The Complete Blue Note Recordings of Thelonious Monk

~ Release by Thelonious Monk (see all versions of this release, 2 available)

Annotation

Additional:
Limited edition box set (7500 ex.).

Annotation last modified on 2023-09-06 21:51 UTC.

Tracklist

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1▼12" Vinyl
#TitleRatingLength
1Humph
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
alto saxophone:
Danny Quebec West (on 1947-10-15)
double bass:
Gene Ramey (on 1947-10-15)
drums (drum set):
Art Blakey (on 1947-10-15)
piano:
Thelonious Monk (on 1947-10-15)
tenor saxophone:
Billy Smith (US jazz saxophonist) (on 1947-10-15)
trumpet:
Idrees Sulieman (on 1947-10-15)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-15)
recording of:
Humph (on 1947-10-15)
composer:
Thelonious Monk
2:53
2Evonce (alternate take)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
alto saxophone:
Danny Quebec West (on 1947-10-15)
double bass:
Gene Ramey (on 1947-10-15)
drums (drum set):
Art Blakey (on 1947-10-15)
piano:
Thelonious Monk (on 1947-10-15)
tenor saxophone:
Billy Smith (US jazz saxophonist) (on 1947-10-15)
trumpet:
Idrees Sulieman (on 1947-10-15)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-15)
recording of:
Evonce (on 1947-10-15)
composer:
Ike Quebec and Idrees Sulieman
3:02
3Evonce
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
alto saxophone:
Danny Quebec West (on 1947-10-15)
double bass:
Eugene Ramey (on 1947-10-15)
drums (drum set):
Art Blakey (on 1947-10-15)
piano:
Thelonious Monk (on 1947-10-15)
tenor saxophone [tenor sax]:
Billy Smith (US jazz saxophonist) (on 1947-10-15)
trumpet:
Idrees Sulieman (on 1947-10-15)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-15)
recording of:
Evonce (on 1947-10-15)
composer:
Ike Quebec and Idrees Sulieman
3:04
4Suburban Eyes
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
alto saxophone:
Danny Quebec West (on 1947-10-15)
double bass:
Gene Ramey (on 1947-10-15)
drums (drum set):
Art Blakey (on 1947-10-15)
piano:
Thelonious Monk (on 1947-10-15)
tenor saxophone:
Billy Smith (US jazz saxophonist) (on 1947-10-15)
trumpet:
Idrees Sulieman (on 1947-10-15)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-15)
recording of:
Suburban Eyes (on 1947-10-15)
composer:
Ike Quebec
3:01
5Suburban Eyes (alternate take)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
alto saxophone:
Danny Quebec West (on 1947-10-15)
double bass:
Gene Ramey (on 1947-10-15)
drums (drum set):
Art Blakey (on 1947-10-15)
piano:
Thelonious Monk (on 1947-10-15)
tenor saxophone:
Billy Smith (US jazz saxophonist)
trumpet:
Idrees Sulieman (on 1947-10-15)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-15)
recording of:
Suburban Eyes (on 1947-10-15)
composer:
Ike Quebec
2:58
6Thelonious
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
alto saxophone:
Danny Quebec West (on 1947-10-15)
double bass:
Gene Ramey (on 1947-10-15)
drums (drum set):
Art Blakey (on 1947-10-15)
piano:
Thelonious Monk (on 1947-10-15)
tenor saxophone:
Billy Smith (US jazz saxophonist) (on 1947-10-15)
trumpet:
Idrees Sulieman (on 1947-10-15)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-15)
recording of:
Thelonious (on 1947-10-15)
composer:
Thelonious Monk
3:01
7Nice Work If You Can Get It (alternate take)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Gene Ramey (on 1947-10-24)
drums (drum set):
Art Blakey (on 1947-10-24)
piano:
Thelonious Monk (on 1947-10-24)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-24)
instrumental recording of:
Nice Work If You Can Get It (on 1947-10-24)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
3:03
8Nice Work If You Can Get It
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Gene Ramey (on 1947-10-24)
drums (drum set):
Art Blakey (on 1947-10-24)
piano:
