20 Classic Tracks

~ Release by Frank Sinatra (see all versions of this release, 4 available)

Tracklist

1CD
#TitleRatingLength
1Come Fly With Me
producer:
Voyle Gilmore
cello:
Elizabeth Greenschpoon, Armand Kaproff, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Mondragon
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson
harp:
Verlye Mills
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
trombone:
Joe Howard (american trombone player), Ed Kusby, Murray McEachern and Si Zentner
trumpet:
Conrad Gozzo, Manny Klein, Vito N. Mangano and Shorty Sherock
tuba:
Joe Washburne
viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn and Dave Sterkin
violin:
Harold Dicterow, David Frisina, Jacques Gasselin, Ben Gill, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
woodwind:
Buddy Collette, Fred Falensby, Jules Jacob (US jazz woodwind player), Harry Klee and Wilbur Schwartz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-08)
orchestra:
The Billy May Orchestra (on 1957-10-08)
conductor:
Billy May (on 1957-10-08)
arranger:
Billy May
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1957-10-08)
recording of:
Come Fly With Me (on 1957-10-08)
lyricist:
Sammy Cahn (in 1957)
composer:
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) and フジパシフィックミュージック (Fujipacific Music, Inc.)
4.53:20
2Around the World
producer:
Voyle Gilmore
cello:
Elizabeth Greenschpoon, Armand Kaproff, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Mondragon
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson
harp:
Verlye Mills
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
trombone:
Joe Howard (american trombone player), Ed Kusby, Murray McEachern and Si Zentner
trumpet:
Conrad Gozzo, Manny Klein, Vito N. Mangano and Shorty Sherock
tuba:
Joe Washburne
viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn and Dave Sterkin
violin:
Harold Dicterow, David Frisina, Jacques Gasselin, Ben Gill, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
woodwind:
Buddy Collette, Fred Falensby, Jules Jacob (US jazz woodwind player), Harry Klee and Wilbur Schwartz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-08)
orchestra:
The Billy May Orchestra (on 1957-10-08)
conductor:
Billy May (on 1957-10-08)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-10-08)
cover recording of:
Around the World (Around the World in 80 Days) (on 1957-10-08)
lyricist:
Harold Adamson and Stella Unger
composer:
Victor Young (American composer, arranger, violinist & conductor)
part of:
Around the World in 80 Days (1956 film soundtrack, main theme)
33:22
3French Foreign Legion
producer:
Dave Cavanaugh
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-29)
orchestra:
The Nelson Riddle Orchestra (on 1958-12-29)
conductor:
Nelson Riddle (on 1958-12-29)
arranger:
Nelson Riddle
recording of:
French Foreign Legion (on 1958-12-29)
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Guy Wood
publisher:
Barton Music Corp. and Rachel’s Own Music
32:02
4Moonlight in Vermont
producer:
Voyle Gilmore
cello:
Armand Kaproff, Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Mondragon
drums (drum set):
Alvin Stoller
French horn:
Vincent DeRosa
guitar:
Al Hendrickson
harp:
Verlye Mills
piano:
Bill Miller (pianist)
trombone:
Joe Howard (american trombone player), Murray McEachern and Si Zentner
tuba:
Joe Washburne
viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn and Dave Sterkin
violin:
Harold Dicterow, David Frisina, Jacques Gasselin, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
woodwind:
Fred Falensby, Skeets Herfurt, Jules Jacob (US jazz woodwind player), Jules Kinsler and Wilbur Schwartz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-03)
orchestra:
The Billy May Orchestra (on 1957-10-03)
conductor:
Billy May (on 1957-10-03)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-10-03)
cover recording of:
Moonlight in Vermont (on 1957-10-03)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
33:34
5Autumn in New York
producer:
Voyle Gilmore
cello:
Armand Kaproff, Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Mondragon
drums (drum set):
Alvin Stoller
French horn:
Vincent DeRosa
guitar:
Al Hendrickson
harp:
Verlye Mills
piano:
Bill Miller (pianist)
trombone:
Joe Howard (american trombone player), Murray McEachern and Si Zentner
tuba:
Joe Washburne
viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn and Dave Sterkin
violin:
Harold Dicterow, David Frisina, Jacques Gasselin, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
woodwind:
Fred Falensby, Skeets Herfurt, Jules Jacob (US jazz woodwind player), Jules Kinsler and Wilbur Schwartz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-03)
orchestra:
The Billy May Orchestra (on 1957-10-03)
conductor:
Billy May (on 1957-10-03)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-10-03)
recording of:
