Classic Soul Ballads

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Sexual Healing
#TitleArtistRatingLength
1Power of Love/Love Power
synthesizer programming:
Jason Miles (jazz producer/keyboardist) and Marcus Miller (jazz musician)
engineer and mixer:
Ray Bardani
producer:
Marcus Miller (jazz musician) and Luther Vandross
bass guitar and keyboard:
Marcus Miller (jazz musician)
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
piano:
Nat Adderley, Jr.
wind chime:
Paulinho DaCosta (Brazilian percussionist)
background vocals:
Tawatha Agee, Lisa Fischer (American vocalist), Cissy Houston, Genobia Jeter, Pat Joyner, Darlene Love, Paulette McWilliams, Marcus Miller (jazz musician), Kevin Owens, Tamira C. Sanders, Fonzi Thornton and Brenda White‐King
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Power of Love / Love Power
writer:
Marcus Miller (jazz musician), Luther Vandross and Teddy Vann
medley of:
Love Power
medley of:
Power of Love
Luther Vandross46:42
2Sexual Healing
producer:
Marvin Gaye
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment Inc. (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 231)
recording of:
Sexual Healing
writer:
Odell Brown, Marvin Gaye and David Ritz (American author)
publisher:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and April Music Inc. (in 1982)
Marvin Gaye3.754:01
3You'll Never Find Another Love Like Mine
recording of:
You’ll Never Find Another Love Like Mine
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lou Rawls3:33
4Me and Mrs. Jones
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Billy Paul (American soul singer) (in 1972)
performer:
MFSB (in 1972)
brass [horns] arranger and strings arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Me and Mrs. Jones (in 1972)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Yamaha Music Entertainment (Japanese label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4.54:48
5Shining Star
recording of:
Shining Star
writer:
Leo Graham Jr. (producer / composer / lyricist) and Paul Richmond (producer - songwriter - bassist)
The Manhattans54:42
6Best of My Love
producer:
Al McKay
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 334)
recording of:
Best of My Love
writer:
Al McKay and Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
The Emotions4.153:43
7Betcha by Golly, Wow
cover recording of:
Betcha by Golly, Wow (fka “Keep Growing Strong”)
writer:
Thom Bell (keyboards, songwriter, producer) and Linda Creed
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
Betcha by Golly, Wow (fka “Keep Growing Strong”)
writer:
Thom Bell (keyboards, songwriter, producer) and Linda Creed
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Stylistics53:18
8Shake You Down
producer:
Gregory Abbott
bass:
T.M. Stevens (US bass player Thomas Michael Stevens)
membranophone:
David Beal
background vocals:
Gregory Abbott, Robert Deadmon and Aida Foreman
lead vocals:
Gregory Abbott
arranger:
Gregory Abbott
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
part of:
The Downloader’s Music Source Book (number: 69)
recording of:
Shake You Down
lyricist and composer:
Gregory Abbott
publisher:
EMI Songs Ltd. and Grabbitt Music (publisher)
Gregory Abbott3.654:07
9Always and Forever
producer:
Barry Blue (singer, producer, and songwriter)
phonographic copyright (℗) by:
GTO Records (in 1976)
recording of:
Always and Forever
lyricist and composer:
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave33:31
10After the Love Has Gone
producer:
Maurice White (Earth, Wind & Fire)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1979)
samples from:
I Am by Earth, Wind & Fire (in 1979)
recording of:
After the Love Has Gone
writer:
Bill Champlin, David Foster (Canadian music producer, arranger and composer) and Jay Graydon
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Songs Ltd., Foster Frees Music, Fozbeats Music, Garden Rake Music, Inc., Irving Music (BMI), Irving Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Ninth Music and Noted for the Record
sub-publisher:
Rondor Music (London) Ltd., Sony/ATV Music Publishing Ltd. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Earth, Wind & Fire3.24:28
11Lean on Me
producer:
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) and Bill Withers
drums (drum set) and percussion:
