Cantatas, Volume 5

~ Release by J.S. Bach; The Amsterdam Baroque Orchestra & Choir, Ton Koopman (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1[BWV 207a] March
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
partial recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": I. Chorus "Auf, schmetternde Töne der muntern Trompeten"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach1:38
2Chor: Auf, schmetternde Töne der muntern Trompeten
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": I. Chorus "Auf, schmetternde Töne der muntern Trompeten" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach4:25
3Rezitativ: Die stille Pleiße spielt mit ihrenkleinen Wellen (feat. tenor: Prégardien)
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
tenor vocals:
Christoph Prégardien (tenor) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": II. Recitativo (Tenor) "Die stille Pleiße spielt" (ended)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach2:03
4Arie: Augustus' Namenstages Schimmer verklärt der Sachsen Angesicht (feat. tenor: Prégardien)
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
tenor vocals:
Christoph Prégardien (tenor) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": III. Aria (Tenor) "Augustus' Namenstages Schimmer" (ended)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach3:40
5Rezitativ: Augustus' Wohl ist der treuen Sachsen Wohlergehn (feat. bass: Mertens, soprano: Rubens)
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1996-09 until 1996-11)
soprano vocals:
Sibylla Rubens (soprano) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": IV. Recitativo (Sopran, Bass) "Augustus' Wohl ist der treuen Sachsen Wohlergehn" (ended)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach1:45
6Bass (Mertens), Sopran (Rubens) / Duett: Mich kann die süße Ruhe laben (feat. bass: Mertens, soprano: Rubens)
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1996-09 until 1996-11)
soprano vocals:
Sibylla Rubens (soprano) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": V. Aria (Sopran, Bass) "Mich kann die süße Ruhe laben" (ended)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach5:00
7Ritornello
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": VI. Ritornello (ended)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach1:12
8Rezitativ: Augustus schützt die frohen Felder (feat. alt: von Magnus)
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": VII. Recitativo (Alt) "Augustus schützt die frohen Felder" (ended)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach0:55
9Arie: Preiset, späte Folgezeiten (feat. alt: von Magnus)
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": VIII. Aria (Alt) "Preiset, späte Folgezeiten" (ended)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach5:31
10Rezitativ: Ihr Fröhlichen, herbei! (feat. alt: von Magnus, sopran: Grimm, tenor: Prégardien, bass: Mertens)
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1996-09 until 1996-11)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1996-09 until 1996-11)
soprano vocals:
Anne Grimm (from 1996-09 until 1996-11)
tenor vocals:
Christoph Prégardien (tenor) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": IX. Recitativo (Sopran, Alt, Tenor, Bass) "Ihr Fröhlichen, herbei" (ended)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach3:10
11Chor: August lebe, lebe, König
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
choir vocals:
Amsterdam Baroque Choir (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": X. Chorus "August lebe, lebe König" (ended)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach2:43
12March
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": XI. Marche (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten"
Johann Sebastian Bach1:41
13[BWV 202] Arie: Weichet nur, betrübte Schatten (feat. sopran: Larsson)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" (from 1996-09 until 1996-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach6:22
14Rezitativ: Die Welt wird wieder neu (feat. sopran: Larsson)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": II. Recitativo "Die Welt wird wieder neu" (from 1996-09 until 1996-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:26
15Arie: Phoebus eilt mit schnellen Pferden (feat. sopran: Larsson)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": III. Aria "Phoebus eilt mit schnellen Pferden" (from 1996-09 until 1996-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach3:09
16Rezitativ: Drum sucht auch Amor sein Vergnügen (feat. sopran: Larsson)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IV. Recitativo "Drum sucht auch Amor sein Vergnügen" (from 1996-09 until 1996-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:41
17Arie: Wenn die Frühlingslüfte streichen (feat. sopran: Larsson)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": V. Aria "Wenn die Frühlingslüfte streichen" (from 1996-09 until 1996-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach2:37
18Rezitativ: Und dieses ist das Glücke (feat. sopran: Larsson)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VI. Recitativo "Und dieses ist das Glücke" (from 1996-09 until 1996-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:44
19Arie: Sich üben im Lieben (feat. sopran: Larsson)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben" (from 1996-09 until 1996-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach4:08
20Rezitativ: So sei das Band der keuschen Liebe (feat. sopran: Larsson)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VIII. Recitativo "So sei das Band der keuschen Liebe" (from 1996-09 until 1996-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:22
21Gavotte: Sehet in Zufriedenheit (feat. sopran: Larsson)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IX. Gavotte "Sehet in Zufriedenheit" (from 1996-09 until 1996-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach1:40
2▼CD
#TitleArtistRatingLength
1Cantata, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde": I. Chorus "Schleicht, spielende Wellen, und murmelt gelinde"
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": I. Chorus "Schleicht, spielende Wellen, und murmelt gelinde!" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach6:39
2Cantata, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde": II. Recitative (B) "O glückliche Veränderung!"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": II. Recitativo (Bass) "O glückliche Veränderung!" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach1:32
3Cantata, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde": III. Aria (B) "Schleuß des Janustempels Türen"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": III. Aria (Bass) "Schleuß des Janustempels Türen" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach4:44
4Cantata, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde": IV. Recitative (T) "So recht! beglückter Weichselstrom!"
