Musikalisches Opfer / Die Kunst der Fuge

~ Release by Johann Sebastian Bach; Reinhard Goebel, Musica Antiqua Köln (see all versions of this release, 1 available)

Annotation

Individual CD Cat. No:
SET : 413 642-2
CD1 : 413 643-2
CD2 : 413 644-2
CD3 : 413 645-2

Annotation last modified on 2018-08-17 21:04 UTC.

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Musikalisches Opfer, BWV 1079: Ricercar à 3
producer:
Gerd Ploebsch
harpsichord:
Henk Bouman (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: I. Ricercare a 3 (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach5:46
2Musikalisches Opfer, BWV 1079: Canon No. 1 à 2 cancrizans
producer:
Gerd Ploebsch
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1979-02)
violin [violin II]:
Hajo Bäß (viola player) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: IIIa. 5 Canones diversi super thema regium, Canon a 2 (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach0:52
3Musikalisches Opfer, BWV 1079: Canon No. 2 à 2 Violini in unisono
producer:
Gerd Ploebsch
harpsichord:
Henk Bouman (in 1979-02)
viola da gamba:
Charles Medlam (cellist, viol player and conductor) (in 1979-02)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1979-02)
violin [violin II]:
Hajo Bäß (viola player) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: IIIb. 5 Canones diversi super thema regium, Canon a 2 Violini in unisono (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach0:47
4Musikalisches Opfer, BWV 1079: Canon No. 3 à 2 per Motum contrarium
producer:
Gerd Ploebsch
flute and solo transverse flute:
Wilbert Hazelzet (flautist) (in 1979-02)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1979-02)
violin [violin II]:
Hajo Bäß (viola player) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: IIIc. 5 Canones diversi super thema regium, Canon a 2 Per motum contrarium (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach0:34
5Musikalisches Opfer, BWV 1079: Canon No. 4 à 2 per Augmentationem, contrario Motu
producer:
Gerd Ploebsch
viola da gamba:
Charles Medlam (cellist, viol player and conductor) (in 1979-02)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1979-02)
violin [violin II]:
Hajo Bäß (viola player) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: IIId. 5 Canones diversi super thema regium, Canon a 2 Per augmentationem, contrario motu (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach2:45
6Musikalisches Opfer, BWV 1079: Canon No. 5 à 2 per Tonos
producer:
Gerd Ploebsch
harpsichord:
Henk Bouman (in 1979-02)
violin:
Reinhard Goebel (violinist and conductor) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: IIIe. 5 Canones diversi super thema regium, Canon a 2 Per tonos (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach2:39
7Musikalisches Opfer, BWV 1079: Fuga canonica in Epidiapente
producer:
Gerd Ploebsch
flute and solo transverse flute:
Wilbert Hazelzet (flautist) (in 1979-02)
harpsichord:
Henk Bouman (in 1979-02)
violin:
Reinhard Goebel (violinist and conductor) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: IV. Fuga Canonica in Epidiapente (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach2:08
8Musikalisches Opfer, BWV 1079: Canon perpetuus super Thema Regium
producer:
Gerd Ploebsch
flute and solo transverse flute:
Wilbert Hazelzet (flautist) (in 1979-02)
viola da gamba:
Charles Medlam (cellist, viol player and conductor) (in 1979-02)
violin:
Reinhard Goebel (violinist and conductor) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: II. Canon perpetuus super thema regium (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach1:03
9Musikalisches Opfer, BWV 1079: Canon perpetuus
producer:
Gerd Ploebsch
flute and solo transverse flute:
Wilbert Hazelzet (flautist) (in 1979-02)
harpsichord:
Henk Bouman (in 1979-02)
viola da gamba:
Charles Medlam (cellist, viol player and conductor) (in 1979-02)
violin:
Reinhard Goebel (violinist and conductor) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: IX. Canon perpetuus (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach2:19
10Musikalisches Opfer, BWV 1079: Canon à 2
producer:
Gerd Ploebsch
harpsichord [Henk Bouman]:
Hendrik Bouman (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: VI. Canon a 2 (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach1:41
11Musikalisches Opfer, BWV 1079: Canon à 4
producer:
Gerd Ploebsch
harpsichord [Henk Bouman]:
Hendrik Bouman (in 1979-02)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1979-02)
violin [violin II]:
Hajo Bäß (viola player) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: VII. Canon a 4 (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach1:57
12Musikalisches Opfer, BWV 1079: Sonata Sopr' Il Soggetto Reale à Traversa, Violino e Continuo: I. Largo
producer:
Gerd Ploebsch
flute and solo transverse flute:
Wilbert Hazelzet (flautist) (in 1979-02)
viola da gamba:
Charles Medlam (cellist, viol player and conductor) (in 1979-02)
violin:
Reinhard Goebel (violinist and conductor) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: a. Largo (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach6:00
