100 Hits: 80s Chartbusters

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Hungry Like the Wolf
engineer and producer:
Colin Thurston
phonographic copyright (℗) by:
Tritec Music Ltd. (publisher and copyrights holder) (from 1982 to present) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2009)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 3) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 196)
recording of:
Hungry Like the Wolf
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd. and Tritec Music Ltd. (publisher and copyrights holder)
adaptations:
Hungry Like a Pig
Duran Duran4.153:43
2Sometimes
recording of:
Sometimes
writer:
Andy Bell (singer / songwriter for Erasure) and Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Warner/Chappell Music GmbH & Co. KG Germany
Erasure3:40
3It Ain’t What You Do It’s the Way That You Do It
producer:
Fun Boy Three and Dave Jordan (UK producer/remixer)
cover recording of:
It Ain’t What You Do (It’s the Way That You Do It)
writer:
Sy Oliver and Trummy Young
Fun Boy Three and Bananarama3.652:49
4Rapture
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1980)
timpani:
Chris Stein (in 1980)
lead vocals:
Deborah Harry (in 1980)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1980), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1980), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
recorded at:
United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
recording of:
Rapture (in 1980)
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music (do not use as release label! this is a music publisher), Monster Island Music Publishing Corporation and Rare Blue Music Inc
Blondie3.64:59
5Do the Right Thing
Redhead Kingpin4:02
6Reckless
Afrika Bambaataa3:56
7The Future’s So Bright, I Gotta Wear Shades
recording of:
The Future's So Bright, I Gotta Wear Shades
lyricist and writer:
Pat MacDonald (singer, songwriter, guitarist for Timbuk3)
publisher:
Bugle Songs Ltd. (publishing label formerly known as Illegal Music Ltd.) and IRS Songs
Timbuk 33:24
8Communication
recording of:
Communication
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3:40
9Heart of Gold
recording of:
Heart of Gold
lyricist and composer:
Clark Datchler
Johnny Hates Jazz3:29
10Hands to Heaven
recording of:
Hands to Heaven
writer:
David Glasper (Singer - Performer, author & lyricist) and Marcus Lillington
publisher:
Virgin Music (Publishers) Ltd. (in 1988)
Breathe4:20
11Avalon
recording of:
Avalon
lyricist and composer:
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. and E.G. Music Ltd. (publisher) (in 1982)
Roxy Music4:16
12Let’s Go Round Again
Average White Band4:09
13Saturday Love
recording of:
Saturday Love
writer:
Jimmy Jam (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Cherrelle4:19
14Tonite I Celebrate My Love
recording engineer:
Alan R. Hirshberg (in 1983)
engineer:
Howard Wolin and Jeremy Smith (producer/engineer)
producer:
Michael Masser
mixer:
Dick Bogart (Recording and mixing engineer) and Russ Terrano
bass guitar [bass]:
Nathan East (in 1983)
drums (drum set):
Carlos Vega (in 1983)
guitar:
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist) (in 1983)
piano:
Randy Kerber (in 1983)
vocals:
Peabo Bryson (in 1983) and Roberta Flack (in 1983)
arranger:
Michael Masser and Gene Page
orchestrator:
Gene Page
phonographic copyright (℗) by:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
recorded at:
A&M Records Studios in Hollywood, Los Angeles, California, United States (in 1983) and Studio Sound in North Hollywood, Los Angeles, California, United States (in 1983)
mixed at:
Motown Hitsville in West Hollywood, California, United States
recording of:
Tonight, I Celebrate My Love (in 1983)
lyricist:
Gerry Goffin
composer:
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) and Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-publisher:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Peabo Bryson and Roberta Flack3.753:31
15Something’s Gotten Hold of My Heart
producer:
Bob Kraushaar
performer:
Gene Pitney
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
music videos:
Something’s Gotten Hold of My Heart by Marc Almond (English pop singer and songwriter) feat. Gene Pitney
cover recording of:
Something’s Gotten Hold of My Heart
lyricist and composer:
Roger Cook (US‐based British singer, songwriter and producer) and Roger Greenaway
publisher:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and PolyGram Music Publishing
Marc Almond and Gene Pitney2.54:40
16Only You
cover recording of:
Only You
lyricist and composer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Musical Moments Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020), Sonet Publishing and Sony/ATV Music Publishing (UK) Ltd.