James Gadson (American drummer) (in 1972)
electric bass guitar:
Melvin Dunlap (in 1972)
electric guitar:
Benorce Blackmon (guitarist, producer, writer) (in 1972)
piano and lead vocals:
Bill Withers (in 1972)
Wurlitzer electric piano:
Ray Jackson (trombonist, pianist and arranger) (in 1972)
strings arranger:
Ray Jackson (trombonist, pianist and arranger)
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1972), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1972), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 205) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 236)
recording of:
Lean on Me (in 1972)
lyricist and composer:
Bill Withers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bill Withers4.34:19
12Have You Seen Her
recording of:
Have You Seen Her
writer:
Barbara Acklin and Eugene Record
publisher:
Intersong Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Chi‐Lites5:10
13Lovin' You
producer:
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) and Stevie Wonder
bass guitar:
Reggie McBride
congas:
Kwasi "Rocki" Dzidzornu
cymbal, drums (drum set), harmonica and piano:
El Toro Negro
drums (drum set) [drum kit]:
Ollie E. Brown (US drummer, session musician & record producer) and El Toro Negro
guitar:
Marlo Henderson and Michael Sembello
background vocals:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) and Yvonne Wright
vocals:
Minnie Riperton
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Lovin’ You
writer:
Minnie Riperton and Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:24
14I Like the Way (The Kissing Game)
recording of:
I Like the Way (The Kissing Game)
composer:
Bernard Belle, Kaleef (formerly "Kaliphz"), Teddy Riley (US R&B singer & producer) and Dave Way
publisher:
B-Funk Music (publishing company, affiliated to ASCAP), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019), Zomba Enterprises, Inc. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Hi-Five5:44
15Shower Me With Your Love
drum machine programming:
Brian Simpson (jazz pianist)
assistant engineer:
Joe Intile and Master Paul Higgins (engineer)
engineer:
David Conley (soul musician) and John Falzarano
producer:
David “Pic” Conley (soul musician), Bernard Jackson and David Townsend
assistant mixer:
Frank Nogueras
mixer:
“Bassie” Bob Brockman (engineer, producer, remixer)
bass synthesizer [synth bass] and keyboard:
Brian Simpson (jazz pianist)
cymbal [cymbals]:
Bob Brockman (engineer, producer, remixer)
guitar:
David Townsend
saxophone [sax]:
Pic (soul musician)
synthesizer [string synthesizer]:
Bobby Wooten (producer & musician)
background vocals and lead vocals:
Bernard Jackson
synthesizer [strings] arranger:
Bobby Wooten (producer & musician)
arranger:
Surface (US R&B and pop)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988)
additionally recorded at:
House of Music in West Orange, New Jersey, United States
recorded at:
Skip’s Hit House Recording Studio in Hollywood, Los Angeles, California, United States and The Lab in West Orange, New Jersey, United States
mixed at:
Marathon Recording Studios in New York, New York, United States
recording of:
Shower Me With Your Love
lyricist and composer:
Bernard Jackson
publisher:
Colgems-EMI Music Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Surface4:56
16Kiss and Say Goodbye
recording of:
Kiss and Say Goodbye
lyricist and composer:
Winfred Lovett (Lovett Winfred Lorenzo)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. and EMI Songs Ltd.
The Manhattans3:33
17When Will I See You Again
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Sheila Ferguson (in 1973), Valerie Holiday (in 1973) and Fayette Pinkney (in 1973)
performer:
MFSB (in 1973)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
recording of:
When Will I See You Again (in 1973)
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
The Three Degrees42:59
18If You Don't Know Me by Now
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
background vocals:
The Blue Notes (Harold Melvin’s group, 1954–mid‐1960s) (in 1972)
lead vocals:
Harold Melvin (in 1972)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972, in 1991)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
If You Don’t Know Me by Now (in 1972)
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and Warner/Chappell Music Australia Pty. Ltd.
