Wolfgang Amadeus Mozart 1791 1991

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Symphony No. 28 in C major, K. 200: I. Allegro spiritoso
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1981-11)
conductor:
Sir Colin Davis (English conductor) (in 1981-11)
recording of:
Symphony no. 28 in C major, K. 189k/200: I. Allegro spiritoso (in 1981-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1774 until 1774-11-17)
part of:
Symphony no. 28 in C major, K. 189k/200
5:29
2Symphony No. 28 in C major, K. 200: II. Andante
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1981-11)
conductor:
Sir Colin Davis (English conductor) (in 1981-11)
recording of:
Symphony no. 28 in C major, K. 189k/200: II. Andante (in 1981-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1774 until 1774-11-17)
part of:
Symphony no. 28 in C major, K. 189k/200
5:49
3Symphony No. 28 in C major, K. 200: III. Menuetto (Allegretto)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1981-11)
conductor:
Sir Colin Davis (English conductor) (in 1981-11)
recording of:
Symphony no. 28 in C major, K. 189k/200: III. Minuetto. Allegretto & Trio (in 1981-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1774 until 1774-11-17)
part of:
Symphony no. 28 in C major, K. 189k/200
4:10
4Symphony No. 28 in C major, K. 200: IV. Presto
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1981-11)
conductor:
Sir Colin Davis (English conductor)
recording of:
Symphony no. 28 in C major, K. 189k/200: IV. Presto (in 1981-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1774 until 1774-11-17)
part of:
Symphony no. 28 in C major, K. 189k/200
4:01
5Symphony No. 29 in A major, K. 201: I. Allegro moderato
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1981-10)
conductor:
Sir Colin Davis (English conductor) (in 1981-10)
recording of:
Symphony no. 29 for Orchestra in A major, K. 186a / 201: I. Allegro moderato (in 1981-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1774 until 1774-04-06)
part of:
Symphony no. 29 for Orchestra in A major, K. 186a / 201
8:07
6Symphony No. 29 in A major, K. 201: II. Andante
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1981-10)
conductor:
Sir Colin Davis (English conductor) (in 1981-10)
recording of:
Symphony no. 29 for Orchestra in A major, K. 186a / 201: II. Andante (in 1981-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1774 until 1774-04-06)
part of:
Symphony no. 29 for Orchestra in A major, K. 186a / 201
8:52
7Symphony No. 29 in A major, K. 201: III. Menuetto
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1981-10)
conductor:
Sir Colin Davis (English conductor) (in 1981-10)
recording of:
Symphony no. 29 for Orchestra in A major, K. 186a / 201: III. Minuetto & Trio (in 1981-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1774 until 1774-04-06)
part of:
Symphony no. 29 for Orchestra in A major, K. 186a / 201
3:23
8Symphony No. 29 in A major, K. 201: IV. Allegro con spirito
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1981-10)
conductor:
Sir Colin Davis (English conductor) (in 1981-10)
recording of:
Symphony no. 29 for Orchestra in A major, K. 186a / 201: IV. Allegro con spirito (in 1981-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1774 until 1774-04-06)
part of:
Symphony no. 29 for Orchestra in A major, K. 186a / 201
5:56
9Symphony No. 34 in C major, K. 338: I. Allegro vivace
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1988-09)
conductor:
Sir Colin Davis (English conductor) (in 1988-09)
recording of:
Symphony no. 34 in C major, K. 338: I. Allegro vivace (in 1988-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1780 until 1780-08-29)
part of:
Symphony no. 34 in C major, K. 338
7:49
10Symphony No. 34 in C major, K. 338: II. Andante di molto
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1988-09)
conductor:
Sir Colin Davis (English conductor) (in 1988-09)
recording of:
Symphony no. 34 in C major, K. 338: II. Andante di molto più tosto allegretto (in 1988-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1780 until 1780-08-29)
part of:
Symphony no. 34 in C major, K. 338
7:23
11Symphony No. 34 in C major, K. 338: III. Finale. Allegro vivace
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1988-09)
conductor:
Sir Colin Davis (English conductor) (in 1988-09)
recording of:
Symphony no. 34 in C major, K. 338: III. Finale. Allegro vivace (in 1988-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1780 until 1780-08-29)
part of:
Symphony no. 34 in C major, K. 338
6:13
2▼CD: Piano Concertos, No. 26 KV 587 "Coronation", No. 27 KV 595
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1Piano Concerto No. 26 in D major, K. 537: I. Allegro
piano:
Mitsuko Uchida (pianist) (from 1987-06-19 until 1987-06-21)
orchestra:
English Chamber Orchestra (from 1987-06-19 until 1987-06-21)
conductor:
