Cinco Minutos de jazz

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Sequential bonus codes for each CD
00001
00002
00003

Annotation last modified on 2024-06-14 00:42 UTC.

Tracklist

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1▼CD: Pare
#TitleArtistRatingLength
1My Baby Just Cares For Me
cover recording of:
My Baby Just Cares for Me
lyricist and composer:
Walter Donaldson and Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
Nina Simone Quartet3:31
2In The Evening
Big Bill Broonzy (Solo)3:25
3Eventually
recorded in:
Los Angeles, California, United States (on 1959-05-22)
alto saxophone:
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer) (on 1959-05-22)
cornet:
Don Cherry (jazz trumpeter) (on 1959-05-22)
double bass:
Charlie Haden (American jazz bassist) (on 1959-05-22)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1959-05-22)
recording of:
Eventually (on 1959-05-22)
composer:
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer)
Ornette Coleman Quintet4:19
4Empty Bed Blues
recording of:
Empty Bed Blues (Part 1 & 2) (in 1928)
writer:
J.C. Johnson
Bessie Smith com Fletcher Henderson3:00
5Rights Of Swing Prelude & Part 1
Phil Woods Octet6:39
6Blue Waltz
Clark Terry Octet6:37
7Nice N' Easy
recording of:
Nice ’n’ Easy (on 1960-04-13)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Lew Spence
publisher:
Spirit Two Music (ended), Threesome Music Company (ended), Warner Bros. Music Corp. (ended), Eddie Shaw Music Co., Fantasy Mus. Co., Spence Lew Music and Spirit Two Music Crescendo
Frank Sinatra com Nelson Riddle Orchestra2:47
8What Is There To Stay
Gerry Mulligan Quartet4:07
9Lou's Blues
recording engineer:
Rudy van Gelder (on 1959-10-31)
producer:
Alfred Lion
alto saxophone:
Lou Donaldson (on 1959-10-31)
congas:
Ray Barretto (on 1959-10-31)
double bass [bass]:
Laymon Jackson (on 1959-10-31)
drums (drum set):
Dave Bailey (US jazz drummer) (on 1959-10-31)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1959-10-31)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-10-31)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1959-10-31)
Lou Donaldson Sextet5:59
10Yesterdays
recorded in:
New York, New York, United States (in 1950-02)
producer:
Norman Granz
piano:
Bud Powell (in 1950-02)
instrumental recording of:
Yesterdays (in 1950-02)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Bud Powell (Solo)2:51
11Penitentiary Blues
recorded in:
Houston, Texas, United States (on 1959-01-16)
recording engineer:
Samuel B. Charters (on 1959-01-16)
guitar:
Lightnin’ Hopkins (on 1959-01-16)
vocals:
Lightnin’ Hopkins (on 1959-01-16)
recording of:
Penitentiary Blues
lyricist and composer:
Lightnin’ Hopkins
Lightnin’ Hopkins (Solo)52:55
12You Don't Know What Love Is
instrumental recording of:
You Don’t Know What Love Is
lyricist and composer:
Gene de Paul and Don Raye
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sonny Rollins Quartet6:29
13You Are My Sunshine
engineer:
Val Valentin
producer:
Jim Davis (jazz producer)
bass:
Ray Brown (jazz bassist) (in 1963-02)
drums (drum set):
Ed Thigpen (in 1963-02)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1963-02)
vocals:
Bill Henderson (US jazz vocalist & actor) (in 1963-02)
recording of:
You Are My Sunshine (in 1963-02)
anthem of:
Louisiana, United States
writer:
Jimmie Davis (American politician, singer and songwriter) and Charles Mitchell (1940s songwriter)
publisher:
Peer International (BMI) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (on 1940-01-30)
Bill Henderson com Oscar Peterson4:38
14Black Beauty
recording of:
Black Beauty
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington (Solo)3:01
15Darn That Dream
producer:
Francis Wolff (photographer and record producer)
double bass:
Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (on 1964-06-02)
drums (drum set):
Art Taylor (on 1964-06-02)
piano:
Kenny Drew (on 1964-06-02)
tenor saxophone:
Dexter Gordon (on 1964-06-02)
recorded at:
Studio Hoche (Barclay) in Paris, Île-de-France, France (on 1964-06-02)
instrumental recording of:
Darn That Dream (on 1964-06-02)
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
Dexter Gordon Quartet7:32
2▼CD: Escute
#TitleArtistRatingLength
1St. James Infirmary
instrumental recording of:
St. James Infirmary (Joe Primrose’s arrangement) (on 1930-01-28)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joe Primrose
publisher:
EMI Harmonies Limited
arrangement of:
St. James Infirmary
version of:
The Unfortunate Lass (Bad Girl's Lament)
King Oliver Orquestra3:38
2Things Ain't What They Used To Be
producer:
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
John Handy (US jazz alto saxophonist, born 1933) (on 1959-11-13)
double bass:
Charles Mingus (on 1959-11-13)
drums (drum set):
Dannie Richmond (drummer) (on 1959-11-13)
piano:
“Sir” Roland Hanna (jazz pianist) (on 1959-11-13)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1959-11-13)
trombone:
Jimmy Knepper (trombonist) (on 1959-11-13)
trumpet:
Don Ellis (trumpet) (on 1959-11-13)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-11-13)
instrumental recording of:
Things Ain’t What They Used to Be (on 1959-11-13)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
Charles Mingus Orquestra57:36
3Struttin' With Some Barbecue
recorded in:
Los Angeles, California, United States (on 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1938-01-12) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-12)
bass:
George "Pops" Foster (on 1938-01-12)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-12)
guitar:
Lee Blair (on 1938-01-12)
piano:
Luis Russell (on 1938-01-12)
reeds:
Bingie Madison (on 1938-01-12) and Albert Nicholas (on 1938-01-12)
trombone:
Wilbur de Paris (on 1938-01-12), J.C. Higginbotham (on 1938-01-12) and George Washington (jazz trombonist) (on 1938-01-12)
trumpet:
Henry “Red” Allen (jazz musician) (on 1938-01-12), Louis Armstrong (on 1938-01-12), Louis Bacon (on 1938-01-12) and Shelton "Scad" Hemphill (on 1938-01-12)
vocals:
Louis Armstrong (on 1938-01-12)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-12)
recording of:
Struttin’ With Some Barbecue (on 1938-01-12)
composer:
Lil Hardin Armstrong
Louis Armstrong Hot Five3:00
4King Porter Stomp
recorded in:
New York, New York, United States (on 1928-03-14)
alto saxophone and baritone saxophone:
Don Pasquall (on 1928-03-14)
banjo:
Charlie Dixon (Jazz banjoist) (on 1928-03-14)
clarinet:
Buster Bailey (clarinetist) (on 1928-03-14)
cornet:
Rex Stewart (on 1928-03-14)
drums (drum set):
Kaiser Marshall (on 1928-03-14)
piano:
Fletcher Henderson (on 1928-03-14)
reeds:
Coleman Hawkins (on 1928-03-14) and Jerome Pasquall (on 1928-03-14)
tenor saxophone:
Coleman Hawkins (on 1928-03-14)
trombone:
Jimmy Harrison (on 1928-03-14) and Benny Morton (on 1928-03-14)
trumpet:
Joe Smith (American jazz trumpeter/cornetist) (on 1928-03-14), Russell Smith (US jazz trumpeter) (on 1928-03-14) and Bobby Stark (on 1928-03-14)
tuba and tuba [brass bass]:
June Cole (on 1928-03-14)
arranger:
Don Redman
recording of:
King Porter Stomp (on 1928-03-14)
composer:
Jelly Roll Morton
Fletcher Henderson Orquestra2:56
5So What
recorded in:
New York, New York, United States (on 1959-03-02)
recording engineer:
Fred Plaut (on 1959-03-02)
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-03-02)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-02)
piano:
Bill Evans (pianist) (on 1959-03-02)
tenor saxophone:
John Coltrane (on 1959-03-02)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-03-02)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-03-02)
remix of:
So What (stereo) by Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
So What (on 1959-03-02)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, Volume I)
Miles Davis Sextet4.259:23
6One O'Clock Jump
recording of:
One O’Clock Jump
composer:
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
Count Basie Orquestra3:05
7What A Little Moonlight Can Do
recorded in:
New York, New York, United States (from 1960-08-18 until 1960-08-30)
engineer:
William McMeekin
producer:
Betty Carter and Sid Feller
vocals:
Betty Carter (from 1960-08-18 until 1960-08-30)
conductor:
Richard Wess (from 1960-08-18 until 1960-08-30)
arranger:
Richard Wess
Betty Carter com Richard Wess Orquestra2:06
8Royal Garden Blues
Bix Beiderbecke Orquestra3:01
9Prisoner Of Love
double bass:
Gene Ramey (on 1956-01-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-01-13)
piano:
Teddy Wilson (on 1956-01-13)
tenor saxophone:
Lester Young (saxophonist) (on 1956-01-13)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1956-01-13)
instrumental recording of:
Prisoner of Love (on 1956-01-13)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Russ Columbo (American singer, songwriter, violinist and actor) and Clarence Gaskill
publisher:
Colgems-EMI Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Music Sales Corporation (American copyright holder in both popular and classical music)
Lester Young Quartet7:38
10Ain't Misbehavin'
recorded in:
Camden, New Jersey, United States (on 1929-08-02)
piano:
Fats Waller (on 1929-08-02)
recorded at:
Victor’s Church Studio in Camden, New Jersey, United States
instrumental recording of:
Ain’t Misbehavin’ (on 1929-08-02)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
Fats Waller (Solo)3:00
11Giant Steps
recording engineer:
Tom Dowd (on 1959-05-05) and Phil Iehle (on 1959-05-05)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-05-05)
drums (drum set):
Art Taylor (on 1959-05-05)
piano:
Tommy Flanagan (on 1959-05-05)
tenor saxophone:
John Coltrane (on 1959-05-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-05)
