エヴァンゲリオン・クラシック3 ヘンデル:オラトリオ「メサイア」全曲

~ Release by Handel; English Chamber Orchestra, Johannes Somary (see all versions of this release, 4 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1メサイア 第1曲 シンフォニー (序曲)
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:08
2メサイア 第2曲 レチタティーヴォ―テノール:「慰めよ。慰めよ。わたしの民を」
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
solo tenor vocals and tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:48
3メサイア 第3曲 アリア―テノール:すべての谷は埋めたてられ
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
solo tenor vocals and tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:57
4メサイア 第4曲 合唱:このようにして、主の栄光が現わされると
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:38
5メサイア 第5曲 レチタティーヴォ―バス:まことに、万軍の主はこう仰せられる
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo bass vocals:
Justino Díaz (operatic bass) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:30
6メサイア 第6曲 アリア―バス:だれがこの方の来られる日に耐えられよう
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo bass vocals:
Justino Díaz (operatic bass) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer)
version of:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:37
7メサイア 第7曲 合唱:この方は、レビの子らをきよめ
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And he shall purify” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:52
8メサイア 第8曲 レチタティーヴォ―アルト:見よ、処女がみごもっている
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo alto vocals:
Yvonne Minton (mezzo-soprano) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:31
9メサイア 第9曲 アリア―アルトと合唱:シオンに良い知らせを伝える者よ
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
solo alto vocals:
Yvonne Minton (mezzo-soprano) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part I, no. 9. Air “O Thou that tellest good tidings to Zion” (Alto, Chorus) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel6:15
10メサイア 第10曲 レチタティーヴォ―バス:見よ、闇が地をおおい
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo bass vocals:
Justino Díaz (operatic bass) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:38
11メサイア 第11曲 アリア―バス:闇の中を歩んでいた民は
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo bass vocals:
Justino Díaz (operatic bass) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:25
12メサイア 第12曲 合唱:ひとりのみどり子が、私達のために生まれる
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:14
13メサイア 第13曲 ピファ
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:43
14メサイア 第14曲 レチタティーヴォ―ソプラノ:さてこの土地に、羊飼い達が野宿で だが見よ! 主の使いが彼らのところに来て
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo soprano vocals:
Margaret Price (soprano) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:47
15メサイア 第15曲 レチタティーヴォ―ソプラノ:御使いは彼らに言った
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo soprano vocals:
Margaret Price (soprano) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:37
16メサイア 第16曲 レチタティーヴォ―ソプラノ:すると、たちまち、その御使いと一緒に
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
solo soprano vocals and soprano vocals:
Margaret Price (soprano) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:21
17メサイア 第17曲 合唱:いと高きところに、栄光が神にあるように
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:40
18メサイア 第18曲 アリア―ソプラノ:シオンの娘よ。大いに喜べ
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
solo soprano vocals and soprano vocals:
Margaret Price (soprano) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel5:04
19メサイア 第19曲 レチタティーヴォ―アルト:その時盲人の目は開かれ
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo alto vocals:
Yvonne Minton (mezzo-soprano) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part I, no. 19. Recitativo “Then shall the eyes of the blind” (Contralto) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:34
20メサイア 第20曲 二重唱―アルトとソプラノ:主は羊飼いのように、その群を養い
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo alto vocals:
Yvonne Minton (mezzo-soprano) (in 1970-07)
solo soprano vocals:
Margaret Price (soprano) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel5:46
21メサイア 第21曲 合唱:私のくびきは負いやすく
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:49
22メサイア 第22曲 合唱:見よ、世の罪を取り除く神の子羊
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:01
23メサイア 第23曲 アリア―アルト:彼はあなどられて
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
alto vocals and solo alto vocals:
Yvonne Minton (mezzo-soprano) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel10:55
2▼CD
#TitleArtistRatingLength
1メサイア 第24曲 合唱:まことに彼はわれわれの病を負い
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:15
2メサイア 第25曲 合唱:その打たれた傷によって
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:39
3メサイア 第26曲 合唱:われわれはみな羊のように迷って
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:31
4メサイア 第27曲 レチタティーヴォ―テノール:すべてわたしを見る者は
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:46
5メサイア 第28曲 合唱:彼は主に身をゆだねた
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:02
6メサイア 第29曲 レチタティーヴォ―テノール:そしりがわたしの心を砕いたので
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:54