The Flying Pickets3:25
17Carrie
recording of:
Carrie (1979 song)
writer:
Terry Britten and B.A. Robertson
Cliff Richard3:30
18When He Shines
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
When He Shines (in 1981)
writer:
Dominic Bugatti and Peter Vale (writer/arranger)
publisher:
Pendulum Music (publisher) and Warner Bros. Music (publisher; do NOT use as release label)
Sheena Easton3:58
19To Be Reborn
producer:
Stewart Levine (record producer and saxophonist)
keyboard:
Paul Wickens
arranger:
Paul Wickens
recording of:
To Be Reborn
writer:
Lamont Dozier and George O’Dowd
Boy George34:27
20Lady
lead vocals:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographic copyright (℗) by:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1980) and Liberty Records, Inc. (in 1980)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 67)
recording of:
Lady (in 1980)
lyricist and composer:
Lionel Richie, Jr.
publisher:
Brockman Music
Kenny Rogers3.43:54
2▼CD
#TitleArtistRatingLength
1Alive and Kicking
producer:
Bob Clearmountain and Jimmy Iovine
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
Alive and Kicking
writer:
Charlie Burchill, Jim Kerr (of Simple Minds) and Michael MacNeil
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and Simple Minds Ltd
Simple Minds3.54:49
2Today
recording engineer and producer:
Colin Thurston
mixer:
Mike Robinson (engineer)
bass guitar:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
drums (drum set):
Lee Harris (drummer, member of Talk Talk and .O.Rang)
keyboard:
Simon Brenner (UK musician, member of Talk Talk)
lead vocals:
Mark Hollis
recording of:
Today
lyricist:
Mark Hollis
composer:
Simon Brenner (UK musician, member of Talk Talk), Lee Harris (drummer, member of Talk Talk and .O.Rang), Mark Hollis and Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
Talk Talk4.53:29
3Drama!
recording of:
Drama!
writer:
Andy Bell (singer / songwriter for Erasure) and Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
Erasure34:07
4Life on Your Own
programming:
The Human League
engineer:
Renate Blauel, Gavin McKillop and Bill Price (UK producer/engineer)
producer:
The Human League, Hugh Padgham and Chris Thomas (UK record producer / remixer)
mixer:
Hugh Padgham
percussion:
The Human League
background vocals:
Joanne Catherall and Susan Ann Sulley
lead vocals:
Philip Oakey
vocals:
The Human League
music videos:
Life on Your Own by The Human League
recording of:
Life on Your Own
lyricist and writer:
Philip Oakey and Philip Adrian Wright (Human League)
composer:
Jo Callis
The Human League54:06
5Maid of Orleans
engineer:
Howard Gray (UK producer, engineer, and electronic musician) and Brian Tench
producer:
Richard Manwaring (Producer) and Orchestral Manoeuvres in the Dark
phonographic copyright (℗) by:
Dindisc (in 1981), Dinsong Limited (in 1981) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1981)
recording of:
Joan of Arc (Maid of Orleans)
lyricist and composer:
Andy McCluskey
publisher:
April Musikverlag GmbH (publisher), Dinsong Ltd. and EMI Virgin Music Ltd. (do not use this as a release label!)
Orchestral Manoeuvres in the Dark2.54:09
6Too Nice to Talk To
producer:
Bob Sargeant
recording of:
Too Nice to Talk To
writer:
Andy Cox (of The Beat), Everett Morton, Roger Charlery, David Steele (UK musician, member of The Beat and Fine Young Cannibals) and Dave Wakeling
publisher:
Beat Brothers Ltd. and Zomba Enterprises, Inc.
The Beat43:09
7Rat Race
producer:
Dave Jordan (UK producer/remixer)
recording of:
Rat Race
lyricist and composer:
Roderick James Byers
The Specials3.253:11
8Missing Words
producer:
Errol Ross
remixer:
Roger Lomas
recording of:
Missing Words
composer:
Neol Davies (British musician and founder of The Selecter)
The Selecter23:23
9Sing Our Own Song
producer:
UB40
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1986)
recording of:
Sing Our Own Song
lyricist and composer:
Jim Brown (UB40 drummer), Ali Campbell (UB40’s former vocalist), Robin Campbell, Earl Falconer, Norman Hassan, Brian Travers, Michael Virtue and Terence Wilson (aka Astro of UB40)
publisher:
ATV Music and New Claims (publisher)
UB404:07
10Move Away
producer:
Lew Hahn and Arif Mardin
recording of:
Move Away
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
Phil Pickett Music Ltd. and Virgin Music (Publishers) Ltd.
