New Sensations (GEMA BIEM)

~ Release by Lou Reed (see all versions of this release, 9 available)

Annotation

Order of rights societies on labels is GEMA BIEM (in contrast to a very similar release with BIEM GEMA)

Runout

Side 1 (stamped): DM B-1020 A-1/84 S III Made in Germany
Side 2 (stamped): DM B-1020 B-1/84 S III Made in Germany
(embossed bass clef on side 2 label area)

Direct Metal Mastering (DM) and pressed by Sonopress (faint "Made in Germany" stamp and B-side bass clef)

Annotation last modified on 2024-01-06 15:15 UTC.

Tracklist

1▼12" Vinyl
#TitleRatingLength
1 1I Love You, Suzanne
assistant engineer:
Roger Moutenot and Dan Nash
engineer:
John Jansen (US recording engineer and producer)
producer:
John Jansen (US recording engineer and producer) and Lou Reed
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recorded at:
Skyline Studios in New York, United States (from 1983-12 until 1984-02)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
I Love You, Suzanne
lyricist and composer:
Lou Reed
4.653:15
1 2Endlessly Jealous
assistant engineer:
Roger Moutenot and Dan Nash
engineer:
John Jansen (US recording engineer and producer)
producer:
John Jansen (US recording engineer and producer) and Lou Reed
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recorded at:
Skyline Studios in New York, United States (from 1983-12 until 1984-02)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Endlessly Jealous
lyricist and composer:
Lou Reed
43:55
1 3My Red Joystick
assistant engineer:
Roger Moutenot and Dan Nash
engineer:
John Jansen (US recording engineer and producer)
producer:
John Jansen (US recording engineer and producer) and Lou Reed
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recorded at:
Skyline Studios in New York, United States (from 1983-12 until 1984-02)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
My Red Joystick
lyricist and composer:
Lou Reed
43:36
1 4Turn to Me
assistant engineer:
Roger Moutenot and Dan Nash
engineer:
John Jansen (US recording engineer and producer)
producer:
John Jansen (US recording engineer and producer) and Lou Reed
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recorded at:
Skyline Studios in New York, United States (from 1983-12 until 1984-02)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Turn to Me
lyricist and composer:
Lou Reed
44:21
1 5New Sensations
assistant engineer:
Roger Moutenot and Dan Nash
engineer:
John Jansen (US recording engineer and producer)
producer:
John Jansen (US recording engineer and producer) and Lou Reed
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recorded at:
Skyline Studios in New York, United States (from 1983-12 until 1984-02)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
New Sensations
lyricist and composer:
Lou Reed
4.55:45
2 1Doin’ the Things That We Want To
assistant engineer:
Roger Moutenot and Dan Nash
engineer:
John Jansen (US recording engineer and producer)
producer:
John Jansen (US recording engineer and producer) and Lou Reed
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recorded at:
Skyline Studios in New York, United States (from 1983-12 until 1984-02)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Doin’ the Things That We Want To
lyricist and composer:
Lou Reed
43:54
2 2What Becomes a Legend Most
assistant engineer:
Roger Moutenot and Dan Nash
engineer:
John Jansen (US recording engineer and producer)
producer:
John Jansen (US recording engineer and producer) and Lou Reed
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recorded at:
Skyline Studios in New York, United States (from 1983-12 until 1984-02)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
What Becomes a Legend Most
lyricist and composer:
Lou Reed
43:35
2 3Fly Into the Sun
assistant engineer:
Roger Moutenot and Dan Nash
engineer:
John Jansen (US recording engineer and producer)
producer:
John Jansen (US recording engineer and producer) and Lou Reed
horn arranger:
Tom “Bones” Malone (US trombonist)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recorded at:
Skyline Studios in New York, United States (from 1983-12 until 1984-02)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Fly Into the Sun
lyricist and composer:
Lou Reed
43:04
2 4My Friend George
assistant engineer:
Roger Moutenot and Dan Nash
engineer:
John Jansen (US recording engineer and producer)
producer:
John Jansen (US recording engineer and producer) and Lou Reed
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recorded at:
Skyline Studios in New York, United States (from 1983-12 until 1984-02)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
My Friend George
lyricist and composer:
Lou Reed
4.53:54
2 5High in the City
assistant engineer:
Roger Moutenot and Dan Nash
engineer:
John Jansen (US recording engineer and producer)
producer:
John Jansen (US recording engineer and producer) and Lou Reed
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recorded at:
Skyline Studios in New York, United States (from 1983-12 until 1984-02)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
High in the City
lyricist and composer:
Lou Reed
43:25
2 6Down at the Arcade
assistant engineer:
Roger Moutenot and Dan Nash
engineer:
John Jansen (US recording engineer and producer)
producer:
John Jansen (US recording engineer and producer) and Lou Reed
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recorded at:
Skyline Studios in New York, United States (from 1983-12 until 1984-02)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Down at the Arcade
lyricist and composer:
Lou Reed
4.53:40

Credits

Release

manufactured in:Germany
printed in:Germany
mastering:Greg Calbi (American mastering engineer)
accordion, piano and synthesizer:Peter Wood (UK keyboardist/pianist) (from 1983-12 until 1984-02)
double bass [string bass], electric bass guitar and guitar [rhythm]:Fernando Saunders (from 1983-12 until 1984-02)
drums (drum set):Fred Maher (from 1983-12 until 1984-02)
electric violin:Shankar (L. Shankar) (from 1983-12 until 1984-02)
guitar [lead & rhythm]:Lou Reed (from 1983-12 until 1984-02)
horn:Michael Brecker (American jazz saxophonist, multi-instrumentalist and composer) (from 1983-12 until 1984-02)
Randy Brecker (from 1983-12 until 1984-02)
Jon Faddis (from 1983-12 until 1984-02)
Tom Malone (US trombonist) (from 1983-12 until 1984-02)
background vocals:Jocelyn Brown (from 1983-12 until 1984-02)
Rory Dodd (from 1983-12 until 1984-02)
Connie Harvey (from 1983-12 until 1984-02)
Fernando Saunders (from 1983-12 until 1984-02)
Eric Troyer (from 1983-12 until 1984-02)
vocals:Lou Reed (from 1983-12 until 1984-02)
rights society:BIEM (international rights organization representing member societies from 58 countries)
GEMA (German rights society; do not use this as a label or work publisher!)
copyrighted (©) by:RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
mastered at:Sterling Sound (original NYC studio; split/relocated to Nashville and Edgewater in 2018) in Chelsea, New York, New York, United States
Discogs:https://www.discogs.com/release/10418153 [info]

Release group

associated singles/EPs:I Love You, Suzanne
My Red Joystick
included in:Original Album Classics (The Blue Mask / Legendary Hearts / Live in Italy / New Sensations / Mistrial)
The RCA & Arista Album Collection
Discogs:https://www.discogs.com/master/44354 [info]
Wikidata:Q127317 [info]