Harold Melvin & The Blue Notes3.753:28
2▼CD: Let's Get It On
#TitleArtistRatingLength
1Being With You
assistant engineer:
Richie Griffin
engineer:
Howard Lee Wolen and Mark Wolfson
producer:
George Tobin
mixer:
Mike Piccirillo and George Tobin
arranger:
George Tobin
recorded at and mixed at:
Studio Sound Recorders in North Hollywood, Los Angeles, California, United States
recording of:
Being With You
lyricist and composer:
Smokey Robinson
publisher:
Bertram Music Company, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc. and Primary Wave Robinson
Smokey Robinson44:06
2Let's Get It On
engineer:
William McMeekin and Art Stewart
producer:
Marvin Gaye and Ed Townsend
mixer:
Cal Harris
bass guitar:
Wilton Felder (on 1973-03-22)
bongos and congas:
Eddie “Bongo” Brown (on 1973-03-22) and Bobbye Hall (on 1973-03-22)
drums (drum set):
Paul Humphrey (jazz, r&b drummer) (on 1973-03-22)
guitar family:
Don Peake (on 1973-03-22), Louie Shelton (on 1973-03-22), David T. Walker (on 1973-03-22) and Melvin “Wah Wah” Watson (on 1973-03-22)
percussion:
Emil Richards (on 1973-03-22)
piano:
Marvin Gaye (on 1973-03-22), Marvin Jenkins (on 1973-03-22) and Joe Sample (on 1973-03-22)
saxophone:
Plas Johnson (on 1973-03-22) and Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (on 1973-03-22)
vibraphone:
Victor Feldman (jazz musician) (on 1973-03-22) and Emil Richards (on 1973-03-22)
background vocals and lead vocals:
Marvin Gaye (on 1973-03-22)
conductor:
René Hall (on 1973-03-22)
recorded at:
Motown Studios - Hitsville West in West Hollywood, California, United States (on 1973-03-22)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 167) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 264)
recording of:
Let’s Get It On (on 1973-03-22)
writer:
Marvin Gaye and Ed Townsend
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd and Stone Diamond Music Corporation
Marvin Gaye4.14:53
3Just My Imagination (Running Away With Me)
producer:
Norman Whitfield
lead vocals:
Eddie Kendricks (from 1970-01-24 until 1970-12-03)
vocals:
The Temptations (Motown soul vocal group) (from 1970-11-24 until 1970-12-03)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1971), Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1971), Motown Record Corporation (company credits only; do NOT use as release label) (in 1971) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recorded at:
Golden World in Detroit, Michigan, United States (from 1970-11-24 until 1970-12-03)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 233) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 389)
recording of:
Just My Imagination (Running Away With Me) (from 1970-11-24 until 1970-12-03)
lyricist:
Barrett Strong
composer:
Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Stone Agate Music
The Temptations53:49
4On My Own
recording engineer:
Mick Guzauski and Joel Moss
bass guitar:
Neil Stubenhaus
drums (drum set):
Carlos Vega
guitar:
Dan Huff
percussion:
Paulinho da Costa (Brazilian percussionist)
piano [acoustic piano]:
Burt Bacharach
synthesizer:
David Foster (Canadian music producer, arranger and composer), Greg Phillinganes and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
background vocals:
Carla Benson, Evette Benton, Barbara Ingram, Clydene Jackson, Julia Tillman and Maxine Willard
lead vocals:
Patti LaBelle and Michael McDonald (R&B & soul singer)
vocals:
Michael McDonald (R&B & soul singer)
arranger:
Burt Bacharach and Carole Bayer Sager
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1986)
recording of:
On My Own (Patti LaBelle and Michael McDonald song) (in 1986)
lyricist:
Carole Bayer Sager
composer:
Burt Bacharach
publisher:
Carole Bayer Sager Music and New Hidden Valley Music Co.