Culture Club24:09
11Call of the Wild
Midge Ure4:21
12Union of the Snake
recording of:
Union of the Snake
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
Duran Duran4:22
13West One (Shine on Me)
recording of:
West One (Shine on Me)
writer:
Paul Fox (of The Ruts), John Jennings (The Ruts), Malcolm Owen and Dave Ruffy
The Ruts5:43
14Mony Mony
producer:
Keith Forsey (drummer, producer and songwriter)
additional keyboard:
Michael Klvana
bass:
Kenny Aaronson
drums (drum set):
Thommy Price
guitar:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
keyboard:
Susan Davis
lead vocals:
Billy Idol (English rock singer‐songwriter)
remixer:
Tom Lord‐Alge
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1987) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2009)
live cover recording of:
Mony Mony (in 1985)
writer:
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry and Tommy James (American musician, singer, songwriter and record producer)
publisher:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB and Planetary Nom (London) Ltd.
Billy Idol24:11
15Comin’ On Strong
recording of:
Comin' On Strong
writer:
Steve Elson (founder of UK rock band Broken English; songwriter, producer)
publisher:
Steve Elson Business
Broken English33:52
16New Orleans
producer:
Steve Smith (70s producer & engineer, mainly Island Records)
bass:
John McCoy (UK rock bassist for Gillan, Mammoth, Neo, McCoy)
drums (drum set):
Mick Underwood
guitar:
Bernie Tormé
keyboard:
Colin Towns
lead vocals:
Ian Gillan
cover recording of:
New Orleans
writer:
Frank Guida and Joseph Royster
publisher:
Dominion Music Co. Ltd., Rockmasters, Inc. (BMI-affiliated), Wixen Music Publishing, Inc. and Wixen Music UK Ltd.
Gillan52:41
17Over the Hills and Far Away
Gary Moore4:25
18All Fired Up
cover recording of:
All Fired Up
lyricist and composer:
Kerryn Tolhurst (Australian musician)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Pat Benatar4:12
19Your Mama Don’t Dance
engineer:
Duane Baron
producer:
Tom Werman
mixer:
Duane Baron, John Purdell and Tom Werman
bass guitar:
Bobby Dall
drums (drum set):
Rikki Rockett
guitar:
C.C. DeVille
lead vocals:
Bret Michaels
performer:
Poison (US glam metal band)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1996)
cover recording of:
Your Mama Don’t Dance
writer:
Kenny Loggins and Jim Messina
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Jasperilla Music Co., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing (use ONLY if no country‐specific information is available)
recording of:
Your Mama Don’t Dance
writer:
Kenny Loggins and Jim Messina
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Jasperilla Music Co., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Poison43:02
20Out in the Fields
engineer:
James (Jimbo) Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
producer:
Peter Collins (producer)
assistant mixer:
James “Jimbo” Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
guest bass guitar [bass] and guest vocals:
Philip Lynott
guest drums (drum set) [drums]:
Charlie Morgan (British drummer and percussionist)
guest keyboard [keyboards]:
Don Airey and Andy Richards (Strawbs keyboard player/record producer)
guitar [guitars] and lead vocals:
Gary Moore (Thin Lizzy, blues guitar)
phonographic copyright (℗) by:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1985) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 2002)
produced at:
Sarm East (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
Out in the Fields
lyricist and composer:
Gary Moore (Thin Lizzy, blues guitar)
Gary Moore and Phil Lynott3.34:18
3▼CD
#TitleArtistRatingLength
1Change His Ways
recording of:
Change His Ways
lyricist and composer:
Robert Palmer (English singer‐songwriter)
Robert Palmer3:00
2Mirror in the Bathroom
producer:
Bob Sargeant
bass:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drums (drum set):
Everett Morton
guitar:
Andy Cox (of The Beat) and Dave Wakeling
saxophone:
Papa Saxa
vocals:
Ranking Roger and Dave Wakeling
part of:
Indie 88: Top 500 Indie Rock Songs (number: 282)
recording of:
Mirror in the Bathroom
writer:
Andy Cox (of The Beat), Everett Morton, Roger Charlery, David Steele (UK musician, member of The Beat and Fine Young Cannibals) and Dave Wakeling
publisher:
Arista Records Ltd. (not for release label use!), Beat Brothers Ltd. and Zomba Enterprises, Inc.