Thelonious Monk (on 1947-10-24)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-24)
instrumental recording of:
Nice Work If You Can Get It (on 1947-10-24)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
3:03
9Ruby My Dear (alternate take)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Gene Ramey (on 1947-10-24)
drums (drum set):
Art Blakey (on 1947-10-24)
piano:
Thelonious Monk (on 1947-10-24)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-24)
recording of:
Ruby, My Dear (on 1947-10-24)
composer:
Thelonious Monk (in 1948)
publisher:
Embassy Music Corporation
3:06
10Ruby My Dear
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Gene Ramey (on 1947-10-24)
drums (drum set):
Art Blakey (on 1947-10-24)
piano:
Thelonious Monk (on 1947-10-24)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-24)
recording of:
Ruby, My Dear (on 1947-10-24)
composer:
Thelonious Monk (in 1948)
publisher:
Embassy Music Corporation
3:08
11Well, You Needn’t
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Gene Ramey (on 1947-10-24)
drums (drum set):
Art Blakey (on 1947-10-24)
piano:
Thelonious Monk (on 1947-10-24)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-24)
recording of:
Well, You Needn’t (on 1947-10-24)
composer:
Thelonious Monk
publisher:
Regent Music (BMI)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:57
12Well, You Needn’t (alternate take)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Gene Ramey (on 1947-10-24)
drums (drum set):
Art Blakey (on 1947-10-24)
piano:
Thelonious Monk (on 1947-10-24)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-24)
recording of:
Well, You Needn’t (on 1947-10-24)
composer:
Thelonious Monk
publisher:
Regent Music (BMI)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:55
13April in Paris (alternate take)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Gene Ramey (on 1947-10-24)
drums (drum set):
Art Blakey (on 1947-10-24)
piano:
Thelonious Monk (on 1947-10-24)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-24)
instrumental recording of:
April in Paris (on 1947-10-24)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
2:42
14April in Paris
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Gene Ramey (on 1947-10-24)
drums (drum set):
Art Blakey (on 1947-10-24)
piano:
Thelonious Monk (on 1947-10-24)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-24)
instrumental recording of:
April in Paris (on 1947-10-24)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:20
2▼12" Vinyl
#TitleRatingLength
1Off Minor
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Gene Ramey (on 1947-10-24)
drums (drum set):
Art Blakey (on 1947-10-24)
piano:
Thelonious Monk (on 1947-10-24)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-24)
recording of:
Off Minor (on 1947-10-24)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
3:01
2Introspection
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Gene Ramey (on 1947-10-24)
drums (drum set):
Art Blakey (on 1947-10-24)
piano:
Thelonious Monk (on 1947-10-24)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-24)
recording of:
Introspection (on 1947-10-24)
composer:
Thelonious Monk
3:12
3In Walked Bud
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
alto saxophone:
Sahib Shihab (American jazz musician) (on 1947-11-21)
double bass:
Bob Paige (jazz bassist) (on 1947-11-21)
drums (drum set):
Art Blakey (on 1947-11-21)
piano:
Thelonious Monk (on 1947-11-21)
trumpet:
George Taitt (on 1947-11-21)
recorded at:
WOR Studios in New York, New York, United States (on 1947-11-21)
recording of:
In Walked Bud (on 1947-11-21)
composer:
Thelonious Monk (in 1947)
publisher:
Embassy Music Corporation
2:56
4Monk’s Mood
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
alto saxophone:
Sahib Shihab (American jazz musician) (on 1947-11-21)
double bass:
Bob Paige (jazz bassist) (on 1947-11-21)