Patti LaBelle & Michael McDonald34:49
5Three Times a Lady
producer:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
lead vocals:
Lionel Richie
arranger:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1978), Motown Record Corporation (company credits only; do NOT use as release label) (in 1978, in 1979) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 10)
recording of:
Three Times a Lady
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Libren Music
Commodores3.653:38
6Save the Best for Last
producer:
Keith Thomas (CCM, country, pop producer & songwriter)
additional arranger:
Vanessa Williams (US pop/R&B vocalist/producer)
arranger:
Keith Thomas (CCM, country, pop producer & songwriter)
recording of:
Save the Best for Last
writer:
Phil Galdston, Jon Lind and Wendy Waldman
publisher:
Big Mystique Music, EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), Kazzoom Music, Inc., Moon and Stars Music, PolyGram Music Publishing, The International Music Network Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Vanessa Williams3.353:42
7I'll Make Love to You
drums (drum set) programming:
Rayford Griffin
assistant engineer:
David Betancourt (engineer), Milton Chan (Recording Engineer), Marty Hornburg and Jamie Seyberth
engineer:
Brad Gilderman
producer:
Babyface (R&B musician Kenny Edmonds)
mixer:
Mick Guzauski
bass:
Reggie Hamilton
synthesizer:
Babyface (R&B musician Kenny Edmonds)
produced for:
ECAF Productions, Inc.
recorded at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States and The Enterprise (aka Enterprise Studios) in Burbank, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 185)
recording of:
I’ll Make Love to You
lyricist and composer:
Kenny Edmonds (R&B musician Kenny Edmonds)
Boyz II Men4.653:57
8Joanna
recording of:
Joanna (Kool & the Gang)
writer:
Clifford Adams (trombonist in Kool & the Gang), Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown (US percussionist of Kool & the Gang), Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang) and Curtis “Fitz” Williams (keyboardist/percussionist of Kool & The Gang)
publisher:
Delightful Music Ltd, EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Kool & the Gang34:23
9Sweet Thing
performer:
Chaka Khan
recording of:
Sweet Thing
writer:
Tony Maiden and Yvette Marie Stevens
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
Rufus & Chaka Khan53:22
10I'll Be Good to You
recording of:
I’ll Be Good to You
writer:
George Johnson (member of Brothers Johnson, guitar) and Louis Johnson (bass, member of Brothers Johnson)
The Brothers Johnson4:44
11Special Lady
recording of:
Special Lady
composer:
Al Goodman (US 70s R&B singer/producer), Harry Ray and Lee Walter
publisher:
Dark Cloud Music Inc., H.A.B. Publ. Inc. and Just Us Four Music Company
Ray, Goodman & Brown4:16
12Float On
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1977)
edit of:
Float On (long version) by Floaters
recording of:
Float On
writer:
Arnold Ingram, James Mitchell (Singer, composer and producer, member of Detroit Emeralds) and Marvin Willis (Marvin Lee Willis, member of Detroit Emeralds)
The Floaters54:14
13You Should Be Mine (The Woo Woo Song)
Jeffrey Osborne4:26
14Love You Down
Ready for the World4:02
15Cruisin'
recording of:
Cruisin’
writer:
Smokey Robinson and Marvin Tarplin
arranger:
Reginald “Sonny” Burke (soul/jazz/funk keyboardist)
publisher:
Bertram Music Company
Smokey Robinson35:54
16Get Here
producer:
David Bascombe and Roland Orzabal (UK musician, songwriter and producer)
bass:
Pino Palladino
drums (drum set):
John Cushon
keyboard and piano:
Oleta Adams
percussion:
Luís Jardim
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!), Mercury Records Ltd. (not for release label use!) (in 1990) and Mercury Records Ltd. (London) (for copyrights use only) (in 1990)
part of:
The Downloader’s Music Source Book (number: 191)
cover recording of:
Get Here
lyricist and composer:
Brenda Russell (US singer-songwriter & keyboardist)
publisher:
Rutland Road Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and WB Music Corp. (1929–2019)
Oleta Adams44:36
17Just to Be Close to You
recording of:
Just to Be Close to You
writer:
Lionel Richie
publisher:
Jobete Music Co., Inc. (in 1976) and Libren Music (in 1976)
Commodores2.56:23
18Hey There Lonely Girl
recording of:
Hey There Lonely Girl
lyricist:
Earl S. Shuman (composer / lyricist)
composer:
Leon Carr
publisher:
Campbell Connelly & Co. Ltd.