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": IV. Recitativo (Tenor) "So recht! beglückter Weichselstrom!" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach1:44
5Cantata, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde": V. Aria (T) "Jede Woge meiner Wellen"
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": V. Aria (Tenor) "Jede Woge meiner Wellen" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach7:17
6Cantata, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde": VI. Recitative (A) "Ich nehm zugleich an deiner Freude teil"
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": VI. Recitativo (Alt) "Ich nehm zugleich an deiner Freude teil" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach1:09
7Cantata, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde": VII. Aria (A) "Reis, von Habsburg hohem Stamme"
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": VII. Aria (Alt) "Reis von Habsburgs hohem Stamme" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach6:12
8Cantata, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde": VIII. Recitative (S) "Verzeiht, bemooste Häupter starker Ströme"
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": VIII. Recitativo (Sopran) "Verzeiht, bemooste Häupter starker Ströme" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach1:50
9Cantata, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde": IX. Aria (S) "Hört doch! der sanften Flöten Chor"
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": IX. Aria (Sopran) "Hört doch! der sanften Flöten Chor" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach3:17
10Cantata, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde": X. Recitative (S,A,T,B) "Ich muß, ich will gehorsam sein"
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Sibylla Rubens (soprano)
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": X. Recitativo (Sopran, Alt, Tenor, Bass) "Ich muß, ich will gehorsam sein" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach1:37
11Cantata, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde": XI. Chorus "Die himmlische Vorsicht der ewigen Güte"
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": XI. Chorus "Die himmlische Vorsicht der ewigen Güte" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach3:51
12Cantata BWV 210 "O holder Tag, erwünschte Zeit": I. Recitative (S) "O holder Tag, erwünschte Zeit"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
soprano vocals:
Lisa Larsson (soprano) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": I. Recitativo (Sopran) "O holder Tag, erwünschte Zeit" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach0:54
13Cantata BWV 210 "O holder Tag, erwünschte Zeit": II. Aria (S) "Spielet, ihr beseelten Lieder"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
soprano vocals:
Lisa Larsson (soprano) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": II. Aria (Sopran) "Spielet, ihr beseelten Lieder" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach6:10
14Cantata BWV 210 "O holder Tag, erwünschte Zeit": III. Recitative (S) "Doch, haltet ein"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
soprano vocals:
Lisa Larsson (soprano) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": III. Recitativo (Sopran) "Doch, haltet ein, ihr muntern Saiten" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach1:07
15Cantata BWV 210 "O holder Tag, erwünschte Zeit": IV. Aria (S) "Ruhet hie, matte Töne"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
soprano vocals:
Lisa Larsson (soprano) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": IV. Aria (Sopran) "Ruhet hie, matte Töne" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach6:19
16Cantata BWV 210 "O holder Tag, erwünschte Zeit": V. Recitative (S) "So glaubt man denn, daß die Musik verführe"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
soprano vocals:
Lisa Larsson (soprano) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": V. Recitativo (Sopran) "So glaubt man denn, daß die Musik verführe" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach2:02
17Cantata BWV 210 "O holder Tag, erwünschte Zeit": VI. Aria (S) "Schweigt, ihr Flöten, schweigt, ihr Töne"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
soprano vocals:
Lisa Larsson (soprano) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VI. Aria (Sopran) "Schweigt, ihr Flöten, schweigt, ihr Töne" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach4:51
18Cantata BWV 210 "O holder Tag, erwünschte Zeit": VII. Recitative (S) "Was Luft? was Grab?"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
soprano vocals:
Lisa Larsson (soprano) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VII. Recitativo (Sopran) "Was Luft? was Grab?" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach1:36
19Cantata BWV 210 "O holder Tag, erwünschte Zeit": VIII. Aria (S) "Großer Gönner, dein Vergnügen"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
soprano vocals:
Lisa Larsson (soprano) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VIII. Aria (Sopran) "Großer Gönner, dein Vergnügen" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach3:10
20Cantata BWV 210 "O holder Tag, erwünschte Zeit": IX. Recitative (S) "Hochteurer Mann, so fahre ferner fort"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
soprano vocals:
Lisa Larsson (soprano) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": IX. Recitativo (Sopran) "Hochteurer Mann, so fahre ferner fort" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach1:18
21Cantata BWV 210 "O holder Tag, erwünschte Zeit": X. Aria (S) "Seid beglückt, edle beide"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
soprano vocals:
Lisa Larsson (soprano) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": X. Aria (Sopran) "Seid beglückt, edle beide" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach5:13
3▼CD
#TitleArtistRatingLength
1Sinfonia / [BWV 212] Sinfonia
