22 of Their Fabulous Hits

~ Release by The 5th Dimension (see all versions of this release, 1 available)

Annotation

Matrix / Runout (Label A): AS 13225
Matrix / Runout (Label B): BS 13225
Matrix / Runout (Label C): AS 13226
Matrix / Runout (Label D): BS 13226
Other (Label A and B): P 13225
Other (Label C and D): P 13226
Barcode (Runout A): AS 13225-1A
Barcode (Runout B): BS 13225-1A
Barcode (Runout C): AS 13226-1A
Barcode (Runout D): BS 13226-1A

Annotation last modified on 2023-04-12 04:12 UTC.

Tracklist

| |
112" Vinyl
#TitleRatingLength
A1Up, Up and Away
engineer:
“Bones” Howe
producer:
Johnny Rivers and Marc Gordon (soul songwriter, producer, and manager)
bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist)
conductor:
Jim Webb (US songwriter, composer, producer, pianist & singer)
brass [horns] arranger and strings arranger:
Marty Paich
arranger:
Jim Webb (US songwriter, composer, producer, pianist & singer)
recorded at:
Sound Recorders, Hollywood (founded by Armin Steiner, 1965-1971) in Hollywood, Los Angeles, California, United States
recording of:
Up, Up and Away
lyricist and composer:
Jim Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Johnny Rivers Music
2.5?:??
A2Day by Day
assistant engineer:
Ed Barton (engineer) and Ken Caillat
engineer and producer:
Bones Howe
bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter)
congas:
Larry Bunker
drums (drum set) and tambourine:
Hal Blaine (U.S. studio drummer and percussionist)
electric guitar:
Larry Carlton
electric piano:
Larry Knechtel
guitar [rhythm]:
Louie Shelton
piano:
John Myles
conductor:
Bob Alcivar
arranger:
Bob Alcivar, Bones Howe and John Myles
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
cover recording of:
Day by Day (Godspell)
lyricist, composer and arranger:
Stephen Schwartz (musical theatre lyricist/composer)
publisher:
New Cadenza Music Corp., Range Road Music Inc., Valando Music, Inc. and Warner Chappell Music (publisher as Warner/Chappell Music)
part of:
Godspell (Stephen Schwartz musical)
?:??
A3Go Where You Wanna Go
cover recording of:
Go Where You Wanna Go
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
Trousdale Music
?:??
A4Together Let’s Find Love
assistant engineer:
Ed Barton (engineer), John Golden (mastering engineer) and Ray Thompson (engineer)
engineer:
Bones Howe
bass:
Andrew “Muff” White (jazz/R&B musician (sax, oboe, bass), musicologist and publisher) and Joe Osborn (American bass guitar player, session musician and songwriter)
congas:
Montego Joe
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist)
electric piano and organ:
Larry Knechtel
guitar:
Rudy Stevenson
piano:
Isaiah Jones
vocals:
Billy and Marilyn
orchestra:
The Nat Brandwynne Orchestra
conductor:
Bob Alcivar
arranger:
Bob Alcivar and Dave Blumberg
vocals arranger:
Bob Alcivar
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
live recording of:
Together Let’s Find Love
writer:
J. W. Alexander and Willie Hutchison
publisher:
Fifth Star Music
?:??
A5Wedding Bell Blues
sound engineer, engineer and producer:
Bones Howe
assistant producer:
Ann McClelland
bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
drums (drum set) and percussion:
Hal Blaine (U.S. studio drummer and percussionist)
performer:
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo and Ron Townson
arranger:
Bill Holman, Bob Alcivar and Bones Howe
vocals arranger:
Bob Alcivar
cover recording of:
Wedding Bell Blues
lyricist and composer:
Laura Nyro
publisher:
EMI Blackwood Music Inc., Tuna Fish Music, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
3?:??
B1Stoned Soul Picnic
sound engineer and engineer:
Bones Howe
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone and percussion:
Hal Blaine (U.S. studio drummer and percussionist)
performer:
Billy Davis, Jr., Florence LaRue, LaMont McLemore, Marilyn McCoo and Ron Townson
cover recording of:
Stoned Soul Picnic
lyricist and composer:
Laura Nyro
publisher:
EMI Blackwood Music Inc., Tuna Fish Music and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
?:??
B2Sweet Blindness
sound engineer and engineer:
Bones Howe
