Indie

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Bentley’s Gonna Sort You Out
recording of:
Bentley’s Gonna Sort You Out
Verfasser(in):
Richard March und Mike Stokes
publisher:
Chelsea Music Publishing Co., Ltd. und Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Bentley Rhythm Ace3:46
2Not If You Were the Last Junkie on Earth
recording of:
Not If You Were the Last Junkie on Earth
Texter und Komponist(in):
Courtney Taylor
publisher:
Dandy Warhols Music (BMI)
The Dandy Warhols3:12
3Bitch
drum machine [drum/loop]-Programmierung:
Geza X
assistierende(r) Techniker(in):
Husky Hoskulds, Cappy Japngie, Mauricio Iragorri und Charles Nasser
Techniker(in):
Jim Ebert und Geza X
Produzent(in):
Geza X
Mix:
Jim Ebert
Akustikgitarre, E-Gitarre und Hintergrundgesang:
Meredith Brooks (US singer/songwriter and guitarist)
Bass und Fretless Bass:
Paul Bushnell (session bassist, producer and music director)
Keyboard [keyboards]:
David Ricketts (of David & David)
Schlagzeug:
Josh Freese (American drummer)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997)
aufgenommen bei:
City Lab Sound Design in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Bitch
Verfasser(in):
Meredith Brooks (US singer/songwriter and guitarist) und Shelly Peiken
publisher:
Bug Music (music publishing), Hidden Pun Music, Kissing Booth Music, Songs of Kobalt Music Publishing, Sushi Too Music und Warner–Tamerlane Music Corp.
Meredith Brooks3.854:13
4Tequila (Minte Royale Shot)
recording of:
Tequila (Terrorvision cover)
Verfasser(in):
Chuck Rio (Daniel Flores)
zusätzliche(r) Verfasser(in):
Terrorvision
basiert auf:
Tequila
Terrorvision4:08
5Generation Sex
Techniker(in), Produzent(in) und Mix:
Jon Jacobs (UK producer/engineer)
Koproduzent(in):
Neil Hannon
Cembalo:
Joby Talbot (English score composer)
Harfe:
Lucy Wakeford (harpist)
Gast Sprecher:
Katie Puckrik
Hintergrundgesang:
Crouch End Festival Chorus
conductor:
Joby Talbot (English score composer)
arranger:
Joby Talbot (English score composer)
phonographisches Urheberrecht (℗) von:
Setanta (in 1998)
mixed at:
Westpoint Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Generation Sex
Texter und Komponist(in):
Neil Hannon
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it)
The Divine Comedy53:31
6Filmstar
recording of:
Filmstar
Verfasser(in):
Brett Anderson (Suede) und Richard Oakes
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) (beendet), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) (beendet), Universal Music Publishing France (not for release label use!) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Suede3:26
7Spaceman
Produzent(in):
Jas Mann und Steve Power
Mix:
Clive Black
Bearbeitung von:
Spaceman von Babylon Zoo
recording of:
Spaceman
Texter und Komponist(in):
Jas Mann
Babylon Zoo3.54:00
8Stars
recording of:
Stars
Texter und Komponist(in):
Steve Hillier
publisher:
Archaic UK Music und EMI Music Publishing Ltd. (PRS‐affiliated)
Dubstar4:09
9International Bright Young Thing
Jesus Jones3:12
10Call Me
Techniker(in):
Harold Faltermeyer
Produzent(in):
Giorgio Moroder
Bassgitarre [bass]:
Nigel Harrison (in 1980-01)
Gitarre:
Frank Infante (in 1980-01) und Chris Stein (in 1980-01)
Hybrid-Piano:
Jimmy Destri (in 1980-01)
Schlagzeug [drums]:
Clem Burke (in 1980-01)
zusätzlich Synthesizer:
Giorgio Moroder (in 1980-01)
Sologesang:
Debbie Harry (in 1980-01)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
aufgenommen bei:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979) und The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 78) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 157)
recording of:
Call Me (in 1980-01)
Texter:
Deborah Harry
Komponist(in):
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody und Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Blondie4.23:33
11Wake Up Boo!
recording of:
Wake Up Boo!
Texter und Komponist(in):
Martin Carr
The Boo Radleys3:06
12I Wasn’t Built to Get Up
recording of:
I Wasn’t Built to Get Up
Texter und Komponist(in):
James McColl
The Supernaturals3:25
13The Only Living Boy in New Cross
E-Bass und Keyboard:
Fruitbat
E-Gitarre:
Jim Bob (Carter USM singer James Morrison)
vocals:
Fruitbat und Jim Bob (Carter USM singer James Morrison)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1992)
recording of:
The Only Living Boy in New Cross
Verfasser(in):
Jim Bob (Carter USM singer James Morrison) und Lesley Carter
publisher:
Island Music Ltd.
Carter the Unstoppable Sex Machine3:55
14Summertime
The Sundays3:32