Classical Chillout Gold

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Packaging is 4 x Slim Jewel Cases in a stout card box with hinged lid.

Performers: http://www.schlaile.de/Various_Classical_Chillout_Gold_bzw__4cd.947686.html

Annotation last modified on 2017-12-06 12:54 UTC.

Tracklist

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1▼CD: Relax at the Movies
#TitleArtistRatingLength
1The Lord of the Rings: The Fellowship Theme
phonographic copyright (℗) by:
Demon Music Limited (in 2002)
partial recording of:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
composer:
Howard Shore (Canadian score composer)
Howard Shore3:11
2Harry Potter: Theme
phonographic copyright (℗) by:
Warner-Barham Music LLC
produced for:
Roger Woodhead Productions Ltd. (in 2002)
recording of:
Hedwig’s Theme (Harry Potter and the Philosopher’s Stone)
composer:
John Williams (American score composer)
publisher:
Warner-Barham Music LLC
part of:
Harry Potter and the Philosopher’s Stone (Harry Potter and the Philosopher's Stone, 2001 film score)
John Williams23:56
3American Beauty: Any Other Name
producer:
Bill Bernstein and Thomas Newman (American score composer)
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (in 2000)
recording of:
Any Other Name
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
publisher:
Cherry Lane Music and Cherry Lane Music Publishing Company Inc.
part of:
American Beauty (1999)
Thomas Newman4:10
4Dr Zhivago: Lara’s Theme
orchestra:
The Harmonia Mundi Orchestra
recording of:
Lara’s Theme (original without lyrics)
composer:
Maurice Jarre (composer and conductor)
publisher:
Big 3 Music Ltd. and EMI United Publishers
part of:
Doctor Zhivago
Maurice Jarre2:53
5A Beautiful Mind: All Love Can Be
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
David Marquette
producer:
James Horner (American score composer) and Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant editor:
Barbara McDermott
editor:
Jim Henrikson
lead vocals:
Charlotte Church
conductor:
James Horner (American score composer)
orchestrator:
James Horner (American score composer) and Randy Kerber
recorded at and mixed at:
Todd Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
All Love Can Be
lyricist:
Will Jennings
composer:
James Horner (American score composer)
cover recording of:
All Love Can Be
lyricist:
Will Jennings
composer:
James Horner (American score composer)
James Horner3:19
6Captain Corelli’s Mandolin: Pelagia’s Song
orchestra:
Musica Paradiso
recording of:
Ricordo ancor (Il mandolino del capitano Corelli - “Pelagia’s Song”)
orchestrator and composer:
Stephen Warbeck
lyricist:
Paco Reconti
Stephen Warbeck4:04
7The English Patient / Hannibal: Goldberg Variations, Aria
producer:
Wolfgang Seikritt (in 1985-10)
piano:
Chen Pi‐hsien (pianist) (in 1985-10)
phonographic copyright (℗) by:
Pacific Music Co., Ltd. (in 1987)
recorded at:
Festeburgkirche in Frankfurt am Main (Frankfurt), Hessen (Hesse), Germany (in 1985-10)
recording of:
Goldberg-Variationen, BWV 988: Aria (FIRST movement) (in 1985-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach3:16
8The Deer Hunter: Cavatina
classical guitar:
Norbert Kraft (classical guitarist and producer) (from 1996-08-19 until 1996-08-23)
guitar:
Norbert Kraft (classical guitarist and producer)
recorded at:
Saint John Chrysostom Church in Newmarket, Ontario, Canada (from 1996-08-19 until 1996-08-23)
recording of:
Cavatina (theme from The Deer Hunter, for guitar) (from 1996-08-19 until 1996-08-23)
composer:
Stanley Myers
publisher:
EMI Music Publishing (do not use as a release label!), Robbins Music Corp. and Robbins Music Corp. Ltd.
