Complete Beethoven Edition, Volume 16: Lieder

~ Release by Ludwig van Beethoven (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleRatingLength
1Song for Voice and Piano in E‐flat major, op. 32: “An die Hoffnung” (1st setting)
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
An die Hoffnung, op. 32 (in 1966-04)
lyricist:
Christoph August Tiedge
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 32)
5:21
2Cantata for Voice and Piano in B‐flat major, op. 46: Larghetto “Adelaide: Einsam wandelt dein Freund im Fruhlings Garten”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Adelaide, op. 46 (in 1966-04)
lyricist:
Friedrich von Matthisson
composer:
Ludwig van Beethoven (German composer) (from 1794 until 1796)
dedicated to:
Friedrich von Matthisson
part of:
Works of Ludwig van Beethoven by opus number (number: op. 46)
6:29
36 Lieder, op. 48 no. 1 in E major: Feierlich und mit Andacht “Bitten: Gott deine Gute reicht so”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 48 no. 1 in E major: Feierlich und mit Andacht "Bitten: Gott deine Gute reicht so" (in 1966-04)
lyricist:
Christian Fürchtegott Gellert
composer:
Ludwig van Beethoven (German composer) (in 1802-03)
part of:
6 Lieder, op. 48
2:02
46 Lieder, op. 48 no. 2 in E‐flat major: Lebhaft, doch nicht zu sehr “Die Liebe des Nächsten: So jemand spricht”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 48 no. 2 in E-flat major: Lebhaft, doch nicht zu sehr "Die Liebe des Nächsten: So jemand spricht: Ich liebe Gott!" (in 1966-04)
lyricist:
Christian Fürchtegott Gellert
composer:
Ludwig van Beethoven (German composer) (in 1802-03)
part of:
6 Lieder, op. 48
0:53
56 Lieder, op. 48 no. 3 in F‐sharp minor: Mussig und eher langsam als geschwind “Vom Tode: Meine Lebenszeit verstreicht”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 48 no. 3 in F-sharp minor: Müssig und eher langsam als geschwind "Vom Tode: Meine Lebenszeit verstreicht" (in 1966-04)
lyricist:
Christian Fürchtegott Gellert
composer:
Ludwig van Beethoven (German composer) (in 1802-03)
part of:
6 Lieder, op. 48
2:10
66 Lieder, op. 48 no. 4 in C major: Majestatisch und erhaben “Die Ehre Gottes aus der Natur”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 48 no. 4 in C major: Majestätisch und erhaben "Die Ehre Gottes in der Natur: Die Himmel rühmen des Ewigen Ehre" (in 1966-04)
lyricist:
Christian Fürchtegott Gellert
composer:
Ludwig van Beethoven (German composer) (in 1802-03)
part of:
6 Lieder, op. 48
2:27
76 Lieder, op. 48 no. 5 in C major: Mit Kraft and Feuer “Gottes Macht und Vorsehung: Gott ist mein Lied!”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 48 no. 5 in C major: Mit Kraft and Feuer "Gottes Macht und Vorsehung: Gott ist mein Lied!" (in 1966-04)
lyricist:
Christian Fürchtegott Gellert
composer:
Ludwig van Beethoven (German composer) (in 1802-03)
part of:
6 Lieder, op. 48
0:40
86 Lieder, op. 48 no. 6 in A minor: Poco adagio “Busslied: An dir allein, an dir hab’ ich gesundigt”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 48 no. 6 in A minor: Poco adagio "Bußlied: An dir allein, an dir hab' ich gesündigt" (in 1966-04)
lyricist:
Christian Fürchtegott Gellert
composer:
Ludwig van Beethoven (German composer) (in 1802-03)
part of:
6 Lieder, op. 48
4:59
93 Gesänge, op. 83 no. 1 in E major: Andante espressivo “Wonne der Wehmut: Trocknet nicht”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Wonne der Wehmut, op. 83 no. 1 (in 1966-04)
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (in 1810)
part of:
3 Gesänge von Goethe, op. 83
2:51
103 Gesänge, op. 83 no. 2 in B minor: Allegretto “Sehnsucht: Was zieht mir das Herz so?”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Sehnsucht, op. 83 no. 2 (in 1966-04)
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (in 1810)
part of:
3 Gesänge von Goethe, op. 83
2:03
113 Gesänge, op. 83 no. 3 in F major: Leichtlich und mit Grazie vorzutragen “Mie einem gemalten Band: Kleine Blumen, kleine Blatter”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Mit einem gemalten Band, op. 83 no. 3 (in 1966-04)