recording of:
Giant Steps (on 1959-05-05)
composer:
John Coltrane
publisher:
Jowcol Music
part of:
The Real Book (compilation of jazz standards, Volume I)
John Coltrane Quartet3.354:46
12Peace Piece
recording engineer:
Jack Higgins (recording engineer) (on 1958-12-15)
producer:
Orrin Keepnews
piano:
Bill Evans (pianist) (on 1958-12-15)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-12-15)
recording of:
Peace Piece (on 1958-12-15)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music and TRO-Acorn Music
Bill Evans (Solo)4.56:42
13Fine And Mellow
recording of:
Fine and Mellow
lyricist and composer:
Billie Holiday
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Billie Holiday3:12
14I Remember Clifford
recorded in:
Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovenia (on 1960-05-27)
double bass:
Percy Heath (on 1960-05-27)
drums (drum set):
Connie Kay (on 1960-05-27)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1960-05-27)
vibraphone:
Milt Jackson (on 1960-05-27)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1995)
live recording of:
I Remember Clifford
lyricist:
Jon Hendricks
composer:
Benny Golson (American jazz saxophonist and composer)
version of:
I Remember Clifford (instrumental original)
Modern Jazz Quartet6:03
15Body And Soul
solo piano:
Teddy Wilson (on 1941-04-11)
instrumental recording of:
Body and Soul (on 1941-04-11)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teddy Wilson (Solo)3:13
3▼CD: Ouça
#TitleArtistRatingLength
1Blues For Mary Jane
Stan Getz Quartet7:51
2Salt Peanuts
Charlie Parker Quintet7:50
3Cherokee
cover recording of:
Cherokee
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
Sarah Vaughan com Ernie Wilkins Orquestra2:32
4Ruby My Dear
recording engineer:
Reice Hamel
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1959-10-21)
recorded at:
Fugazi Hall in San Francisco, California, United States (on 1959-10-21)
recording of:
Ruby, My Dear (on 1959-10-21)
composer:
Thelonious Monk (in 1948)
publisher:
Embassy Music Corporation
Thelonious Monk (Solo)4:00
5Jordu
producer:
Norman Granz
alto saxophone:
Ernie Henry (on 1957-04-07) and Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (on 1957-04-07)
baritone saxophone:
Bill Root (jazz saxophonist) (on 1957-04-07)
bass trombone:
Rod Levitt (jazz trombonist, composer, bandleader) (on 1957-04-07)
double bass:
Paul West (bass) (on 1957-04-07)
drums (drum set):
Charli Persip (American jazz drummer) (on 1957-04-07)
piano:
Wynton Kelly (on 1957-04-07)
solo tenor saxophone:
Billy Mitchell (US jazz saxophonist)
solo trumpet:
Dizzy Gillespie (on 1957-04-07)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1957-04-07)
trombone:
Al Grey (trombone) (on 1957-04-07) and Melba Liston (US jazz trombonist) (on 1957-04-07)
trumpet:
Talib Daawud (jazz trumpeter) (on 1957-04-07), E. V. Perry (on 1957-04-07), Lee Morgan (jazz trumpeter / composer) (on 1957-04-07) and Carl Warwick (jazz trumpeter) (on 1957-04-07)
arranger:
Ernie Wilkins
recorded at:
WOR Studios in New York, New York, United States (on 1957-04-07)
recording of:
Jordu (on 1957-04-07)
composer:
Duke Jordan (in 1953)
Dizzy Gillespie Orquestra4:13
6Dancing In The Dark
Art Tatum (Solo)2:57
7It Don't Mean A Thing
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
Ella Fitzgerald com Paul Smith4:15
8Blue Lou
double bass:
Ray Brown (jazz bassist) (on 1950-07-01)
drums (drum set):
Buddy Rich (on 1950-07-01)
piano:
Hank Jones (piano) (on 1950-07-01)
recording of:
Blue Lou (on 1950-07-01)
composer:
Irving Mills and Edgar Sampson
Ray Brown Trio2:18
9When It's Sleepy Time Down South
recording of:
When It’s Sleepy Time Down South (on 1941-04-28)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music (publisher)
Sidney Bechet Orquestra3:02
10Bob White
Carmen McRae com Ralph Burns Orquestra2:58
11Now's The Time
John Lewis Trio3:49
12Nasty
Harry Edison Sextet5:25
13Sweet Georgia Brown
double bass:
Ray Brown (jazz bassist)
guitar:
Herb Ellis (jazz guitarist)
piano:
Oscar Peterson (Canadian jazz pianist and composer)
recorded at:
Town Tavern in Toronto, Ontario, Canada (on 1958-07-05)
recording of:
Sweet Georgia Brown
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
live instrumental cover recording of:
Sweet Georgia Brown
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Oscar Peterson Trio7:47
14All The Things You Are
double bass:
Benny Moten (jazz bassist) (in 1960-06)
drums (drum set):
Eddie Locke (in 1960-06)
piano:
Ronnie Ball (in 1960-06)
trumpet:
Roy Eldridge (in 1960-06)
instrumental recording of:
All the Things You Are (from “Very Warm for May”) (in 1960-06)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
Roy Eldridge Quartet3:30
15Polka Dots And Moonbeams
recording of:
Polka Dots and Moonbeams
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Chet Baker Quartet7:56