Stanley Myers3:31
9Amadeus: Requiem, Lacrimosa dies illa
engineer:
Gustáv Šoral (in 1985-03)
producer:
Dr Igor Bohacek (producer) (in 1985-03)
organ:
Vladimír Rusó (organist) (in 1985-03)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (in 1985-03)
contralto vocals:
Jaroslava Horská (mezzo-soprano) (in 1985-03)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1985-03)
conductor:
Zdeněk Košler (conductor) (in 1985-03)
chorus master:
Stefan Klimo (conductor) (in 1985-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1985-03)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (in 1985-03)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart3:23
10Chocolat: Gnossienne no. 1
engineer:
Horváth János (János Horváth, engineer)
producer:
János Mátyás (producer)
piano:
Klára Körmendi (pianist) (from 1989-04-10 until 1989-04-12)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1989)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1989-04-10 until 1989-04-12)
recording of:
Gnossienne no. 1 (from 1989-04-10 until 1989-04-12)
composer:
Erik Satie (French composer) (in 1890)
part of:
Trois Gnossiennes
Erik Satie43:13
11Dead Poet’s Society: Piano Concerto no. 5: Adagio un poco
producer:
Martin Sauer (engineer/producer)
fortepiano:
Stefan Vladar (Austrian pianist and conductor) (in 1988-03)
piano:
Stefan Vladar (Austrian pianist and conductor)
orchestra:
Capella Istropolitana (in 1988-03)
conductor:
Barry Wordsworth (conductor) (in 1988-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1988-03)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (in 1988-03)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven8:02
12The Ladykillers: String Quintet g.275: Minuet
orchestra:
Capella Istropolitana
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
composer:
Luigi Boccherini (Italian composer) (in 1771)
part of:
Quintet in E major, G. 275, op. 11 no. 5
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements)
composer:
Luigi Boccherini (Italian composer)
arrangement of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
Luigi Boccherini4:29
2▼CD: Classical Chill
#TitleArtistRatingLength
1Sarabande (Levi’s Advert)
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Paul Bateman (conductor)
orchestrator:
Paul Bateman (conductor)
cover recording of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande
composer:
George Frideric Handel (German‐British baroque composer)
is based on:
Folia
part of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437
Georg Friedrich Händel4.54:06
2Agnus Dei (Platoon)
choir vocals:
Corydon Singers
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers)
recording of:
Agnus Dei (arr. Samuel Barber for chorus)
lyricist:
[anonymous] (special purpose artist)
composer:
Samuel Barber (American composer) (in 1936)
arranger:
Samuel Barber (American composer) (in 1967)
part of:
Works of Samuel Barber by opus number (number: op. 11)
arrangement of:
Adagio for Strings
Samuel Barber9:55
3The Lamb (Orange Picture Messaging Advert)
engineer:
Tony Faulkner (recording engineer) (from 2000-07-11 until 2000-07-13)
producer:
Andrew Walton (producer)
choir vocals:
Choir of St John’s College, Cambridge (from 2000-07-11 until 2000-07-13)
conductor:
Christopher Robinson (British conductor & organist) (from 2000-07-11 until 2000-07-13)
recorded at:
St John’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 2000-07-11 until 2000-07-13)
recording of:
The Lamb (from 2000-07-11 until 2000-07-13)
lyricist:
William Blake (English poet, painter, and printmaker) (in 1789)
composer:
John Tavener (20th century composer) (in 1982)
publisher:
Chester Music Ltd., Edition Wilhelm Hansen London Ltd. and J. & W. Chester, Ltd.