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (in 1810)
part of:
3 Gesänge von Goethe, op. 83
1:49
12“Vita felice”, op. 88
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano and A major, op. 88: Andante quasi allegretto "Das Glück der Freundschaft: Der lebt ein Leben wonniglich" (in 1966-04)
composer:
Ludwig van Beethoven (German composer) (in 1803)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 88)
2:20
13“An die Hoffnung”, op. 94 (2nd Setting)
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 94: "An die Hoffnung" (in 1966-04)
composer:
Ludwig van Beethoven (German composer) (in 1815)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 94)
7:46
14A Song Cycle by Alois Jeitteles, op. 98: I. “Auf dem Hügel sitz’ ich, spähend”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
An die ferne Geliebte, op. 98: No. 1. Auf dem Hügel sitz' ich, spähend (in 1966-04)
lyricist:
Alois Jeitteles
composer:
Ludwig van Beethoven (German composer) (in 1816)
part of:
An die ferne Geliebte, op. 98
2:40
15A Song Cycle by Alois Jeitteles, op. 98: II. “Wo die Berge so blau”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
An die ferne Geliebte, op. 98: No. 2. Wo die Berge so blau (in 1966-04)
lyricist:
Alois Jeitteles
composer:
Ludwig van Beethoven (German composer) (in 1816)
part of:
An die ferne Geliebte, op. 98
1:43
16A Song Cycle by Alois Jeitteles, op. 98: III. “Leichte Segler in den Höhen”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
An die ferne Geliebte, op. 98: No. 3. Leichte Segler in den Höhen (in 1966-04)
lyricist:
Alois Jeitteles
composer:
Ludwig van Beethoven (German composer) (in 1816)
part of:
An die ferne Geliebte, op. 98
1:38
17A Song Cycle by Alois Jeitteles, op. 98: IV. “Diese Wolken in den Höhen”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
An die ferne Geliebte, op. 98: No. 4. Diese Wolken in den Höhen (in 1966-04)
lyricist:
Alois Jeitteles
composer:
Ludwig van Beethoven (German composer) (in 1816)
medley of:
An die ferne Geliebte, S. 469: No. 4. Diese Wolken in den Höhen (for solo piano, Liszt)
part of:
An die ferne Geliebte, op. 98
1:11
18A Song Cycle by Alois Jeitteles, op. 98: V. “Es kehret der Maien, es Blühet die au”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
An die ferne Geliebte, op. 98: No. 5. Es kehret der Maien, es blühet die Au (in 1966-04)
lyricist:
Alois Jeitteles
composer:
Ludwig van Beethoven (German composer) (in 1816)
part of:
An die ferne Geliebte, op. 98
2:11
19A Song Cycle by Alois Jeitteles, op. 98: VI. “Nimm sie hin denn, diese Lieder”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
An die ferne Geliebte, op. 98: No. 6. Nimm sie hin denn, Diese Lieder (in 1966-04)
lyricist:
Alois Jeitteles
composer:
Ludwig van Beethoven (German composer) (in 1816)
part of:
An die ferne Geliebte, op. 98
4:14
20“Ariette (Der Kuß)”, op. 128
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Der Kuß, op. 128 (in 1966-04)
lyricist:
Christian Felix Weiße
composer:
Ludwig van Beethoven (German composer) (from 1798 until 1822)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 128)
1:52
21“Schilderung eines Mädchens”, WoO 107
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 107: "Schilderung eines Mädchens" (in 1966-04)
composer:
Ludwig van Beethoven (German composer) (in 1783)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 7) and Kinsky catalogue (Beethoven WoO works) (number: WoO 107)
0:35
22“Seufzer eines Ungeliebten - Gegenliebe”, WoO 118
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Seufzer eines Ungeliebten und Gegenliebe, WoO 118 (in 1966-04)
lyricist:
Gottfried August Bürger
composer:
Ludwig van Beethoven (German composer)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 118)
5:47
23“Ich liebe dich so wie du mich” (Zärtliche Liebe), WoO 123
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Zärtliche Liebe, WoO 123 "Ich liebe dich so wie du mich" (in 1966-04)
lyricist:
Karl Friedrich Wilhelm Herrosee