Autumn in New York (1934) (on 1957-10-03)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
44:38
6Let's Get Away From It All
producer:
Voyle Gilmore
double bass:
Joe Mondragon
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson
harp:
Verlye Mills
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
trombone:
Joe Howard (american trombone player), Murray McEachern, Pullman “Tommy” Pederson and Si Zentner
trumpet:
Pete Candoli, Conrad Gozzo, Manny Klein and Shorty Sherock
tuba:
J.H. Washburne
woodwind:
Buddy Collette, Fred Falensby, Skeets Herfurt, Jules Jacob (US jazz woodwind player) and Ted Nash (40s-80s US swing reedman, uncle of the other)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-01)
orchestra:
The Billy May Orchestra (on 1957-10-01)
conductor:
Billy May (on 1957-10-01)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-10-01)
cover recording of:
Let’s Get Away From It All (on 1957-10-01)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Brothers Music
42:13
7April in Paris
producer:
Voyle Gilmore
cello:
Armand Kaproff, Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Mondragon
drums (drum set):
Alvin Stoller
French horn:
Vincent DeRosa
guitar:
Al Hendrickson
harp:
Verlye Mills
piano:
Bill Miller (pianist)
trombone:
Joe Howard (american trombone player), Murray McEachern and Si Zentner
tuba:
Joe Washburne
viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn and Dave Sterkin
violin:
Harold Dicterow, David Frisina, Jacques Gasselin, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
woodwind:
Fred Falensby, Skeets Herfurt, Jules Jacob (US jazz woodwind player), Jules Kinsler and Wilbur Schwartz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-03)
conductor:
Billy May (on 1957-10-03)
arranger:
Billy May
recording of:
April in Paris (on 1957-10-03)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
42:52
8Brazil
producer:
Voyle Gilmore
cello:
Elizabeth Greenschpoon, Armand Kaproff, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Mondragon
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson
harp:
Verlye Mills
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
trombone:
Joe Howard (american trombone player), Ed Kusby, Murray McEachern and Si Zentner
trumpet:
Conrad Gozzo, Manny Klein, Vito N. Mangano and Shorty Sherock
tuba:
Joe Washburne
viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn and Dave Sterkin
violin:
Harold Dicterow, David Frisina, Jacques Gasselin, Ben Gill, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
woodwind:
Buddy Collette, Fred Falensby, Jules Jacob (US jazz woodwind player), Harry Klee and Wilbur Schwartz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-08)
orchestra:
The Billy May Orchestra (on 1957-10-08)
conductor:
Billy May (on 1957-10-08)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-10-08)
cover recording of:
Brazil (English translation) (on 1957-10-08)
writer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Ary Barroso
translator:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
translated version of:
Aquarela do Brasil
part of:
Brazil
3:03
9London by Night
producer:
Voyle Gilmore
cello:
Armand Kaproff, Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Mondragon
drums (drum set):
Alvin Stoller
French horn:
Vincent DeRosa
guitar:
Al Hendrickson
harp:
Verlye Mills
piano:
Bill Miller (pianist)
trombone:
Joe Howard (american trombone player), Murray McEachern and Si Zentner
tuba:
Joe Washburne
viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn and Dave Sterkin
violin:
Harold Dicterow, David Frisina, Jacques Gasselin, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
woodwind:
Fred Falensby, Skeets Herfurt, Jules Jacob (US jazz woodwind player), Jules Kinsler and Wilbur Schwartz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-03)
orchestra:
The Billy May Orchestra (on 1957-10-03)
conductor:
Billy May (on 1957-10-03)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-10-03)
recording of:
London by Night (on 1957-10-03)
lyricist and composer:
Carroll Coates
publisher:
Barton Music Corp.
3:33
10It's Nice to Go Trav'ling3:53
11Come Dance With Me
producer:
Dave Cavanaugh
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
guitar:
Allan Reuss
piano:
Bill Miller (pianist)
saxophone and woodwind:
Bill Ulyate, Buddy Collette, Chuck Gentry, Irving “Babe” Russin and Willie Schwartz
trombone:
Joe Howard (american trombone player), Ed Kusby, William Schaeffer and Si Zentner
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Manny Klein, Shorty Sherock and Joseph Triscari
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-23)
orchestra:
The Billy May Orchestra (on 1958-12-23)
conductor:
Billy May (on 1958-12-23)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-23)
recording of:
Come Dance With Me (on 1958-12-23)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. and フジパシフィックミュージック (Fujipacific Music, Inc.)