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouvertüre (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach2:14
2Sopran (Larsson), Bass (Mertens) / Duett: Mer hahn en neuer Oberkeet
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Duetto Sopran, Bass) "Mer hahn en neue Oberkeet" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:30
3Bass (Mertens), Sopran (Larsson) / Rezitativ: Nu, Mieke, gib dein Guschel immer her
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:51
4Sopran (Larsson) / Arie: Ach, es schmekt doch gar zu gut
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:49
5Bass (Mertens) / Rezitativ: Der Herr ist gut: Allein der Schösser
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:22
6Bass (Mertens) / Arie: Ach, Herr Schösser, geht nicht gar zu schlimm
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:21
7Sopran (Larsson) / Rezitativ: Es bleibt dabei, da unser Herr der beste sei
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:22
8Sopran (Larsson) / Arie: Unser trefflicher lieber Kammerherr
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
is based on:
Folia
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:41
9Sopran (Larsson), Bass (Mertens) / Rezitativ: Er hilft uns allen, alt und jung
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:34
10Sopran (Larsson) / Arie: Das ist galant
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Sopran) "Das ist galant" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:59
11Bass (Mertens) / Rezitativ: Und unsre gnäd'ge Frau
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:43
12Bass (Mertens) / Arie: Fünfzig Taler bares Geld
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:54
13Sopran (Larsson) / Rezitativ: Im Ernst ein Wort
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Sopran) "Im Ernst ein Wort" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:27
14Sopran (Larsson) / Arie: Klein-Zschocher müsse so zart und süße
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach5:49
15Bass (Mertens) / Rezitativ: Das ist zu klug vor dich
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
16Bass (Mertens) / Arie: Es nehme zehntausend Dukaten
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:41
17Sopran (Larsson) / Rezitativ: Das klingt zu liederlich
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
18Sopran (Larsson) / Arie: Gib, Schöne, viel Söhne
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:36
19Bass (Mertens) / Rezitativ: Du hast wohl recht
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:16
20Bass (Mertens) / Arie: Dein Wachstum sei feste
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Bass) "Dein Wachstum sei feste und lache vor Lust" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach5:11
21Sopran (Larsson), Bass (Mertens) / Rezitativ: Und damit sei es auch genung
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:22
22Sopran (Larsson) / Arie: Und daß ihr's alle wißt
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Sopran) "Und daß ihrs alle wißt" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:38
23Sopran (Larsson), Bass (Mertens) / Rezitativ: Mein Schatz! erraten
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:29
24Sopran (Larsson), Bass (Mertens) / Chor: Wir gehn nun, wo der Tudelsack
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:03
25Chorus / [BWV 205] Chor: Zerreißet, zersprenget, zertrümmert die Gruft
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": I. Chor der Winde "Zerreißet, zersprenget, zertrümmert die Gruft" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach6:23
26Bass (Mertens) / Rezitativ: Ja! Die Stunden sind nunmehro nah
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": II. Recitativo (Bass) "Ja, ja! Die Stunden sind nunmehro nah" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach1:36
27Bass (Mertens) / Arie: Wie will ich lustig lachen
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": III. Aria (Bass) "Wie will ich lustiglachen" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach4:07
28Tenor (Prégardien) / Rezitativ: Gefürcht'ter Aeolus
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": IV. Recitativo (Tenor) "Gefürcht'ter Äolus" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach0:45
29Tenor (Prégardien) / Arie: Frische Schatten, meine Freude
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": V. Aria (Tenor) "Frische Schatten, meine Freude" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach4:52
30Bass (Mertens) / Rezitativ: Beinahe wirst du mich bewegen
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": VI. Recitativo (Bass) "Beinahe wirst du mich bewegen" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach0:36
31Alt (von Magnus) / Arie: Können nicht die roten Wangen
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": VII. Aria (Alt) "Können nicht die roten Wangen" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach3:12
32Alt (von Magnus), Sopran (Larsson) / Rezitativ: So willst du, grimm'ger Aeolus
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": VIII. Recitativo (Alt, Sopran) "So willst du, grimmger Äolus" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach0:52
33Sopran (Larsson) / Arie: Angenehmer Zephyrus
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": IX. Aria (Sopran) "Angenehmer Zephyrus" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach3:53
34Sopran (Larsson), Bass (Mertens) / Rezitativ: Mein Aeolus
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": X. Recitativo (Sopran, Bass) "Mein Äolus, Ach!" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach2:13
35Bass (Mertens) / Arie: Zurücke, zurücke, geflügelten Winde
bass vocals:
Klaus Mertens (classical singer, bass‐baritone)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": XI. Aria (Bass) "Zurücke, zurücke, geflügelten Winde" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach3:33
36Sopran (Larsson), Alt (von Magnus), Tenor (Prégardien) / Rezitativ: Was Lust!