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 287) and Kinsky catalogue (Beethoven WoO works) (number: WoO 123)
2:17
24La partenza, WoO 124
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 124: "La partenza (Der Abschied)" (in 1966-04)
composer:
Ludwig van Beethoven (German composer) (in 1795)
revised by:
Ludwig van Beethoven (German composer) (in 1803)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 164) and Kinsky catalogue (Beethoven WoO works) (number: WoO 124)
1:02
25Opferlied, WoO 126
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 126: "Opferlied" (in 1966-04)
lyricist:
Friedrich von Matthisson
composer:
Ludwig van Beethoven (German composer)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 173) and Kinsky catalogue (Beethoven WoO works) (number: WoO 126)
3:01
26Der Wachtelschlag, WoO 129
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Der Wachtelschlag, WoO 129 "Ach, mir schallt's dorten" (in 1966-04)
lyricist:
Samuel Friedrich Sauter
composer:
Ludwig van Beethoven (German composer) (in 1803-04)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 129)
3:51
27“Als die Geliebte sich trennen wollte”, WoO 132
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 132: "Als die Geliebte sich trennen wollte" (in 1966-04)
composer:
Ludwig van Beethoven (German composer) (from 1806-05 until 1809-11)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 428) and Kinsky catalogue (Beethoven WoO works) (number: WoO 132)
1:52
2▼CD
#TitleRatingLength
18 Lieder, op. 52 no. 1 “Urians Reise um die Welt”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 52 no. 1 in A minor: In einer massigen geschwinden Bewegung "Urians Reise um die Welt: Wenn jemand eine Reise tut" (in 1966-04)
composer:
Ludwig van Beethoven (German composer)
part of:
8 Lieder, op. 52
5:11
28 Lieder, op. 52 no. 2 “Feuerfarb’”
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, op. 52 no. 2 in G major: Andante con moto "Feuerfarb': Ich weiss eine Farbe" (from 1970-10 until 1970-11)
composer:
Ludwig van Beethoven (German composer) (in 1792)
version of:
Feuerfarb, Hess 144
part of:
8 Lieder, op. 52
3:28
38 Lieder, op. 52 no. 3 “Das Liedchen von der Ruhe”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 52 no. 3 in F major: Adagio "Das Liedchen von der Ruhe: Im Arm der Liebe ruht sich's wohl" (in 1966-04)
composer:
Ludwig van Beethoven (German composer) (in 1793)
part of:
8 Lieder, op. 52
2:44
48 Lieder, op. 52 no. 4 “Maigesang”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 52 no. 4 in A-flat major: Allegro "Mailied: Wie herrlich leuchtet mir die Natur" (in 1966-04)
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (in 1792, from 1804 until 1805)
is based on:
Mailied
part of:
8 Lieder, op. 52
2:01
58 Lieder, op. 52 no. 5 “Mollys Abschied”
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
soprano vocals:
Adele Stolte (soprano) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, op. 52 no. 5 in G major: Adagio con espessione "Molly's Abschied: Lebe wohl, du Mann der Lust"
composer:
Ludwig van Beethoven (German composer)
part of:
8 Lieder, op. 52
1:28
68 Lieder, op. 52 no. 6 “Die Liebe”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 52 no. 6 in F major: Allegretto "Die Liebe: Ohne Liebe lebe wer da kann" (in 1966-04)
composer:
Ludwig van Beethoven (German composer)
part of:
8 Lieder, op. 52
1:16
78 Lieder, op. 52 no. 7 “Marmotte”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 52 no. 7 in A minor: Allegretto "Marmotte: Ich komme schon durch manches Land" (in 1966-04)
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (in 1792, from 1804 until 1805)
part of:
8 Lieder, op. 52
0:33
88 Lieder, op. 52 no. 8 “Das Blümchen Wunderhold”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 52 no. 8 in G major: Andante "Das Blümchen Wunderhold: Es steht ein Blümchen irgend wo in einem stillen Tal" (in 1966-04)
lyricist:
Gottfried August Bürger
composer:
Ludwig van Beethoven (German composer) (in 1792)
part of:
8 Lieder, op. 52
