Live & Pickin'

~ Release by Doc & Merle Watson (see all versions of this release, 3 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1Dig a Little Deeper in the Well
engineer:
Biff Dawes
producer:
Mitch Greenhill (60's folk)
mixer:
Ernie Winfrey
recorded at:
Great American Music Hall in San Francisco, California, United States (from 1978-10-11 until 1978-10-13)
mixed at:
Soundshop Studio (Nashville, TN) in Nashville, Tennessee, United States
engineered at:
Wally Heider Recording Facilities in Los Angeles, California, United States
live cover recording of:
Dig a Little Deeper in the Well (in 1978-10)
writer:
Roger Bowling and Jody Emerson
publisher:
Figs D Music, Sony/ATV Tunes LLC (ASCAP) and Warhawk Music Company
3:22
A2Milk Cow Blues
engineer:
Biff Dawes
producer:
Mitch Greenhill (60's folk)
mixer:
Ernie Winfrey
recorded at:
Great American Music Hall in San Francisco, California, United States (from 1978-10-11 until 1978-10-13)
mixed at:
Soundshop Studio (Nashville, TN) in Nashville, Tennessee, United States
engineered at:
Wally Heider Recording Facilities in Los Angeles, California, United States
live cover recording of:
Milk Cow Blues (Kokomo Arnold's version) (in 1978-10)
lyricist and arranger:
Kokomo Arnold
composer:
[traditional] (special purpose artist) and Kokomo Arnold
publisher:
MCA Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), State Street Music Publ. Co. Inc., Universal (plain logo “Universal” used by Universal Music and Universal Pictures) and Universal Music Corp. (USA, affiliated with ASCAP)
version of:
Milk Cow Blues
4:31
A3Wild Bill Jones
engineer:
Biff Dawes
producer:
Mitch Greenhill (60's folk)
mixer:
Ernie Winfrey
arranger:
Doc Watson (US guitarist, singer & songwriter)
recorded at:
Great American Music Hall in San Francisco, California, United States (from 1978-10-11 until 1978-10-13)
mixed at:
Soundshop Studio (Nashville, TN) in Nashville, Tennessee, United States
engineered at:
Wally Heider Recording Facilities in Los Angeles, California, United States
live cover recording of:
Wild Bill Jones (in 1978-10)
composer:
[traditional] (special purpose artist)
2:40
A4Memories of You Dear
engineer:
Biff Dawes
producer:
Mitch Greenhill (60's folk)
mixer:
Ernie Winfrey
recorded at:
Great American Music Hall in San Francisco, California, United States (from 1978-10-11 until 1978-10-13)
mixed at:
Soundshop Studio (Nashville, TN) in Nashville, Tennessee, United States
engineered at:
Wally Heider Recording Facilities in Los Angeles, California, United States
live cover recording of:
Memories of You Dear (in 1978-10)
lyricist and composer:
Harley Huggins (songwriter)
publisher:
Peer International (BMI; Peer Int'l or Peer-International)
2:30
A5Daybreak Blues (Blue Yodel No. 12)
engineer:
Biff Dawes
producer:
Mitch Greenhill (60's folk)
mixer:
Ernie Winfrey
recorded at:
Great American Music Hall in San Francisco, California, United States (from 1978-10-11 until 1978-10-13)
mixed at:
Soundshop Studio (Nashville, TN) in Nashville, Tennessee, United States
engineered at:
Wally Heider Recording Facilities in Los Angeles, California, United States
live cover recording of:
Blue Yodel No. 12 (Barefoot Blues) (in 1978-10)
writer:
Jimmie Rodgers (country music pioneer, died in 1933)
part of:
Blue Yodels by Jimmie Rodgers
3:50
A6Big Sandy / Leather Britches (instrumental)
engineer:
Biff Dawes
producer:
Mitch Greenhill (60's folk)
mixer:
Ernie Winfrey
arranger:
Doc Watson (US guitarist, singer & songwriter)
recorded at:
Great American Music Hall in San Francisco, California, United States (from 1978-10-11 until 1978-10-13)
mixed at:
Soundshop Studio (Nashville, TN) in Nashville, Tennessee, United States
engineered at:
Wally Heider Recording Facilities in Los Angeles, California, United States
live medley including a instrumental cover recording of:
Leather Britches (reel) (in 1978-10)
composer:
[traditional] (special purpose artist)
1:40
B1Let the Cocaine Be
engineer:
Biff Dawes
producer:
Mitch Greenhill (60's folk)
mixer:
Ernie Winfrey
recorded at:
Great American Music Hall in San Francisco, California, United States (from 1978-10-11 until 1978-10-13)
mixed at:
Soundshop Studio (Nashville, TN) in Nashville, Tennessee, United States
engineered at:
Wally Heider Recording Facilities in Los Angeles, California, United States
2:20
B2All I Have to Do Is Dream
engineer:
Biff Dawes
producer:
Mitch Greenhill (60's folk)
mixer:
Ernie Winfrey
recorded at:
Great American Music Hall in San Francisco, California, United States (from 1978-10-11 until 1978-10-13)
mixed at:
Soundshop Studio (Nashville, TN) in Nashville, Tennessee, United States
engineered at:
Wally Heider Recording Facilities in Los Angeles, California, United States
live cover recording of:
All I Have to Do Is Dream (in 1978-10)
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Acuff-Rose Publications, Inc. (BMI) (on 1958-04-21)
2:38
B3Got the Blues (Can't Be Satisfied)
engineer:
Biff Dawes
producer:
Mitch Greenhill (60's folk)
mixer:
Ernie Winfrey
recorded at:
Great American Music Hall in San Francisco, California, United States (from 1978-10-11 until 1978-10-13)
mixed at:
Soundshop Studio (Nashville, TN) in Nashville, Tennessee, United States
engineered at:
Wally Heider Recording Facilities in Los Angeles, California, United States
live cover recording of:
I've Got the Blues and I Can't Be Satisfied (in 1978-10)
lyricist and composer:
Mississippi John Hurt
2:43
B4St. James Hospital / Frosty Morn (instrumental)
engineer:
Biff Dawes
producer:
Mitch Greenhill (60's folk)
mixer:
Ernie Winfrey
arranger:
Doc Watson (US guitarist, singer & songwriter)
recorded at:
Great American Music Hall in San Francisco, California, United States (from 1978-10-11 until 1978-10-13)
mixed at:
Soundshop Studio (Nashville, TN) in Nashville, Tennessee, United States
engineered at:
Wally Heider Recording Facilities in Los Angeles, California, United States
live medley including a instrumental cover recording of:
Cold Frosty Morning (in 1978-10)
composer:
[traditional] (special purpose artist)
live medley including a cover recording of:
St. James Hospital (in 1978-10)
lyricist and composer:
James “Iron Head” Baker
6:12
B5Streamline Cannonball
engineer:
Biff Dawes
producer:
Mitch Greenhill (60's folk)
mixer:
Ernie Winfrey
recorded at:
Great American Music Hall in San Francisco, California, United States (from 1978-10-11 until 1978-10-13)
mixed at:
Soundshop Studio (Nashville, TN) in Nashville, Tennessee, United States
engineered at:
Wally Heider Recording Facilities in Los Angeles, California, United States
live instrumental cover recording of:
Streamline Cannon Ball (in 1978-10)
lyricist and composer:
Roy Acuff
2:58