13Musikalisches Opfer, BWV 1079: Sonata Sopr' Il Soggetto Reale à Traversa, Violino e Continuo: II. Allegro
producer:
Gerd Ploebsch
flute and solo transverse flute:
Wilbert Hazelzet (flautist) (in 1979-02)
viola da gamba:
Charles Medlam (cellist, viol player and conductor) (in 1979-02)
violin:
Reinhard Goebel (violinist and conductor) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: b. Allegro (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach6:04
14Musikalisches Opfer, BWV 1079: Sonata Sopr' Il Soggetto Reale à Traversa, Violino e Continuo: III. Andante
producer:
Gerd Ploebsch
flute and solo transverse flute:
Wilbert Hazelzet (flautist) (in 1979-02)
viola da gamba:
Charles Medlam (cellist, viol player and conductor) (in 1979-02)
violin:
Reinhard Goebel (violinist and conductor) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: c. Andante (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach2:48
15Musikalisches Opfer, BWV 1079: Sonata Sopr' Il Soggetto Reale à Traversa, Violino e Continuo: IV. Allegro
producer:
Gerd Ploebsch
flute and solo transverse flute:
Wilbert Hazelzet (flautist) (in 1979-02)
viola da gamba:
Charles Medlam (cellist, viol player and conductor) (in 1979-02)
violin:
Reinhard Goebel (violinist and conductor) (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: d. Allegro (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach3:16
16Musikalisches Opfer, BWV 1079: Ricercar à 6
producer:
Gerd Ploebsch
harpsichord [Henk Bouman]:
Hendrik Bouman (in 1979-02)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1979-02)
conductor:
Reinhard Goebel (violinist and conductor) (in 1979-02)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1979-02)
recording of:
Musikalisches Opfer, BWV 1079: V. Ricercare a 6 (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach7:28
2▼CD
#TitleArtistRatingLength
1Die Kunst der Fuge, BWV 1080/1: Contrapunctus 1 à 4
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
viola [viola I]:
Hajo Bäß (viola player) (in 1984-06)
viola [viola II]:
Karlheinz Steeb (in 1984-06)
violin:
Reinhard Goebel (violinist and conductor) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:58
2Die Kunst der Fuge, BWV 1080/2: Contrapunctus 2 à 4
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: II. Contrapunctus 2 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:00
3Die Kunst der Fuge, BWV 1080/3: Contrapunctus 3 à 4
producer:
Dr. Andreas Holschneider and Wolfgang Mitlehner
harpsichord:
Robert Hill (American harpsichordist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
balance engineer:
Wolfgang Mitlehner
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: III. Contrapunctus 3 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/3)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:57
4Die Kunst der Fuge, BWV 1080/4: Contrapunctus 4 à 4
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
harpsichord:
Andreas Staier (in 1984-06)
viola:
Karlheinz Steeb (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Hajo Bäß (viola player) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: IV. Contrapunctus 4 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/4)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach3:13
5Die Kunst der Fuge, BWV 1080/15: Canon alla Ottava
producer:
Dr. Andreas Holschneider and Wolfgang Mitlehner
harpsichord [harpsichord I]:
Andreas Staier (in 1984-06)
harpsichord [harpsichord II]:
Robert Hill (American harpsichordist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
balance engineer:
Wolfgang Mitlehner
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: XV. Canon alla Ottava (or "Canon in Hypodiapason" (1742 manuscript)) (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/15)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:57
6Die Kunst der Fuge, BWV 1080/5: Contrapunctus 5 à 4
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
viola:
Hajo Bäß (viola player) (in 1984-06) and Karlheinz Steeb (in 1984-06)
violin:
Reinhard Goebel (violinist and conductor) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: V. Contrapunctus 5 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/5)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:28
7Die Kunst der Fuge, BWV 1080/6: Contrapunctus 6 à 4 in Stylo Francese
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
harpsichord:
Andreas Staier (in 1984-06)
viola:
Karlheinz Steeb (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Hajo Bäß (viola player) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: VI. Contrapunctus 6 a 4 in Stylo Francese (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/6)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:36
8Die Kunst der Fuge, BWV 1080/7: Contrapunctus 7 à 4, per Augmentationem et Diminutionem
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
viola:
Karlheinz Steeb (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Hajo Bäß (viola player) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: VII. Contrapunctus 7 a 4 per Augmentationem et Diminutionem (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/7)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:55