Jeffrey Tate (conductor) (from 1987-06-19 until 1987-06-21)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1987-06-19 until 1987-06-21)
recording of:
Concerto for Piano no. 26 in D major, K. 537 “Coronation”: I. Allegro (from 1987-06-19 until 1987-06-21)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-02-24)
part of:
Concerto for Piano no. 26 in D major, K. 537 “Coronation”
14:40
2Piano Concerto No. 26 in D major, K. 537: II. Larghetto
piano:
Mitsuko Uchida (pianist) (from 1987-06-19 until 1987-06-21)
orchestra:
English Chamber Orchestra (from 1987-06-19 until 1987-06-21)
conductor:
Jeffrey Tate (conductor) (from 1987-06-19 until 1987-06-21)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1987-06-19 until 1987-06-21)
recording of:
Concerto for Piano no. 26 in D major, K. 537 “Coronation”: II. Larghetto (from 1987-06-19 until 1987-06-21)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-02-24)
part of:
Concerto for Piano no. 26 in D major, K. 537 “Coronation”
7:17
3Piano Concerto No. 26 in D major, K. 537: III. Allegretto
piano:
Mitsuko Uchida (pianist) (from 1987-06-19 until 1987-06-21)
orchestra:
English Chamber Orchestra (from 1987-06-19 until 1987-06-21)
conductor:
Jeffrey Tate (conductor) (from 1987-06-19 until 1987-06-21)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1987-06-19 until 1987-06-21)
recording of:
Concerto for Piano no. 26 in D major, K. 537 “Coronation”: III. Allegretto (from 1987-06-19 until 1987-06-21)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-02-24)
part of:
Concerto for Piano no. 26 in D major, K. 537 “Coronation”
10:45
4Piano Concerto No. 27 in B-flat major, K. 595: I. Allegro
piano:
Mitsuko Uchida (pianist) (from 1987-06-19 until 1987-06-21)
orchestra:
English Chamber Orchestra (from 1987-06-19 until 1987-06-21)
conductor:
Jeffrey Tate (conductor) (from 1987-06-19 until 1987-06-21)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1987-06-19 until 1987-06-21)
recording of:
Concerto for Piano no. 27 in B-flat major, K. 595: I. Allegro (from 1987-06-19 until 1987-06-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Concerto for Piano no. 27 in B-flat major, K. 595
14:15
5Piano Concerto No. 27 in B-flat major, K. 595: II. Larghetto
piano:
Mitsuko Uchida (pianist) (from 1987-06-19 until 1987-06-21)
orchestra:
English Chamber Orchestra (from 1987-06-19 until 1987-06-21)
conductor:
Jeffrey Tate (conductor) (from 1987-06-19 until 1987-06-21)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1987-06-19 until 1987-06-21)
recording of:
Concerto for Piano no. 27 in B-flat major, K. 595: II. Larghetto (from 1987-06-19 until 1987-06-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Concerto for Piano no. 27 in B-flat major, K. 595
8:48
6Piano Concerto No. 27 in B-flat major, K. 595: III. Allegro
piano:
Mitsuko Uchida (pianist) (from 1987-06-19 until 1987-06-21)
orchestra:
English Chamber Orchestra (from 1987-06-19 until 1987-06-21)
conductor:
Jeffrey Tate (conductor) (from 1987-06-19 until 1987-06-21)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1987-06-19 until 1987-06-21)
recording of:
Concerto for Piano no. 27 in B-flat major, K. 595: III. Rondo. Allegro (from 1987-06-19 until 1987-06-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Concerto for Piano no. 27 in B-flat major, K. 595
9:29
3▼CD: Mass in C minor, K 427 "Great" Mass
#TitleRatingLength
1Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": I. "Kyrie"
recorded in:
London (Greater London), England, United Kingdom (in 1986-11)
recording engineer:
Hein Dekker (recording producer) (in 1986-11) and Erdo Groot (sound engineer for recordings of classical music) (in 1986-11)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Alastair Mitchell (bassoonist) (in 1986-11)
flute:
Lisa Beznosiuk (flautist) (in 1986-11)
oboe:
Anthony Robson (oboist) (in 1986-11)
bass vocals:
Cornelius Hauptmann (operatic bass) (in 1986-11)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1986-11)
soprano vocals:
Sylvia McNair (soprano) (in 1986-11) and Diana Montague (mezzo soprano) (in 1986-11)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1986-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1986-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1986-11)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1986-11) and Onno Scholtze (sound engineer) (in 1986-11)
recording of:
Missa in c-Moll, K. 427/417a ('Große Messe'): I. "Kyrie" (reconstr. Gardiner & Schmitt) (in 1986-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
reconstructed by:
Sir John Eliot Gardiner (John Eliot Gardiner) and Georg Aloys Schmitt
part of:
Missa in c-Moll, K. 427/417a ('Große Messe') (reconstr. Gardiner & Schmitt)
7:23
2Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIa. Gloria: "Gloria in excelsis"
recorded in:
London (Greater London), England, United Kingdom (in 1986-11)
recording engineer:
