Golden Dreams

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Dream Weaver
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
recording of:
Dream Weaver (Gary Wright)
lyricist and composer:
Gary Wright (US singer/keyboardist) (in 1975)
publisher:
High Wave Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and WB Music Corp.
Gary Wright53:42
2Disappearing Into You
phonographic copyright (℗) by:
Hearts of Space Records (in 1988)
recording of:
Disappearing Into You
writer:
[traditional] (special purpose artist)
arranger:
Raphael (New Age artist)
publisher:
Raphael Sharpe Productions
Raphael5:36
3Galaxies Main Theme
phonographic copyright (℗) by:
Hearts of Space Records (in 1988)
recording of:
Galaxies Main Theme
composer:
Kevin Braheny
publisher:
Heartcall Music
Kevin Braheny2:50
4Here
engineer:
Ken Scott (UK record producer & engineer)
additional producer:
America (US folk/soft rock band) and Jeff Dexter
producer:
Ian Samwell
acoustic guitar:
Dan Peek
acoustic guitar and bass and lead vocals:
Gerry Beckley
drums (drum set):
Dave Atwood
vocals:
Dewey Bunnell
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
recording of:
Here
lyricist and composer:
Gerry Beckley
publisher:
WB Music Corp. (1929–2019)
America3.85:32
5Tuesday AfternoonThe Moody Blues4:51
6The Sea Named Solaris
phonographic copyright (℗) by:
BMG Music (in 1978)
recording of:
The Sea Named 'Solaris'
arranger:
冨田勲 (Isao Tomita)
publisher:
Public Domain (refers to works that are in the public domain)
is based on:
Ich ruf zu dir, Herr Jesu Christ, BWV 639
is based on:
Sinfonia Nr. 2 c-Moll, BWV 788
Isao Tomita3:25
7Cool Change
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979)
recording of:
Cool Change
lyricist and composer:
Glenn Shorrock (from 1977 until 1978)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) and Wheatley Music Pty Ltd.
Little River Band5:08
8Sailing
assistant engineer:
Stuart Gitlin
engineer and mixer:
Chet Himes
producer:
Michael Omartian
acoustic guitar, electric guitar, background vocals and lead vocals:
Christopher Cross (US singer‐songwriter)
bass guitar:
Andy Salmon
drums (drum set):
Tommy Taylor (US drummer)
electric piano and synthesizer:
Rob Meurer
percussion:
Victor Feldman (jazz musician)
piano:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979, in 1981, in 2001)
produced for:
Free Flow Productions
recorded at:
Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Sailing
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music–MGB Songs
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross4.14:17
9Return to the Homeland
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1988)
recording of:
Return to the Homeland
composer:
Jon Goin
publisher:
Elemental Music (publisher)
Jon Goin5:27
10Time
engineer and producer:
Alan Parsons (of The Alan Parsons Project)
lead vocals:
Eric Woolfson
conductor:
Andrew Powell (known for contributions to Alan Parsons Project)
orchestrator:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1981, in 1983)
recording of:
Time
writer:
Alan Parsons (of The Alan Parsons Project) and Eric Woolfson
publisher:
Careers Music, Inc., Careers–BMG Music Publishing, Inc., Irving Music, Inc. and Woolfsongs Ltd.
The Alan Parsons Project3.255:01
11I Want to Know What Love Is
additional engineer:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla and Howie Lindeman
assistant engineer:
Bobby Cohen (engineer), Tim Crich and Scott "Abada" Mabuchi
engineer:
Frank Filipetti
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Alex Sadkin
additional keyboard:
Tom Bailey (Thompson Twins)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
additional vocals:
Jennifer Holliday
background vocals:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) and Rick Wills
choir vocals:
The New Jersey Mass Choir
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) and Rhino Entertainment Company (not for release label use!) (in 2009)
additionally recorded at:
Right Track Recording in Manhattan, New York, New York, United States
recorded at:
The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 476)
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner3.954:58
12Ringinglow
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988)
recording of:
Ringinglow
composer:
Roger Eno
publisher:
Upala Music Inc.
Roger Eno2:50
13Out in the Country
recording of:
Out in the Country
composer:
Roger Nichols (musician/songwriter) and Paul Williams (US songwriter/soft rock vocalist)
publisher:
Irving Music, Inc.
Three Dog Night4.53:10
14New World Coming
recording of:
New World Coming
writer:
Barry Mann and Cynthia Weil
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Mama Cass Elliot2:11
15Within (Choir of the Ascending Spirit)
phonographic copyright (℗) by:
Hearts of Space Records (in 1988)
recording of:
Within: Choir of the Ascending Spirit
composer:
Michael Stearns
publisher:
Continuum Montage Publishing
Michael Stearns3:40
2CD
#TitleArtistRatingLength
1After the Goldrush
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1973) and Castle Copyrights Ltd. (in 1974)
cover recording of:
After the Gold Rush
lyricist and composer:
Neil Young (Canadian singer, songwriter & musician)
publisher:
Broken Arrow Music, Broken Arrow Music Pub, Co., Cotillion Music Inc. (BMI) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Prelude42:08
2Chariots of Fire
engineer:
Raphael Preston, Raine Shine and John Walker (technical)
producer:
Vangelis (Greek composer of electronic, new age and classical)
performer:
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1981), Spheric B.V. (in 1981), Warner Bros., Inc. (not for release label use!) (in 1981) and PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1982)
recorded at:
Nemo Studios (Vangelis' Studio) in London (Greater London), England, United Kingdom
recording of:
Chariots of Fire (title theme of the 1981 film)
composer:
Vangelis (Greek composer of electronic, new age and classical)
publisher:
EMI Music Publishing (do not use as a release label!) and WB Music Corp. (1929–2019)
Vangelis3.63:32
3Legacy
recording of:
Legacy
writer:
Larry Fast (American synthesizer player and composer)
publisher:
Semiconductor Music Publishing
Synergy2:28
4Turn! Turn! Turn! (To Everything There Is a Season)
producer:
Terry Melcher
part of:
New York Post: 100 Greatest Covers (2007) (number: 95)
cover recording of:
Turn! Turn! Turn! (To Everything There Is a Season)
lyricist:
[traditional] (special purpose artist)
composer:
Pete Seeger (in 1959)
publisher:
Melody Trails and TRO Essex Music Ltd.
The Byrds4.853:44
5Put a Little Love in Your Heart
recording of:
Put a Little Love in Your Heart
writer:
Jackie DeShannon, Jimmy Holiday (American singer, songwriter, producer) and Randy James Myers
publisher:
EMI Catalogue Partnership and EMI Unart Catalog Inc.
Jackie DeShannon2:32
6Love Is the Answer
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
recording of:
Love Is the Answer
lyricist and composer:
Todd Rundgren
publisher:
Earmark Music Inc., Fiction Music Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
England Dan & John Ford Coley34:39
7After the Sunrise
phonographic copyright (℗) by:
Private, Inc. (related to Peter Baumann's label Private Music) (in 1987)
recording of:
After the Sunrise
composer:
Yanni (Greek new age keyboardist Yiannis Chrysomallis)
publisher:
23rd Street Publishing, Inc. and YanniWorks
Yanni4:39
8Carefree Highway
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974)
recording of:
Carefree Highway
lyricist and composer:
Gordon Lightfoot
publisher:
Moose Music and WB Music Corp. (1929–2019)
Gordon Lightfoot3:41
9(Sittin' On) The Dock of the Bay
producer:
Jerry Bruckheimer, Steve Cropper and Don Simpson (American film producer, screenwriter, and actor)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-11-22 until 1967-12-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (from 1967-11-22 until 1967-12-07)
guitar:
Steve Cropper (from 1967-11-22 until 1967-12-07)
keyboard:
Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-11-22 until 1967-12-07)
vocals:
Otis Redding (from 1967-11-22 until 1967-12-07)
whistling:
Otis Redding (from 1967-11-22 until 1967-12-07)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 45)
recording of:
(Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding4.452:42
10What's Forever For
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982)
recording of:
What’s Forever For
lyricist and composer:
Rafe Van Hoy (American songwriter, musician and producer)
publisher:
Tree Publishing Co., Inc.
Michael Martin Murphey2:51
11The Widow Sky
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1988)
recording of:
The Widow Sky
writer:
Giles Reeves
publisher:
Selig Songs and WB Music Corp. (1929–2019)
Giles Reeves4:23
12Les Preludes (excerpt)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Václav Neumann (Czech conductor)
partial recording of:
Les Préludes, S. 97
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1848, from 1850 until 1855)
part of:
The Music of Liszt (number: S. 97)
Franz Liszt2:54
13We May Never Pass This Way Again
producer:
Louie Shelton
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973)
recording of:
We May Never Pass This Way (Again)
lyricist:
James Seals
composer:
Dash Crofts and James Seals
publisher:
Dawnbreaker Music
Seals & Crofts34:16
14Also sprach Zarathustra
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
partial recording of:
Also sprach Zarathustra, op. 30 (TrV 176)
premiered in:
Frankfurt am Main (Frankfurt), Hessen (Hesse), Germany (on 1896-11-27)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Works of Richard Strauss by opus number (number: op. 30) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 176)
Richard Strauss5:21
15Music From the Right Stuff
phonographic copyright (℗) by:
Telare Recods (in 1987)
recording of:
The Right Stuff (soundtrack)
composer:
Bill Conti
publisher:
WB Music Corp. (1929–2019)
Bill Conti4:41

Credits

Release

manufactured in:United States
printed in:United States
artwork:Loren D. Adams Jr.
manufactured by:Warner Special Products
distributed by:Starland Music
copyrighted (©) by:Starland Music (in 1993)
phonographic copyright (℗) by:Warner Special Products (in 1993)
licensed from:BMG Direct Marketing, Inc. (BMG company that owned their direct marketing company/club editions)
CEMA Special Markets (a division of Capitol‐EMI Music, Inc.)
Sony Music Special Products
produced for and manufactured for:Starland Music
Discogs:https://www.discogs.com/release/20805910 [info]