9Die Kunst der Fuge, BWV 1080/16: Canon alla Decima in Contrapunto alla Terza
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord [harpsichord I]:
Andreas Staier (in 1984-06)
harpsichord [harpsichord II]:
Robert Hill (American harpsichordist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: XVI. Canon alla Decima in Contrapunto alla Terza (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/16)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach4:20
10Die Kunst der Fuge, BWV 1080/9: Contrapunctus 9 à 4, alla Duodecima
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
viola:
Karlheinz Steeb (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Hajo Bäß (viola player) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4 alla Duodecima (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/9)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:24
11Die Kunst der Fuge, BWV 1080/10: Contrapunctus 10 à 4, alla Decima
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord [harpsichord I]:
Andreas Staier (in 1984-06)
harpsichord [harpsichord II]:
Robert Hill (American harpsichordist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: X. Contrapunctus 10 a 4 alla Decima (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/10)
version of:
Die Kunst der Fuge, BWV 1080: Contrapunctus a 4
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
revision of:
Die Kunst der Fuge, BWV 1080.1: Contrapunctus 10 (1742 autograph, early version)
Johann Sebastian Bach4:16
12Die Kunst der Fuge, BWV 1080/8: Contrapunctus 8 à 3
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
viola:
Karlheinz Steeb (in 1984-06)
violin:
Reinhard Goebel (violinist and conductor) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: VIII. Contrapunctus 8 a 3 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/8)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach4:58
13Die Kunst der Fuge, BWV 1080/11: Contrapunctus 11 à 4
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
viola:
Karlheinz Steeb (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Hajo Bäß (viola player) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: XI. Contrapunctus 11 a 4 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/11)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach4:18
14Die Kunst der Fuge, BWV 1080/17: Canon alla Duodecima in Contrapunto alla Quinta
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Robert Hill (American harpsichordist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: XVII. Canon alla Duodecima in Contrapunto alla Quinta (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/17)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach3:54
3▼CD
#TitleArtistRatingLength
1Die Kunst der Fuge, BWV 1080/12,1: Contrapunctus 12 à 4 in forma recta
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord [harpsichord I]:
Andreas Staier (in 1984-06)
harpsichord [harpsichord II]:
Robert Hill (American harpsichordist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: XII, 1. Contrapunctus inversus a 4 (Forma recta) (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/12,1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:21
2Die Kunst der Fuge, BWV 1080/12,2: Contrapunctus 12 à 4 in forma inversa
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord [harpsichord I]:
Andreas Staier (in 1984-06)
harpsichord [harpsichord II]:
Robert Hill (American harpsichordist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: XII, 2. Contrapunctus inversus 12 a 4 (Forma inversa) (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/12,2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:21
3Die Kunst der Fuge, BWV 1080/13,1: Contrapunctus 13 à 3 in forma recta
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
harpsichord:
Andreas Staier (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Hajo Bäß (viola player) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta) (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/13,1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:13
4Die Kunst der Fuge, BWV 1080/13,2: Contrapunctus 13 à 3 in forma inversa
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
harpsichord:
Andreas Staier (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Hajo Bäß (viola player) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa) (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/13,2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:15
5Die Kunst der Fuge, BWV 1080/18,1: Fuga à 2 Claviere in forma inversa
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord [harpsichord I]:
Andreas Staier (in 1984-06)
harpsichord [harpsichord II]:
Robert Hill (American harpsichordist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: XVIII, 1. Fuga à 2 Claviere (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/18,1)
arrangement of:
Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach2:12