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone and percussion:
Hal Blaine (U.S. studio drummer and percussionist)
performer:
Billy Davis, Jr., Florence LaRue, LaMont McLemore, Marilyn McCoo and Ron Townson
cover recording of:
Sweet Blindness
lyricist and composer:
Laura Nyro
publisher:
EMI Blackwood Music Inc., Tuna Fish Music and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
?:??
B3If I Could Reach You
sound engineer and producer:
Bones Howe
assistant engineer:
Ed Barton (engineer) and John Golden (mastering engineer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
solo vocals:
Marilyn McCoo
vocals:
Billy Davis, Jr., Florence La Rue Gordon, Lamonte McLemore and Ron Townson
arranger:
Bill Holman and Bones Howe
vocals arranger:
Bob Alcivar
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
recording of:
If I Could Reach You
lyricist and composer:
Randy McNeill
?:??
B4Blowing Away
sound engineer, engineer and producer:
Bones Howe
assistant producer:
Ann McClelland
bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
drums (drum set) and percussion:
Hal Blaine (U.S. studio drummer and percussionist)
performer:
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo and Ron Townson
arranger:
Bill Holman, Bob Alcivar and Bones Howe
vocals arranger:
Bob Alcivar
cover recording of:
Blowin’ Away
lyricist and composer:
Laura Nyro
publisher:
EMI Blackwood Music Inc., Tuna Fish Music and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
?:??
B5California Soul
sound engineer and engineer:
Bones Howe
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone and percussion:
Hal Blaine (U.S. studio drummer and percussionist)
performer:
Billy Davis, Jr., Florence LaRue, LaMont McLemore, Marilyn McCoo and Ron Townson
cover recording of:
California Soul
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Jobete Music Co., Inc. (on 1969-01-17)
3?:??
B6Paper Cup
?:??
212" Vinyl
#TitleRatingLength
C1One Less Bell to Answer
sound engineer, engineer and producer:
Bones Howe
assistant engineer:
Johnny Golden (mastering engineer), Larry Cox (US engineer/producer) and Rik Pekkonen
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
solo vocals:
Marilyn McCoo Davis (in 1970)
performer:
Billy Davis, Jr., Florence LaRue Gordon, Lamonte McLemore, Marilyn McCoo Davis and Ron Townson
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
cover recording of:
One Less Bell to Answer (in 1970)
lyricist:
Hal David (in 1967)
composer:
Burt Bacharach (in 1967)
publisher:
Blue Seas Music, Inc. (ended), JAC Music Co., Inc. (ended), BMG Rights Management (UK) Ltd. (Hal David), New Hidden Valley Music Co., PW Arrangements and Universal Music Corp. (USA, affiliated with ASCAP)
?:??
C2Workin’ on a Groovy Thing
sound engineer, engineer and producer:
Bones Howe
assistant producer:
Ann McClelland
bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
drums (drum set) and percussion:
Hal Blaine (U.S. studio drummer and percussionist)
performer:
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo and Ron Townson
arranger:
Bill Holman, Bob Alcivar and Bones Howe
vocals arranger:
Bob Alcivar
cover recording of:
Workin’ on a Groovy Thing
lyricist:
Roger Atkins
composer:
Neil Sedaka
publisher:
Screen Gems–Columbia Music, Inc.
?:??
C3Love’s Lines, Angles and Rhymes
assistant engineer:
John Golden (mastering engineer), Larry Cox (US engineer/producer) and Rik Pekkonen
engineer and producer:
Bones Howe
assistant producer:
John Golden (mastering engineer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
background vocals:
Billy Davis, Jr., Florence LaRue Gordon, Lamonte McLemore, Marilyn McCoo and Ron Townson
solo vocals:
Marilyn McCoo
arranger:
Bill Holman, Bob Alcivar and Bones Howe
mixed at and engineered at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States
cover recording of:
Love’s Lines, Angles and Rhymes
lyricist and composer:
Dorothea Joyce
publisher:
April Music
?:??
C4Ashes to Ashes
producer:
David Bowie (English singer‐songwriter) and Tony Visconti
mixer:
Tony Visconti
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980-02) and Good Earth Studios in Soho, Westminster, London (Greater London), England, United Kingdom (in 1980-04)