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto)
soprano vocals:
Lisa Larsson (soprano)
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": XII. Recitativo (Sopran, Alt, Tenor) "Was Lust! Was Freude! Welch Vergnügen!" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach1:27
37Alt (von Magnus), Tenor (Prégardien) / Duett: Zweig und Äste
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto)
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": XIII. Aria (Alt, Tenor) "Zweig und Äste" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach2:53
38Sopran (Larsson) / Rezitativ: Ja, ja!
soprano vocals:
Lisa Larsson (soprano)
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": XIV. Recitativo (Sopran) "Ja, ja! Ich lad euch selbst zu dieser Feier ein" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach0:42
39Chorus / Chor: Vivat August, August vivat!
choir vocals:
Amsterdam Baroque Choir
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": XV. Chor der Winde "Vivat! August, August vivat!" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach3:08
4▼CD
#TitleArtistRatingLength
1Lasst uns sorgen, lasst uns wachen
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
choir vocals:
Amsterdam Baroque Choir (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": I. Chorus "Laßt uns sorgen, laßt uns wachen" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach6:42
2Und wo? Wo ist der rechte Bahn
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": II. Recitativo (Alt) "Und wo? Wo ist die rechte Bahn" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach0:44
3Schlafe mein Liebster, und pflege der Ruh
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
soprano vocals:
Anne Grimm (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": III. Aria (Sopran) "Schlafe, mein liebster" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach9:22
4Auf! folge meiner Bahn
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
soprano vocals:
Anne Grimm (from 1996-09 until 1996-11)
tenor vocals:
Christoph Prégardien (tenor) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": IV. Recitativo (Sopran, Tenor) "Auf! folge meiner Bahn" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach1:15
5Treues Echo dieser Orten
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": V. Aria (Alt, Alt) "Treues Echo dieser Orten" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach5:13
6Mein hoffnungsvoller Held!
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
tenor vocals:
Christoph Prégardien (tenor) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": VI. Recitativo (Tenor) "Mein hoffnungsvoller Held" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach1:02
7Auf meinen Fluegeln sollst du schweben
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
tenor vocals:
Christoph Prégardien (tenor) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": VII. Aria (Tenor) "Auf meinen Flügeln sollst du schweben" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach4:39
8Die weiche Wollust locket zwar
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
tenor vocals:
Christoph Prégardien (tenor) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": VIII. Recitativo (Tenor) "Die weiche Wollust locket zwar" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach0:45
9Ich will dich nicht hoeren, ich will dich nicht wissen
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": IX. Aria (Alt) "Ich will dich nicht hören" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach3:39
10Geliebte Tugend, du allein
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1996-09 until 1996-11)
tenor vocals:
Christoph Prégardien (tenor) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": X. Recitativo (Alt, Tenor) "Geliebte Tugend, du allein" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach0:48
11Ich bin deine, du bist meine
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1996-09 until 1996-11)
tenor vocals:
Christoph Prégardien (tenor) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": XI. Aria (Duetto Alt, Tenor) "Ich bin deine" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach7:36
12Schaut, Goetter, dieses ist ein Bild
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": XII. Recitativo accompagnato (Bass) "Schaut, Götter, dieses ist ein Bild" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach1:15
13Lust der Voelker, Lust der Deinen
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
choir vocals:
Amsterdam Baroque Choir (from 1996-09 until 1996-11)
orchestra:
Amsterdam Baroque Orchestra (from 1996-09 until 1996-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-09 until 1996-11)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-09 until 1996-11)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": XIII. Chorus "Lust der Völker, Lust der Deinen" (from 1996-09 until 1996-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach2:42

Credits

Release

conductor:Ton Koopman (conductor, organist and harpsichordist)
ASIN:DE: B00015U66M [info]

Release group

part of:Complete Cantatas (Ton Koopmans complete Bach Cantatas for Erato) (number: 5) (order: 3)