Eddie Holman4.653:34
3▼CD: Sweet Love
#TitleArtistRatingLength
1Something He Can Feel
recording engineer and engineer:
Roger Anfinsen
producer:
Curtis Mayfield
arranger:
Curtis Mayfield and Richard Tufo
orchestrator:
Richard Tufo
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
part of:
RuPaul’s Drag Race Lip Sync Performances (season 2) (number: 9)
recording of:
Something He Can Feel (from 1975-04-15 until 1976-04)
lyricist and composer:
Curtis Mayfield
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1975 to present)
Aretha Franklin46:20
2If Ever You're in My Arms Again
recording of:
If Ever You're in My Arms Again
writer:
Michael Masser, Tom Snow (US keyboardist/songwriter) and Cynthia Weil
Peabo Bryson44:14
3Let's Do It Again
engineer:
Roger Anfinsen and Fred Breitberg
producer:
Curtis Mayfield
arranger:
Gil Askey and Richard Tufo
recorded at:
Curtom Studios in Chicago, Illinois, United States
edit of:
Let’s Do It Again (long version) by The Staple Singers
recording of:
Let’s Do It Again
lyricist and composer:
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1975 to present)
The Staple Singers53:28
4I've Been Loving You Too Long (to Stop Now)
recording of:
I’ve Been Loving You Too Long
writer:
Jerry Butler (soul singer) (in 1965) and Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) and Wildwood Music Ltd.
Otis Redding2:55
5I'll Be Around
recording of:
I’ll Be Around
composer:
Thom Bell (keyboards, songwriter, producer) and Phil Hurtt
publisher:
Mighty Three Music Ld. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners3:13
6Giving You the Best That I Got
additional engineer:
Milton Chan (Recording Engineer)
assistant engineer:
Les Cooper (engineer), Fred Law, Bruce Nazarian (American funk, soul, r&b guitarist, recording artist, composer, engineer, record producer, etc) and Tim Purvis
engineer:
Barney Perkins
executive producer:
Anita Baker
producer:
Michael J. Powell
bass:
Nathan East (in 1988)
drums (drum set):
Omar Hakim (in 1988)
keyboard:
Vernon Fails (in 1988)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1988)
piano:
Dean Gant (in 1988)
background vocals:
Alex Brown (US soul vocalist, member of Raelets) (in 1988), Carl Carwell (in 1988), Angel Edwards (in 1988) and Valerie Pinkston (in 1988)
lead vocals:
Anita Baker (in 1988)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
recording of:
Giving You the Best That I Got (in 1988)
lyricist and composer:
Anita Baker, Randy Holland (songwriter/engineer) and Skip Scarborough
publisher:
Alexscar Music, All Baker's Music, BMG Music Publishing Ltd., Eyedot Music and Fresh Air Music Ltd.
Anita Baker34:18
7Baby, Come to Me
guest vocals:
Patti Austin
recording of:
Baby, Come to Me
lyricist and composer:
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rodsongs (publisher) and Rondor Music (London) Ltd.
Patti Austin & James Ingram3:36
8Always
edit of:
Always by Atlantic Starr
recording of:
Always
writer:
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) and Wayne Lewis (member of Atlantic Starr)
Atlantic Starr34:01
9Just the Two of Us
producer:
Ralph MacDonald and Grover Washington, Jr.
drums (drum set):
Steve Gadd (drummer) (from 1980-06 until 1980-07)
electric bass guitar:
Marcus Miller (jazz musician) (from 1980-06 until 1980-07)
electric guitar:
Eric Gale (from 1980-06 until 1980-07)
percussion:
Ralph MacDonald (from 1980-06 until 1980-07)
Rhodes piano:
Richard Tee (from 1980-06 until 1980-07)
saxophone:
Grover Washington, Jr. (from 1980-06 until 1980-07)
lead vocals:
Bill Withers (from 1980-06 until 1980-07)
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1980), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1980) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
edit of:
Just the Two of Us (original studio mix) by Bill Withers & Grover Washington, Jr.