The Beat4.753:09
3The Telephone Always Rings
recording of:
The Telephone Always Rings
writer:
Lynval Golding, Terry Hall and Neville Staple
Fun Boy Three3:41
4Driving Away From Home (Jim’s Tune)
vocal:
Merran Laginestra (Multi-disciplined musician and sound artist. Born in Sidney, Australia)
recording of:
Driving Away From Home (Jim's Tune)
writer:
John Campbell (of It's Immaterial & Yachts) and Jarvis Whitehead
It’s Immaterial54:13
5Louise
programming:
The Human League
producer:
The Human League, Hugh Padgham and Chris Thomas (UK record producer / remixer)
mixer:
Hugh Padgham
percussion:
The Human League
background vocals:
Joanne Catherall and Susan Ann Sulley
lead vocals:
Philip Oakey
vocals:
The Human League
music videos:
Louise by The Human League
recording of:
Louise
lyricist and writer:
Philip Oakey
composer:
Jo Callis and Philip Adrian Wright (Human League)
The Human League54:57
6Let Me Go
recording of:
Let Me Go!
writer:
Glenn Gregory, Ian Craig Marsh and Martyn Ware
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Heaven 174:23
7C30 C60 C90 Go
assistant producer:
Martin Levan
producer:
Malcolm McLaren
recording of:
C·30 C·60 C·90 Go
writer:
Matthew Ashman, Dave Barbarossa, Leigh Gorman (English rock musician, record producer & composer) and Malcolm McLaren
Bow Wow Wow53:00
8Love Like Blood
producer:
Chris Kimsey
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
Love Like Blood
writer:
Jaz Coleman, Paul Ferguson, Paul Raven (UK bassist) and Geordie Walker
publisher:
BMG Africa Music Publishing, BMG Songs Ltd. and E.G. Music Ltd. (publisher)
Killing Joke3.654:25
9Love Song
producer:
Bob Clearmountain, Steve Hillage and Jimmy Iovine
bass guitar:
Derek Forbes
drums (drum set):
Brian McGee (UK drummer)
guitar:
Charlie Burchill
keyboard:
Michael MacNeill
vocals:
Jim Kerr (of Simple Minds)
recording of:
Love Song
writer:
Charlie Burchill, Derek Forbes, Jim Kerr (of Simple Minds), Alan MacNeil and Brian McGee (UK drummer)
Simple Minds3.653:53
10Give It Up
producer:
Tim Friese‐Greene
additional instruments:
Ian Curnow
bass:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
drums (drum set):
Lee Harris (drummer, member of Talk Talk and .O.Rang)
guitar:
David Rhodes (guitarist, singer, and songwriter)
mellotron and piano:
Mark Hollis
organ:
Tim Friese‐Greene
resonator guitar [dobro]:
Robbie McIntosh (English guitarist for The Pretenders)
vocals:
Mark Hollis
recording of:
Give It Up (Talk Talk)
writer:
Tim Friese‐Greene and Mark Hollis
Talk Talk35:13
11Only When You Leave
recording of:
Only When You Leave
lyricist and composer:
Gary Kemp
publisher:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and Reformation Publishing Co. Ltd.
Spandau Ballet5:11
12Sixty Eight Guns
recording of:
Sixty Eight Guns
writer:
Eddie MacDonald and Mike Peters
publisher:
Illegal Music Ltd. (publisher; not for release label use!)