7メサイア 第30曲 アリア―テノール:わたしにくだされた苦しみのような苦しみが
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:45
8メサイア 第31曲 レチタティーヴォ―テノール:彼はわが民のとがのために打たれて
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:24
9メサイア 第32曲 アリア―テノール:あなたはわたしを陰府(よみ)に捨ておかれず
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:38
10メサイア 第33曲 合唱:門よ、こうべをあげよ
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:13
11メサイア 第34曲 レチタティーヴォ―テノール:神はかつて御使いたちのだれに対して
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:19
12メサイア 第35曲 合唱:神の御使いたちはことごとく、彼を許すべき
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:18
13メサイア 第36曲 アリア―アルト:あなたはとりこを率い
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo alto vocals:
Yvonne Minton (mezzo-soprano) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:20
14メサイア 第37曲 合唱:主は御言葉を賜った
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:08
15メサイア 第38曲 アリア―ソプラノ:よきおとずれを伝え
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo soprano vocals:
Margaret Price (soprano) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:02
16メサイア 第39曲 合唱:その声は全地にひびきわたり
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 39. Chorus “Their sound is gone out” (version for chorus, not tenor solo) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1745)
is based on:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:14
17メサイア 第40曲 アリア―バス:なにゆえ、もろもろの国びとは騒ぎたち
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
bass vocals and solo bass vocals:
Justino Díaz (operatic bass) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:58
18メサイア 第41曲 合唱:さあ、彼らのかせをうち砕き
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:52
19メサイア 第42曲 レチタティーヴォ―テノール:天の御座についておられる方は笑う
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:17
20メサイア 第43曲 アリア―テノール:おまえは鉄のつえをもって彼らを打ち破り
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:16
21メサイア 第44曲 合唱:ハレルヤ
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
bass vocals:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale (in 1970-07)
contralto vocals:
Yvonne Minton (mezzo-soprano)
soprano vocals:
Margaret Price (soprano)
tenor vocals:
Alexander Young (tenor)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:38
22メサイア 第45曲 アリア―ソプラノ:わたしは知る、わたしをあがなう者は生きておられる
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
choir vocals:
Amor Artis Chorale (in 1970-07)
solo soprano vocals and soprano vocals:
Margaret Price (soprano) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel7:18
23メサイア 第46曲 合唱:死がひとりの人をとおして
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel1:59
24メサイア 第47曲 レチタティーヴォ―バス:聞きなさい。あなたがたに奥義を告げよう
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo bass vocals:
Justino Díaz (operatic bass) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:43
25メサイア 第48曲 アリア―バス:ラッパが鳴ると
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo bass vocals:
Justino Díaz (operatic bass) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel8:44
26メサイア 第49曲 レチタティーヴォ―アルト:そのとき「死は勝利にのまれてしまった」
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo alto vocals:
Yvonne Minton (mezzo-soprano) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:20
27メサイア 第50曲 二重唱―アルトとテノール:死よ、おまえのとげはどこにあるのか?
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo alto vocals:
Yvonne Minton (mezzo-soprano) (in 1970-07)
solo tenor vocals:
Alexander Young (tenor) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel1:11
28メサイア 第51曲 合唱:しかし神に感謝すべきことには
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
choir vocals:
Amor Artis Chorale (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel2:25
29メサイア 第52曲 アリア―ソプラノ:神がわたしたちの味方であるなら
engineer:
Robert Auger (engineer)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
solo soprano vocals:
Margaret Price (soprano) (in 1970-07)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1991)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel5:30
30メサイア 第53曲 合唱:ほふられた子羊こそは
recording engineer:
Robert Auger (engineer) (in 1970-07)
producer:
Seymour Solomon (producer and founder of Vanguard Records)
harpsichord and organ:
Colin Tilney (harpsichordist)
harpsichord and organ:
Colin Tilney (harpsichordist) (in 1970-07)
bass vocals:
Justino Díaz (operatic bass)
choir vocals:
Amor Artis Chorale (in 1970-07)
contralto vocals:
Yvonne Minton (mezzo-soprano)
soprano vocals:
Margaret Price (soprano)
tenor vocals:
Alexander Young (tenor)
orchestra:
English Chamber Orchestra (in 1970-07)
conductor:
Johannes Somary (in 1970-07)
phonographic copyright (℗) by:
Vanguard Classics (in 1990)
recorded at:
Wembley Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 1970-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel6:42

Credits

Release

part of:エヴァンゲリオン・クラシック (Evangelion Classic, 1997 classical album series) (order: 3)
Discogs:https://www.discogs.com/release/15600588 [info]
ASIN:JP: B00005F6JT [info]
VGMdb:https://vgmdb.net/album/44516 [info]