John Tavener3:45
4Larme, Flower Duet (British Airways Advert)
mezzo-soprano vocals [Mallika]:
Denisa Šlepkovská (mezzo-soprano)
soprano vocals [Lakmé]:
Adriana Kohútková (soprano)
orchestra:
Slovak Radio Symphony Orchestra
conductor:
Johannes Wilder (conductor)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes6:38
5Cello Suite no 1 in g Major (Orange Advert)
cello:
Csaba Onczay (cellist)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:29
6Coral Wonder (The Blue Planet)
orchestra:
BBC Concert Orchestra
conductor:
George Fenton (English score composer)
recording of:
Coral Wonder (The Blue Planet)
composer:
George Fenton (English score composer)
George Fenton2:26
7Pavane (Theme from The World Cup)
producer:
Günter Appenheimer (producer/engineer) (in 1988-06), Teije van Geest (engineer/producer) (in 1988-06) and Martin Sauer (engineer/producer) (in 1988-06)
orchestra:
Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) (in 1988-06)
conductor:
Keith Clark (American conductor) (in 1988-06)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1988-06)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus) (in 1988-06)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré7:44
8Carnival of The Animals (Orange Advert)
producer:
Martin Sauer (engineer/producer)
piano:
Marián Lapšanský (pianist) (on 1990-01-12) and Peter Toperczer (Slavic pianist) (on 1990-01-12)
orchestra:
Czechoslovak Radio Symphony Orchestra (Slovak Radio Symphony Orchestra) (on 1990-01-12)
conductor:
Ondrej Lenárd (conductor) (on 1990-01-12)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1990)
recorded at:
Moyzes Hall in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (on 1990-01-12)
recording of:
Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium) (on 1990-01-12)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns42:23
9Peer Gynt Suite no 1: Morning (Hovis Advert)
engineer:
Tony Kime (from 1993-06-24 until 1993-06-25)
producer:
Martin Dalby (from 1993-06-24 until 1993-06-25)
orchestra:
Scottish Symphony Orchestra (from 1993-06-24 until 1993-06-25)
conductor:
Jerzy Maksymiuk (conductor) (from 1993-06-24 until 1993-06-25)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1993)
recorded at:
Broadcasting House: Studio One (Glasgow) in Glasgow, Scotland, United Kingdom (from 1993-06-24 until 1993-06-25)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (from 1993-06-24 until 1993-06-25)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg43:54
10Nessun Dorma (as performed by The Three Tenors)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir)
tenor vocals:
Thomas Harper (tenor) (from 1991-06-12 until 1991-06-16)
orchestra:
Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) (from 1991-06-12 until 1991-06-16)
conductor:
Michael Halász (conductor) (from 1991-06-12 until 1991-06-16)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1991)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1991-06-12 until 1991-06-16)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1991-06-12 until 1991-06-16)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:02
11Gymnopedie 1, Piano Version (Fry’s Chocolate Cream Advert)
engineer:
Horváth János (János Horváth, engineer)
producer:
János Mátyás (producer)
piano:
Klára Körmendi (pianist) (from 1989-04-10 until 1989-04-12)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1989)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1989-04-10 until 1989-04-12)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1) (from 1989-04-10 until 1989-04-12)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (2004) (number: 4)
part of:
Gymnopédies
Erik Satie2:40
12Theme from Inspector Morse
instruments:
Central Quintet
recording of:
Main Theme (Inspector Morse, opening titles)
composer:
Barrington Pheloung (composer)
Barrington Pheloung2:08
3▼CD: A Night at The Opera
#TitleArtistRatingLength
1O mio babbino caro
soprano vocals:
Lesley Garrett (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Andrew Greenwood (conductor)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:29
2Caruso
tenor vocals:
Tito Beltrán
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Robin Stapleton (conductor)
recording of:
Caruso
lyricist and composer:
Lucio Dalla
publisher:
BMG Music Publishing Ltd., BMG Ricordi Music Publishing Spain, BMG Songs, Inc., Edizioni BMG Ariola Music, EMI Music Publishing Italia Srl (Italian branch of EMI Music Publishing), EMI Music Publishing Ltd. (PRS‐affiliated), Universal Music Publishing International MGB Ltd. and Universal Music Publishing Ricordi srl