2:02
96 Gesänge, op. 75 no. 1 “Kennst du das Land”
recording engineer:
Gerald Junge (sound engineer)
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist)
soprano vocals:
Adele Stolte (soprano)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Mignon, op. 75 no. 1
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
6 Gesänge, op. 75
4:30
106 Gesänge, op. 75 no. 2 “Neue Liebe, neues Leben” (2nd version)
executive producer:
Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Neue Liebe, neues Leben, op. 75 no. 2
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (in 1809)
version of:
Song for Voice and Piano, WoO 127: "Neue Liebe, neues Leben" (J.W. von Goethe)
part of:
6 Gesänge, op. 75
2:52
116 Gesänge, op. 75 no. 3 “Aus Goethes Faust” (Mephistos Flohlied)
executive producer:
Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Aus Goethes Faust, op. 75 no. 3
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (in 1799)
part of:
6 Gesänge, op. 75
1:59
126 Gesänge, op. 75 no. 4 “Gretels Warnung”
recording engineer:
Helgard Unger (engineer) and Gerald Junge (sound engineer)
piano:
Walter Olbertz (German pianist)
soprano vocals:
Adele Stolte (soprano)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Gretels Warnung, op. 75 no. 4
lyricist:
Gerhard Anton von Halem
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
6 Gesänge, op. 75
2:25
136 Gesänge, op. 75 no. 5 “An den fernen Geliebten”
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
soprano vocals:
Adele Stolte (soprano) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
An den fernen Geliebten, op. 75 no. 5
lyricist:
Christian Ludwig Reissig
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
6 Gesänge, op. 75
1:54
146 Gesänge, op. 75 no. 6 “Der Zufriedene”
executive producer:
Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Der Zufriedene, op. 75 no. 6
lyricist:
Christian Ludwig Reissig
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
6 Gesänge, op. 75
1:20
154 Arias and a Duet, op. 82 no. 1 Aria “Dimmi, ben mio, che m’ami”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
5 Lieder, op. 82: I. Hoffnung (in 1966-04)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (German composer)
part of:
5 Lieder, op. 82
2:03
164 Arias and a Duet, op. 82 no. 2 Aria “T’intendo si, mio cor”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
5 Lieder, op. 82: II. Liebes-Klage (in 1966-04)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
5 Lieder, op. 82
2:41
174 Arias and a Duet, op. 82 no. 3 Arietta buffa “L’amante impaziente”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
5 Lieder, op. 82: III. Arietta buffa (in 1966-04)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
5 Lieder, op. 82
1:42
184 Arias and a Duet, op. 82 no. 4 Arietta assai seriosa “L’amante impaziente”
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
5 Lieder, op. 82: IV. Arietta assai seriosa (in 1966-04)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
5 Lieder, op. 82
2:16
194 Arias and a Duet, op. 82 no. 5 Duet “Odi l’aura che dolce sospira”
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
soprano vocals:
Adele Stolte (soprano) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
5 Lieder, op. 82: V. Lebensgenuß (Duett) (from 1970-10 until 1970-11)
composer:
Ludwig van Beethoven (German composer)
part of:
5 Lieder, op. 82
2:40
20“Der Mann von Wort”, op. 99
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
bass-baritone vocals:
Günther Leib (baritone) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano in G major, op. 99 "Der Mann von Wort: sagtest, Freund, an diesen Ort komm ich zurück"
composer:
Ludwig van Beethoven (German composer)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 99)
0:48
21“Merkenstein”, op. 100 (2nd version)
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
soprano vocals:
Adele Stolte (soprano) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano in F major, op. 100 "Merkenstein: Merkenstein! Wo ich wandle denk ich dein": Massig, jedoch nicht schleppend