6Die Kunst der Fuge, BWV 1080/18,2: Alio modo. Fuga à 2 Claviere in forma recta
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord [harpsichord I]:
Andreas Staier (in 1984-06)
harpsichord [harpsichord II]:
Robert Hill (American harpsichordist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: XVIII, 2. Alio modo. Fuga à 2 Claviere (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/18,2)
arrangement of:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach2:18
7Die Kunst der Fuge, BWV 1080/14: Canon per Augmentationem in Contrario Motu
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: XIV. Canon per Augmentationem in Contrario Motu (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/14)
version of:
Die Kunst der Fuge, BWV 1080.1: Canon al roverscio et per augmentationem (1742 autograph, early version)
version of:
Die Kunst der Fuge, BWV 1080.1: Canon in Hypodiateßeron al roverscio e per augmentationem, perpetuus (1742 autograph, early version)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
revision of:
Canon in Hypodiatesseron, al roversio [sic] e per augmentationem (supplementation to 1742 autograph)
Johann Sebastian Bach4:21
8Die Kunst der Fuge, BWV 1080/19: Fuga à 3 Soggetti
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
viola [viola I]:
Hajo Bäß (viola player) (in 1984-06)
viola [viola II]:
Karlheinz Steeb (in 1984-06)
violin:
Reinhard Goebel (violinist and conductor) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Die Kunst der Fuge, BWV 1080: XIX. Fuga a 3 [4] Soggetti (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/19)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach7:39
9Canon à 8, BWV 1072
recorded in:
Hamburg, Germany (in 1984-06)
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
violin:
Hajo Bäß (viola player) (in 1984-06), Reinhard Goebel (violinist and conductor) (in 1984-06), Jan Reichow (in 1984-06) and Mary Utiger (violinist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Canon Trias Harmonica a 8, BWV 1072 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1072)
Johann Sebastian Bach0:47
10Canon à 4 perpetuus, BWV 1073
recorded in:
Hamburg, Germany (in 1984-06)
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
viola:
Hajo Bäß (viola player) (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Mary Utiger (violinist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Canon a 4 perpetuus, BWV 1073 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1073)
Johann Sebastian Bach1:41
11Canon à 4, BWV 1074
recorded in:
Hamburg, Germany (in 1984-06)
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
viola:
Hajo Bäß (viola player) (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Mary Utiger (violinist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Canon a 4, BWV 1074 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1074)
part of:
Der getreue Music-Meister (Collection of various compositions by Telemann and other composers, published by Telemann in 25 "Lectionen" between 1728-1729.)
Johann Sebastian Bach1:53
12Canon à 2 perpetuus, BWV 1075
recorded in:
Hamburg, Germany (in 1984-06)
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Canon a 2 perpetuus, BWV 1075 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1075)
Johann Sebastian Bach0:37
13Canon triplex à 6, BWV 1076
recorded in:
Hamburg, Germany (in 1984-06)
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
cello:
Phoebe Carrai (American cellist) (in 1984-06)
harpsichord:
Andreas Staier (in 1984-06)
viola [viola I]:
Hajo Bäß (viola player) (in 1984-06)
viola [viola II]:
Karlheinz Steeb (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Mary Utiger (violinist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Canon triplex a 6, BWV 1076 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1076)
Johann Sebastian Bach0:33
14Canon à 4 und Baß, BWV 1077 "Soggetto"
recorded in:
Hamburg, Germany (in 1984-06)
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
viola [viola I]:
Hajo Bäß (viola player) (in 1984-06)
viola [viola II]:
Karlheinz Steeb (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Mary Utiger (violinist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Canone doppio sopr' il soggetto, BWV 1077 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1077)
Johann Sebastian Bach0:53
15Canon à 2, BWV 1086
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Canon Concordia discors a 2, BWV 1086 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 1086)
Johann Sebastian Bach1:22
16Canon super Fa Mi à 7 post Tempus Musicum, BWV 1078
recorded in:
Hamburg, Germany (in 1984-06)
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
viola:
Hajo Bäß (viola player) (in 1984-06)
violin:
Hajo Bäß (viola player) (in 1984-06), Reinhard Goebel (violinist and conductor) (in 1984-06), Jan Reichow (in 1984-06) and Mary Utiger (violinist) (in 1984-06)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1984-06)
conductor:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Canon super Fa Mi, a 7, post Tempus Musicum, BWV 1078 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1078)