recording of:
Ashes to Ashes (from 1980-02 until 1980-04)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
4.4?:??
C5(Last Night) I Didn’t Get to Sleep at All
sound engineer and producer:
Bones Howe
assistant engineer:
Ed Barton (engineer) and John Golden (mastering engineer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist)
solo vocals:
Marilyn McCoo
vocals:
Billy Davis, Jr., Florence La Rue Gordon, Lamonte McLemore and Ron Townson
arranger:
Bill Holman and Bones Howe
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1972)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
recording of:
(Last Night) I Didn’t Get to Sleep at All
lyricist and composer:
Tony Macaulay
publisher:
PolyGram Music Publishing
3?:??
D1Aquarius / Let the Sunshine In
recording of:
Aquarius / Let the Sunshine In (The Flesh Failures)
writer:
Gerome Ragni, James Rado (US actor, playwright, director, writer & composer) and Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
arranger:
Bill Holman, Bob Alcivar and Bones Howe
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc. and United Artists Music Co., Inc.
medley of:
Aquarius (from “Hair”)
medley of:
The Flesh Failures (Let the Sunshine In) (from “Hair”)
5?:??
D2Never My Love
assistant engineer:
Ed Barton (engineer), John Golden (mastering engineer) and Ray Thompson (engineer)
engineer:
Bones Howe
bass:
Andrew “Muff” White (jazz/R&B musician (sax, oboe, bass), musicologist and publisher) and Joe Osborn (American bass guitar player, session musician and songwriter)
congas:
Montego Joe
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist)
electric piano and organ:
Larry Knechtel
guitar:
Rudy Stevenson
piano:
Isaiah Jones
solo vocals:
Marilyn McCoo
orchestra:
The Nat Brandwynne Orchestra
conductor:
Bob Alcivar
arranger:
Bill Holman, Bob Alcivar and Bones Howe
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
live cover recording of:
Never My Love
writer:
Dick Addrisi and Don Addrisi
publisher:
Universal Music (plain logo: “Universal Music”), Universal Music Careers, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell North America, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
?:??
D3Carpetman
?:??
D4Living Together, Growing Together
assistant engineer:
Ed Barton (engineer) and Ken Caillat
engineer and producer:
Bones Howe
bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter)
congas:
Larry Bunker
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist)
electric guitar:
Louie Shelton
electric piano:
Mike Melvoin
guitar [rhythm]:
Dennis Budimir
piano:
Artie Butler
conductor:
Artie Butler and Bob Alcivar
arranger:
Artie Butler
vocals arranger:
Bob Alcivar
phonographic copyright (℗) by:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
cover recording of:
Living Together, Growing Together
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., J. C. Music Co. and New Hidden Valley Music, Inc.
?:??
D5Puppet Man
sound engineer, engineer and producer:
Bones Howe
assistant engineer:
Johnny Golden (mastering engineer), Larry Cox (US engineer/producer) and Rik Pekkonen
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
performer:
Billy Davis, Jr., Florence LaRue Gordon, Lamonte McLemore, Marilyn McCoo Davis and Ron Townson
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
recording of:
Puppet Man
writer:
Howard Greenfield and Neil Sedaka
publisher:
Screen Gems–Columbia Music, Inc.
?:??
D6Save the Country
sound engineer, engineer and producer:
Bones Howe
assistant engineer:
Johnny Golden (mastering engineer), Larry Cox (US engineer/producer) and Rik Pekkonen
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone:
Hal Blaine (U.S. studio drummer and percussionist)
performer:
Billy Davis, Jr., Florence LaRue Gordon, Lamonte McLemore, Marilyn McCoo Davis and Ron Townson
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
cover recording of:
Save the Country
lyricist and composer:
Laura Nyro
publisher:
EMI Blackwood Music Inc., Tuna Fish Music, Inc. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
?:??