Hein Dekker (recording producer) (in 1986-11) and Erdo Groot (sound engineer for recordings of classical music) (in 1986-11)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Alastair Mitchell (bassoonist) (in 1986-11)
flute:
Lisa Beznosiuk (flautist) (in 1986-11)
oboe:
Anthony Robson (oboist) (in 1986-11)
bass vocals:
Cornelius Hauptmann (operatic bass) (in 1986-11)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1986-11)
soprano vocals:
Sylvia McNair (soprano) (in 1986-11) and Diana Montague (mezzo soprano) (in 1986-11)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1986-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1986-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1986-11)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1986-11) and Onno Scholtze (sound engineer) (in 1986-11)
recording of:
Missa in c-Moll, K. 427/417a ('Große Messe'): IIa. Gloria: "Gloria in excelsis" (reconstr. Gardiner & Schmitt) (in 1986-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
reconstructed by:
Sir John Eliot Gardiner (John Eliot Gardiner) and Georg Aloys Schmitt
part of:
Missa in c-Moll, K. 427/417a ('Große Messe'): II. Gloria (reconstr. Gardiner & Schmitt)
2:27
3Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIb. Gloria: "Laudamus te"
recorded in:
London (Greater London), England, United Kingdom (in 1986-11)
recording engineer:
Hein Dekker (recording producer) (in 1986-11) and Erdo Groot (sound engineer for recordings of classical music) (in 1986-11)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Alastair Mitchell (bassoonist) (in 1986-11)
flute:
Lisa Beznosiuk (flautist) (in 1986-11)
oboe:
Anthony Robson (oboist) (in 1986-11)
bass vocals:
Cornelius Hauptmann (operatic bass) (in 1986-11)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1986-11)
soprano vocals:
Sylvia McNair (soprano) (in 1986-11) and Diana Montague (mezzo soprano) (in 1986-11)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1986-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1986-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1986-11)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1986-11) and Onno Scholtze (sound engineer) (in 1986-11)
recording of:
Missa in c-Moll, K. 427/417a ('Große Messe'): IIb. Gloria: "Laudamus te" (reconstr. Gardiner & Schmitt) (in 1986-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
reconstructed by:
Sir John Eliot Gardiner (John Eliot Gardiner) and Georg Aloys Schmitt
part of:
Missa in c-Moll, K. 427/417a ('Große Messe'): II. Gloria (reconstr. Gardiner & Schmitt)
4:35
4Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIc. Gloria: "Gratias agimus tibi"
recorded in:
London (Greater London), England, United Kingdom (in 1986-11)
recording engineer:
Hein Dekker (recording producer) (in 1986-11) and Erdo Groot (sound engineer for recordings of classical music) (in 1986-11)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Alastair Mitchell (bassoonist) (in 1986-11)
flute:
Lisa Beznosiuk (flautist) (in 1986-11)
oboe:
Anthony Robson (oboist) (in 1986-11)
bass vocals:
Cornelius Hauptmann (operatic bass) (in 1986-11)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1986-11)
soprano vocals:
Sylvia McNair (soprano) (in 1986-11) and Diana Montague (mezzo soprano) (in 1986-11)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1986-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1986-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1986-11)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1986-11) and Onno Scholtze (sound engineer) (in 1986-11)
recording of:
Missa in c-Moll, K. 427/417a ('Große Messe'): IIc. Gloria: "Gratias agimus tibi" (reconstr. Gardiner & Schmitt) (in 1986-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
reconstructed by:
Sir John Eliot Gardiner (John Eliot Gardiner) and Georg Aloys Schmitt
part of:
Missa in c-Moll, K. 427/417a ('Große Messe'): II. Gloria (reconstr. Gardiner & Schmitt)
1:24
5Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IId. Gloria: "Domine Deus"
recorded in:
London (Greater London), England, United Kingdom (in 1986-11)
recording engineer:
Hein Dekker (recording producer) (in 1986-11) and Erdo Groot (sound engineer for recordings of classical music) (in 1986-11)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Alastair Mitchell (bassoonist) (in 1986-11)
flute:
Lisa Beznosiuk (flautist) (in 1986-11)
oboe:
Anthony Robson (oboist) (in 1986-11)
bass vocals:
Cornelius Hauptmann (operatic bass) (in 1986-11)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1986-11)
soprano vocals:
Sylvia McNair (soprano) (in 1986-11) and Diana Montague (mezzo soprano) (in 1986-11)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1986-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1986-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1986-11)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1986-11) and Onno Scholtze (sound engineer) (in 1986-11)
