| # | Title | Artist | Rating | Length |
|---|
| 1 | No Alibis | Eric Clapton | 3.5 | 5:39 |
| 2 | Dreams | Fleetwood Mac | 4.25 | 4:17 |
| 3 | Afterglow | Ed Sheeran | 3.35 | 3:05 |
| 4 | Strangest Thing | The War on Drugs | 2.25 | 6:41 |
| 5 | Wonderwall (live from Spotify Sessions, Metropolis Studios, London) | Liam Gallagher | | 3:18 |
| 6 | Everglow | Coldplay | | 3:48 |
| 7 | Re‐Arrange | Biffy Clyro | 3 | 3:38 |
| 8 | 1972 | Josh Rouse | | 3:49 |
| 9 | Iris | The Goo Goo Dolls | 4.15 | 4:50 |
| 10 | As the World Caves In | Matt Maltese | | 3:39 |
| 11 | Way Down We Go- assistant recording engineer:
- Caleb Contreras, Chandler Harrod , Jonathan Lackey, Peter Mack and Robert Sewell
- recording engineer:
- Jonathan Gilmore
- additional engineer:
- Arnar Guðjónsson, Joseph Holguin, Nate Pittsburgh Dickinson, Jacob Sciba, Dana Sorey, Joshua Thomas and Austin Thompson
- producer:
- Mike Crossey, Arnar Guðjónsson and Kaleo
- mixer:
- Andrew Scheps
- bass:
- Daníel Ægir Kristjánsson
- cello:
- Hallgrímur Jónas Jensson
- guitar:
- Rubin Pollock
- percussion:
- Davíð Antonsson
- viola:
- Karl James Pestka
- violin:
- Björk Óskarsdóttir and Siun Milne
- additional lead vocals:
- Traci Harris and AnG White
- choir vocals:
- Gernard Carter, Mia Coleman, Tinnea Davis, Monet Guthrie Shelton, Mason Guthrie, Mason Guthrie Jr., James Johnson Jr., Jeremy Lloyd , Kristle Ransom, Ariel Stokes, Iyana Wakefield and AnG White
- strings arranger:
- Karl James Pestka
- choir vocals arranger:
- Monet Guthrie Shelton and Dana Sorey
- phonographic copyright (℗) by:
- Atlantic (in 2016), Elektra Records (in 2016) and WEA International Inc. (in 2016)
- recorded at:
- Aeronaut Studios in Reykjavík, Höfuðborgarsvæðið , Iceland, Arlyn Studios in Austin, Texas, United States, C Blake Studios in Newark, Delaware, United States, Capitol Studios in Hollywood, Los Angeles, California, United States, Chicago Recording Company in Chicago, Illinois, United States, Henson Recording Studios in Hollywood, Los Angeles, California, United States, Livingston Studios in Wood Green, Haringey, London , England, United Kingdom, Orb Recording Studios in Austin, Texas, United States and Wright Way Studios in Baltimore, Maryland, United States
- mixed at:
- Punkerpad UK in Worcestershire, England, United Kingdom and Punkerpad West in Van Nuys, California, United States
- part of:
- BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 392)
- recording of:
- Way Down We Go
- writer and composer:
- Jökull Júlíusson
- publisher:
- Vegasalt and W.B.M. Music Corp.
| KALEO | 4.95 | 3:34 |
| 12 | Speechless- recording engineer:
- Jeff Balding
- programming:
- Nir Zidkyahu
- additional engineer:
- Joe Baldridge, Scott Hendricks and Dan Smyers
- engineer:
- Austin Atwood, Josh Ditty, Kevin Harper and Matt Coles
- additional producer:
- Scott Johnson
- producer:
- Scott Hendricks and Dan Smyers
- assistant mixer:
- Dave Cook
- mixer:
- Jeff Juliano
- editor:
- Scott Hendricks , Dan Smyers , Brian David Willis and Nir Zidkyahu
- acoustic guitar:
- Bryan Sutton
- bass:
- Jimmie Lee Sloas
- drums (drum set) and percussion:
- Nir Zidkyahu
- electric guitar:
- Derek Wells
- pedal steel guitar:
- Russ Pahl
- piano:
- Gordon Mote
- vocals:
- Shay Mooney and Dan Smyers
- phonographic copyright (℗) by:
- Warner Music Nashville LLC (in 2018, in 2019) and WEA International Inc. (in 2018)
- part of:
- Billboard Year-End Hot Country Songs of 2019 (number: 2), Billboard Decade End Chart: Hot Country Songs (number: 8), Billboard Year-End Hot 100 singles of 2019 (number: 35) and Grammy Award: Best Country Duo/Group Performance nominees (number: 2020 winner)
- recording of:
- Speechless
- writer:
- Shay Mooney, Jordan Reynolds , Dan Smyers and Laura Veltz
| Dan + Shay | 3.5 | 3:33 |
| 13 | Rhythm of My Heart | Rod Stewart | 3 | 4:16 |
| 14 | Down | Jack Curley | 3 | 3:05 |
| 15 | Everybody Hurts (live, MTV Unplugged)- assistant engineer:
- David Boucher and Richard McCullough
- engineer:
- Tim Martin and Tim Summerhayes
- additional executive producer:
- Richard Godfrey
- executive producer:
- Andy Murray
- producer:
- The Corrs and Mitchell Froom
- mixer:
- Bob Clearmountain
- recorded at:
- Ardmore Studios in Bray, County Wicklow, Leinster, Ireland (on 1999-10-05)
- mixed at:
- Mix This! in Pacific Palisades, Los Angeles, California, United States
- live cover recording of:
- Everybody Hurts (on 1999-10-05)
- writer:
- Bill Berry , Peter Buck , Mike Mills and Michael Stipe
- publisher:
- Night Garden Music and Warner–Tamerlane Publishing Corp.