composer:
Ludwig van Beethoven (German composer)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 100)
1:38
22“In questa tomba oscura”, WoO 133
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
"In questa tomba oscura", WoO 133 (in 1966-04)
lyricist:
Giuseppe Carpani
composer:
Ludwig van Beethoven (German composer) (from 1806 until 1807)
dedicated to:
Joseph Franz von Lobkowitz
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 133)
3:36
23“Die laute Klage”, WoO 135
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 135: "Die laute Klage" (in 1966-04)
lyricist:
Johann Gottfried von Herder
composer:
Ludwig van Beethoven (German composer)
publisher:
Diabelli & Co (in 1837)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 135)
2:34
24“Andenken”, WoO 136
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Andenken, WoO 136 "Ich denke dein" (in 1966-04)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 136)
2:56
25“Gesang aus der Ferne”, WoO 137
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 137: "Lied aus der Ferne" (in 1966-04)
lyricist:
Christian Ludwig Reissig
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 137)
3:52
26“Der Jüngling in der Fremde”, WoO 138
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 138: "Der Jüngling in der Fremde" (in 1966-04)
lyricist:
Christian Ludwig Reissig
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 138)
1:22
27“Der Liebende”, WoO 139
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Der Liebende, WoO 139 (in 1966-04)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 139)
2:25
28“Der Bardengeist”, WoO 142
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 142: "Der Bardengeist" (F.R. Hermann) (in 1966-04)
composer:
Ludwig van Beethoven (German composer)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 142)
1:47
29“Das Geheimnis” (Liebe und Wahrheit), WoO 145
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 145: "Das Geheimnis" (in 1966-04)
lyricist:
Ignaz Heinrich von Wessenberg
composer:
Ludwig van Beethoven (German composer) (in 1816)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 145)
1:26
30“Sehnsucht”, WoO 146
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Sehnsucht, WoO 146 (in 1966-04)
lyricist:
Christian Ludwig Reissig
composer:
Ludwig van Beethoven (German composer) (from 1815 until 1816)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 146)
2:22
31“Ruf vom Berge”, WoO 147
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 147: "Ruf vom Berge" (in 1966-04)
lyricist:
Georg Friedrich Treitschke
composer:
Ludwig van Beethoven (German composer) (in 1816)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 147)
1:32
32“Resignation”, WoO 149
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 149 "Resignation" (in 1966-04)
lyricist:
Paul von Haugwitz
composer:
Ludwig van Beethoven (German composer)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 149)
2:52
33“Abendlied unterm gestirnten Himmel”, WoO 150
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 150: "Abendlied unterm gestirnten Himmel" (in 1966-04)
lyricist:
Heinrich Goeble
composer:
Ludwig van Beethoven (German composer) (in 1820-03)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 150)
5:04
3▼CD
#TitleRatingLength
1“An einen Säugling”, WoO 108
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
soprano vocals:
Adele Stolte (soprano) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for voice and piano, WoO 108 "An einen Säugling"
composer:
Ludwig van Beethoven (German composer) (in 1794)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 9) and Kinsky catalogue (Beethoven WoO works) (number: WoO 108)
1:54
2“Erhebt das Glas mit froher Hand (Trinklied, beim Abschied zu singen)”, WoO 109
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 109: "Trinklied" (from 1970-10 until 1970-11)
composer:
Ludwig van Beethoven (German composer)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 13) and Kinsky catalogue (Beethoven WoO works) (number: WoO 109)
