Vivarte - 60 CD Collection Vol. 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Ave Maris Stella
#TitleArtistRatingLength
1“Ave Maris Stella” (Hymnus, IV.Tone)
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (from 1989-11-02 until 1989-11-05)
choir vocals:
Niederaltaicher Scholaren (German early music choir) (from 1989-11-02 until 1989-11-05)
conductor:
Konrad Ruhland (from 1989-11-02 until 1989-11-05)
recorded at:
Ursulinenkloster in Niederalteich, Bayern (Bavaria), Germany (from 1989-11-02 until 1989-11-05)
Konrad Ruhland2:06
2Ia. Immaculata Conceptio B.M.V. - “Gaudens Gaudebo in Domino” (Introitus, III. Tone)
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (from 1989-11-02 until 1989-11-05)
choir vocals:
Niederaltaicher Scholaren (German early music choir) (from 1989-11-02 until 1989-11-05)
conductor:
Konrad Ruhland (from 1989-11-02 until 1989-11-05)
recorded at:
Ursulinenkloster in Niederalteich, Bayern (Bavaria), Germany (from 1989-11-02 until 1989-11-05)
Konrad Ruhland3:23
3Ib. Immaculata Conceptio B.M.V. - “Benedicta Es Tu, Virgo Maria” (Graduale, V.Tone)
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (from 1989-11-02 until 1989-11-05)
choir vocals:
Niederaltaicher Scholaren (German early music choir) (from 1989-11-02 until 1989-11-05)
conductor:
Konrad Ruhland (from 1989-11-02 until 1989-11-05)
recorded at:
Ursulinenkloster in Niederalteich, Bayern (Bavaria), Germany (from 1989-11-02 until 1989-11-05)
Konrad Ruhland2:28
4Iia. In Nativitate B.M.V. - “Ave Maria, Gratia Plena” (Responsorium Breve, VI.Tone)
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (from 1989-11-02 until 1989-11-05)
choir vocals:
Niederaltaicher Scholaren (German early music choir) (from 1989-11-02 until 1989-11-05)
conductor:
Konrad Ruhland (from 1989-11-02 until 1989-11-05)
recorded at:
Ursulinenkloster in Niederalteich, Bayern (Bavaria), Germany (from 1989-11-02 until 1989-11-05)
Konrad Ruhland1:51
5Iib. In Nativitate B.M.V. - “Nativitas Tua” (Antiphon Ad Magnificat, I.Tone)
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (from 1989-11-02 until 1989-11-05)
choir vocals:
Niederaltaicher Scholaren (German early music choir) (from 1989-11-02 until 1989-11-05)
conductor:
Konrad Ruhland (from 1989-11-02 until 1989-11-05)
recorded at:
Ursulinenkloster in Niederalteich, Bayern (Bavaria), Germany (from 1989-11-02 until 1989-11-05)
Konrad Ruhland1:16
6Iiia. In Annuntiatione B.M.V. - “Ave Maria” (Offertorium, VIII.Tone)
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (from 1989-11-02 until 1989-11-05)
choir vocals:
Niederaltaicher Scholaren (German early music choir) (from 1989-11-02 until 1989-11-05)
conductor:
Konrad Ruhland (from 1989-11-02 until 1989-11-05)
recorded at:
Ursulinenkloster in Niederalteich, Bayern (Bavaria), Germany (from 1989-11-02 until 1989-11-05)
Konrad Ruhland2:00
7Iiib. In Annuntiatione B.M.V. - “Ave Maria, Gratia Plena” (Sequentia, V.Tone)
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (from 1989-11-02 until 1989-11-05)
choir vocals:
Niederaltaicher Scholaren (German early music choir) (from 1989-11-02 until 1989-11-05)
conductor:
Konrad Ruhland (from 1989-11-02 until 1989-11-05)
recorded at:
Ursulinenkloster in Niederalteich, Bayern (Bavaria), Germany (from 1989-11-02 until 1989-11-05)
Konrad Ruhland4:06
8Iiic. In Annuntiatione B.M.V. - “Ecce Virgo Concipiet” (Communio, I.Tone)
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (from 1989-11-02 until 1989-11-05)
choir vocals:
Niederaltaicher Scholaren (German early music choir) (from 1989-11-02 until 1989-11-05)
conductor:
Konrad Ruhland (from 1989-11-02 until 1989-11-05)
recorded at:
Ursulinenkloster in Niederalteich, Bayern (Bavaria), Germany (from 1989-11-02 until 1989-11-05)
Konrad Ruhland3:03
9Iva. Visitatio B.M.V. - “Cum Audisset Salutationem Mariae” (Ad Benedictus Antiphona, VIII.Tone)
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (from 1989-11-02 until 1989-11-05)
choir vocals:
Niederaltaicher Scholaren (German early music choir) (from 1989-11-02 until 1989-11-05)
conductor:
Konrad Ruhland (from 1989-11-02 until 1989-11-05)
recorded at:
Ursulinenkloster in Niederalteich, Bayern (Bavaria), Germany (from 1989-11-02 until 1989-11-05)
Konrad Ruhland5:36
10Ivb. Visitatio B.M.V. - “Magnificat” (Responsorium, II.Tone)
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (from 1989-11-02 until 1989-11-05)
choir vocals:
Niederaltaicher Scholaren (German early music choir) (from 1989-11-02 until 1989-11-05)
conductor:
Konrad Ruhland (from 1989-11-02 until 1989-11-05)
recorded at:
Ursulinenkloster in Niederalteich, Bayern (Bavaria), Germany (from 1989-11-02 until 1989-11-05)
Konrad Ruhland2:48
11Ivc. Visitatio B.M.V. - “Magnificat” (Evangelium, I.Tone)
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (from 1989-11-02 until 1989-11-05)
choir vocals:
Niederaltaicher Scholaren (German early music choir) (from 1989-11-02 until 1989-11-05)
conductor:
Konrad Ruhland (from 1989-11-02 until 1989-11-05)
recorded at:
Ursulinenkloster in Niederalteich, Bayern (Bavaria), Germany (from 1989-11-02 until 1989-11-05)
Konrad Ruhland4:12
12Va. In Nativitate Domini - “Kyrie - Virginitatis Amator” (Tropus, III.Tone)
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (from 1989-11-02 until 1989-11-05)
choir vocals:
Niederaltaicher Scholaren (German early music choir) (from 1989-11-02 until 1989-11-05)
conductor:
Konrad Ruhland (from 1989-11-02 until 1989-11-05)
recorded at:
Ursulinenkloster in Niederalteich, Bayern (Bavaria), Germany (from 1989-11-02 until 1989-11-05)
Konrad Ruhland4:07
13Vb. In Nativitate Domini - “Salve Sancta Parens” (Introitus, II.Tone)
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (from 1989-11-02 until 1989-11-05)
choir vocals:
Niederaltaicher Scholaren (German early music choir) (from 1989-11-02 until 1989-11-05)
conductor:
Konrad Ruhland (from 1989-11-02 until 1989-11-05)
recorded at:
Ursulinenkloster in Niederalteich, Bayern (Bavaria), Germany (from 1989-11-02 until 1989-11-05)
Konrad Ruhland2:21
14Vc. In Nativitate Domini - “Alma Redemptoris Mater” (Sequentia, V.Tone)
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (from 1989-11-02 until 1989-11-05)
choir vocals:
Niederaltaicher Scholaren (German early music choir) (from 1989-11-02 until 1989-11-05)
conductor:
Konrad Ruhland (from 1989-11-02 until 1989-11-05)
recorded at:
Ursulinenkloster in Niederalteich, Bayern (Bavaria), Germany (from 1989-11-02 until 1989-11-05)
Konrad Ruhland4:08