Lucio Dalla5:04
3Cavalleria rusticana
producer:
Martin Sauer (engineer/producer) (in 1992-04)
orchestra:
Czecho-Slovak Radio Symphony Orchestra (Slovak Radio Symphony Orchestra) (from 1992-04-01 until 1992-04-10)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1992-04-01 until 1992-04-10)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1992-04-01 until 1992-04-10)
recording of:
Cavalleria rusticana: Intermezzo (from 1992-04-01 until 1992-04-10)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:41
4La donna e mobile
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (in 1991-03)
tenor vocals:
Yordy Ramiro (tenor) (in 1991-03)
orchestra:
Slovak Radio Symphony Orchestra (in 1991-03)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (in 1991-03)
recorded at:
Slovak Radio Concert Hall (Concert Hall of the Slovak Radio) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1991-03)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (in 1991-03)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi42:15
5Barcarolle
producer:
Günter Appenheimer (producer/engineer) (in 1988-06), Teije van Geest (engineer/producer) (in 1988-06) and Martin Sauer (engineer/producer) (in 1988-06)
orchestra:
CSR Symphony Orchestra (Bratislava) (Slovak Radio Symphony Orchestra) (in 1988-06)
conductor:
Keith Clark (American conductor) (in 1988-06)
performer:
Slovak Radio Symphony Orchestra
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1988-06)
recording of:
Les Contes d’Hoffmann: Barcarolle (The Tales of Hoffmann: Barcarolle, catch-all for arrangements)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Jacques Offenbach43:20
6Libiamo ne’lieti dalici (Brindisi)
producer:
Günter Appenheimer (producer/engineer) (in 1990-12)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (from 1990-12-13 until 1990-12-21)
soprano vocals [Violetta]:
Monika Krause (soprano) (from 1990-12-13 until 1990-12-21)
tenor vocals [Alfredo]:
Yordy Ramiro (tenor) (from 1990-12-13 until 1990-12-21)
vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) and Slovak Radio Symphony Orchestra (from 1990-12-13 until 1990-12-21)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1990-12-13 until 1990-12-21)
chorus master:
Jan Rozehnal (choir master) (from 1990-12-13 until 1990-12-21)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1990-12-13 until 1990-12-21)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (from 1990-12-13 until 1990-12-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi2:58
7Vissi d’arte
producer:
Günter Appenheimer (producer/engineer) (in 1990-04)
soprano vocals [Tosca]:
Nelly Miricioiu (soprano) (from 1990-04-07 until 1990-04-14)
orchestra:
Czecho‐Slovak Radio Symphony Orchestra (Bratislava) (Slovak Radio Symphony Orchestra) (from 1990-04-07 until 1990-04-14)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1990-04-07 until 1990-04-14)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1990-04-07 until 1990-04-14)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1990-04-07 until 1990-04-14)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:59
8O, Silver Moon (Song to The Moon)
soprano vocals:
Jana Valášková (Slovak soprano)
orchestra:
Slovak Radio Symphony Orchestra
conductor:
Johannes Wildner (conductor)
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon)
composer:
Antonín Dvořák (composer) (from 1900-04-21 until 1900-11-27)
part of:
Rusalka, op. 114, B. 203: 1. jednání
Antonín Dvořák5:54
9The Marriage of Figaro, Overture
orchestra:
Capella Istropolitana (from 1988-09-06 until 1988-09-09)
conductor:
Barry Wordsworth (conductor) (from 1988-09-06 until 1988-09-09)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1988-09-06 until 1988-09-09)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (from 1988-09-06 until 1988-09-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart4:01
10Dance of the Hours
producer:
Günter Appenheimer (producer/engineer) and Martin Sauer (engineer/producer)
orchestra:
Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) (from 1988-02-01 until 1988-02-04)
conductor:
Ondrej Lenárd (conductor) (from 1988-02-01 until 1988-02-04)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1988-02-01 until 1988-02-04)
recording of:
La Gioconda: Atto III, scena 2. Danza delle ore (from 1988-02-01 until 1988-02-04)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Fantasia (Disney soundtrack)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli7:51
11Habanera: ‘L’Amour est un oiseau rebelle’
associate producer:
Günter Appenheimer (producer/engineer) (in 1990-07)
producer:
Günter Appenheimer (producer/engineer) (in 1990-07)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (in 1990-07)
mezzo-soprano vocals [Carmen]:
Graciela Alperyn (mezzo-soprano) (in 1990-07)
orchestra:
Slovak Radio Symphony Orchestra (in 1990-07)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (in 1990-07)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1990-07)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (in 1990-07)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:52
12In paradisium
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer) (from 1993-05-17 until 1993-05-18) and Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
organ:
Colm Carey (keyboard instrumentalist) (from 1993-05-17 until 1993-05-18)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18) and Schola Cantorum of Oxford (from 1993-05-17 until 1993-05-18)
vocals:
Oxford Camerata (English chamber choir)
orchestra:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18)
conductor:
Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-05-17 until 1993-05-18)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (from 1993-05-17 until 1993-05-18)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
part of:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:17
4▼CD: Smooth Classics
#TitleArtistRatingLength
1Sicilienne
producer:
Günter Appenheimer (producer/engineer) (in 1988-06), Teije van Geest (engineer/producer) (in 1988-06) and Martin Sauer (engineer/producer) (in 1988-06)
orchestra:
CSR Symphony Orchestra, Bratislava (Slovak Radio Symphony Orchestra) (in 1988-06)
conductor:
Ondrej Lenárd (conductor) (in 1988-06)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1988-06)
recording of:
Sicilienne, op. 78 (catch-all for arrangements)
composer:
Gabriel Fauré (French composer)
arrangement of:
Sicilienne, op. 78 (original; for cello and piano)
Gabriel Fauré3:43
2Piano Concerto no 2 in F: Andante
piano:
Michael Houstoun (New Zealand pianist) (from 1994-11-02 until 1994-11-04)
orchestra:
New Zealand Symphony Orchestra (from 1994-11-02 until 1994-11-04)
conductor:
Christopher Lyndon‐Gee (conductor, pianist and composer) (from 1994-11-02 until 1994-11-04)
recorded at:
Lower Hutt Town Hall in Lower Hutt, Wellington (Wellington Region), North Island, New Zealand (from 1994-11-02 until 1994-11-04)
recording of:
Piano Concerto no. 2 in F major, op. 102: II. Andante (from 1994-11-02 until 1994-11-04)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1957)
part of:
Piano Concerto no. 2 in F major, op. 102
Дмитрий Дмитриевич Шостакович6:39
3Gymnopedies II (orchestral version)
producer:
Günter Appenheimer (producer/engineer) (in 1988-06), Teije van Geest (engineer/producer) (in 1988-06) and Martin Sauer (engineer/producer) (in 1988-06)
orchestra:
The Pro Arte Orchestra and Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) (in 1988-06)
conductor:
Kurt Redel (German flautist and conductor) and Ondrej Lenárd (conductor) (in 1988-06)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1988-06)
recording of:
Gymnopédies: II. Lent et douloureux (Satie’s Gymnopédie no. 1 orchestrated by Debussy)
orchestrator:
Claude Debussy (French composer) (in 1897)
composer:
Erik Satie (French composer) (in 1888)
orchestration of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
part of:
Gymnopédies (orchestrated by Debussy)
Erik Satie3:37
4Piano Concerto no 2 in C minor (Adagio sostenuto)
engineer:
István Zakariás (from 1988-02 until 1988-04)
producer:
Mónika Feszler (producer) (from 1988-02 until 1988-04)
piano:
Jenő Jandó (pianist) (from 1988-02 until 1988-04)
orchestra:
Budapest Symphony Orchestra (a.k.a. Budapest Symphony) (from 1988-02 until 1988-04)
conductor:
György Lehel (conductor) (from 1988-02 until 1988-04)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1988-02 until 1988-04)
recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto (from 1988-02 until 1988-04)
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Сергей Васильевич Рахманинов11:21
5Prelude a l’apres (midi d’un faune)
engineer:
Jo Tavernier (Belgian sound engineer) (from 1989-11-16 until 1989-11-18)