drums (drum set):
Art Blakey (on 1947-11-21)
piano:
Thelonious Monk (on 1947-11-21)
trumpet:
George Taitt (on 1947-11-21)
recorded at:
WOR Studios in New York, New York, United States (on 1947-11-21)
recording of:
Monk’s Mood (on 1947-11-21)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
3:08
5Who Knows
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
alto saxophone:
Sahib Shihab (American jazz musician) (on 1947-11-21)
double bass:
Bob Paige (jazz bassist) (on 1947-11-21)
drums (drum set):
Art Blakey (on 1947-11-21)
piano:
Thelonious Monk (on 1947-11-21)
trumpet:
George Taitt (on 1947-11-21)
recorded at:
WOR Studios in New York, New York, United States (on 1947-11-21)
recording of:
Who Knows (on 1947-11-21)
composer:
Thelonious Monk
2:42
6’Round Midnight
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
alto saxophone:
Edmond Gregory (American jazz musician) (on 1947-11-21)
double bass:
Robert Paige (jazz bassist) (on 1947-11-21)
drums (drum set):
Art Blakey (on 1947-11-21)
piano:
Thelonious Monk (on 1947-11-21)
trumpet:
George Taitt (on 1947-11-21)
recorded at:
WOR Studios in New York, New York, United States (on 1947-11-21)
instrumental recording of:
’Round Midnight (on 1947-11-21)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
3:11
7Who Knows (alternate take)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
alto saxophone:
Sahib Shihab (American jazz musician) (on 1947-11-21)
double bass:
Bob Paige (jazz bassist) (on 1947-11-21)
drums (drum set):
Art Blakey (on 1947-11-21)
piano:
Thelonious Monk (on 1947-11-21)
trumpet:
George Taitt (on 1947-11-21)
recorded at:
WOR Studios in New York, New York, United States (on 1947-11-21)
recording of:
Who Knows (on 1947-11-21)
composer:
Thelonious Monk
2:39
8All the Things You Are
double bass:
John Simmons (bassist) (on 1948-07-02)
drums (drum set):
Shadow Wilson (on 1948-07-02)
piano:
Thelonious Monk (on 1948-07-02)
vibraphone:
Milt Jackson (on 1948-07-02)
lead vocals:
Kenny Hagood
vocals:
Kenny Hagood (on 1948-07-02)
recorded at:
Apex Studios in New York, New York, United States (on 1948-07-02) and WOR Studios in New York, New York, United States (on 1948-07-02)
recording of:
All the Things You Are (from “Very Warm for May”) (on 1948-07-02)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
2:59
9I Should Care (alternate take)
double bass:
John Simmons (bassist) (on 1948-07-02)
drums (drum set):
Shadow Wilson (on 1948-07-02)
piano:
Thelonious Monk (on 1948-07-02)
vibraphone:
Milt Jackson (on 1948-07-02)
vocals:
Kenny Hagood (on 1948-07-02)
recorded at:
Apex Studios in New York, New York, United States (on 1948-07-02) and WOR Studios in New York, New York, United States (on 1948-07-02)
recording of:
I Should Care (on 1948-07-02)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
3:03
10I Should Care
double bass:
John Simmons (bassist) (on 1948-07-02)
drums (drum set):
Shadow Wilson (on 1948-07-02)
piano:
Thelonious Monk (on 1948-07-02)
vibraphone:
Milt Jackson (on 1948-07-02)
lead vocals:
Kenny Hagood (on 1948-07-02)
vocals:
Kenny Hagood (on 1948-07-02)
recorded at:
Apex Studios in New York, New York, United States (on 1948-07-02) and WOR Studios in New York, New York, United States (on 1948-07-02)
recording of:
I Should Care (on 1948-07-02)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
3:01
11Evidence
recorded in:
New York, New York, United States (on 1948-07-02)
bass and double bass:
John Simmons (bassist) (on 1948-07-02)
drums (drum set) and drums (drum set) [drums]:
Shadow Wilson (on 1948-07-02)
piano:
Thelonious Monk (on 1948-07-02)
vibraphone:
Milt Jackson (on 1948-07-02)
recording of:
Evidence (on 1948-07-02)
composer:
Thelonious Monk
publisher:
Thelonious Music and Thelonious Music Corporation (publisher, affiliated to BMI)
2:34
12Misterioso
