Work From Home with Louis Armstrong

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1I’ve Got the World on a String
Trompete:
Louis Armstrong
vocals:
Louis Armstrong
recording of:
I’ve Got the World on a String (am 1957-08-14)
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
2:51
2That Old Feeling2:43
3Dream a Little Dream of Me (single version)
Sologesang:
Louis Armstrong
vocals:
Louis Armstrong (am 1950-08-25) und Ella Fitzgerald (American jazz singer) (am 1950-08-25)
Orchester:
Sy Oliver and His Orchestra (am 1950-08-25)
conductor:
Sy Oliver (am 1950-08-25)
cover recording of:
Dream a Little Dream of Me (am 1950-08-25)
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) und ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) und ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
53:08
4La Vie En Rose (single version)
Orchester:
Sy Oliver’s Orchestra (am 1950-06-26)
cover recording of:
La Vie en rose (English translation) (am 1950-06-26)
Texter:
Édith Piaf
Komponist(in):
Louiguy (French composer Louis Guglielmi)
Übersetzer:
Mack David (American lyricist and songwriter)
publisher:
Éditions Beuscher Arpège
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
übersetzte Version von:
La Vie en rose (French original)
43:24
5Gone Fishin’ (single version)
recording of:
Gone Fishin’
Verfasser(in):
Charles Kenny (songwriter, violinist) und Nick Kenny
publisher:
Bourne Co. (not for release label use, this is a music publisher) und EMI Feist Catalog Inc.
2:30
6I’ve Got a Heart Full of Rhythm (single version)
recorded in:
New York, New York, Vereinigte Staaten (am 1937-07-07)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1937-07-07)
Gitarre:
Lee Blair (am 1937-07-07)
Klavier:
Luis Russell (am 1937-07-07)
Kontrabass:
George "Pops" Foster (am 1937-07-07)
Posaune:
J.C. Higginbotham (am 1937-07-07), George Matthews (trombone) (am 1937-07-07) und George Washington (jazz trombonist) (am 1937-07-07)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1937-07-07), Bingie Madison (am 1937-07-07) und Albert Nicholas (am 1937-07-07)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1937-07-07)
Trompete:
Henry “Red” Allen (jazz musician) (am 1937-07-07), Louis Armstrong (am 1937-07-07), Louis Bacon (am 1937-07-07) und Shelton "Scad" Hemphill (am 1937-07-07)
vocals:
Louis Armstrong (am 1937-07-07)
Orchester:
Louis Armstrong & His Orchestra (am 1937-07-07)
recording of:
I’ve Got a Heart Full of Rhythm (am 1937-07-07)
3:08
7Pennies From Heaven
recording of:
Pennies From Heaven
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2)
4:19
8Cheek to Cheek
Gitarre:
Herb Ellis (jazz guitarist) (am 1956-08-16)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1956-08-16)
Kontrabass:
Ray Brown (jazz bassist) (am 1956-08-16)
Schlagzeug:
Buddy Rich (am 1956-08-16)
Trompete:
Louis Armstrong (am 1956-08-16)
vocals:
Louis Armstrong (am 1956-08-16) und Ella Fitzgerald (American jazz singer) (am 1956-08-16)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-16)
cover recording of:
Cheek to Cheek (from “Top Hat”) (am 1956-08-16)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
4.25:55
9You Can’t Lose a Broken Heart (single version)
recorded in:
New York, New York, Vereinigte Staaten (am 1949-09-30)
alto saxophone:
Sid Cooper (flute & clarinet player) (am 1949-09-30) und Johnny Mince (am 1949-09-30)
baritone saxophone:
Pat Nizza (am 1949-09-30)
Gitarre:
Everett Barksdale (am 1949-09-30)
Klavier:
Billy Kyle (am 1949-09-30)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1949-09-30)
Schlagzeug:
Jimmy Crawford (US swing-era jazz drummer) (am 1949-09-30)
Tenorsaxophon:
Art Drelinger (am 1949-09-30) und Pat Nizza (am 1949-09-30)
Trompete:
Bernard Privin (am 1949-09-30)
vocals:
Louis Armstrong (am 1949-09-30) und Billie Holiday (am 1949-09-30)
Orchester:
Sy Oliver and His Orchestra (am 1949-09-30)
conductor:
Sy Oliver (am 1949-09-30)
arranger:
Sy Oliver
recording of:
You Can’t Lose a Broken Heart (am 1949-09-30)
Texter:
Flournoy E. Miller
Komponist(in):
James P. Johnson
3:13
10Home5:52
11Basin Street Blues (Pt.1 & Pt.2)
recording of:
Basin Street Blues
Texter und Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
5:49
12We’ll Be Together Again
recording of:
We’ll Be Together Again
Texter:
Frankie Laine
Komponist(in):
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:06
13How Long Has This Been Going On?