recording of:
Just the Two of Us (Bill Withers song) (from 1980-06 until 1980-07)
writer:
Ralph MacDonald, William Salter and Bill Withers
publisher:
Antisia Music Inc. and Bleunig Music
Bill Withers & Grover Washington, Jr.3.53:59
10One in a Million You
recording of:
One in a Million You
writer:
Sam Dees
Larry Graham4:10
11Oh Girl
recording of:
Oh Girl
lyricist and composer:
Eugene Record
publisher:
Unichappell Music, Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Chi‐Lites53:30
12Nite and Day
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
recording of:
Nite and Day
writer:
Al B. Sure! and Kyle West (Soul and R&B songwriter, musician, producer)
Al B. Sure!43:59
13Sideshow
engineer:
Carl Parualo, Kenny Present, Jay Mark, Don Murray (producer / engineer) and Joe Tarsia (engineer)
producer:
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
background vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1973)
vocals:
Blue Magic (US R&B/soul vocal quintet) (in 1973)
conductor:
Don Renaldo (in 1973: brass [horns], strings)
brass [horns] arranger and strings arranger:
Don Renaldo
arranger:
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recording of:
Sideshow (in 1973)
writer:
Vinnie Barrett and Bobby Eli
publisher:
Poo Poo Publishing Co., Reservoir One America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Zella Music
Blue Magic54:13
14Sweet Love
engineer:
Barney Perkins
producer:
Michael J. Powell
bass guitar:
Freddie Washington (US session bassist)
guitar:
Greg Moore (US guitarist & songwriter)
keyboard:
Dean Gant
membranophone:
Ricky Lawson
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
Jim Gilstrap, Bunny Hull and Darryl Phinnessee
background vocals and lead vocals:
Anita Baker
music videos:
Sweet Love by Anita Baker
recording of:
Sweet Love
composer:
Anita Baker, Gary Bias (jazz saxophonist) and Louis A. Johnson
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jobete Music (appears also as: Jobete Msc.)
Anita Baker3.54:19
15(If Loving You Is Wrong) I Don't Want to Be Right
recording of:
(If Loving You Is Wrong) I Don’t Want to Be Right
writer:
Homer Banks (soul singer and songwriter), Carl Hampton (pianist, songwriter and producer) and Raymond Jackson (songwriter, guitarist and producer)
publisher:
East/Memphis Music, Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Luther Ingram43:26
16Until You Come Back to Me (That's What I'm Gonna Do)
engineer:
Lew Hahn
producer:
Aretha Franklin, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1973-09-07)
drums (drum set):
Bernard “Pretty” Purdie (on 1973-09-07)
electric piano:
Donny Hathaway (on 1973-09-07)
guitar:
Hugh McCracken (on 1973-09-07)
organ:
Richard Tee (on 1973-09-07)
piano and lead vocals:
Aretha Franklin (on 1973-09-07)
solo flute:
Joe Farrell (on 1973-09-07)
synthesizer:
Ken Bichel (keyboardist) (on 1973-09-07)
background vocals:
Margaret Branch (on 1973-09-07), Ann S. Clark (on 1973-09-07) and Pat Smith (soul vocalist) (on 1973-09-07)
arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (on 1973-09-07)
writer:
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul and Stevie Wonder
publisher:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau and Stone Agate Music
Aretha Franklin4.353:26
17Love Won't Let Me Wait
recording of:
Love Won’t Let Me Wait
writer:
Vinnie Barrett and Bobby Eli
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Mighty Three Music, Prestige Music Co. (US, affiliated with BMI), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Winot Music
Major Harris3:47
18When a Man Loves a Woman
producer:
Marlin Greene (’60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene (’60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis, Percy Sledge and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI‐affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:52