double bass [bass]:
John Simmons (bassist) (on 1948-07-02)
drums (drum set):
Shadow Wilson (on 1948-07-02)
piano:
Thelonious Monk (on 1948-07-02)
vibraphone:
Milt Jackson (on 1948-07-02) and Milton Jackson (on 1948-07-02)
recorded at:
Apex Studios in New York, New York, United States (on 1948-07-02) and WOR Studios in New York, New York, United States (on 1948-07-02)
recording of:
Misterioso (on 1948-07-02)
composer:
Thelonious Monk
3:22
13Misterioso (alternate take)
recorded in:
New York, New York, United States (on 1948-07-02)
double bass [bass]:
John Simmons (bassist) (on 1948-07-02)
drums (drum set):
Shadow Wilson (on 1948-07-02)
piano:
Thelonious Monk (on 1948-07-02)
vibraphone and vibraphone [vibes]:
Milt Jackson (on 1948-07-02)
recorded at:
Apex Studios in New York, New York, United States (on 1948-07-02)
recording of:
Misterioso (on 1948-07-02)
composer:
Thelonious Monk
2:45
14Epistrophy
double bass:
John Simmons (bassist) (on 1948-07-02)
drums (drum set):
Shadow Wilson (on 1948-07-02)
piano:
Thelonious Monk (on 1948-07-02)
vibraphone:
Milt Jackson (on 1948-07-02)
recorded at:
Apex Studios in New York, New York, United States (on 1948-07-02)
recording of:
Epistrophy (on 1947-07-02)
composer:
Kenny Clarke and Thelonious Monk
publisher:
Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
3:08
15I Mean You
double bass [bass]:
John Simmons (bassist) (on 1948-07-02)
drums (drum set):
Shadow Wilson (on 1948-07-02)
piano:
Thelonious Monk (on 1948-07-02)
vibraphone:
Milt Jackson (on 1948-07-02)
recorded at:
Apex Studios in New York, New York, United States (on 1948-07-02)
recording of:
I Mean You (on 1948-07-02)
composer:
Coleman Hawkins and Thelonious Monk
52:47
3▼12" Vinyl
#TitleRatingLength
1Four in One
alto saxophone:
Sahib Shihab (American jazz musician) (on 1951-07-23)
double bass:
Al McKibbon (double bassist) (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Four in One (on 1951-07-23)
composer:
Thelonious Monk
3:30
2Four in One (alternate take)
alto saxophone:
Sahib Shihab (American jazz musician) (on 1951-07-23)
double bass:
Al McKibbon (double bassist) (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Four in One (on 1951-07-23)
composer:
Thelonious Monk
3:29
3Criss Cross
alto saxophone:
Sahib Shihab (American jazz musician) (on 1951-07-23)
double bass:
Al McKibbon (double bassist) (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Criss‐Cross (on 1951-07-23)
composer:
Thelonious Monk
2:57
4Criss Cross (alternate take)
alto saxophone:
Sahib Shihab (American jazz musician) (on 1951-07-23)
double bass:
Al McKibbon (double bassist) (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Criss‐Cross (on 1951-07-23)
composer:
Thelonious Monk
2:51
5Eronel
alto saxophone:
Sahib Shihab (American jazz musician) (on 1951-07-23)
double bass:
Al McKibbon (double bassist) (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Eronel (on 1951-07-23)
composer:
Thelonious Monk
3:04
6Straight No Chaser
alto saxophone:
Sahib Shihab (American jazz musician) (on 1951-07-23)
double bass:
Al McKibbon (double bassist) (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Straight, No Chaser (on 1951-07-23)
composer:
Thelonious Monk
publisher:
Thelonious Music
2:57
7Ask Me Now (alternate take)
double bass:
Al McKibbon (double bassist) (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Ask Me Now (on 1951-07-23)
composer:
Thelonious Monk
publisher:
Thelonious Music Corporation (publisher, affiliated to BMI)
4:28
8Ask Me Now
double bass:
Al McKibbon (double bassist) (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Ask Me Now (on 1951-07-23)
composer:
Thelonious Monk
publisher:
Thelonious Music Corporation (publisher, affiliated to BMI)
3:15
9Willow Weep for Me
double bass:
Al McKibbon (double bassist) (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