recording of:
How Long Has This Been Going On? (Funny Face, 1957 film)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
Teil von:
My One and Only (1983 Broadway musical)
Teil von:
Rosalie
6:00
14Blueberry Hill (single version)
recording of:
Blueberry Hill
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
2:52
15Summertime
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
4:57
16Swing That Music
recording of:
Swing That Music
Texter und Komponist(in):
Louis Armstrong und Horace Gerlach
2:49
17Just One of Those Things
recording of:
Just One of Those Things
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
4:05
18Jubilee (single version)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1938-01-12) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-01-12)
Gitarre:
Lee Blair (am 1938-01-12)
Klavier:
Luis Russell (am 1938-01-12)
Kontrabass:
George "Pops" Foster (am 1938-01-12)
Posaune:
Wilbur de Paris (am 1938-01-12), J.C. Higginbotham (am 1938-01-12) und George Washington (jazz trombonist) (am 1938-01-12)
Rohrblattinstrumente:
Bingie Madison (am 1938-01-12) und Albert Nicholas (am 1938-01-12)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-01-12)
Trompete:
Henry “Red” Allen (jazz musician) (am 1938-01-12), Louis Armstrong (am 1938-01-12), Louis Bacon (am 1938-01-12) und Shelton "Scad" Hemphill (am 1938-01-12)
vocals:
Louis Armstrong (am 1938-01-12)
Orchester:
Louis Armstrong & His Orchestra (am 1938-01-12)
recording of:
Jubilee (Hoagy Carmichael) (am 1938-01-12)
Komponist(in):
Hoagy Carmichael
2:37
19The Hucklebuck (live 1951 Pasadena Civic Auditorium)
recording of:
The Hucklebuck
Texter:
Roy Alfred (Tin Pan Alley lyricist and composer)
zusätzliche(r) Verfasser(in):
Charlie Parker (aka “Bird”, jazz alto saxophonist)
Komponist(in):
Andy Gibson (trumpet, arranger, composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal/MCA Music Publishing Pty Ltd
3:34
20When It’s Sleepy Time Down South (alternative Lyric version)3:14
21Lazy River
recording of:
Lazy River
Texter:
Hoagy Carmichael
Komponist(in):
Sidney Arodin und Hoagy Carmichael
3:50
22I Can’t Give You Anything but Love
recording of:
I Can’t Give You Anything but Love, Baby
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
4:22
23Wild Man Blues4:01
24They Can’t Take That Away From Me
Gitarre:
Herb Ellis (jazz guitarist) (am 1956-08-16)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1956-08-16)
Kontrabass:
Ray Brown (jazz bassist) (am 1956-08-16)
Schlagzeug:
Buddy Rich (am 1956-08-16)
Trompete:
Louis Armstrong (am 1956-08-16)
vocals:
Louis Armstrong (am 1956-08-16) und Ella Fitzgerald (American jazz singer) (am 1956-08-16)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-16)
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (am 1956-08-16)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2)
Teil von:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
4.54:39
25Sweet Lorraine
recording of:
Sweet Lorraine
Texter:
Mitchell Parish (in 1928)
Komponist(in):
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. und Mills Music, Inc.
5:11
26The Gypsy (single version)
recording of:
The Gypsy
Texter und Komponist(in):
Billy Reid (UK orchestra leader and songwriter)
publisher:
Colgems-EMI Music Inc. und MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
3:20
27I Love Jazz
recording of:
I Love Jazz
Verfasser(in):
Sydney Shaw (arranger and songwriter)
2:25
28I’ll Walk Alone
recording of:
I’ll Walk Alone (from “Follow the Boys”)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
3:11
29I’m in the Mood for Love (single version)
recording of:
I’m in the Mood for Love
Texter:
Dorothy Fields (American librettist and lyricist)
Verfasser(in):
James Moody (jazz saxophonist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
CBS Hastings Catalog inc. und SBK Robbins Catalog, Inc.
Version von:
I’m in the Mood for Love
3:08
30April in Paris
recording of:
April in Paris
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, Volume I)
6:35
31Memories of You
recording of:
Memories of You
Texter:
Andy Razaf (in 1930)
Komponist(in):
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
3:30
32Just You, Just Me (live 1951 Pasadena Civic Auditorium Parts 1 & 2)
recording of:
Just You, Just Me
Texter:
Raymond Klages (in 1929)
Komponist(in):
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) und Robbins Music Corporation
Teil von:
New York, New York (1977 musical film soundtrack)
6:21
33The Music Goes Round and Around (single version)
recording of:
The Music Goes Round and Round (by E. Farley, M. Riley, R. Hodgson)
Texter:
Red Hodgson (in 1935)
Komponist(in):
Edward Farley (US trumpeter, multi-instrumentalist & composer) (in 1935) und Mike Riley (US jazz trombonist & songwriter) (in 1935)
3:15
34Kiss of Fire (single version)
recording of:
Kiss of Fire
Texter:
Lester Allen (wrote “Kiss of Fire”) und Robert Hill (wrote “Kiss of Fire”)
Komponist(in):
Ángel Villoldo (Argentinian musician, lyricist and poet)
Version von:
El choclo (Villoldo's original version, written circa 1898–1903)
3:05
35East of the Sun (West of the Moon) (stereo version)3:17
36Dippermouth Blues (single version)
recording of:
Dippermouth Blues
Komponist(in):
Louis Armstrong und King Oliver (jazz cornetist)
2:45
37I Only Have Eyes for You
4:16
38Let’s Do It (Let’s Fall in Love)
8:44
39I’ve Got a Pocketful of Dreams (single version)
recorded in:
New York, New York, Vereinigte Staaten (am 1938-06-24)
Gitarre:
Dave Barbour (am 1938-06-24)
Klarinette:
Sid Stoneburn (am 1938-06-24)
Klavier:
Nat Jaffe (am 1938-06-24)
Kontrabass:
Haig Stephens (am 1938-06-24)
Schlagzeug:
Sam Weiss (US jazz drummer) (am 1938-06-24)
Trompete:
Louis Armstrong (am 1938-06-24), Bob Cusumano (am 1938-06-24) und Johnny McGee (am 1938-06-24)
Ventilposaune:
Al Philburn (am 1938-06-24)
vocals:
Louis Armstrong (am 1938-06-24)
Orchester:
Louis Armstrong & His Orchestra (am 1938-06-24)
recording of:
I’ve Got a Pocketful of Dreams (am 1938-06-24)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
James V. Monaco
publisher:
Santly Joy Select, Inc. (am 1938-05-07)
2:53

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Teil von:Work From Home (Reihenfolge: 2)