15Via. In Purificatione B.M.V. - “Lumen Ad Revelationem Gentium“ - Canticum Simeonis (Antiphona, VIII.Tone)
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (from 1989-11-02 until 1989-11-05)
choir vocals:
Niederaltaicher Scholaren (German early music choir) (from 1989-11-02 until 1989-11-05)
conductor:
Konrad Ruhland (from 1989-11-02 until 1989-11-05)
recorded at:
Ursulinenkloster in Niederalteich, Bayern (Bavaria), Germany (from 1989-11-02 until 1989-11-05)
Konrad Ruhland2:52
16Vib. In Purificatione B.M.V. - “Adorna Thalamum Tuum” (Antiphona, VI.Tone)
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (from 1989-11-02 until 1989-11-05)
choir vocals:
Niederaltaicher Scholaren (German early music choir) (from 1989-11-02 until 1989-11-05)
conductor:
Konrad Ruhland (from 1989-11-02 until 1989-11-05)
recorded at:
Ursulinenkloster in Niederalteich, Bayern (Bavaria), Germany (from 1989-11-02 until 1989-11-05)
Konrad Ruhland2:25
17Viia. In Festo Septem Dolorum - “Stabat Sancta Maria” (Tractus, II.Tone)
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (from 1989-11-02 until 1989-11-05)
choir vocals:
Niederaltaicher Scholaren (German early music choir) (from 1989-11-02 until 1989-11-05)
conductor:
Konrad Ruhland (from 1989-11-02 until 1989-11-05)
recorded at:
Ursulinenkloster in Niederalteich, Bayern (Bavaria), Germany (from 1989-11-02 until 1989-11-05)
Konrad Ruhland2:40
18Viib. In Festo Septem Dolorum - “Stabat Mater Dolorosa” (Sequentia, II.Tone)
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (from 1989-11-02 until 1989-11-05)
choir vocals:
Niederaltaicher Scholaren (German early music choir) (from 1989-11-02 until 1989-11-05)
conductor:
Konrad Ruhland (from 1989-11-02 until 1989-11-05)
recorded at:
Ursulinenkloster in Niederalteich, Bayern (Bavaria), Germany (from 1989-11-02 until 1989-11-05)
Konrad Ruhland5:14
19Viic. In Festo Septem Dolorum - “Recordare Virgo Mater” (Offertorium + Tropus, I.Tone)
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (from 1989-11-02 until 1989-11-05)
choir vocals:
Niederaltaicher Scholaren (German early music choir) (from 1989-11-02 until 1989-11-05)
conductor:
Konrad Ruhland (from 1989-11-02 until 1989-11-05)
recorded at:
Ursulinenkloster in Niederalteich, Bayern (Bavaria), Germany (from 1989-11-02 until 1989-11-05)
Konrad Ruhland1:50
20Viiia. In Assumptione B.M.V. - “Gaudeamus Omnes in Domino” (Introitus, I.Tone)
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (from 1989-11-02 until 1989-11-05)
choir vocals:
Niederaltaicher Scholaren (German early music choir) (from 1989-11-02 until 1989-11-05)
conductor:
Konrad Ruhland (from 1989-11-02 until 1989-11-05)
recorded at:
Ursulinenkloster in Niederalteich, Bayern (Bavaria), Germany (from 1989-11-02 until 1989-11-05)
Konrad Ruhland2:53
21Viiib. In Assumptione B.M.V. - “Lectio Libri Sapientiae” (Reading in Two Voices / 2-Stimmige Lesung)
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (from 1989-11-02 until 1989-11-05)
choir vocals:
Niederaltaicher Scholaren (German early music choir) (from 1989-11-02 until 1989-11-05)
conductor:
Konrad Ruhland (from 1989-11-02 until 1989-11-05)
recorded at:
Ursulinenkloster in Niederalteich, Bayern (Bavaria), Germany (from 1989-11-02 until 1989-11-05)
Konrad Ruhland4:13
22Viiic. In Assumptione B.M.V. - “Assumpta Est Maria in Caelum” (Offertorium, VIII.Tone)
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (from 1989-11-02 until 1989-11-05)
choir vocals:
Niederaltaicher Scholaren (German early music choir) (from 1989-11-02 until 1989-11-05)
conductor:
Konrad Ruhland (from 1989-11-02 until 1989-11-05)
recorded at:
Ursulinenkloster in Niederalteich, Bayern (Bavaria), Germany (from 1989-11-02 until 1989-11-05)
Konrad Ruhland1:54
23Aditional Pieces - “Sancta Maria, Sucurre Miseris” (Antiphona Ad Magnificat, I.Tone)
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (from 1989-11-02 until 1989-11-05)
choir vocals:
Niederaltaicher Scholaren (German early music choir) (from 1989-11-02 until 1989-11-05)
conductor:
Konrad Ruhland (from 1989-11-02 until 1989-11-05)
recorded at:
Ursulinenkloster in Niederalteich, Bayern (Bavaria), Germany (from 1989-11-02 until 1989-11-05)
Konrad Ruhland1:42
24Aditional Pieces - “Salve Regina, Mater Misericordiae” (Antiphona Ad Maria, I.Tone)
recording engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (from 1989-11-02 until 1989-11-05)
choir vocals:
Niederaltaicher Scholaren (German early music choir) (from 1989-11-02 until 1989-11-05)
conductor:
Konrad Ruhland (from 1989-11-02 until 1989-11-05)
recorded at:
Ursulinenkloster in Niederalteich, Bayern (Bavaria), Germany (from 1989-11-02 until 1989-11-05)
Konrad Ruhland2:36
2▼CD: BACH: Cantates Nos. 27, 34 & 41
#TitleArtistRatingLength
1Cantata “Wer Weiß Wie Nahe Mir Mein Ende”, BWV 27 - I. Chorus (& Recitatives) “Wer Weiß, Wie Nahe Mir Mein Ende”
alto vocals:
Jonas Will (German boy alto) (in 1995-06)
bass vocals:
Harry van der Kamp (operatic bass) (in 1995-06)
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1995-06)
tenor vocals:
Markus Schäfer (tenor) (in 1995-06)
treble vocals:
Johannes Pohl (German boy soprano) (in 1995-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1995-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-06)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": I. Choral e Recitativi (Soprano, Alto, Tenore, Basso) "Wer weiß, wie nahe mir mein Ende?" (in 1995-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ämilie Juliane von Schwarzburg-Rudolstadt (in 1695)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach; Gustav Leonhardt5:00
2Cantata “Wer Weiß Wie Nahe Mir Mein Ende”, BWV 27 - II. Recitative “Mein Leben Hat Kein Ander Ziel”
tenor vocals:
Markus Schäfer (tenor) (in 1995-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1995-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-06)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": II. Recitativo (Tenore) "Mein Leben hat kein ander Ziel" (in 1995-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach; Gustav Leonhardt0:54
3Cantata “Wer Weiß Wie Nahe Mir Mein Ende”, BWV 27 - III. Aria “Willkommen! Will Ich Sagen”
alto vocals:
Jonas Will (German boy alto) (in 1995-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1995-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-06)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": III. Aria (Alto) "Willkommen! will ich sagen" (in 1995-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Erdmann Neumeister