instrumental recording of:
Willow Weep for Me (on 1951-07-23)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:00
10Skippy
alto saxophone:
Lou Donaldson (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
tenor saxophone:
Lucky Thompson (on 1952-05-30)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
recording of:
Skippy (on 1952-05-30)
composer:
Thelonious Monk
3:02
11Skippy (alternate take)
alto saxophone:
Lou Donaldson (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
tenor saxophone:
Lucky Thompson (on 1952-05-30)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
recording of:
Skippy (on 1952-05-30)
composer:
Thelonious Monk
3:10
12Hornin’ In (alternate take)
alto saxophone:
Lou Donaldson (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
tenor saxophone:
Lucky Thompson (on 1952-05-30)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
recording of:
Hornin’ In (on 1952-05-30)
composer:
Thelonious Monk
3:09
4▼12" Vinyl
#TitleRatingLength
1Hornin’ In
recorded in:
New York, New York, United States (on 1952-05-30)
alto saxophone:
Lou Donaldson (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
tenor saxophone:
Lucky Thompson (on 1952-05-30)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
recording of:
Hornin’ In (on 1952-05-30)
composer:
Thelonious Monk
3:14
2Sixteen (first take)
alto saxophone:
Lou Donaldson (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
tenor saxophone:
Lucky Thompson (on 1952-05-30)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
recording of:
Sixteen (on 1952-05-30)
composer:
Thelonious Monk
3:31
3Sixteen (second take)
alto saxophone:
Lou Donaldson (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
tenor saxophone:
Lucky Thompson (on 1952-05-30)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
recording of:
Sixteen (on 1952-05-30)
composer:
Thelonious Monk
3:40
4Carolina Moon
alto saxophone:
Lou Donaldson (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
tenor saxophone:
Lucky Thompson (on 1952-05-30)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
instrumental recording of:
Carolina Moon (1928 song) (on 1952-05-30)
lyricist:
Benny Davis (US vaudeville performer and songwriter)
composer:
Joe Burke (American composer)
publisher:
Burton Way Music Ltd., Cromwell Music, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Fred Ahlert Mus. Corp., Lawrence Wright Music Co., Ltd., Memory Lane Music (publishing company) and Redwood Music
3:28
5Let’s Cool One
recorded in:
New York, New York, United States (on 1952-05-30)
alto saxophone:
Lou Donaldson (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
tenor saxophone:
Lucky Thompson (on 1952-05-30)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
recording of:
Let’s Cool One (on 1952-05-30)
composer:
Thelonious Monk
3:49
6I’ll Follow You
recorded in:
New York, New York, United States (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
instrumental recording of:
I’ll Follow You (on 1952-05-30)
lyricist:
Roy Turk
composer:
Fred Ahlert
3:48
7Reflections
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-04-14)
drums (drum set):
Art Blakey (on 1957-04-14)
piano:
Thelonious Monk (on 1957-04-14)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-04-14)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-04-14)
recording of:
Reflections (on 1957-04-14)
composer:
Thelonious Monk
7:03
8Misterioso
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-04-14)
drums (drum set):
Art Blakey (on 1957-04-14)
piano:
Thelonious Monk (on 1957-04-14) and Horace Silver (on 1957-04-14)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-04-14)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-04-14)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-04-14)
recording of:
Misterioso (on 1957-04-14)
composer:
Thelonious Monk
9:22