company)
part of:
The 60th Academy Award for Best Original Song (number: 2)
Starship4:27
5▼CD
#TitleArtistRatingLength
1Stuck With You
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1986)
recording of:
Stuck with You
lyricist and composer:
Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hulex Music (publisher) (in 1986)
Huey Lewis and the News4:29
2U Can’t Touch This
co-producer:
James Earley and Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
producer:
MC Hammer
mixer:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) and MC Hammer
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
samples:
Super Freak by Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
U Can’t Touch This
writer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) and Stanley Kirk Burrell
publisher:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music and Stone Diamond Music Corporation
is based on:
Super Freak
MC Hammer4.14:16
3Unbelievable
producer and mixer:
Ralph Jezzard
drums (drum set):
Mark Decloedt (in 1990)
electric bass guitar:
Zac Foley (in 1990)
electric guitar, guitar and keyboard:
Ian Dench (in 1990)
sampler [samples]:
Derry Brownson (in 1990)
background vocals:
Claudia Fontaine (vocals, background vocals) (in 1990)
lead vocals:
James Atkin (in 1990)
vocals:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (in 1990)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 421)
recording of:
Unbelievable (in 1990)
writer:
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench and Zac Foley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Canada Ltd.
EMF3.653:32
4Show No Mercy
recording of:
Show No Mercy
writer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
J. Albert & Son P/L
Mark Williams4:24
5Body Rock
phonographic copyright (℗) by:
Capitol Records Ltd. (not for release label use; UK company)
recording of:
Body Rock
writer:
John Bettis and Sylvester Levay
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Maria Vidal23:42
6The Politics of Dancing
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1983, in 1984)
recording of:
The Politics of Dancing
lyricist and composer:
Paul Fishman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambo Music Limited and Metric Music Ltd.
ReFlex3.353:48
7Ice Ice Baby
recording of:
Ice Ice Baby
lyricist:
Floyd Brown (Floyd Brown), Mario Lavell Johnson (90s US rapper) and Vanilla Ice
composer:
David Bowie (English singer‐songwriter), Floyd Brown (Floyd Brown), John R. Deacon, Mario Lavell Johnson (90s US rapper), Brian May (Queen guitarist), Freddie Mercury, Roger Taylor (Queen drummer) and Vanilla Ice
publisher:
Aftershock Music, EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Fernhill Publishing, Ice Baby Music, Knightlife Productions, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), QPM Music Inc., Queen Music Ltd., Sony/ATV Music Publishing Ltd. and Sony/ATV Songs LLC
is based on:
Under Pressure
Vanilla Ice4:31
8Mirror Man
producer:
The Human League and Martin Rushent
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
music videos:
Mirror Man by The Human League
recording of:
Mirror Man
writer:
Ian Burden, Jo Callis and Philip Oakey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Publishing Australia P/L and PolyGram Music Publishing
The Human League23:52
9She Blinded Me With Science
drum machine and other instruments [wave computer] programming:
Thomas Dolby
producer:
Thomas Dolby and Tim Friese‐Greene
guest Moog [Moog bass]:
Matthew Seligman (in 1982-08)
violin:
Simon House (in 1982-08)
background vocals:
Robert John “Mutt” Lange (Robert John Lange) (in 1982-08) and Miriam Stockley (in 1982-08)
spoken vocals:
Magnus Pyke (in 1982-08)
vocals:
Thomas Dolby (in 1982-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
recorded at:
Odyssey Studio (London) in London (Greater London), England, United Kingdom (in 1982-08)
mixed at:
Odyssey Studio (London) in London (Greater London), England, United Kingdom
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 76)
recording of:
She Blinded Me With Science (in 1982-08)
lyricist:
Thomas Dolby and Tim Kerr (songwriter working with Thomas Dolby)
composer:
Thomas Dolby
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Participation Music Inc.
Thomas Dolby43:42
10Don’t Need Love
recording engineer, producer and mixer:
Terry Manning (US recording engineer)
bass:
Johnny 'Tatt' Dalzell
guitar:
Diesel (Australian pop rock aka Mark Lizotte)
saxophone and background vocals:
Bernie Bremond
instruments arranger:
Brent Eccles and Terry Manning (US recording engineer)
phonographic copyright (℗) by:
EMI Music Australia (defunct holding company, not for release label use!) (in 1989) and EMI Music Australia Pty. Limited (not for release label use!) (in 1989)
recorded at:
Ardent Studios in Memphis, Tennessee, United States (from 1988-08 until 1988-09)
recording of:
Don’t Need Love
lyricist and composer:
Diesel (Australian pop rock aka Mark Lizotte)
publisher:
EMI Songs and Mushroom Music Pty. Ltd.
Diesel4:14
11Planet Earth
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Planet Earth
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
EMI Songs and EMI Songs Australia Pty. Ltd.
Duran Duran4:01
12Leave a Light On
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1989)
recording of:
Leave a Light On
writer:
Rick Nowels and Ellen Shipley
publisher:
Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, Spirit Music Publishing Limited, Future Furniture Music (in 1989), Shipwreck Music (publisher) (in 1989) and Virgin Songs, Inc. (in 1989)
Belinda Carlisle4:15
13To Be a Lover
programming:
Steve Stevens (US guitarist and songwriter)
engineer:
Dave Concors, Neil Dorfsman and Dave Wittman
producer:
Keith Forsey (drummer, producer and songwriter)
assistant mixer:
Craig Vogel
mixer:
Gary Langan
bass and guitar:
Billy Idol (English rock singer‐songwriter) (in 1986) and Steve Stevens (US guitarist and songwriter) (in 1986)
keyboard:
Steve Stevens (US guitarist and songwriter) (in 1986)
piano:
Richard Tee (in 1986)
synthesizer:
Keith Forsey (drummer, producer and songwriter) (in 1986)
background vocals:
Jocelyn Brown (in 1986), Connie Harvey (in 1986) and Janet Wright (in 1986)
lead vocals:
Billy Idol (English rock singer‐songwriter) (in 1986)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986) and Chrysalis Records, Inc. (not for release label use!) (in 1986)
recorded at:
Right Track Studios in Manhattan, New York, New York, United States (in 1986)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
music videos:
To Be a Lover by Billy Idol (English rock singer‐songwriter)
cover recording of:
I Forgot to Be Your Lover (in 1986)
writer:
William Bell and Booker T. Jones
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), East Memphis Music Corp., Irving Music, Inc., Rondor Music (London) Ltd. and Universal Music Publishing Group
Billy Idol3.53:53
14Science Fiction
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983) and Chrysalis Records, Inc. (not for release label use!) (in 1983)
recording of:
Science Fiction (Divinyls song)
writer:
Chrissy Amphlett and Mark McEntee
publisher:
EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Australia Pty Ltd (not for release label use!)
The Divinyls3:32
15Hit Me With Your Best Shot
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1981)
recording of:
Hit Me With Your Best Shot
lyricist and composer:
Eddie Schwartz
publisher:
Round Hill Songs and Sony Music Publishing (Germany) GmbH
Pat Benatar2:52
16A Beat for You
co-producer:
Ross Fraser
producer and mixer:
Mark Berry (producer, mixer, engineer and remixer from Brooklyn, New York) and Brian Canham (Australian singer ex. Pseudo Echo)
phonographic copyright (℗) by:
EMI Music Australia (defunct holding company, not for release label use!) (in 1984)
recording of:
A Beat for You (Pseudo Echo)
publisher:
Brian Canham (Australian singer ex. Pseudo Echo)
lyricist and composer:
Brian Canham (Australian singer ex. Pseudo Echo)
Pseudo Echo53:43
17Would I Lie to You
performer:
Charles & Eddie
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recording of:
Would I Lie to You?
writer:
Michael Leeson and Peter Vale (writer/arranger)
publisher:
EMI Virgin Music Publishing Australia P/L and BMG VM Music Ltd. (from 2013-05-16 to present)
Charles & Eddie4.254:35
18Strut
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
Strut
writer:
Charlie Dore and Julian Littman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and PolyGram Music Publishing
Sheena Easton4:03

Credits

Release

printed in:Australia
distributed by and marketed by:EMI Music Group Australasia (not for release label use! manufacturer and distributor)
copyrighted (©) by and phonographic copyright (℗) by:EMI Music Australasia (in 1999)
licensed from:Albert Productions
BMG Australia Limited (not for release label use!)
Castle Communications (Australasia) Limited
Crimson Productions Ltd. (company credits only; use Crimson as release label)
Oceandeep Soundtracks Limited
Rajon Entertainment Pty Ltd.
Universal Music Australia Limited (1996–2003; fka MCA Music Entertainment Limited from 1994–1996)
Discogs:https://www.discogs.com/release/13262706 [info]