42:31
12Something's Gotta Give
producer:
Dave Cavanaugh
double bass:
Joe Comfort
drums (drum set):
Shelly Manne (US jazz drummer)
guitar:
Al Hendrickson
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Fred Falensby, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Skeets Herfurt and Irving “Babe” Russin
trombone:
Milt Bernhart, Murray McEachern, Pullman “Tommy” Pederson and Si Zentner
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Manny Klein and Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-09)
orchestra:
The Billy May Orchestra (on 1958-12-09)
conductor:
Billy May (on 1958-12-09)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-09)
cover recording of:
Something’s Gotta Give (from “Daddy Long Legs”) (on 1958-12-09)
lyricist and composer:
Johnny Mercer (in 1954)
publisher:
WB Music Corp. (1929–2019)
part of:
The 28th Academy Award for Best Original Song (number: 2)
2:38
13Just in Time
producer:
Dave Cavanaugh
double bass:
Joe Comfort
drums (drum set):
Shelly Manne (US jazz drummer)
guitar:
Al Hendrickson
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Fred Falensby, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Skeets Herfurt and Irving “Babe” Russin
trombone:
Milt Bernhart, Murray McEachern, Pullman “Tommy” Pederson and Si Zentner
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Manny Klein and Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-09)
orchestra:
The Billy May Orchestra (on 1958-12-09)
conductor:
Billy May (on 1958-12-09)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-09)
cover recording of:
Just in Time (Bells Are Ringing) (on 1958-12-09)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Bells Are Ringing (stage musical)
2:25
14Dancing in the Dark
producer:
Dave Cavanaugh
double bass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Irv Cottler
guitar:
Al Hendrickson
piano:
Bill Miller (pianist)
saxophone and woodwind:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt and Irving “Babe” Russin
trombone:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson and Si Zentner
trumpet:
Pete Candoli, Conrad Gozzo, Manny Klein and Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-22)
orchestra:
The Billy May Orchestra (on 1958-12-22)
conductor:
Billy May (on 1958-12-22)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-22)
cover recording of:
Dancing in the Dark (on 1958-12-22)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Band Wagon (1953 film)
2:27
15Too Close for Comfort
producer:
Dave Cavanaugh
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
guitar:
Allan Reuss
piano:
Bill Miller (pianist)
saxophone and woodwind:
Bill Ulyate, Buddy Collette, Chuck Gentry, Irving “Babe” Russin and Willie Schwartz
trombone:
Joe Howard (american trombone player), Ed Kusby, William Schaeffer and Si Zentner
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Manny Klein, Shorty Sherock and Joseph Triscari
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-23)
orchestra:
The Billy May Orchestra (on 1958-12-23)
conductor:
Billy May (on 1958-12-23)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-23)
cover recording of:
Too Close for Comfort (Mr. Wonderful) (on 1958-12-23)
writer:
Jerry Bock, Lawrence Holofcener and George David Weiss
publisher:
Carlin Music Corporation and Memory Lane Music Ltd.
2:35
16I Could Have Danced All Night
producer:
Dave Cavanaugh
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
guitar:
Allan Reuss
piano:
Bill Miller (pianist)
saxophone and woodwind:
Bill Ulyate, Buddy Collette, Chuck Gentry, Irving “Babe” Russin and Willie Schwartz
trombone:
Joe Howard (american trombone player), Ed Kusby, William Schaeffer and Si Zentner
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Manny Klein, Shorty Sherock and Joseph Triscari
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-23)
orchestra:
The Billy May Orchestra (on 1958-12-23)
conductor:
Billy May (on 1958-12-23)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-23)
cover recording of:
I Could Have Danced All Night (My Fair Lady) (on 1958-12-23)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
part of:
My Fair Lady (full musical)
2:42
17Saturday Night
1:57
18Cheek to Cheek
producer:
Dave Cavanaugh
double bass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Irv Cottler
guitar:
Al Hendrickson
piano:
Bill Miller (pianist)
saxophone and woodwind:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt and Irving “Babe” Russin
trombone:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson and Si Zentner
trumpet:
Pete Candoli, Conrad Gozzo, Manny Klein and Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-22)
orchestra:
The Billy May Orchestra (on 1958-12-22)
conductor:
Billy May (on 1958-12-22)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-22)
cover recording of:
Cheek to Cheek (from “Top Hat”) (on 1958-12-22)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
3:07
19Baubles, Bangles and Beads
producer:
Dave Cavanaugh
double bass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Irv Cottler
guitar:
Al Hendrickson
piano:
Bill Miller (pianist)
saxophone and woodwind:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt and Irving “Babe” Russin
trombone:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson and Si Zentner
trumpet:
Pete Candoli, Conrad Gozzo, Manny Klein and Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-22)
orchestra:
The Billy May Orchestra (on 1958-12-22)
conductor:
Billy May (on 1958-12-22)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-22)
cover recording of:
Baubles, Bangles and Beads (from “Kismet”) (on 1958-12-22)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Frank Music Corp. and Scheffel Music Corp
is based on:
String Quartet no. 2 in D major: II. Scherzo. Allegro
part of:
Kismet (full musical)
42:48
20Day In, Day Out
producer:
Dave Cavanaugh
double bass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Irv Cottler
guitar:
Al Hendrickson
piano:
Bill Miller (pianist)
saxophone and woodwind:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt and Irving “Babe” Russin
trombone:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson and Si Zentner
trumpet:
Pete Candoli, Conrad Gozzo, Manny Klein and Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-22)
orchestra:
The Billy May Orchestra (on 1958-12-22)
conductor:
Billy May (on 1958-12-22)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-22)
recording of:
Day In, Day Out (on 1958-12-22)
lyricist:
Johnny Mercer (in 1939)
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Bregman, Vocco & Conn, Inc.
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