The Alarm3:17
13Staring at the Rude Boys
recording of:
Staring at the Rude Boys
writer:
Paul Fox (of The Ruts), John Jennings (The Ruts), Malcolm Owen and Dave Ruffy
The Ruts3:14
14I Am the Beat
engineer:
Martin Russell (recording engineer, producer, composer & musician)
producer:
Alan Shacklock
bass guitar:
Gus Goad
drums (drum set), percussion, saxophone and timpani:
Trevor Walter
guitar [lead] and keyboard:
Mick Bass
guitar [rhythm] and lead vocals:
Jonny Whetstone
background vocals:
The Look (UK new wave band)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
engineered at:
The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom
recording of:
I Am the Beat
writer:
Mick Bass and Jonny Whetstone
The Look3:07
15Underpass
engineer:
Gareth Jones (UK producer/engineer)
producer:
John Foxx
electronic drum set and synthesizer:
John Foxx
additional performer:
John Wesley Barker (synthesizer player)
recorded at:
Pathway Studios in Islington, London (Greater London), England, United Kingdom
recording of:
Underpass
lyricist and composer:
John Foxx
publisher:
Island Music (Island Music Ltd.)
John Foxx53:59
16The Thin Wall
engineer:
Conny Plank (German producer and sound engineer)
co-producer:
Conny Plank (German producer and sound engineer)
producer:
Conny Plank (German producer and sound engineer) and Ultravox
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980) and Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (from 1981 to present)
recorded at and mixed at:
Conny’s Studio in Neunkirchen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany
edit of:
The Thin Wall (album version) by Ultravox
recording of:
The Thin Wall
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
Ultravox4:26
17Lawnchairs
Our Daughter’s Wedding3:31
18Tears Run Rings
Marc Almond4:22
19Never Take Me Alive
engineer:
Neill King (sound engineer)
producer:
Zeus B. Held (Bernd Held)
recording of:
Never Take Me Alive
lyricist and composer:
Kirk Brandon
Spear of Destiny4.54:16
20At the Edge
recording of:
At the Edge (Stiff Little Fingers)
lyricist and composer:
Jake Burns (Irish punk rock musician, Stiff Little Fingers frontman)
Stiff Little Fingers2:59
4▼CD
#TitleArtistRatingLength
1Buffalo Stance
recording of:
Buffalo Stance
writer:
Neneh Cherry, Cameron McVey, Jamie J. Morgan (Director, Photographer, Musician) and Phil Ramacon (soul/R&B/reggae songwriter)
is based on:
Looking Good Diving With The Wild Bunch
Neneh Cherry3:58
2Grandpa’s Party
Monie Love4:00
3It Only Takes a Minute
recording of:
It Only Takes a Minute
writer:
Dennis Lambert and Brian Potter (US songwriter & producer)
publisher:
MCA Music Limited and Songs of Universal, Inc. (BMI)
Tavares3:54
4Red Red Wine
producer:
Ray “Pablo” Falconer and UB40
arranger:
UB40
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983) and DEP International (UB40) (in 1983)
cover recording of:
Red Red Wine
lyricist and composer:
Neil Diamond (in 1967)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Bang Records (Bert Berns label) (in 1968)
UB403.82:58
5Strollin’ On
Maxi Priest3:18
6Babooshka
assistant engineer:
John Barratt (British audio engineer) (from 1979-09 until 1980-05)
engineer:
Jon Kelly (engineer at Air London Studios) (from 1979-09 until 1980-05)
producer:
Kate Bush and Jon Kelly (engineer at Air London Studios)
analog synthesizer [CS 80] and lead vocals:
Kate Bush (from 1979-09 until 1980-05)
balalaika:
Paddy Bush (from 1979-09 until 1980-05)
drums (drum set):
Stuart Elliott (session drummer, member of Cockney Rebel) (from 1979-09 until 1980-05)
electric bass guitar:
John Giblin (from 1979-09 until 1980-05)
electric guitar:
Brian Bath (from 1979-09 until 1980-05) and Alan Murphy (UK session guitarist) (from 1979-09 until 1980-05)
Rhodes piano [Fender Rhodes]:
Max Middleton (from 1979-09 until 1980-05)
background vocals:
Paddy Bush (from 1979-09 until 1980-05) and Gary Hurst (from 1979-09 until 1980-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980), Novercia Ltd. (in 1980) and EMI America Records, Inc. (holding – file NO releases here!) (in 1982)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-09 until 1980-05) and Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-09 until 1980-05)
recording of:
Babooshka (from 1979-09 until 1980-05)
lyricist and composer:
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Kate Bush Music Ltd.