1:32
3“Elegie auf den Tod eines Pudels”, WoO 110
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 110: "Elegie auf den Tod eines Pudels" (from 1970-10 until 1970-11)
composer:
Ludwig van Beethoven (German composer) (in 1790)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 14) and Kinsky catalogue (Beethoven WoO works) (number: WoO 110)
2:24
4“Punschlied”, WoO 111
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 111: "Punschlied, Scherzlieder" (from 1970-10 until 1970-11)
composer:
Ludwig van Beethoven (German composer)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 111)
0:47
5“An Laura”, WoO 112
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 112: "An Laura" (from 1970-10 until 1970-11)
lyricist:
Friedrich von Matthisson
composer:
Ludwig van Beethoven (German composer) (in 1792)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 112)
2:55
6“Klage”, WoO 113
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 113: "Klage" (from 1970-10 until 1970-11)
lyricist:
Ludwig Heinrich Christoph Hölty
composer:
Ludwig van Beethoven (German composer) (in 1790)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 113)
2:57
7“Ein Selbstgespräch”, WoO 114
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 114: Selbstgespräch (from 1970-10 until 1970-11)
lyricist:
Johann Wilhelm Ludwig Gleim
composer:
Ludwig van Beethoven (German composer) (from 1792 until 1793)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 114)
3:52
8“An Minna”, WoO 115
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 115: "An Minna" (from 1970-10 until 1970-11)
composer:
Ludwig van Beethoven (German composer)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 115)
0:43
9“Que le temps me dure”, WoO 116 (1st version)/Hess 129
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 116: "Que le temps me dure" (from 1970-10 until 1970-11)
lyricist:
Jean‐Jacques Rousseau
composer:
Ludwig van Beethoven (German composer) (in 1793)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 129) and Kinsky catalogue (Beethoven WoO works) (number: WoO 116)
1:59
10“Que le temps me dure”, WoO 116 (2nd version)/Hess 130
producer:
Lennart Dehn
piano:
Hans Hilsdorf (pianist) (in 1997-03)
contralto vocals:
Ulrike Helzel (in 1997-03)
balance engineer:
Klaus Behrens (engineer)
recorded at:
Sender Freies Berlin: Kleiner Sendesaal in Berlin, Germany (in 1997-03)
recording of:
Song for Voice and Piano, WoO 116: "Que le temps me dure"
lyricist:
Jean‐Jacques Rousseau
composer:
Ludwig van Beethoven (German composer) (in 1793)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 129) and Kinsky catalogue (Beethoven WoO works) (number: WoO 116)
2:53
11“Der freie Mann” (with unison chorus), WoO 117
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice, monodical Chorus and Piano, WoO 117: "Der freie Mann" (from 1970-10 until 1970-11)
lyricist:
Gottlieb Konrad Pfeffel
composer:
Ludwig van Beethoven (German composer) (from 1792 until 1794)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 77) and Kinsky catalogue (Beethoven WoO works) (number: WoO 117)
1:46
12“O care selve, oh cara”, WoO 119
producer:
Reimar Bluth
piano:
Gisela Franke (pianist) (from 1970-10 until 1970-11) and Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Canzonetta for Voice, monodical Chorus and Pianos, WoO 119: "O care selve" (from 1970-10 until 1970-11)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (German composer) (from 1794 until 1795)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 119)
0:57
13“Man strebt, die Flamme zu verhehlen”, WoO 120
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
soprano vocals:
Adele Stolte (soprano) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 120: "Man strebt die Flamme zu verhehlen"
composer:
Ludwig van Beethoven (German composer)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 120)
3:17
14“Abschiedsgesang an Wiens Bürger”, WoO 121
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
bass-baritone vocals:
Günther Leib (baritone) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 121 "Abschiedsgesang an Wiens Bürger"
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 121)
2:38
15“Kriegslied der Österreicher”, WoO 122
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
bass-baritone vocals:
Günther Leib (baritone) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 122 "Kriegslied der Österreicher"
composer:
Ludwig van Beethoven (German composer) (in 1797)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 122)
1:50
16“La tiranna”, WoO 125
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 125: "La Tiranna'', Canzonetta (from 1970-10 until 1970-11)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 125)
3:25
17“Neue Liebe, neues Leben”, WoO 127 (1st setting)
producer:
Lennart Dehn
piano:
Hans Hilsdorf (pianist) (in 1997-03)
tenor vocals:
Peter Maus (German operatic tenor) (in 1997-03)
balance engineer:
Klaus Behrens (engineer)
recorded at:
Sender Freies Berlin: Kleiner Sendesaal in Berlin, Germany (in 1997-03)
recording of:
Song for Voice and Piano, WoO 127: "Neue Liebe, neues Leben" (J.W. von Goethe)
composer:
Ludwig van Beethoven (German composer)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 136) and Kinsky catalogue (Beethoven WoO works) (number: WoO 127)
2:56
18“Romance”, WoO 128
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 128: "Plaisir d'aimer" (from 1970-10 until 1970-11)
composer:
Ludwig van Beethoven (German composer) (from 1798 until 1799)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 128)
1:04
19“Gedenke mein!”, WoO 130
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
soprano vocals:
Adele Stolte (soprano) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 130: "Gedenke mein!" (from 1970-10 until 1970-11)
composer:
Ludwig van Beethoven (German composer) (in 1820-03)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 416) and Kinsky catalogue (Beethoven WoO works) (number: WoO 130)
1:32
20“Sehnsucht”, WoO 134 (1st setting)
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
soprano vocals:
Adele Stolte (soprano) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 134: "Sehnsucht": 1st setting
composer:
Ludwig van Beethoven (German composer) (from 1807 until 1808)
part of:
Song for Voice and Piano, WoO 134: "Sehnsucht"
1:25
21“Sehnsucht”, WoO 134 (2nd setting)
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
soprano vocals:
Adele Stolte (soprano) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 134: "Sehnsucht": 2nd setting
composer:
Ludwig van Beethoven (German composer) (from 1807 until 1808)
part of:
Song for Voice and Piano, WoO 134: "Sehnsucht"
1:06
22“Sehnsucht”, WoO 134 (3rd setting)
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
soprano vocals:
Adele Stolte (soprano) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 134: "Sehnsucht": 3rd setting
composer:
Ludwig van Beethoven (German composer) (from 1807 until 1808)
part of:
Song for Voice and Piano, WoO 134: "Sehnsucht"
1:23
23“Sehnsucht”, WoO 134 (4th setting)
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
soprano vocals:
Adele Stolte (soprano) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 134: "Sehnsucht": 4th setting
composer:
Ludwig van Beethoven (German composer) (from 1807 until 1808)
part of:
Song for Voice and Piano, WoO 134: "Sehnsucht"
1:44
24“An die Geliebte”, WoO 140 (2nd setting)
producer:
Wolfgang Lohse
piano:
Walter Olbertz (German pianist) (in 1966-04)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 140: "An die Geliebte" (2nd version) (in 1966-04)
lyricist:
Josef Ludwig Stoll
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 540/2) and Kinsky catalogue (Beethoven WoO works) (number: WoO 140/2)
1:11
25“An die Geliebte”, WoO 140 (3rd setting)
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Reimar Bluth
piano:
Jörg Demus (pianist) (from 1970-10 until 1970-11)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 140: "An die Geliebte" (2nd version) (from 1970-10 until 1970-11)