Johann Sebastian Bach1:45
17Goldbergkanons, BWV 1087: I. Canon simplex
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: I. Canon simplex (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
Johann Sebastian Bach0:21
18Goldbergkanons, BWV 1087: II. All'roverscio
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: II. All' rovescio (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
Johann Sebastian Bach0:21
19Goldbergkanons, BWV 1087: III. Beede vorigen Canones zugleich, Motu recto e contrario
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
violin:
Hajo Bäß (viola player) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: III. Beede vorigen Canones zugleich, motu recto e contrario (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
Johann Sebastian Bach0:16
20Goldbergkanons, BWV 1087: IV. Motu contrario e recto
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
violin:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: IV. Motu contrario e recto (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
Johann Sebastian Bach0:19
21Goldbergkanons, BWV 1087: V. Canon duplex à 4
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Hajo Bäß (viola player) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: V. Canon duplex à 4 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
Johann Sebastian Bach0:24
22Goldbergkanons, BWV 1087: VI. Canon simplex über besagtes Fundament à 3
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
viola:
Hajo Bäß (viola player) (in 1984-06)
violin:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: VI. Canon simplex über besagtes Fundament à 3 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
Johann Sebastian Bach0:39
23Goldbergkanons, BWV 1087: VII. Idem à 3
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
viola:
Hajo Bäß (viola player) (in 1984-06)
violin:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: VII. Canon simplex über besagtes Fundament à 3 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
Johann Sebastian Bach0:20
24Goldbergkanons, BWV 1087: VIII. Canon simplex à 3, il soggetto in Alto
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
violin:
Reinhard Goebel (violinist and conductor) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: VIII. Canon simplex à 3, il soggetto in Alto (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
Johann Sebastian Bach0:23
25Goldbergkanons, BWV 1087: IX. Canon in unisono post semifusam à 3
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Hajo Bäß (viola player) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: IX. Canon in unisono post semifusamà 3 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
Johann Sebastian Bach0:20
26Goldbergkanons, BWV 1087: X. Alio modo, per syncopationes et per ligaturas à 2
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: X. Alio modo, per syncopationes et per ligaturas à 2 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
Johann Sebastian Bach0:23
27Goldbergkanons, BWV 1087: XI. Canon duplex übers Fundament à 5
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
viola [viola I]:
Hajo Bäß (viola player) (in 1984-06)
viola [viola II]:
Karlheinz Steeb (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Mary Utiger (violinist) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: XI. Canon duplex übers Fundament à 5 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
Johann Sebastian Bach0:53
28Goldbergkanons, BWV 1087: XII. Canon duplex über besagte Fundamental-Noten à 5
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
viola [viola I]:
Hajo Bäß (viola player) (in 1984-06)
viola [viola II]:
Karlheinz Steeb (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Mary Utiger (violinist) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: XII. Canon duplex über besagte Fundamental-Noten à 5 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
Johann Sebastian Bach0:34
29Goldbergkanons, BWV 1087: XIII. Canon triplex à 6
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
viola [viola I]:
Hajo Bäß (viola player) (in 1984-06)
viola [viola II]:
Karlheinz Steeb (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Mary Utiger (violinist) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: XIII. Canon triplex à 6 (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
Johann Sebastian Bach0:36
30Goldbergkanons, BWV 1087: XIV. Canon à 4 per Augmentationem et Diminutionem
executive producer:
Dr. Andreas Holschneider
producer and balance engineer:
Wolfgang Mitlehner
harpsichord:
Andreas Staier (in 1984-06)
viola:
Hajo Bäß (viola player) (in 1984-06)
violin [violin I]:
Reinhard Goebel (violinist and conductor) (in 1984-06)
violin [violin II]:
Mary Utiger (violinist) (in 1984-06)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1984-06)
recording of:
Quatorze Canons, BWV 1087: XIV. Canon à 4 per Augmentationem et Diminutionem (in 1984-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Quatorze Canons, BWV 1087
Johann Sebastian Bach0:34