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach; Gustav Leonhardt5:52
4Cantata “Wer Weiß Wie Nahe Mir Mein Ende”, BWV 27 - IV. Recitative “Ach, Wer Doch Schon Im Himmel Wär”
treble vocals:
Johannes Pohl (German boy soprano) (in 1995-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1995-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-06)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": IV. Recitativo (Soprano) "Ach, wer doch schon im Himmel wär!" (in 1995-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach; Gustav Leonhardt0:52
5Cantata “Wer Weiß Wie Nahe Mir Mein Ende”, BWV 27 - V. Aria “Gute Nacht, Du Welgetümmel”
bass vocals:
Harry van der Kamp (operatic bass) (in 1995-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1995-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-06)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": V. Aria (Basso) "Gute Nacht, du Weltgetümmel!" (in 1995-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach; Gustav Leonhardt3:32
6Cantata “Wer Weiß Wie Nahe Mir Mein Ende”, BWV 27 - VI. Chorale “Welt Ade! Ich Bin Dein Müde”
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1995-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1995-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-06)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": VI. Choral "Welt, ade! ich bin dein müde" (in 1995-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Georg Albinus (in 1649)
part of:
Breitkopf 389 Choralgesänge (number: 350)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach; Gustav Leonhardt1:10
7Cantata “O Ewiges Feuer, o Ursprung Der Liebe”, BWV 34 - I. Chorus “O Ewiges Feuer, o Ursprung Der Liebe”
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1995-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1995-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-06)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": I. Coro "O ewiges Feuer, o Ursprung der Liebe" (in 1995-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach; Gustav Leonhardt8:22
8Cantata “O Ewiges Feuer, o Ursprung Der Liebe”, BWV 34 - II. Recitative “Herr, Unsre Herzen Halten Dir”
tenor vocals:
Markus Schäfer (tenor) (in 1995-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1995-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-06)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": II. Recitativo (Tenore) "Herr, unsre Herzen halten dir" (in 1995-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach; Gustav Leonhardt0:44
9Cantata “O Ewiges Feuer, o Ursprung Der Liebe”, BWV 34 - III. Aria “Wohl Euch, Ihr Auserwählten Seelen”
alto vocals:
Michael Sapara (German boy alto) (in 1995-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1995-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-06)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Alto) "Wohl euch, ihr auserwählten Seelen" (in 1995-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach; Gustav Leonhardt5:50
10Cantata “O Ewiges Feuer, o Ursprung Der Liebe”, BWV 34 - IV. Recitative “Erwählt Sich Gott Die Heilgen Hütten”
bass vocals:
Harry van der Kamp (operatic bass) (in 1995-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1995-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-06)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": IV. Recitativo (Basso) "Erwählt sich Gott die heilgen Hütten" (in 1995-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach; Gustav Leonhardt0:35
11Cantata “O Ewiges Feuer, o Ursprung Der Liebe”, BWV 34 - V. Chorus “Friede Ueber Israel”
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1995-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1995-06)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-06)
engineered at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": V. Coro "Friede über Israel" (in 1995-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach; Gustav Leonhardt2:23
12Cantata “Jesu, Nun Sei Gepreiset”, BWV 41 - I. Chorus “Jesu, Nun Sei Gepreiset”
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1995-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1995-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-06)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": I. Coro "Jesu, nun sei gepreiset" (in 1995-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach; Gustav Leonhardt8:55
13Cantata “Jesu, Nun Sei Gepreiset”, BWV 41 - II. Aria “Laß Uns, o Höchster Gott, Das Jahr Vollbringen”
treble vocals:
Matthias Ritter (German boy soprano) (in 1995-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1995-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-06)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": II. Aria (Soprano) "Laß uns, o höchster Gott, das Jahr vollbringen" (in 1995-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach; Gustav Leonhardt7:17
14Cantata “Jesu, Nun Sei Gepreiset”, BWV 41 - III. Recitative “Ach! Deine Hand, Dein Segen Muß Allein”
alto vocals:
Jonas Will (German boy alto) (in 1995-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1995-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-06)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": III. Recitativo (Alto) "Ach! deine Hand, dein Segen" (in 1995-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach; Gustav Leonhardt1:02
15Cantata “Jesu, Nun Sei Gepreiset”, BWV 41 - IV. Aria “Woferne Du Den Edlen Frieden”
tenor vocals:
Markus Schäfer (tenor) (in 1995-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1995-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-06)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": IV. Aria (Tenore) "Woferne du den edlen Frieden" (in 1995-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach; Gustav Leonhardt8:50
16Cantata “Jesu, Nun Sei Gepreiset”, BWV 41 - V. Recitative “Doch Weil Der Feind Bei Tag Und Nacht”
bass vocals:
Harry van der Kamp (operatic bass) (in 1995-06)
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1995-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1995-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-06)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": V. Recitativo (Basso) e Coro "Doch weil der Feind bei Tag und Nacht" (in 1995-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach; Gustav Leonhardt0:57
17Cantata “Jesu, Nun Sei Gepreiset”, BWV 41 - VI. Chorale “Dein Ist Allein Die Ehre”
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1995-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1995-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-06)