lyricist:
Josef Ludwig Stoll
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 540/2) and Kinsky catalogue (Beethoven WoO works) (number: WoO 140/2)
1:19
26“Der Gesang der Nachtigall”, WoO 141
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
soprano vocals:
Adele Stolte (soprano) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 141: "Der Gesang der Nachtigall" (J.G. Herder)
composer:
Ludwig van Beethoven (German composer)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 141)
1:25
27“Des Kriegers Abschied”, WoO 143
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 143: "Des Kriegers Abschied" (from 1970-10 until 1970-11)
lyricist:
Christian Ludwig Reissig
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 143)
1:31
28“Merkenstein”, WoO 144 (1st setting)
producer and balance engineer:
René Möller
piano:
Alexander Schmalcz (pianist) (in 2019-05)
baritone vocals:
Matthias Goerne (baritone) (in 2019-05)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2019-05)
recording of:
Song for Voice and Piano, WoO 144: "Merkenstein"
lyricist:
Johann Baptist Rupprecht
composer:
Ludwig van Beethoven (German composer)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 144)
3:47
29“So oder so”, WoO 148
producer:
Reimar Bluth
piano:
Walter Olbertz (German pianist) (from 1970-10 until 1970-11)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 148: "So oder so" (from 1970-10 until 1970-11)
lyricist:
Karl Lappe
composer:
Ludwig van Beethoven (German composer)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 148)
1:55
30“Der edle Mensch”, WoO 151
producer:
Lennart Dehn
piano:
Hans Hilsdorf (pianist) (in 1997-03)
soprano vocals:
Heidi Person (soprano) (in 1997-03)
balance engineer:
Klaus Behrens (engineer)
recorded at:
Sender Freies Berlin: Kleiner Sendesaal in Berlin, Germany (in 1997-03)
recording of:
Song for Voice and Piano, WoO 151: "Der edle Mensche sei hülfreich und gut"
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (in 1823-01)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 132), Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 768) and Kinsky catalogue (Beethoven WoO works) (number: WoO 151)
0:51
31“Gesang aus der Ferne”, WoO 137
producer:
Lennart Dehn
piano:
Hans Hilsdorf (pianist) (in 1997-03)
tenor vocals:
Peter Maus (German operatic tenor) (in 1997-03)
balance engineer:
Klaus Behrens (engineer)
recorded at:
Sender Freies Berlin: Kleiner Sendesaal in Berlin, Germany (in 1997-03)
recording of:
Song for Voice and Piano, WoO 137: "Lied aus der Ferne"
lyricist:
Christian Ludwig Reissig
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 137)
2:30
32“Das liebe Kätzchen”, Hess 133
producer:
Lennart Dehn
harpsichord:
Hans Hilsdorf (pianist) (in 1997-03)
tenor vocals:
Volker Horn (tenor) (in 1997-03)
balance engineer:
Klaus Behrens (engineer)
recorded at:
Sender Freies Berlin: Kleiner Sendesaal in Berlin, Germany (in 1997-03)
recording of:
Folksong for voice and piano trio, Hess 133 "Das liebe Kätzchen"
composer:
Ludwig van Beethoven (German composer) (in 1820)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 133)
0:34
33“Der Knabe auf dem Berge”, Hess 134
producer:
Lennart Dehn
harpsichord:
Hans Hilsdorf (pianist) (in 1997-03)
contralto vocals:
Ulrike Helzel (in 1997-03)
balance engineer:
Klaus Behrens (engineer)
recorded at:
Sender Freies Berlin: Kleiner Sendesaal in Berlin, Germany (in 1997-03)
recording of:
Folksong for voice and piano, Hess 134 "Der Knabe auf dem Berge"
composer:
Ludwig van Beethoven (German composer) (in 1820)
part of:
Hess catalogue (Beethoven works not listed in the 'Complete Edition') (number: Hess 134)
1:13

Credits

Release

part of:Complete Beethoven Edition (Deutsche Grammophon) (number: 16) (order: 19)
Discogs:https://www.discogs.com/release/31106666 [info]
ASIN:UK: B000001GZJ [info]
US: B000001GZJ [info]

Release group

part of:Complete Beethoven Edition (Deutsche Grammophon, release groups) (number: 16) (order: 16)
Discogs:https://www.discogs.com/master/3530762 [info]