All Time Jazz Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Cry Me a River
cover recording of:
Cry Me a River
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Dinah Washington42:47
2Salt Peanuts
Dizzy Gillespie43:15
3Don’t Get Around Much Anymore
recording of:
Never No Lament (on 1940-05-04)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington & His Band43:17
4That Ole Devil Called Love
Billie Holiday42:52
5Too Marvellous for Words
cover recording of:
Too Marvelous for Words
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
Too Marvelous for Words
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Nat King Cole Trio42:19
6Fascinating Rhythm
Benny Goodman & His Orchestra42:59
7My Heart Belongs to Daddy
double bass:
Beverly Peer (on 1939-02-17)
drums (drum set):
Chick Webb (on 1939-02-17)
guitar:
Bobby Johnson (US guitarist) (on 1939-02-17)
piano:
Tommy Fulford (on 1939-02-17)
reeds:
Garvin Bushell (on 1939-02-17) and Hilton Jefferson (on 1939-02-17)
tenor saxophone:
Teddy McRae (on 1939-02-17)
trombone:
George Matthews (trombone) (on 1939-02-17), Nat Story (on 1939-02-17) and Sandy Williams (American jazz trombonist) (on 1939-02-17)
trumpet:
Taft Jordan (on 1939-02-17), Bobby Stark (on 1939-02-17) and Dick Vance (US jazz trumpeter and arranger) (on 1939-02-17)
woodwind:
Wayman Carver (on 1939-02-17)
vocals:
Ella Fitzgerald (American jazz singer) (on 1939-02-17)
recording of:
My Heart Belongs to Daddy (on 1939-02-17)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
cover recording of:
My Heart Belongs to Daddy
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
Ella Fitzgerald43:06
8Exactly Like You
recorded in:
Paris, Île-de-France, France (on 1937-04-21)
double bass:
Louis Vola (on 1937-04-21)
guitar:
Marcel Bianchi (on 1937-04-21), Pierre “Baro” Ferret (on 1937-04-21) and Django Reinhardt (French jazz guitarist and composer) (on 1937-04-21)
violin:
Stéphane Grappelli (jazz violinist) (on 1937-04-21)
part of:
The Gramophone Company Limited (by matrix number) (number: 0LA 1702-1)
instrumental recording of:
Exactly Like You (on 1937-04-21)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1930)
writer:
Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Jimmy McHugh (songwriter) (in 1930)
Django Reinhardt2:28
9Caldonia
alto saxophone:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1945-01-19)
double bass:
Al Morgan (jazz double-bassist) (on 1945-01-19)
drums (drum set):
Alex 'Razz' Mitchell (1940s jazz drummer) (on 1945-01-19)
piano:
William Austin (on 1945-01-19)
tenor saxophone:
Freddie Simon (jazz sax) (on 1945-01-19)
trumpet:
Eddie Roane (on 1945-01-19)
vocals:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1945-01-19)
recording of:
Caldonia (What Makes Your Big Head Hard?) (on 1945-01-19)
lyricist and composer:
Louis Jordan (US jazz, blues and r&b musician and songwriter) and Fleecie Moore
publisher:
Chappell Morris Ltd., Cherio Corp. and Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (on 1945-04-16)
Louis Jordan & His Tympani Five42:40
10Little Brown Jug
recording of:
Little Brown Jug (arr. Finegan 1939)
writer:
Joseph Eastburn Winner (composer/publisher) (in 1868)
arranger:
John Wasson and Bill Finegan (in 1939)
arrangement of:
Little Brown Jug
Glenn Miller & His Orchestra32:48
11Do You Know What It Means to Miss New Orleans
recording of:
Do You Know What It Means to Miss New Orleans (on 1946-10-17)
lyricist:
Eddie DeLange and Cathrine Legardh
writer:
Louis Alter and Eddie DeLange
composer:
Louis Alter
Louis Armstrong3:01
12One O’Clock Jump
recording of:
One O’Clock Jump
composer:
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
Count Basie & His Orchestra43:01
13Lazy River
Hoagy Carmichael3:11
14Ain’t Misbehavin’
Fats Waller34:00
15What a Difference a Day Makes
cover recording of:
What a Diff’rence a Day Made
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Sarah Vaughan2:45
16Frenesi
cover recording of:
Frenesí
lyricist and composer:
Alberto Domínguez
recording of:
Frenesí
lyricist and composer:
Alberto Domínguez
Artie Shaw & His Orchestra3:05
17The Music Goes ’round & ’round
Tommy Dorsey’s Gambake Seven33:22
18Sweet Georgia Brown
double bass:
Quinn Wilson (jazz bassist, tubist) (on 1934-09-12)
drums (drum set):
Wallace Bishop (on 1934-09-12)
guitar:
Lawrence Dixon (on 1934-09-12)
piano:
Earl Hines (jazz pianist and bandleader) (on 1934-09-12)
reeds:
Darnell Howard (on 1934-09-12), Cecil Irwin (on 1934-09-12) and Omer Simeon (on 1934-09-12)
trombone:
William Franklin (trombonist, baritone) (on 1934-09-12) and Trummy Young (on 1934-09-12)
trumpet:
Charlie Allen (trumpet, jazz) (on 1934-09-12), George Dixon (trumpeter, multi-instrumentalist) (on 1934-09-12) and Walter Fuller (trumpet) (on 1934-09-12)
recording of:
Sweet Georgia Brown (on 1934-09-12)
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Earl Hines2:26
19Conception
double bass:
Gene Ramey (on 1947-02-18)
drums (drum set):
Art Blakey (on 1947-02-18)
tenor saxophone:
Stan Getz (on 1947-02-18)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1947-02-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1947-02-18)
live recording of:
Conception (on 1950-02-18)
composer:
George Shearing (British jazz pianist)
recording of:
Conception
composer:
George Shearing (British jazz pianist)
Miles Davis & Stan Getz44:06
20I’ve Heard That Song Before
recording of:
I’ve Heard That Song Before
lyricist:
Sammy Cahn (in 1942)
composer:
Jule Styne (in 1942)
publisher:
Cahn Music Company and Morley Music Co. Inc.
part of:
The 15th Academy Award for Best Original Song (number: 2)
cover recording of:
I’ve Heard That Song Before
lyricist:
Sammy Cahn (in 1942)
composer:
Jule Styne (in 1942)
publisher:
Cahn Music Company and Morley Music Co. Inc.
part of:
The 15th Academy Award for Best Original Song (number: 2)
Harry James & His Orchestra32:59

Credits

Release

manufactured in:EU (Europe)
rights society:MCPS (UK rights society; do not use this as a label or work publisher!)
copyrighted (©) by and phonographic copyright (℗) by:Dynamic Entertainment Ltd (not for release label use) (in 2003)