recording of:
Kantate, BWV 41 "Jesu, nun sei gepreiset": VI. Choral "Dein ist allein die Ehre" (in 1995-06)
lyricist:
Johannes Hermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 204)
part of:
Kantate, BWV 41 "Jesu, nun sei gepreiset"
Johann Sebastian Bach; Gustav Leonhardt2:16
3▼CD: BACH: Motets, BWV 225-229
#TitleArtistRatingLength
1Singet Dem Herrn Ein Neues Lied, Motet, BWV 225 - I. “Singet Dem Herrn Ein Neues Lied”
choir vocals:
Kammerchor Stuttgart (in 1989-10)
orchestra:
Barockorchester Stuttgart (in 1989-10)
conductor:
Frieder Bernius (chorus master) (in 1989-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1989-10)
recording of:
Singet dem Herrn ein neues Lied, BWV 225: I. "Singet dem Herrn ein neues Lied" (in 1989-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Singet dem Herrn ein neues Lied, BWV 225
Johann Sebastian Bach; Frieder Bernius4:47
2Singet Dem Herrn Ein Neues Lied, Motet, BWV 225 - II. “Gott, Nimm Dich Ferner Unser an” - Chorale “Wie Sich Ein Vat'r Erbarmet”
choir vocals:
Kammerchor Stuttgart (in 1989-10)
orchestra:
Barockorchester Stuttgart (in 1989-10)
conductor:
Frieder Bernius (chorus master) (in 1989-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1989-10)
partial recording of:
Singet dem Herrn ein neues Lied, BWV 225: II. "Wie sich ein Vater erbarmet" (in 1989-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Singet dem Herrn ein neues Lied, BWV 225
Johann Sebastian Bach; Frieder Bernius4:20
3Singet Dem Herrn Ein Neues Lied, Motet, BWV 225 - “Gott, Nimm Dich Ferner Unser an” - Chorale “Er Hat Uns Wissen Lassen”
choir vocals:
Kammerchor Stuttgart (in 1989-10)
orchestra:
Barockorchester Stuttgart (in 1989-10)
conductor:
Frieder Bernius (chorus master) (in 1989-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1989-10)
partial recording of:
Singet dem Herrn ein neues Lied, BWV 225: II. "Wie sich ein Vater erbarmet" (in 1989-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Singet dem Herrn ein neues Lied, BWV 225
Johann Sebastian Bach; Frieder Bernius4:13
4Singet Dem Herrn Ein Neues Lied, Motet, BWV 225 - III. “Lobet Den Herrn in Seinen Taten”
choir vocals:
Kammerchor Stuttgart (in 1989-10)
orchestra:
Barockorchester Stuttgart (in 1989-10)
conductor:
Frieder Bernius (chorus master) (in 1989-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1989-10)
recording of:
Singet dem Herrn ein neues Lied, BWV 225: III. "Lobet den Herrn in seinen Taten" (in 1989-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Singet dem Herrn ein neues Lied, BWV 225
Johann Sebastian Bach; Frieder Bernius3:37
5Komm, Jesu, Komm, Motet, BWV 229 - I. “Komm, Jesu, Komm”
choir vocals:
Kammerchor Stuttgart (in 1989-10)
orchestra:
Barockorchester Stuttgart (in 1989-10)
conductor:
Frieder Bernius (chorus master) (in 1989-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1989-10)
recording of:
Komm, Jesu, komm, BWV 229: I. "Komm, Jesu, komm" (in 1989-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Komm, Jesu, komm, BWV 229
Johann Sebastian Bach; Frieder Bernius6:56
6Komm, Jesu, Komm, Motet, BWV 229 - II. Aria “Drum Schließ Ich Mich in Deine Hände”
choir vocals:
Kammerchor Stuttgart (in 1989-10)
orchestra:
Barockorchester Stuttgart (in 1989-10)
conductor:
Frieder Bernius (chorus master) (in 1989-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1989-10)
recording of:
Komm, Jesu, komm, BWV 229: II. Aria "Drum schließ ich mich in deine Hände" (in 1989-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 222)
part of:
Komm, Jesu, komm, BWV 229
Johann Sebastian Bach; Frieder Bernius1:12
7Der Geist Hilft Unser Schwachheit Auf, Motet, BWV 226 - I. “Der Geist Hilft Unser Schwachheit Auf”
choir vocals:
Kammerchor Stuttgart (in 1989-10)
orchestra:
Barockorchester Stuttgart (in 1989-10)
conductor:
Frieder Bernius (chorus master) (in 1989-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1989-10)
recording of:
Der Geist hilft unser Schwachheit auf, BWV 226: I. "Der Geist hilft unser Schwachheit auf" (in 1989-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Der Geist hilft unsrer Schwachheit auf, BWV 226
Johann Sebastian Bach; Frieder Bernius3:46
8Der Geist Hilft Unser Schwachheit Auf, Motet, BWV 226 - II. “Der Aber Die Herzen Forschet”
choir vocals:
Kammerchor Stuttgart (in 1989-10)
orchestra:
Barockorchester Stuttgart (in 1989-10)
conductor:
Frieder Bernius (chorus master) (in 1989-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1989-10)
recording of:
Der Geist hilft unser Schwachheit auf, BWV 226: II. "Der aber die Herzen forschet" (in 1989-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Der Geist hilft unsrer Schwachheit auf, BWV 226
Johann Sebastian Bach; Frieder Bernius2:15
9Der Geist Hilft Unser Schwachheit Auf, Motet, BWV 226 - III. Chorale “Du Heilige Brunst”
choir vocals:
Kammerchor Stuttgart (in 1989-10)
orchestra:
Barockorchester Stuttgart (in 1989-10)
conductor:
Frieder Bernius (chorus master) (in 1989-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1989-10)
recording of:
Der Geist hilft unsrer Schwachheit auf, BWV 226: III. "Du heilige Brunst" (in 1989-10)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 221)
part of:
Der Geist hilft unsrer Schwachheit auf, BWV 226
Johann Sebastian Bach; Frieder Bernius1:20
10Jesu, Meine Freude, Motet, BWV 227 - I. Chorale “Jesu, Meine Freude”
choir vocals:
Kammerchor Stuttgart (in 1989-10)
orchestra:
Barockorchester Stuttgart (in 1989-10)
conductor:
Frieder Bernius (chorus master) (in 1989-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1989-10)
recording of:
Jesu, meine Freude, BWV 227: I. Corale „Jesu, meine Freude“ (in 1989-10)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 196)
is based on:
Jesu, meine Freude
part of:
Jesu, meine Freude, BWV 227
Johann Sebastian Bach; Frieder Bernius1:04
11Jesu, Meine Freude, Motet, BWV 227 - II. “Er Ist Nun Nichts Verdammliches”
choir vocals:
Kammerchor Stuttgart (in 1989-10)
orchestra:
Barockorchester Stuttgart (in 1989-10)
conductor:
Frieder Bernius (chorus master) (in 1989-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1989-10)
recording of:
Jesu, meine Freude, BWV 227: II. "Es ist nun nichts Verdammliches" (in 1989-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
Johann Sebastian Bach; Frieder Bernius2:43
12Jesu, Meine Freude, Motet, BWV 227 - III. Chorale “Unter Deinen Schirmen Bin Ich Vor Den Sturmen”
choir vocals:
Kammerchor Stuttgart (in 1989-10)