Kate Bush3.553:20
7Satisfaction
recording of:
Satisfaction
writer:
Lisa Coleman (US pianist/keyboardist & composer), Jesse Woods Johnson (original guitarist for The Time) and Wendy Melvoin
Wendy & Lisa4:54
8So This Is Romance
recording of:
So This Is Romance
writer:
David Grant (pop singer) and Peter Martin (aka Sketch Martin, bass guitarist, songwriter)
Linx43:56
9Happy Ever After
recording of:
Happy Ever After
lyricist and composer:
Julia Fordham
Julia Fordham3:43
10Sit and Wait
recording of:
Sit and Wait
writer:
Ralf Hamm, Markus Staab, Sydney Youngblood and Claus Zundel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sydney Youngblood3:53
11The Finest
recording of:
The Finest
writer:
James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
Avant Garde Music Publishing, Inc., EMI April Music Inc., Flyte Tyme Tunes, Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The S.O.S. Band4:42
12Love’s Comin’ at Ya
recording of:
Love’s Comin’ at Ya (Love’s Comin’ at Cha)
writer:
Paul Laurence
Melba Moore3:53
13Bassline
Mantronix5:26
14Love Will Find a Way
David Grant3:36
15Turn It Up
recording of:
Turn It Up
writer:
Frederick Earl Conway, Hiawatha James Conway, Huston Conway and James Lee Conway
The Conway Brothers3:32
16You and Me Tonight
recording of:
You and Me Tonight
writer:
E’Ban Kelly and Jimmy Randolph
Aurra3:51
17The Real Thing
recording of:
The Real Thing
writer:
Toni C. and Arnie Roman
publisher:
House of Fun Music, Inc and Jobete Music Ltd
Jellybean featuring Steven Dante4:35
18In Your Car
recording of:
In Your Car
writer:
Stephen McIntosh (UK keyboardist/songwriter/production music)
Cool Notes3:44
19Wikka Rap
Evasions3:43
20Acid Man
Jolly Roger5:02
5▼CD
#TitleArtistRatingLength
1Don’t Worry Be Happy
phonographic copyright (℗) by:
EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
music videos:
Don't Worry Be Happy by Bobby McFerrin
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 31)
recording of:
Don’t Worry, Be Happy
lyricist and composer:
Bobby McFerrin
writer:
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Probnoblem Music
Bobby McFerrin3:57
2Classic
recording of:
Classic
lyricist and composer:
Adrian Gurvitz
publisher:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp. and RAK Publishing Ltd.
Adrian Gurvitz3:41
3Angel of the Morning
recording engineer:
Joe Chiccarelli
associate producer:
Otha Young
producer:
Richard Landis
mixer:
Michael Verdick
arranger:
Charles Calello
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981) and Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1981)
mixed at:
Location Recorders, Inc. in New York, New York, United States
cover recording of:
Angel of the Morning (on 1980-09-04)
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
April Music, EMI Blackwood, EMI Songs Ltd. and Unichappell Music
recording of:
Angel of the Morning
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
April Music, EMI Blackwood, EMI Songs Ltd. and Unichappell Music
Juice Newton4.354:11
4If You Were Here Tonight
recording of:
If You Were Here Tonight
lyricist and composer:
Monte Moir
Alexander O’Neal3:46
5Where Does the Time Go?
Julia Fordham4:06
6When You Walk in the Room
producer:
Christopher Neil
phonographic copyright (℗) by:
BMG Ariola München GmbH (in 1987) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1987)
cover recording of:
When You Walk in the Room
lyricist and composer:
Jackie DeShannon
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc., EMI United Partnership Ltd., Metric Music Company (publisher), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), SBK Songs (publisher) (in 1987) and United Partnership Ltd. (in 1987)
Paul Carrack2.653:31
7Some People
recording of:
Some People
lyricist and composer:
Alan Tarney
Cliff Richard3:51
8Manchild
recording of:
Manchild
writer:
Neneh Cherry, Robert Del Naja and Cameron McVey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Virgin Music (Publishing) Ltd.
Neneh Cherry3:54
9Secret Garden
producer:
Roy Thomas Baker (producer)
recording of:
Secret Garden
writer:
Carol Decker and Ron Rogers (Ronald Phillip Rogers, T'Pau)
T’Pau44:08
10Room in Your Heart
producer:
Living in a Box and Chris Porter (engineer and producer)
mixer:
Chris Porter (engineer and producer)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1989)
recording of:
Room in Your Heart
writer:
Richard Darbyshire, Albert Hammond and Marcus Vere
publisher:
Chappell Music Ltd., Empire Music Ltd. and Windswept Pacific Music Ltd.