recording of:
Missa in c-Moll, K. 427/417a ('Große Messe'): IId. Gloria: "Domine Deus" (reconstr. Gardiner & Schmitt) (in 1986-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
reconstructed by:
Sir John Eliot Gardiner (John Eliot Gardiner) and Georg Aloys Schmitt
part of:
Missa in c-Moll, K. 427/417a ('Große Messe'): II. Gloria (reconstr. Gardiner & Schmitt)
2:40
6Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great":IIe. Gloria: "Qui tollis"
recorded in:
London (Greater London), England, United Kingdom (in 1986-11)
recording engineer:
Hein Dekker (recording producer) (in 1986-11) and Erdo Groot (sound engineer for recordings of classical music) (in 1986-11)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Alastair Mitchell (bassoonist) (in 1986-11)
flute:
Lisa Beznosiuk (flautist) (in 1986-11)
oboe:
Anthony Robson (oboist) (in 1986-11)
bass vocals:
Cornelius Hauptmann (operatic bass) (in 1986-11)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1986-11)
soprano vocals:
Sylvia McNair (soprano) (in 1986-11) and Diana Montague (mezzo soprano) (in 1986-11)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1986-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1986-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1986-11)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1986-11) and Onno Scholtze (sound engineer) (in 1986-11)
recording of:
Missa in c-Moll, K. 427/417a ('Große Messe'): IIe. Gloria: "Qui tollis" (reconstr. Gardiner & Schmitt) (in 1986-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
reconstructed by:
Sir John Eliot Gardiner (John Eliot Gardiner) and Georg Aloys Schmitt
part of:
Missa in c-Moll, K. 427/417a ('Große Messe'): II. Gloria (reconstr. Gardiner & Schmitt)
6:19
7Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIf. Gloria: "Quoniam tu solus"
recorded in:
London (Greater London), England, United Kingdom (in 1986-11)
recording engineer:
Hein Dekker (recording producer) (in 1986-11) and Erdo Groot (sound engineer for recordings of classical music) (in 1986-11)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Alastair Mitchell (bassoonist) (in 1986-11)
flute:
Lisa Beznosiuk (flautist) (in 1986-11)
oboe:
Anthony Robson (oboist) (in 1986-11)
bass vocals:
Cornelius Hauptmann (operatic bass) (in 1986-11)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1986-11)
soprano vocals:
Sylvia McNair (soprano) (in 1986-11) and Diana Montague (mezzo soprano) (in 1986-11)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1986-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1986-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1986-11)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1986-11) and Onno Scholtze (sound engineer) (in 1986-11)
recording of:
Missa in c-Moll, K. 427/417a ('Große Messe'): IIf. Gloria: "Quoniam tu solus" (reconstr. Gardiner & Schmitt) (in 1986-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
reconstructed by:
Sir John Eliot Gardiner (John Eliot Gardiner) and Georg Aloys Schmitt
part of:
Missa in c-Moll, K. 427/417a ('Große Messe'): II. Gloria (reconstr. Gardiner & Schmitt)
3:51
8Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIg. Gloria: "Jesu Christe"
recorded in:
London (Greater London), England, United Kingdom (in 1986-11)
recording engineer:
Hein Dekker (recording producer) (in 1986-11) and Erdo Groot (sound engineer for recordings of classical music) (in 1986-11)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Alastair Mitchell (bassoonist) (in 1986-11)
flute:
Lisa Beznosiuk (flautist) (in 1986-11)
oboe:
Anthony Robson (oboist) (in 1986-11)
bass vocals:
Cornelius Hauptmann (operatic bass) (in 1986-11)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1986-11)
soprano vocals:
Sylvia McNair (soprano) (in 1986-11) and Diana Montague (mezzo soprano) (in 1986-11)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1986-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1986-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1986-11)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1986-11) and Onno Scholtze (sound engineer) (in 1986-11)
recording of:
Missa in c-Moll, K. 427/417a ('Große Messe'): IIg. Gloria: "Jesu Christe" (reconstr. Gardiner & Schmitt) (in 1986-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
reconstructed by:
Sir John Eliot Gardiner (John Eliot Gardiner) and Georg Aloys Schmitt
part of:
Missa in c-Moll, K. 427/417a ('Große Messe'): II. Gloria (reconstr. Gardiner & Schmitt)
0:43
9Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIh. Gloria: "Cum Sancto Spiritu"
recorded in:
London (Greater London), England, United Kingdom (in 1986-11)
recording engineer:
Hein Dekker (recording producer) (in 1986-11) and Erdo Groot (sound engineer for recordings of classical music) (in 1986-11)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Alastair Mitchell (bassoonist) (in 1986-11)