orchestra:
Barockorchester Stuttgart (in 1989-10)
conductor:
Frieder Bernius (chorus master) (in 1989-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1989-10)
recording of:
Jesu, meine Freude, BWV 227: III. Corale: "Unter deinem Schirmen" (in 1989-10)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 198)
part of:
Jesu, meine Freude, BWV 227
Johann Sebastian Bach; Frieder Bernius1:02
13Jesu, Meine Freude, Motet, BWV 227 - IV. “Denn Das Gesetz Des Geistes, Das da Lebendig Macht”
choir vocals:
Kammerchor Stuttgart (in 1989-10)
orchestra:
Barockorchester Stuttgart (in 1989-10)
conductor:
Frieder Bernius (chorus master) (in 1989-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1989-10)
recording of:
Jesu, meine Freude, BWV 227: IV. "Denn das Gesetz des Geistes" (in 1989-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
Johann Sebastian Bach; Frieder Bernius0:56
14Jesu, Meine Freude, Motet, BWV 227 - V. Chorale “Trotz Dem Alten Drachen”
choir vocals:
Kammerchor Stuttgart (in 1989-10)
orchestra:
Barockorchester Stuttgart (in 1989-10)
conductor:
Frieder Bernius (chorus master) (in 1989-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1989-10)
recording of:
Jesu, meine Freude, BWV 227: V. Corale: "Trotz dem alten Drachen" (in 1989-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
Johann Sebastian Bach; Frieder Bernius2:04
15Jesu, Meine Freude, Motet, BWV 227 - VI. “Ihr Aber Seid Nicht Fleischlich”
choir vocals:
Kammerchor Stuttgart (in 1989-10)
orchestra:
Barockorchester Stuttgart (in 1989-10)
conductor:
Frieder Bernius (chorus master) (in 1989-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1989-10)
recording of:
Jesu, meine Freude, BWV 227: VI. "Ihr aber seid nicht fleischlich" (in 1989-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
Johann Sebastian Bach; Frieder Bernius2:31
16Jesu, Meine Freude, Motet, BWV 227 - VII. Chorale “Weg Mit Allen Schätzen”
choir vocals:
Kammerchor Stuttgart (in 1989-10)
orchestra:
Barockorchester Stuttgart (in 1989-10)
conductor:
Frieder Bernius (chorus master) (in 1989-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1989-10)
recording of:
Jesu, meine Freude, BWV 227: VII. Corale: "Weg mit allen Schätzen" (in 1989-10)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 199)
part of:
Jesu, meine Freude, BWV 227
Johann Sebastian Bach; Frieder Bernius1:06
17Jesu, Meine Freude, Motet, BWV 227 - VIII. “So Aber Christus in Euch Ist”
choir vocals:
Kammerchor Stuttgart (in 1989-10)
orchestra:
Barockorchester Stuttgart (in 1989-10)
conductor:
Frieder Bernius (chorus master) (in 1989-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1989-10)
recording of:
Jesu, meine Freude, BWV 227: VIII. "So aber Christus in euch ist" (in 1989-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
Johann Sebastian Bach; Frieder Bernius2:02
18Jesu, Meine Freude, Motet, BWV 227 - IX. Chorale “Gute Nacht, o Wesen”
choir vocals:
Kammerchor Stuttgart (in 1989-10)
orchestra:
Barockorchester Stuttgart (in 1989-10)
conductor:
Frieder Bernius (chorus master) (in 1989-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1989-10)
recording of:
Jesu, meine Freude, BWV 227: IX. Corale: "Gute Nacht, o Wesen" (in 1989-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
Johann Sebastian Bach; Frieder Bernius3:31
19Jesu, Meine Freude, Motet, BWV 227 - X. “So Nun Der Geist”
choir vocals:
Kammerchor Stuttgart (in 1989-10)
orchestra:
Barockorchester Stuttgart (in 1989-10)
conductor:
Frieder Bernius (chorus master) (in 1989-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1989-10)
recording of:
Jesu, meine Freude, BWV 227: X. "So nun der Geist" (in 1989-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
Johann Sebastian Bach; Frieder Bernius1:20
20Jesu, Meine Freude, Motet, BWV 227 - XI. Chorale “Weicht, Ihr Trauergeister”
choir vocals:
Kammerchor Stuttgart (in 1989-10)
orchestra:
Barockorchester Stuttgart (in 1989-10)
conductor:
Frieder Bernius (chorus master) (in 1989-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1989-10)
recording of:
Jesu, meine Freude, BWV 227: XI. Corale: "Weicht, ihr Trauergeister" (in 1989-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
Johann Sebastian Bach; Frieder Bernius1:12
21Fürchte Dich Nicht, Ich Bin Bei Dir, Motet, BWV 228
choir vocals:
Kammerchor Stuttgart (in 1989-10)
orchestra:
Barockorchester Stuttgart (in 1989-10)
conductor:
Frieder Bernius (chorus master) (in 1989-10)
recorded at:
Evangelische Peter-und-Paul-Kirche, Gönningen in Reutlingen, Baden-Württemberg, Germany (in 1989-10)
recording of:
Fürchte dich nicht, ich bin bei dir, BWV 228 (in 1989-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 228) and Bach Compendium (number: BC C 4)
Johann Sebastian Bach; Frieder Bernius8:41
4▼CD: BEETHOVEN: Piano Concertos Nos. 1 & 2
#TitleArtistRatingLength
1Piano Concerto No. 1 in C major, Op. 15 - I. Allegro Con Brio
recording engineer and editor:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
fortepiano:
Jos van Immerseel (Belgian pianist and conductor) (from 1995-08-28 until 1995-08-30)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1995-08-28 until 1995-08-30)
conductor:
Bruno Weil (conductor) (from 1995-08-28 until 1995-08-30)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1995-08-28 until 1995-08-30)
recorded at:
Kurhaus Bad Tölz in Bad Tölz, Bayern (Bavaria), Germany (from 1995-08-28 until 1995-08-30)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio (from 1995-08-28 until 1995-08-30)
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven; Jos van Immerseel, Tafelmusik & Bruno Weil14:49
2Piano Concerto No. 1 in C major, Op. 15 - II. Largo
recording engineer and editor:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
fortepiano:
Jos van Immerseel (Belgian pianist and conductor) (from 1995-08-28 until 1995-08-30)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1995-08-28 until 1995-08-30)
conductor:
Bruno Weil (conductor) (from 1995-08-28 until 1995-08-30)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1995-08-28 until 1995-08-30)
recorded at:
Kurhaus Bad Tölz in Bad Tölz, Bayern (Bavaria), Germany (from 1995-08-28 until 1995-08-30)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo (from 1995-08-28 until 1995-08-30)
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven; Jos van Immerseel, Tafelmusik & Bruno Weil9:48
3Piano Concerto No. 1 in C major, Op. 15 - III. Rondo. Allegro
recording engineer and editor:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
