Open Mind

~ Release by Jean‐Luc Ponty (see all versions of this release, 5 available)

Annotation

℗ & © 1984 J.L.P. Productions Inc./FNAC Music, made under license 1993 SPV Records a division of SPV GmbH. Distributed by SPV GmbH.
Made in Germany

Label Code: LC 8100
Rights Society: GEMA

Matrix

BOD SPV 084-93922

Represses may have mould SID IFPI 52**

Annotation last modified on 2021-12-28 16:13 UTC.

Tracklist

1CD
#TitleRatingLength
1Open Mind
additional recording engineer:
Bobby Wagner (engineer/taper)
recording engineer and mixer:
Peter R. Kelsey
assistant engineer:
Steve Hirsch, David Marquette, John Molino, Dan Nash, Gary Wagner (recording engineer), Dan Warme (engineer) and Jay Willis
producer:
J.L. Ponty
drum machine [rhythm computer], electric violin [Barcus-Berry] and synthesizer:
Jean‐Luc Ponty
solo synthesizer:
Chick Corea (jazz pianist)
orchestrator:
J.L. Ponty
phonographic copyright (℗) by:
FNAC Music (1990-1994) (in 1984) and J.L.P. Productions Inc. (in 1984)
recording of:
Open Mind (from 1984-05 until 1984-07)
sub-publisher:
Jean‐Luc Ponty
composer:
J.L. Ponty
publisher:
YTNOP Music (Publishing company associated with Jean-Luc Ponty)
sub-publisher:
BMI (US rights society; do not use this as a label or work publisher!), SACM (Mexican rights society) and SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
4.58:09
2Solitude
additional recording engineer:
Bobby Wagner (engineer/taper)
recording engineer and mixer:
Peter R. Kelsey
assistant engineer:
Steve Hirsch, David Marquette, John Molino, Dan Nash, Gary Wagner (recording engineer), Dan Warme (engineer) and Jay Willis
producer:
J.L. Ponty
electric violin [Violectra], grand piano and synthesizer:
Jean‐Luc Ponty
orchestrator:
J.L. Ponty
phonographic copyright (℗) by:
FNAC Music (1990-1994) (in 1984) and J.L.P. Productions Inc. (in 1984)
recording of:
Solitude (from 1984-05 until 1984-07)
sub-publisher:
Jean‐Luc Ponty
composer:
J.L. Ponty
publisher:
YTNOP Music (Publishing company associated with Jean-Luc Ponty)
sub-publisher:
SACM (Mexican rights society) and SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
46:08
3Watching Birds
additional recording engineer:
Bobby Wagner (engineer/taper)
recording engineer and mixer:
Peter R. Kelsey
assistant engineer:
Steve Hirsch, David Marquette, John Molino, Dan Nash, Gary Wagner (recording engineer), Dan Warme (engineer) and Jay Willis
producer:
J.L. Ponty
drum machine [rhythm computer], electric violin [Zeta] and synthesizer:
Jean‐Luc Ponty
drums (drum set) and tabla:
Casey Scheuerell
solo synthesizer:
Chick Corea (jazz pianist)
orchestrator:
J.L. Ponty
phonographic copyright (℗) by:
FNAC Music (1990-1994) (in 1984) and J.L.P. Productions Inc. (in 1984)
recording of:
Watching Birds (from 1984-05 until 1984-07)
sub-publisher:
Jean‐Luc Ponty
composer:
J.L. Ponty
publisher:
YTNOP Music (Publishing company associated with Jean-Luc Ponty)
sub-publisher:
SACM (Mexican rights society) and SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
44:59
4Modern Times Blues
additional recording engineer:
Bobby Wagner (engineer/taper)
recording engineer and mixer:
Peter R. Kelsey
assistant engineer:
Steve Hirsch, David Marquette, John Molino, Dan Nash, Gary Wagner (recording engineer), Dan Warme (engineer) and Jay Willis
producer:
J.L. Ponty
drum machine [rhythm computer], electric violin [Zeta] and synthesizer:
Jean‐Luc Ponty
solo guitar:
George Benson (jazz guitarist/singer)
orchestrator:
J.L. Ponty
phonographic copyright (℗) by:
FNAC Music (1990-1994) (in 1984) and J.L.P. Productions Inc. (in 1984)
recording of:
Modern Times Blues (from 1984-05 until 1984-07)
sub-publisher:
Jean‐Luc Ponty
composer:
J.L. Ponty
publisher:
YTNOP Music (Publishing company associated with Jean-Luc Ponty)
sub-publisher:
SACM (Mexican rights society) and SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
57:18
5Orbital Encounters
additional recording engineer:
Bobby Wagner (engineer/taper)
recording engineer and mixer:
Peter R. Kelsey
assistant engineer:
Steve Hirsch, David Marquette, John Molino, Dan Nash, Gary Wagner (recording engineer), Dan Warme (engineer) and Jay Willis
producer:
J.L. Ponty
drums (drum set):
Rayford Griffin
electric violin [Barcus-Berry] and synthesizer:
Jean‐Luc Ponty
orchestrator:
J.L. Ponty
phonographic copyright (℗) by:
FNAC Music (1990-1994) (in 1984) and J.L.P. Productions Inc. (in 1984)
recording of:
Orbital Encounters (from 1984-05 until 1984-07)
sub-publisher:
Jean‐Luc Ponty
composer:
J.L. Ponty
publisher:
YTNOP Music (Publishing company associated with Jean-Luc Ponty)
sub-publisher:
SACM (Mexican rights society) and SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
45:19
6Intuition
additional recording engineer:
Bobby Wagner (engineer/taper)
recording engineer and mixer:
Peter R. Kelsey
assistant engineer:
Steve Hirsch, David Marquette, John Molino, Dan Nash, Gary Wagner (recording engineer), Dan Warme (engineer) and Jay Willis
producer:
J.L. Ponty
drum machine [rhythm computer], electric violin [Barcus-Berry] and synthesizer:
Jean‐Luc Ponty
orchestrator:
J.L. Ponty
phonographic copyright (℗) by:
FNAC Music (1990-1994) (in 1984) and J.L.P. Productions Inc. (in 1984)
recording of:
Intuition (from 1984-05 until 1984-07)
sub-publisher:
Jean‐Luc Ponty
composer:
J.L. Ponty
publisher:
YTNOP Music (Publishing company associated with Jean-Luc Ponty)
sub-publisher:
SACM (Mexican rights society) and SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
47:41

Credits

Release

mastering:Steve Hall (chief mastering engineer for Future Disc)
copyrighted (©) by:FNAC Music (1990-1994) (in 1984)
J.L.P. Productions Inc. (in 1984)
recorded at:Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1984-05 until 1984-07)
Enterprise Studios in North Hollywood, Los Angeles, California, United States (from 1984-05 until 1984-07)
La Tour D'Ivoire in Los Angeles, California, United States (from 1984-05 until 1984-07)
Mad Hatter Studios (Los Angeles) in Echo Park, Los Angeles, California, United States (from 1984-05 until 1984-07)
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (from 1984-05 until 1984-07)
mixed at:Soundcastle (former LA location) in Silver Lake, Los Angeles, California, United States (from 1984-05 until 1984-07)
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (from 1984-05 until 1984-07)
mastered at:Future Disc Systems in Hollywood, Los Angeles, California, United States (from 1984-05 until 1984-07)
Discogs:https://www.discogs.com/release/5942200 [info]

Release group

Discogs:https://www.discogs.com/master/25336 [info]
Wikidata:Q7096142 [info]