flute:
Lisa Beznosiuk (flautist) (in 1986-11)
oboe:
Anthony Robson (oboist) (in 1986-11)
bass vocals:
Cornelius Hauptmann (operatic bass) (in 1986-11)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1986-11)
soprano vocals:
Sylvia McNair (soprano) (in 1986-11) and Diana Montague (mezzo soprano) (in 1986-11)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1986-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1986-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1986-11)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1986-11) and Onno Scholtze (sound engineer) (in 1986-11)
recording of:
Missa in c-Moll, K. 427/417a ('Große Messe'): IIh. Gloria: "Cum Sancto Spiritu" (reconstr. Gardiner & Schmitt) (in 1986-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
reconstructed by:
Sir John Eliot Gardiner (John Eliot Gardiner) and Georg Aloys Schmitt
part of:
Missa in c-Moll, K. 427/417a ('Große Messe'): II. Gloria (reconstr. Gardiner & Schmitt)
3:51
10Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIIa. Credo: "Credo in unum Deum"
recorded in:
London (Greater London), England, United Kingdom (in 1986-11)
recording engineer:
Hein Dekker (recording producer) (in 1986-11) and Erdo Groot (sound engineer for recordings of classical music) (in 1986-11)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Alastair Mitchell (bassoonist) (in 1986-11)
flute:
Lisa Beznosiuk (flautist) (in 1986-11)
oboe:
Anthony Robson (oboist) (in 1986-11)
bass vocals:
Cornelius Hauptmann (operatic bass) (in 1986-11)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1986-11)
soprano vocals:
Sylvia McNair (soprano) (in 1986-11) and Diana Montague (mezzo soprano) (in 1986-11)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1986-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1986-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1986-11)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1986-11) and Onno Scholtze (sound engineer) (in 1986-11)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IIIa. Credo: "Credo in unum Deum" (reconstr. Gardiner & Schmitt) (in 1986-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
reconstructed by:
Sir John Eliot Gardiner (John Eliot Gardiner) and Georg Aloys Schmitt
part of:
Missa in c-Moll, K. 427/417a ('Große Messe'): III. Credo (reconstr. Gardiner & Schmitt)
3:30
11Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIIb. Credo: "Et incarnatus est"
recorded in:
London (Greater London), England, United Kingdom (in 1986-11)
recording engineer:
Hein Dekker (recording producer) (in 1986-11) and Erdo Groot (sound engineer for recordings of classical music) (in 1986-11)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Alastair Mitchell (bassoonist) (in 1986-11)
flute:
Lisa Beznosiuk (flautist) (in 1986-11)
oboe:
Anthony Robson (oboist) (in 1986-11)
bass vocals:
Cornelius Hauptmann (operatic bass) (in 1986-11)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1986-11)
soprano vocals:
Sylvia McNair (soprano) (in 1986-11) and Diana Montague (mezzo soprano) (in 1986-11)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1986-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1986-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1986-11)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1986-11) and Onno Scholtze (sound engineer) (in 1986-11)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IIIb. Credo: "Et incarnatus est" (reconstr. Gardiner & Schmitt) (in 1986-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
reconstructed by:
Sir John Eliot Gardiner (John Eliot Gardiner) and Georg Aloys Schmitt
part of:
Missa in c-Moll, K. 427/417a ('Große Messe'): III. Credo (reconstr. Gardiner & Schmitt)
8:09
12Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IVa. Sanctus: "Sanctus"
recorded in:
London (Greater London), England, United Kingdom (in 1986-11)
recording engineer:
Hein Dekker (recording producer) (in 1986-11) and Erdo Groot (sound engineer for recordings of classical music) (in 1986-11)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Alastair Mitchell (bassoonist) (in 1986-11)
flute:
Lisa Beznosiuk (flautist) (in 1986-11)
oboe:
Anthony Robson (oboist) (in 1986-11)
bass vocals:
Cornelius Hauptmann (operatic bass) (in 1986-11)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1986-11)
soprano vocals:
Sylvia McNair (soprano) (in 1986-11) and Diana Montague (mezzo soprano) (in 1986-11)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1986-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1986-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1986-11)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1986-11) and Onno Scholtze (sound engineer) (in 1986-11)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IV. Sanctus (reconstr. Gardiner & Schmitt) (in 1986-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