fortepiano:
Jos van Immerseel (Belgian pianist and conductor) (from 1995-08-28 until 1995-08-30)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1995-08-28 until 1995-08-30)
conductor:
Bruno Weil (conductor) (from 1995-08-28 until 1995-08-30)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1995-08-28 until 1995-08-30)
recorded at:
Kurhaus Bad Tölz in Bad Tölz, Bayern (Bavaria), Germany (from 1995-08-28 until 1995-08-30)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando (from 1995-08-28 until 1995-08-30)
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven; Jos van Immerseel, Tafelmusik & Bruno Weil9:53
4Piano Concerto No. 2 in B-flat major, Op. 19 - I. Allegro Con Brio
recording engineer and editor:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
fortepiano:
Jos van Immerseel (Belgian pianist and conductor) (from 1995-08-28 until 1995-08-30)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1995-08-28 until 1995-08-30)
conductor:
Bruno Weil (conductor) (from 1995-08-28 until 1995-08-30)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1995-08-28 until 1995-08-30)
recorded at:
Kurhaus Bad Tölz in Bad Tölz, Bayern (Bavaria), Germany (from 1995-08-28 until 1995-08-30)
recording of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio (from 1995-08-28 until 1995-08-30)
composer:
Ludwig van Beethoven (German composer) (from 1788 until 1801)
part of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19
Ludwig van Beethoven; Jos van Immerseel, Tafelmusik & Bruno Weil13:37
5Piano Concerto No. 2 in B-flat major, Op. 19 - II. Adagio
recording engineer and editor:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
fortepiano:
Jos van Immerseel (Belgian pianist and conductor) (from 1995-08-28 until 1995-08-30)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1995-08-28 until 1995-08-30)
conductor:
Bruno Weil (conductor) (from 1995-08-28 until 1995-08-30)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1995-08-28 until 1995-08-30)
recorded at:
Kurhaus Bad Tölz in Bad Tölz, Bayern (Bavaria), Germany (from 1995-08-28 until 1995-08-30)
recording of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio (from 1995-08-28 until 1995-08-30)
composer:
Ludwig van Beethoven (German composer) (from 1788 until 1801)
part of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19
Ludwig van Beethoven; Jos van Immerseel, Tafelmusik & Bruno Weil7:52
6Piano Concerto No. 2 in B-flat major, Op. 19 - III. Rondo. Molto Allegro
recording engineer and editor:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
fortepiano:
Jos van Immerseel (Belgian pianist and conductor) (from 1995-08-28 until 1995-08-30)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1995-08-28 until 1995-08-30)
conductor:
Bruno Weil (conductor) (from 1995-08-28 until 1995-08-30)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1995-08-28 until 1995-08-30)
recorded at:
Kurhaus Bad Tölz in Bad Tölz, Bayern (Bavaria), Germany (from 1995-08-28 until 1995-08-30)
recording of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro (from 1995-08-28 until 1995-08-30)
composer:
Ludwig van Beethoven (German composer) (from 1788 until 1801)
part of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19
Ludwig van Beethoven; Jos van Immerseel, Tafelmusik & Bruno Weil5:37
5▼CD: BEETHOVEN: Piano Concertos Nos. 3 & 4
#TitleArtistRatingLength
1Piano Concerto No. 3 in C minor, Op. 37 - I. Allegro Con Brio
recording engineer and editor:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
fortepiano:
Jos van Immerseel (Belgian pianist and conductor) (from 1996-09-12 until 1996-09-14)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1996-09-12 until 1996-09-14)
conductor:
Bruno Weil (conductor) (from 1996-09-12 until 1996-09-14)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1996-09-12 until 1996-09-14)
recorded at:
Kloster Benediktbeuern in Benediktbeuern, Bayern (Bavaria), Germany (from 1996-09-12 until 1996-09-14)
recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio (from 1996-09-12 until 1996-09-14)
additional composer:
Ludwig van Beethoven (German composer) (in 1809)
composer:
Ludwig van Beethoven (German composer) (in 1800)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
Ludwig van Beethoven, Tafelmusik, Bruno Weil & Jeanne Lamon17:11
2Piano Concerto No. 3 in C minor, Op. 37 - II. Largo
recording engineer and editor:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
fortepiano:
Jos van Immerseel (Belgian pianist and conductor) (from 1996-09-12 until 1996-09-14)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1996-09-12 until 1996-09-14)
conductor:
Bruno Weil (conductor) (from 1996-09-12 until 1996-09-14)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1996-09-12 until 1996-09-14)
recorded at:
Kloster Benediktbeuern in Benediktbeuern, Bayern (Bavaria), Germany (from 1996-09-12 until 1996-09-14)
recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo (from 1996-09-12 until 1996-09-14)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1803)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
Ludwig van Beethoven, Tafelmusik, Bruno Weil & Jeanne Lamon9:26
3Piano Concerto No. 3 in C minor, Op. 37 - III. Rondo. Allegro
recording engineer and editor:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
fortepiano:
Jos van Immerseel (Belgian pianist and conductor) (from 1996-09-12 until 1996-09-14)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1996-09-12 until 1996-09-14)
conductor:
Bruno Weil (conductor) (from 1996-09-12 until 1996-09-14)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1996-09-12 until 1996-09-14)
recorded at:
Kloster Benediktbeuern in Benediktbeuern, Bayern (Bavaria), Germany (from 1996-09-12 until 1996-09-14)
recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro (from 1996-09-12 until 1996-09-14)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1803)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
Ludwig van Beethoven, Tafelmusik, Bruno Weil & Jeanne Lamon9:25
4Piano Concerto No. 4 in G major, Op. 58 - I. Allegro Moderato
recording engineer and editor:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
fortepiano:
Jos van Immerseel (Belgian pianist and conductor) (from 1996-09-12 until 1996-09-14)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1996-09-12 until 1996-09-14)
conductor:
Bruno Weil (conductor) (from 1996-09-12 until 1996-09-14)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1996-09-12 until 1996-09-14)