producer:
Günter Appenheimer (producer/engineer)
orchestra:
BRT Philharmonic Orchestra, Brussels (Brussels Philharmonic) (from 1989-11-16 until 1989-11-18)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1989-11-16 until 1989-11-18)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1993)
recorded at:
Concert Hall of the Belgian Radio and Television in Brussels (Brussels-Capital Region), Belgium (from 1989-11-16 until 1989-11-18)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (from 1989-11-16 until 1989-11-18)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy10:30
6The Four Seasons (Autumn) (Adagio molto)
producer:
Günter Appenheimer (producer/engineer)
violin:
Takako Nishizaki (violinist) (from 1987-07-12 until 1987-07-22)
orchestra:
Capella Istropolitana (from 1987-07-12 until 1987-07-22)
conductor:
Stephen Gunzenhauser (conductor) (from 1987-07-12 until 1987-07-22)
phonographic copyright (℗) by:
Naxos International
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1987-07-12 until 1987-07-22)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto (from 1987-07-12 until 1987-07-22)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi2:46
7Scheherezade, op. 35: III. The Young Prince and the Young Princess
engineer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s) (from 1992-08-20 until 1992-08-21)
producer:
Brian B. Culverhouse (classical producer and engineer, active from 1960s)
solo violin:
David Nolan (violinist and conductor) (from 1992-08-20 until 1992-08-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1992-08-20 until 1992-08-21)
conductor:
Enrique Bátiz (conductor and pianist) (from 1992-08-20 until 1992-08-21)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1993)
recorded at:
St. Barnabas Church, Mitcham in Surrey, England, United Kingdom (from 1992-08-20 until 1992-08-21)
recording of:
Scheherazade, op. 35: III. The Young Prince and the Young Princess (Andantino quasi allegretto) (from 1992-08-20 until 1992-08-21)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Николай Андреевич Римский‐Корсаков9:53
8Violin Concerto no. 1 in G minor, op. 26: Adagio
producer:
Günter Appenheimer (producer/engineer) (in 1989-05)
violin:
Takako Nishizaki (violinist) (in 1989-05)
orchestra:
Slovak Philharmonic Orchestra (Slovak State Philharmonic Orchestra, Košice) and Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1989-05)
conductor:
Stephen Gunzenhauser (conductor) (in 1989-05)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1989-05-22 until 1989-05-27)
recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio (in 1989-05)
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch8:12
9Cello Concerto in E minor (Adagio)
producer:
Murray Khouri (clarinettist and producer) (from 1991-11-08 until 1991-11-10)
cello:
Maria Kliegel (cellist) (from 1991-11-08 until 1991-11-10)
orchestra:
Royal Philharmonic Orchestra (from 1991-11-08 until 1991-11-10)
conductor:
Michael Halász (conductor) (from 1991-11-08 until 1991-11-10)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1991)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1991-11-08 until 1991-11-10)
recording of:
Cello Concerto in E minor, op. 85: III. Adagio (from 1991-11-08 until 1991-11-10)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Sir Edward Elgar5:09
10Symphony no. 5 in C-sharp minor: Adagietto
engineer:
Otto Nopp (producer and engineer) (in 1990-08)
producer:
Beata Jankowska (engineer/editor/producer) (in 1990-08)
orchestra:
Polska Orkiestra Radiowa (Polish Radio Symphony Orchestra, from Warsaw) and Polish National Radio Symphony Orchestra (revived in 1945 in Katowice) (from 1990-08-16 until 1990-08-18)
conductor:
Antoni Wit (conductor) (from 1990-08-16 until 1990-08-18)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1992)
recorded at:
Studio Koncertowe Radia Katowice in Katowice, Śląskie (Silesian Voivodeship), Poland (from 1990-08-16 until 1990-08-18)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (from 1990-08-16 until 1990-08-18)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler12:02

Credits

Release

manufactured in:the EU (Europe)
the UK
producer:Duncan Collins (producer)
distributed by:Ten This Compilation
copyrighted (©) by and phonographic copyright (℗) by:Decadence Recordings (in 2002)
glass mastered by:Sonopress ((UK) Limited, UK subsidiary)
Discogs:https://www.discogs.com/release/2745879 [info]
ASIN:UK: B00006ZSHH [info]