reconstructed by:
Sir John Eliot Gardiner (John Eliot Gardiner) and Georg Aloys Schmitt
part of:
Missa in c-Moll, K. 427/417a ('Große Messe') (reconstr. Gardiner & Schmitt)
3:43
13Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": V. Benedictus
recorded in:
London (Greater London), England, United Kingdom (in 1986-11)
recording engineer:
Hein Dekker (recording producer) (in 1986-11) and Erdo Groot (sound engineer for recordings of classical music) (in 1986-11)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
bassoon:
Alastair Mitchell (bassoonist) (in 1986-11)
flute:
Lisa Beznosiuk (flautist) (in 1986-11)
oboe:
Anthony Robson (oboist) (in 1986-11)
bass vocals:
Cornelius Hauptmann (operatic bass) (in 1986-11)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1986-11)
soprano vocals:
Sylvia McNair (soprano) (in 1986-11) and Diana Montague (mezzo soprano) (in 1986-11)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1986-11)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1986-11)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1986-11)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1986-11) and Onno Scholtze (sound engineer) (in 1986-11)
recording of:
Missa in c-Moll, K. 427/417a ('Große Messe'): V. Benedictus (reconstr. Gardiner & Schmitt) (in 1986-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
reconstructed by:
Sir John Eliot Gardiner (John Eliot Gardiner) and Georg Aloys Schmitt
part of:
Missa in c-Moll, K. 427/417a ('Große Messe') (reconstr. Gardiner & Schmitt)
5:22
4▼CD
#TitleRatingLength
1Symphonie concertante in E flat, KV App. 9/297B: I. Allegro
bassoon:
Klaus Thunemann (bassoonist) (in 1983-07)
flute:
Aurèle Nicolet (flutist) (in 1983-07)
horn:
Hermann Baumann (horn player) (in 1983-07)
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1983-07)
orchestra:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1983-07)
conductor:
Neville Marriner (conductor) (in 1983-07)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1984)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1983-07)
recording of:
Sinfonia concertante in E-flat major for Oboe, Flute, Horn, Bassoon & Orchestra, K. 297B/Anh 9: I. Allegro (Robert Levin reconstruction) (in 1983-07)
additional composer:
Robert D. Levin (American classical pianist)
composer:
Wolfgang Amadeus Mozart (classical composer)
publisher:
Bärenreiter Verlag
part of:
Sinfonia concertante in E-flat major for Oboe, Flute, Horn, Bassoon & Orchestra, K. 297B/Anh 9 (Robert Levin reconstruction)
revision of:
Sinfonia concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. 297b / K. Anh.C 14.01: I. Allegro
9:40
2Symphonie concertante in E flat, KV App. 9/297B: II. Adagio
bassoon:
Klaus Thunemann (bassoonist) (in 1983-07)
flute:
Aurèle Nicolet (flutist) (in 1983-07)
horn:
Hermann Baumann (horn player) (in 1983-07)
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1983-07)
orchestra:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1983-07)
conductor:
Neville Marriner (conductor) (in 1983-07)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1984)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1983-07)
recording of:
Sinfonia concertante in E-flat major for Oboe, Flute, Horn, Bassoon & Orchestra, K. 297B/Anh 9: II. Adagio (Robert Levin reconstruction) (in 1983-07)
additional composer:
Robert D. Levin (American classical pianist)
composer:
Wolfgang Amadeus Mozart (classical composer)
publisher:
Bärenreiter Verlag
part of:
Sinfonia concertante in E-flat major for Oboe, Flute, Horn, Bassoon & Orchestra, K. 297B/Anh 9 (Robert Levin reconstruction)
revision of:
Sinfonia concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. 297b / K. Anh.C 14.01: II. Adagio
6:29
3Symphonie concertante in E flat, KV App. 9/297B: III. Andantino con variazioni
bassoon:
Klaus Thunemann (bassoonist) (in 1983-07)
flute:
Aurèle Nicolet (flutist) (in 1983-07)
horn:
Hermann Baumann (horn player) (in 1983-07)
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1983-07)
orchestra:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1983-07)
conductor:
Neville Marriner (conductor) (in 1983-07)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1984)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1983-07)
recording of:
Sinfonia concertante in E-flat major for Oboe, Flute, Horn, Bassoon & Orchestra, K. 297B/Anh 9: III. Andantino con variazioni (Robert Levin reconstruction) (in 1983-07)
additional composer:
Robert D. Levin (American classical pianist)
composer:
Wolfgang Amadeus Mozart (classical composer)
publisher:
Bärenreiter Verlag
part of:
Sinfonia concertante in E-flat major for Oboe, Flute, Horn, Bassoon & Orchestra, K. 297B/Anh 9 (Robert Levin reconstruction)
revision of:
Sinfonia concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. 297b / K. Anh.C 14.01: III. Andantino con variazioni