recorded at:
Kloster Benediktbeuern in Benediktbeuern, Bayern (Bavaria), Germany (from 1996-09-12 until 1996-09-14)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato (from 1996-09-12 until 1996-09-14)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven, Tafelmusik, Bruno Weil & Jeanne Lamon18:51
5Piano Concerto No. 4 in G major, Op. 58 - II. Andante Con Moto
recording engineer and editor:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
fortepiano:
Jos van Immerseel (Belgian pianist and conductor) (from 1996-09-12 until 1996-09-14)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1996-09-12 until 1996-09-14)
conductor:
Bruno Weil (conductor) (from 1996-09-12 until 1996-09-14)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1996-09-12 until 1996-09-14)
recorded at:
Kloster Benediktbeuern in Benediktbeuern, Bayern (Bavaria), Germany (from 1996-09-12 until 1996-09-14)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto (from 1996-09-12 until 1996-09-14)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven, Tafelmusik, Bruno Weil & Jeanne Lamon3:55
6Piano Concerto No. 4 in G major, Op. 58 - III. Rondo. Vivace
recording engineer and editor:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
fortepiano:
Jos van Immerseel (Belgian pianist and conductor) (from 1996-09-12 until 1996-09-14)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1996-09-12 until 1996-09-14)
conductor:
Bruno Weil (conductor) (from 1996-09-12 until 1996-09-14)
concertmaster:
Jeanne Lamon (conductor/violinist) (from 1996-09-12 until 1996-09-14)
recorded at:
Kloster Benediktbeuern in Benediktbeuern, Bayern (Bavaria), Germany (from 1996-09-12 until 1996-09-14)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace (from 1996-09-12 until 1996-09-14)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven, Tafelmusik, Bruno Weil & Jeanne Lamon10:11
6▼CD: BEETHOVEN: Piano Concerto No. 5 / Violin Concerto
#TitleArtistRatingLength
1Piano Concerto No.5 in E-flat major, Op.73 'Emperor' - I. Allegro
recording engineer and editor:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
fortepiano:
Jos van Immerseel (Belgian pianist and conductor) (from 1997-09-08 until 1997-09-10)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1997-09-08 until 1997-09-10)
conductor:
Bruno Weil (conductor) (from 1997-09-08 until 1997-09-10)
concertmaster:
Jeanne Lamon (conductor/violinist)
recorded at:
Kurhaus Bad Tölz in Bad Tölz, Bayern (Bavaria), Germany (from 1997-09-08 until 1997-09-10)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro (from 1997-09-08 until 1997-09-10)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven, Tafelmusik, Bruno Weil & Jeanne Lamon19:30
2Piano Concerto No.5 in E-flat major, Op.73 'Emperor' - II. Adagio Un Poco Moto
recording engineer and editor:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
fortepiano:
Jos van Immerseel (Belgian pianist and conductor) (from 1997-09-08 until 1997-09-10)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1997-09-08 until 1997-09-10)
conductor:
Bruno Weil (conductor) (from 1997-09-08 until 1997-09-10)
concertmaster:
Jeanne Lamon (conductor/violinist)
recorded at:
Kurhaus Bad Tölz in Bad Tölz, Bayern (Bavaria), Germany (from 1997-09-08 until 1997-09-10)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (from 1997-09-08 until 1997-09-10)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven, Tafelmusik, Bruno Weil & Jeanne Lamon6:44
3Piano Concerto No.5 in E-flat major, Op.73 'Emperor' - III. Rondo. Allegro
recording engineer and editor:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
fortepiano:
Jos van Immerseel (Belgian pianist and conductor) (from 1997-09-08 until 1997-09-10)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1997-09-08 until 1997-09-10)
conductor:
Bruno Weil (conductor) (from 1997-09-08 until 1997-09-10)
concertmaster:
Jeanne Lamon (conductor/violinist)
recorded at:
Kurhaus Bad Tölz in Bad Tölz, Bayern (Bavaria), Germany (from 1997-09-08 until 1997-09-10)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro (from 1997-09-08 until 1997-09-10)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven, Tafelmusik, Bruno Weil & Jeanne Lamon9:36
4Violin Concerto in D major, Op.61 - I. Allegro Ma Non Troppo
recording engineer and editor:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
violin:
Jeanne Lamon (conductor/violinist) and Vera Beths (violinist) (from 1997-09-08 until 1997-09-10)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1997-09-08 until 1997-09-10)
conductor:
Bruno Weil (conductor) (from 1997-09-08 until 1997-09-10)
concertmaster:
Jeanne Lamon (conductor/violinist)
recorded at:
Kurhaus Bad Tölz in Bad Tölz, Bayern (Bavaria), Germany (from 1997-09-08 until 1997-09-10)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo (from 1997-09-08 until 1997-09-10)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven, Tafelmusik, Bruno Weil & Jeanne Lamon19:57
5Violin Concerto in D major, Op.61 - II. Larghetto
recording engineer and editor:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
violin:
Jeanne Lamon (conductor/violinist) and Vera Beths (violinist) (from 1997-09-08 until 1997-09-10)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1997-09-08 until 1997-09-10)
conductor:
Bruno Weil (conductor) (from 1997-09-08 until 1997-09-10)
concertmaster:
Jeanne Lamon (conductor/violinist)
recorded at:
Kurhaus Bad Tölz in Bad Tölz, Bayern (Bavaria), Germany (from 1997-09-08 until 1997-09-10)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto (from 1997-09-08 until 1997-09-10)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven, Tafelmusik, Bruno Weil & Jeanne Lamon7:11
6Violin Concerto in D major, Op.61 - III. Rondo. Allegro
recording engineer and editor:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
producer:
Wolf Erichson (engineer/producer)
violin:
Jeanne Lamon (conductor/violinist) and Vera Beths (violinist) (from 1997-09-08 until 1997-09-10)
orchestra:
Tafelmusik (Canadian Baroque orchestra) (from 1997-09-08 until 1997-09-10)
conductor:
Bruno Weil (conductor) (from 1997-09-08 until 1997-09-10)
concertmaster:
Jeanne Lamon (conductor/violinist)
recorded at:
Kurhaus Bad Tölz in Bad Tölz, Bayern (Bavaria), Germany (from 1997-09-08 until 1997-09-10)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro (from 1997-09-08 until 1997-09-10)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven, Tafelmusik, Bruno Weil & Jeanne Lamon8:47
7▼CD: BRAHMS: String Sextet Nos. 1 & 2