Living in a Box24:37
11This Little Girl
engineer:
Bob Clearmountain
producer:
Gary “U.S.” Bonds, Little Steven and Bruce Springsteen
accordion:
Danny Federici (in 1980-07)
bass and bongos:
Little Steven (in 1980-07)
drums (drum set):
Max Weinberg (in 1980-07)
guitar:
Little Steven (in 1980-07) and Bruce Springsteen (in 1980-07)
keyboard:
Roy Bittan (in 1980-07) and Danny Federici (in 1980-07)
saxophone:
Clarence Clemons (in 1980-07)
background vocals:
Clarence Clemons (in 1980-07) and Little Steven (in 1980-07)
solo vocals:
Bruce Springsteen (in 1980-07)
vocals:
Gary “U.S.” Bonds (in 1980-07)
arranger:
Little Steven and Bruce Springsteen
recorded at:
1980‐07: The Power Station, New York City, NY, USA (1980-07) (Gary “U.S.” Bonds studio session)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980-07)
recording of:
This Little Girl (in 1980-07)
lyricist and composer:
Bruce Springsteen (in 1980)
Gary U.S. Bonds43:43
12Are You Getting Enough of What Makes You Happy
recording of:
Are You Getting Enough of What Makes You Happy?
lyricist and composer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
Hot Chocolate4:18
13We Belong
assistant engineer:
Dave Hernandez (Dave “Zulu” Hernandez, engineer)
producer:
Pete Coleman and Neil Giraldo
assistant mixer:
Murray Dvorkin and Bino Espinoza
additional guest bass guitar:
Roger Capps
bass guitar:
Donnie Nossov
drums (drum set):
Myron Grombacher
guitar and harmonica:
Neil Giraldo
keyboard:
Charles Giordano (American keyboardist and accordionist)
percussion:
Charles Giordano (American keyboardist and accordionist), Neil Giraldo and Myron Grombacher
lead vocals:
Pat Benatar
phonographic copyright (℗) by:
Chrysalis (in 1981) and Chrysalis Records, Inc. (not for release label use!) (in 1984)
mixed at:
Soundcastle (Interactive Studios) in Santa Monica, California, United States and The Complex Studios in Los Angeles, California, United States
recording of:
We Belong
writer:
Eric Lowen and Dan Navarro (singer/songwriter/voice actor)
publisher:
Screen Gems–EMI Music Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Pat Benatar4.453:43
14Mated
cover recording of:
Mated
writer:
Roger Powell (US musician, programmer, and columnist, band "Utopia"), Todd Rundgren, Kasim Sulton and John “Willie” Wilcox
publisher:
MIDI Evil Music and Willie Wilcox Music
David Grant and Jaki Graham3:45
15Mind Up Tonight
Melba Moore5:33
16She Means Nothing to Me
recording of:
She Means Nothing to Me
writer:
John David (British songwriter/producer/bassist aka John Williams)
Cliff Richard and Phil Everly3:38
17Riders in the Sky
The Shadows3:40
18When You’re Young and in Love
cover recording of:
When You’re Young and in Love
lyricist and composer:
Van McCoy
publisher:
Campbell Connelly & Co.
The Flying Pickets23:25
19Ain’t No Pleasin’ You
recording of:
Ain’t No Pleasin’ You
lyricist and composer:
Chas Hodges and Dave Peacock (English bass guitarist, Chas & Dave)
Chas ’n’ Dave4:13
20We’ve Got Tonight
lead vocals:
Sheena Easton and Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
performer:
Sheena Easton
cover recording of:
We’ve Got Tonite
lyricist and composer:
Bob Seger
publisher:
Hideout Records & Distributors, Inc., 大洋音楽 (Taiyō Music) and Gear Publishing Co (in 1976)
recording of:
We’ve Got Tonite
lyricist and composer:
Bob Seger
publisher:
Hideout Records & Distributors, Inc., 大洋音楽 (Taiyō Music) and Gear Publishing Co (in 1976)
Kenny Rogers and Sheena Easton33:52

Credits

Release group

part of:100 Hits (UK Demon Music Group) (number: 109) (order: 100)