Dangerous Liaisons

~ Release by George Fenton (see all versions of this release, 3 available)

Tracklist

1CD
#TitleRatingLength
1Main Titles / Dressing
producer:
George Fenton (English score composer) and Jackie Krost
violin [solo violins]:
Alison Bury (violinist) and Elizabeth Wallfisch (violinist)
conductor:
George Fenton (English score composer)
arranger:
George Fenton (English score composer)
recording of:
Main Titles / Dressing (Dangerous Liaisons)
composer:
George Fenton (English score composer)
recording of:
Violin Concerto in B-flat major, op. 9 no. 9, RV 530
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Catalogo numerico-tematico delle opere strumentali (Antonio Vivaldi) (number: F. I/57) and Ryom-Verzeichnis (number: RV 530)
part of:
La cetra, op. 9
4:21
2Madame de Tourvel
producer:
George Fenton (English score composer) and Jackie Krost
conductor:
George Fenton (English score composer)
arranger:
George Fenton (English score composer)
recording of:
Madame de Tourvel
composer and arranger:
George Fenton (English score composer)
2:16
3The Challenge
producer:
George Fenton (English score composer) and Jackie Krost
conductor:
George Fenton (English score composer)
arranger:
George Fenton (English score composer)
recording of:
The Challenge
composer and arranger:
George Fenton (English score composer)
2:07
4O Malheureuse Iphigenie
producer:
George Fenton (English score composer) and Jackie Krost
soprano vocals:
Catherine Bott (soprano)
conductor:
George Fenton (English score composer)
recording of:
Iphigénie en Tauride, Wq. 46: Act II. Aria "Le calme rentre dans mon Chor"
composer:
Christoph Willibald Gluck (composer) (in 1779)
part of:
Iphigénie en Tauride, Wq. 46
4:30
5Going Hunting
producer:
George Fenton (English score composer) and Jackie Krost
conductor:
George Fenton (English score composer)
arranger:
George Fenton (English score composer)
recording of:
Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”
composer:
George Frideric Handel (German‐British baroque composer) (until 1739-04-02)
premiered at:
His Majesty’s Theatre (Haymarket, London) in London (Greater London), England, United Kingdom (on 1739-04-04)
part of:
Händel-Werke-Verzeichnis (number: HWV 295)
1:22
6Valmont's First Move / The Staircase
producer:
George Fenton (English score composer) and Jackie Krost
conductor:
George Fenton (English score composer)
recording of:
Valmont's First Move
composer:
George Fenton (English score composer)
2:18
7Beneath The Surface
producer:
George Fenton (English score composer) and Jackie Krost
conductor:
George Fenton (English score composer)
recording of:
Beneath The Surface
composer and arranger:
George Fenton (English score composer)
2:15
8The Set Up2:14
9The Key
producer:
George Fenton (English score composer) and Jackie Krost
conductor:
George Fenton (English score composer)
arranger:
George Fenton (English score composer)
recording of:
Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1065)
is based on:
Concerto in B minor for Four Violins, Cello and Strings, op. 3 no. 10, RV 580
2:44
10Her Eyes Are Closing
producer:
George Fenton (English score composer) and Jackie Krost
conductor:
George Fenton (English score composer)
recording of:
Her Eyes Are Closing
composer and arranger:
George Fenton (English score composer)
3:41
11Ombra Mai Fu
producer:
George Fenton (English score composer) and Jackie Krost
conductor:
George Fenton (English score composer)
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
2:42
12Tourvel's Flight
producer:
George Fenton (English score composer) and Jackie Krost
conductor:
George Fenton (English score composer)
recording of:
Tourvel's Flight
composer and arranger:
George Fenton (English score composer)
2:10
13Success
producer:
George Fenton (English score composer) and Jackie Krost
conductor:
George Fenton (English score composer)
recording of:
Success
composer and arranger:
George Fenton (English score composer)
2:38
14Emilie
producer:
George Fenton (English score composer) and Jackie Krost
conductor:
George Fenton (English score composer)
recording of:
Emilie
composer and arranger:
George Fenton (English score composer)
2:33
15Beyond My Control
producer:
George Fenton (English score composer) and Jackie Krost
conductor:
George Fenton (English score composer)
recording of:
Beyond My Control
composer and arranger:
George Fenton (English score composer)
4:26
16A Final Request
producer:
George Fenton (English score composer) and Jackie Krost
conductor:
George Fenton (English score composer)
recording of:
A Final Request
composer and arranger:
George Fenton (English score composer)
3:25
17Ombra Mai Fu Reprise / The Mirror
producer:
George Fenton (English score composer) and Jackie Krost
conductor:
George Fenton (English score composer)
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
recording of:
The Mirror
composer:
George Fenton (English score composer)
2:34
18End Credits
producer:
George Fenton (English score composer) and Jackie Krost
conductor:
George Fenton (English score composer)
arranger:
George Fenton (English score composer)
recording of:
End Credits
composer and arranger:
George Fenton (English score composer)
3:00
194 Harpsichords Concerto
producer:
George Fenton (English score composer) and Jackie Krost
conductor:
George Fenton (English score composer)
recording of:
Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1065)
is based on:
Concerto in B minor for Four Violins, Cello and Strings, op. 3 no. 10, RV 580
4:14