#TitleArtistRatingLength
1String Sextet No. 1 in B-flat major, Op. 18 - I. Allegro Ma Non Troppo
strings:
L’Archibudelli
recording of:
Sextet for 2 Violins, 2 Violas, and 2 Cellos no. 1 in B-flat major, op. 18: I. Allegro ma non troppo
composer:
Johannes Brahms (German composer) (from 1859 until 1860)
part of:
Sextet for 2 Violins, 2 Violas, and 2 Cellos no. 1 in B-flat major, op. 18 (String Sextet No. 1 in B-flat major, Op. 18)
Johannes Brahms; L’Archibudelli13:14
2String Sextet No. 1 in B-flat major, Op. 18 - II. Andante Ma Moderato
strings:
L’Archibudelli
recording of:
Sextet for 2 Violins, 2 Violas, and 2 Cellos no. 1 in B-flat major, op. 18: II. Andante ma moderato
composer:
Johannes Brahms (German composer) (from 1859 until 1860)
part of:
Sextet for 2 Violins, 2 Violas, and 2 Cellos no. 1 in B-flat major, op. 18 (String Sextet No. 1 in B-flat major, Op. 18)
Johannes Brahms; L’Archibudelli8:12
3String Sextet No. 1 in B-flat major, Op. 18 - III. Scherzo. Allegro Molto - Trio. Animato
strings:
L’Archibudelli
recording of:
Sextet for 2 Violins, 2 Violas, and 2 Cellos no. 1 in B-flat major, op. 18: III. Scherzo. Allegro molto - Animato - Più animato
composer:
Johannes Brahms (German composer) (from 1859 until 1860)
part of:
Sextet for 2 Violins, 2 Violas, and 2 Cellos no. 1 in B-flat major, op. 18 (String Sextet No. 1 in B-flat major, Op. 18)
Johannes Brahms; L’Archibudelli2:56
4String Sextet No. 1 in B-flat major, Op. 18 - IV. Rondo. Poco Allegretto E Grazioso
strings:
L’Archibudelli
recording of:
Sextet for 2 Violins, 2 Violas, and 2 Cellos no. 1 in B-flat major, op. 18: IV. Rondo. Poco Allegretto e grazioso
composer:
Johannes Brahms (German composer) (from 1859 until 1860)
part of:
Sextet for 2 Violins, 2 Violas, and 2 Cellos no. 1 in B-flat major, op. 18 (String Sextet No. 1 in B-flat major, Op. 18)
Johannes Brahms; L’Archibudelli9:03
5String Sextet No. 2 in G major, Op. 36 - I. Allegro Non Troppo
strings:
L’Archibudelli
recording of:
Sextet for 2 Violins, 2 Violas, and 2 Cellos no. 2 in G major, op. 36: I. Allegro non troppo
composer:
Johannes Brahms (German composer) (from 1864 until 1865)
part of:
Sextet for 2 Violins, 2 Violas, and 2 Cellos no. 2 in G major, op. 36
Johannes Brahms; L’Archibudelli12:52
6String Sextet No. 2 in G major, Op. 36 - II. Scherzo. Allegro Non Troppo - (Trio) Presto Giocoso
strings:
L’Archibudelli
recording of:
Sextet for 2 Violins, 2 Violas, and 2 Cellos no. 2 in G major, op. 36: II. Scherzo. Allegro non troppo
composer:
Johannes Brahms (German composer) (from 1864 until 1865)
part of:
Sextet for 2 Violins, 2 Violas, and 2 Cellos no. 2 in G major, op. 36
Johannes Brahms; L’Archibudelli6:08
7String Sextet No. 2 in G major, Op. 36 - III. Adagio
strings:
L’Archibudelli
recording of:
Sextet for 2 Violins, 2 Violas, and 2 Cellos no. 2 in G major, op. 36: III. Poco adagio
composer:
Johannes Brahms (German composer) (from 1864 until 1865)
part of:
Sextet for 2 Violins, 2 Violas, and 2 Cellos no. 2 in G major, op. 36
Johannes Brahms; L’Archibudelli8:44
8String Sextet No. 2 in G major, Op. 36 - IV. Poco Allegro
strings:
L’Archibudelli
recording of:
Sextet for 2 Violins, 2 Violas, and 2 Cellos no. 2 in G major, op. 36: IV. Poco allegro
composer:
Johannes Brahms (German composer) (from 1864 until 1865)
part of:
Sextet for 2 Violins, 2 Violas, and 2 Cellos no. 2 in G major, op. 36
Johannes Brahms; L’Archibudelli8:24
8▶CD: BRUMEL: Missa "Et Ecce Terrae Motus" / Sequentia "Dies Irae"
9▶CD: Cantatas For Bass
10▶CD: Codex Las Huelgas (Music From 13th Century Spain)
11▶CD: The Feast Of San Rocco
12▶CD: The Feast of San Rocco
13▶CD: STAMITZ, RICHTER, HAYDN, GLUCK: Flute Concertos
14▶CD: FORQUERAY: Suite In D / Suite In G
15▶CD: GEMINIANI: Concerti Grossi
16▶CD: GLUCK: Orfeo Ed Euridice
17▶CD: GLUCK: Orfeo Ed Euridice
18▶CD: GLUCK: Don Juan / Semiramis (Ballet Pantomimes)
19▶CD: HAYDN: Missa Sancti Bernardi de Offida "Heiligmesse"
20▶CD: HAYDN: Theresienmesse / Nelsonmesse
21▶CD: HAYDN: Paukenmesse / Salve Regina / Motetto "O Celitum Beati"
22▶CD: HAYDN: Paris Symphonies I: Nos. 82, 83, 84
23▶CD: HAYDN: Paris Symphonies II: Nos. 85, 86, 87
24▶CD: Historic Organs Of Austria: Schlägl / Klosterneuburg
25▶CD: LASSO: Lagrime di San Pietro
26▶CD: MOZART: Deutsche Tänze K. 509, 536/567, 571, 586
27▶CD: MOZART: Ein Musikalischer Spaß / Horn Quintet / Marches / Duos / Divertimenti
28▶CD: MOZART: Overtures: Idomeneo - Die Entfuhrung Aus Dem Serail - Ecc.
29▶CD: MOZART: Symphonies After Serenades: K 100, 203, 250, 185, 204, 320
30▶CD: MOZART: Symphonies After Serenades: K 100, 203, 250, 185, 204, 320
31▶CD: MOZART: Rondo & Horn Concertos
32▶CD: MOZART: String Quintets, K 515 & 516
33▶CD: MOZART: The Vienna Years 1782-1789 - Sonatas, Fantasies, Rondo
34▶CD: MOZART: The Vienna Years 1782-1789 - Sonatas, Fantasies, Rondo
35▶CD: MENDELSSOHN: String Quartets Op. 18 & Op. 87
36▶CD: MENDELSSOHN / GADE: Octet Op.20 / Octet Op.17
37▶CD: SCHÜTZ: Historien Der Beburt Und Auferstehung Jesu Christi
38▶CD: SCHÜTZ: Symphoniae Sacrae II / Vater Abraham
39▶CD: SCHÜTZ: Symphoniae Sacrae II / Vater Abraham
40▶CD: BOCCHERINI: Stabat Mater / String Quintet Op.42 Nn. 1 & 2
41▶CD: SCHUBERT: Mass in E-flat major D 950
42▶CD: SCHUBERT: Mass in F major D 105 / Mass in G major D 167
43▶CD: SCHUBERT: Mass in B-flat major D 324 / Mass in C major D 452
44▶CD: SCHUBERT: String Quartet D 87 / String Trios D 471 & D 581
45▶CD: SCHUBERT: Trout Quintet D 667 / Arpeggione Sonata D 821 / Notturno D897
46▶CD: SCHUBERT: Octet in F major D803
47▶CD: Harmoniemusik (Rossini - Mozart)
48▶CD: From the Court of Frederick The Great
49▶CD: WECKMAN & FROBERGER: Harpsichord Music From the Dresden Court
50▶CD: WEBER, REICHA, HUMMEL: Clarinet Uintets & Quartet
51▶CD: Music From the Court of King Janus at Nicosia
52▶CD: PIPELARE: Missa "L'Homme Armé" / Chansons / Motets
53▶CD: FLECHA: Las Ensaladas (Burlesques of the Spanish Renaissance: El Fuego - La Negrina - La Justa)
54▶CD: FESTA: Magnificat / Mass Parts / Motets / Madrigals
55▶CD: The Quintessence of Chant (Christmas - Easter - Pentecost - Assumption of Mary)
56▶CD: The Quintessence of Chant (Christmas - Easter - Pentecost - Assumption of Mary)
57▶CD: BUXTEHUDE: "Wacht! Euch Zum Streit"
58▶CD: BUXTEHUDE: "Wacht! Euch Zum Streit"
59▶CD: VIVALDI: Concertos for Strings (RV 418,117,143,547,575,549,413,134,159)
60▶CD: BUXTEHUDE, BACH, TELEMANN: German Baroque Cantatas

Credits

Release group

includes:Harmoniemusik by Mozzafiato (US period-instrument wind ensemble)