12:27
4Oboe Concerto in C, KV 314 (271k): I. Allegro aperto
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1983-07)
orchestra:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1983-07)
conductor:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1983-07)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1984)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1983-07)
recording of:
Concerto for Oboe no. 2 in D major, K. 271k (reconstruction from K. 285d/314): I. Allegro aperto (cadenza: Heinz Holliger) (in 1983-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
recording of:
Oboe Concerto in C major, K. 314 / 271k: I. Allegro aperto (in 1983-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1777 until 1778)
part of:
Oboe Concerto in C major, K. 314 / 271k
6:52
5Oboe Concerto in C, KV 314 (271k): II. Adagio non troppo
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1983-07)
orchestra:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1983-07)
conductor:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1983-07)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1984)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1983-07)
recording of:
Concerto for Oboe no. 2 in D major, K. 271k (reconstruction from K. 285d/314): II. Adagio ma non troppo (cadenza: Heinz Holliger) (in 1983-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
recording of:
Oboe Concerto in C major, K. 314 / 271k: II. Adagio non troppo (in 1983-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1777 until 1778)
part of:
Oboe Concerto in C major, K. 314 / 271k
7:26
6Oboe Concerto in C, KV 314 (271k): III. Rondo (Allegretto)
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1983-07)
orchestra:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1983-07)
conductor:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1983-07) and Sir Neville Marriner (conductor) (in 1983-07)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1984)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1983-07)
recording of:
Concerto for Oboe no. 2 in D major, K. 271k (reconstruction from K. 285d/314): III. Rondo. Allegretto (cadenza: Heinz Holliger) (in 1983-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
recording of:
Oboe Concerto in C major, K. 314 / 271k: III. Rondo. Allegretto (in 1983-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1777 until 1778)
part of:
Oboe Concerto in C major, K. 314 / 271k
5:31
5▼CD: Eine kleine Nachtmusik, Divertimento, Eine musikalischer Spaß
#TitleRatingLength
1Serenade in G major, KV 525 "Eine kleine Nachtmusik": I. Allegro
producer:
Michael Bremner (producer/engineer)
cello:
Denis Vigay (cellist) (in 1984-01)
double bass:
Raymund Koster (violist) (in 1984-01)
instruments:
Academy of St Martin in the Fields Chamber Ensemble (in 1984-01)
viola:
Stephen Shingles (in 1984-01)
violin:
Malcolm Latchem (violinist) (in 1984-01) and Kenneth Sillito (violinist) (in 1984-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-01)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
5:50
2Serenade in G major, KV 525 "Eine kleine Nachtmusik": II. Romance. Andante
producer:
Michael Bremner (producer/engineer)
cello:
Denis Vigay (cellist) (in 1984-01)
double bass:
Raymund Koster (violist) (in 1984-01)
viola:
Stephen Shingles (in 1984-01)
violin:
Malcolm Latchem (violinist) (in 1984-01) and Kenneth Sillito (violinist) (in 1984-01)
orchestra:
Academy of St Martin in the Fields
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-01)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
5:55
3Serenade in G major, KV 525 "Eine kleine Nachtmusik": III. Minuetto. Allegretto
producer:
Michael Bremner (producer/engineer)
cello:
Denis Vigay (cellist) (in 1984-01)
double bass:
Raymund Koster (violist) (in 1984-01)
viola:
Stephen Shingles (in 1984-01)
violin:
Malcolm Latchem (violinist) (in 1984-01) and Kenneth Sillito (violinist) (in 1984-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-01)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
2:03
4Serenade in G major, KV 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
producer:
Michael Bremner (producer/engineer)
cello:
Denis Vigay (cellist) (in 1984-01)
double bass:
Raymund Koster (violist) (in 1984-01)
viola:
Stephen Shingles (in 1984-01)
violin:
Malcolm Latchem (violinist) (in 1984-01) and Kenneth Sillito (violinist) (in 1984-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-01)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
4:02
5Divertimento in D, KV 136: I. Allegro
recorded in:
Great Britain (in 1984-01)
cello:
Denis Vigay (cellist) (in 1984-01)
double bass:
Raymund Koster (violist) (in 1984-01)
viola:
Stephen Shingles (in 1984-01)
violin:
Malcolm Latchem (violinist) (in 1984-01) and Kenneth Sillito (violinist) (in 1984-01)
orchestra:
Academy of St. Martin-in-the-Fields Chamber Ensemble (in 1984-01)
recording of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”: I. Allegro (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”
4:14
6Divertimento in D, KV 136: II. Andante
recorded in:
Great Britain (in 1984-01)
cello:
Denis Vigay (cellist) (in 1984-01)
double bass:
Raymund Koster (violist) (in 1984-01)
viola:
Stephen Shingles (in 1984-01)
violin:
Malcolm Latchem (violinist) (in 1984-01) and Kenneth Sillito (violinist) (in 1984-01)
orchestra:
Academy of St. Martin-in-the-Fields Chamber Ensemble (in 1984-01)
partial recording of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1” (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 136) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 125a)
recording of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”: II. Andante (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”
4:39
7Divertimento in D, KV 136: III. Presto
recorded in:
Great Britain (in 1984-01)
cello:
Denis Vigay (cellist) (in 1984-01)
double bass:
Raymund Koster (violist) (in 1984-01)
instruments:
Academy of St. Martin-in-the-Fields Chamber Ensemble (in 1984-01)
viola:
Stephen Shingles (in 1984-01)
violin:
Malcolm Latchem (violinist) (in 1984-01) and Kenneth Sillito (violinist) (in 1984-01)
recording of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”: III. Presto (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”
2:43
8"Ein musikalischer Spaß", KV 522: I. Allegro
recorded in:
Great Britain (in 1984-01)
cello:
Denis Vigay (cellist) (in 1984-01)
double bass:
Raymund Koster (violist) (in 1984-01)
horn:
Timothy Brown (UK horn player) (in 1984-01) and Nicholas Hill (horn player) (in 1984-01)
instruments:
Academy of St Martin in the Fields Chamber Ensemble
viola:
Stephen Shingles (in 1984-01)
violin:
Malcolm Latchem (violinist) (in 1984-01) and Kenneth Sillito (violinist) (in 1984-01)
orchestra:
Academy of St. Martin-in-the-Fields Chamber Ensemble (in 1984-01)
conductor:
Sir Neville Marriner (conductor) (in 1984-01)
recording of:
Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": I. Allegro (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1787)
part of:
Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß" (Divertimento for 2 horns & strings in F major, K. 522 "A musical joke")
4:48
9"Ein musikalischer Spaß", KV 522: II. Minuetto (Maestoso) - Trio
recorded in:
Great Britain (in 1984-01)
cello:
Denis Vigay (cellist) (in 1984-01)
double bass:
Raymund Koster (violist) (in 1984-01)
horn:
Timothy Brown (UK horn player) (in 1984-01) and Nicholas Hill (horn player) (in 1984-01)
viola:
Stephen Shingles (in 1984-01)
violin:
Malcolm Latchem (violinist) (in 1984-01) and Kenneth Sillito (violinist) (in 1984-01)
orchestra:
Academy of St. Martin-in-the-Fields Chamber Ensemble (in 1984-01)
conductor:
Sir Neville Marriner (conductor) (in 1984-01)
recording of:
Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": II. Minuetto. Maestoso & Trio (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1787)
part of:
Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß" (Divertimento for 2 horns & strings in F major, K. 522 "A musical joke")
6:12
10"Ein musikalischer Spaß", KV 522: III. Adagio cantabile
recorded in:
Great Britain (in 1984-01)
cello:
Denis Vigay (cellist) (in 1984-01)
double bass:
Raymund Koster (violist) (in 1984-01)
horn:
Timothy Brown (UK horn player) (in 1984-01) and Nicholas Hill (horn player) (in 1984-01)
viola:
Stephen Shingles (in 1984-01)
violin:
Malcolm Latchem (violinist) (in 1984-01) and Kenneth Sillito (violinist) (in 1984-01)
orchestra:
Academy of St. Martin-in-the-Fields Chamber Ensemble (in 1984-01)
conductor:
Sir Neville Marriner (conductor) (in 1984-01)
recording of:
Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": III. Adagio cantabile (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1787)
part of:
Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß" (Divertimento for 2 horns & strings in F major, K. 522 "A musical joke")
6:12
11"Ein musikalischer Spaß", KV 522: IV. Presto
recorded in:
Great Britain (in 1984-01)
cello:
Denis Vigay (cellist) (in 1984-01)
double bass:
Raymund Koster (violist) (in 1984-01)
horn:
Timothy Brown (UK horn player) (in 1984-01) and Nicholas Hill (horn player) (in 1984-01)
instruments:
Academy of St Martin in the Fields Chamber Ensemble (in 1984-01)
viola:
Stephen Shingles (in 1984-01)
violin:
Malcolm Latchem (violinist) (in 1984-01) and Kenneth Sillito (violinist) (in 1984-01)
conductor:
Sir Neville Marriner (conductor) (in 1984-01)
recording of:
Divertimento for 2 Horns & Strings in F major, K. 522 “Ein musikalischer Spaß”: IV. Presto (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1787)
part of:
Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß" (Divertimento for 2 horns & strings in F major, K. 522 "A musical joke")
4:08