- cover recording of:
- Everybody Hurts
- writer:
- Bill Berry , Peter Buck , Mike Mills and Michael Stipe
- publisher:
- Night Garden Music and Warner–Tamerlane Publishing Corp.
| The Corrs | 4 | 5:50 |
| 16 | Cough Syrup | Young the Giant | 4.25 | 4:10 |
| 17 | Talking to the Moon | Bruno Mars | 4.35 | 3:38 |
| 18 | What’s Love Got to Do With It- engineer and mixer:
- John Hudson
- producer:
- Terry Britten
- drums (drum set):
- Graham Jarvis
- guitar:
- Terry Britten
- keyboard:
- Nick Glennie‐Smith and Billy Livsey
- percussion:
- Simon Morton
- background vocals:
- Terry Britten and Tessa Niles
- lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1984), Parlophone Records Ltd. (in 1984, in 1997) and EMI Records Ltd. (in 2004)
- recorded at:
- Mayfair Studios in London , England, United Kingdom
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (number: 309)
- recording of:
- What’s Love Got to Do With It
- writer:
- Graham Lyle and Terence Ernest Britten
- publisher:
- Hornall Brothers Music Ltd. , Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. , Goodsingle Limited (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
| Tina Turner | 4.05 | 3:47 |
| 19 | Last Request | Paolo Nutini | 3.35 | 3:40 |
| 20 | When the Heartache Ends | Rob Thomas | 2.75 | 2:54 |
| 21 | The Power of Love | Gabrielle Aplin | 3.5 | 4:05 |
| 22 | Wanna Be That Song | Brett Eldredge | | 3:56 |
| 23 | Hallelujah | Jason Castro | | 3:53 |
| 24 | Fly Like an Eagle | Seal | 3 | 4:15 |
| 25 | I Won’t Give Up | Jason Mraz | 3 | 4:00 |
| 26 | Mad World | Jasmine Thompson | 4 | 3:11 |
| 27 | The Blower’s Daughter | Damien Rice | 4.6 | 4:47 |
| 28 | Goodbye My Lover | James Blunt | 3.25 | 4:19 |
| 29 | Most of All | Brandi Carlile | | 3:52 |
| 30 | Old Fashioned Letters. | Jason Reeves | | 4:12 |
| 31 | Love Changes (Everything) | Climie Fisher | 3.9 | 4:29 |
| 32 | Sugar (acoustic version) | Francesco Yates | 4 | 3:29 |
| 33 | People Help the People | Cherry Ghost | | 3:56 |
| 34 | Best of Me | Daniel Powter | | 3:57 |
| 35 | Nothing Compares 2 U | Leona Berlin | | 4:12 |
| 36 | Forever for Now | LP | | 4:10 |
| 37 | Don’t Speak | Eliza Shaddad | | 3:00 |
| 38 | Hold On to You | Madrugada | 3.7 | 6:14 |
| 39 | Jar of Hearts | Christina Perri | 3.8 | 4:07 |
| 40 | Nothing’s Gonna Stop Us Now- performer:
- Starship (in 1987)
- phonographic copyright (℗) by:
- BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (in 1987)
- recording of:
- Nothing’s Gonna Stop Us Now (in 1987)
- writer:
- Albert Hammond and Diane Warren
- arranger:
- Narada Michael Walden
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control , EMI Music Publishing Ltd. , Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. , WB Music Corp. and Windswept Pacific Music Ltd.
- part of:
- The 60th Academy Award for Best Original Song (number: 2)
| Starship | 4 | 4:30 |
| 41 | True | Ryan Cabrera | | 3:26 |
| 42 | Halo | Lewis Watson | | 3:19 |
| 43 | Happiest Year | Jaymes Young | | 3:48 |
| 44 | Goodbye- assistant engineer:
- Wade Norton
- engineer, producer and mixer:
- Don Gehman
- assistant mixer:
- Liz Sroka
- acoustic guitar and percussion:
- Mark Bryan and Darius Rucker
- bass guitar and clavinet:
- Dean Felber
- drums (drum set) [drums] and piano:
- Jim “Soni” Sonefeld
- electric guitar:
- Mark Bryan
- vocals:
- Mark Bryan, Dean Felber and Jim “Soni” Sonefeld
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1994) and WEA International Inc. (in 1994)
- recorded at:
- N.R.G. Recording Services in North Hollywood, Los Angeles, California, United States
- mixed at:
- Scream Studios in Studio City, Los Angeles, California, United States
- recording of:
- Goodbye
- writer:
- Mark Bryan, Dean Felber, Darius Rucker and Jim Sonefeld
| Hootie & the Blowfish | 5 | 4:06 |
| 45 | Half‐Life (radio edit) | Duncan Sheik | 3 | 3:32 |
| 46 | The Way You Look at Me | Bryan White | | 3:04 |
| 47 | Wasn’t Expecting That | Jamie Lawson | 3 | 3:21 |
| 48 | Hearse | Will Joseph Cook | | 2:58 |
| 49 | Burning Spirit | Brett Dennen | | 3:05 |
| 50 | Missing You | Tyler Hilton | | 3:36 |
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