Jazz History, Volume 4: The New Era 1969-Now

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼Medium
#TitleArtistRatingLength
1Burster Rides Again
cover recording of:
Buster Rides Again
composer:
Bud Powell
Medeski Martin and Wood7:38
2I Love Paris in the Springtime
Jacky Terrasson3:10
3Anastasia
engineer:
Philippe Gaillot (multi-instrumentalist, arranger, producer and sound engineer) and Stéphane Reichart
producer:
Yves Chamberland, Stefano Di Battista and Nicolas Pflug
mixer:
James Farber (sound engineer)
bass:
Rosario Bonaccorso (Italian jazz bassist and composer) (from 2002-06-01 until 2002-06-02)
membranophone:
André Ceccarelli (from 2002-06-01 until 2002-06-02)
piano:
Éric Legnini (Moogoo, Belgian jazz pianist) (from 2002-06-01 until 2002-06-02)
saxophone:
Stefano Di Battista (from 2002-06-01 until 2002-06-02)
orchestra:
Symphonic Orchestra "Les Archets De Paris" (from 2002-06-01 until 2002-06-02)
conductor:
Vince Mendoza (from 2002-06-01 until 2002-06-02)
arranger and orchestrator:
Vince Mendoza
phonographic copyright (℗) by:
EMI Music France (1994–2013)
recorded at:
Studio Davout in Paris, Île-de-France, France (from 2002-06-01 until 2002-06-02)
recording of:
Anastasia (from 2002-06-01 until 2002-06-02)
composer:
Stefano Di Battista
Stefano Di Battista6:37
4Bish Bash
Benny Green5:02
5No Woman, No Cry
recording engineer:
Christian Jones
assistant engineer:
Mark Slagle
mixer:
Judy Clapp
recorded at:
Mobius Music Recording in San Francisco, California, United States
mixed at:
Different Fur Studios in San Francisco, California, United States
instrumental cover recording of:
No Woman, No Cry
lyricist and composer:
Vincent Ford
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Global Musikverlag (Global Musik GmbH & Co. KG), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974), Odnil Music Ltd. (in 1974) and Global (publisher) (in 1976)
Charlie Hunter Quartet5:17
6You Don't Know What Love Is
recording engineer and mixer:
Alec Head
executive producer:
Hoitoshi Namekata (Producer)
producer:
Lenny White
bass:
Tyrone Brown (bassist)
membranophone:
Doug Nally (drums)
piano:
Eddie Green (Piano and keyboard player and singer from Philidelphia, most active during 1970's, former member of Catalyst)
vocals:
Rachelle Ferrell
Rachelle Ferrell5:15
7Always There
recording of:
Always There (instrumental)
writer:
Paul Allen (US songwriter)
composer:
William Jeffrey and Ronnie Laws
publisher:
Down Yonder Musical Ent Ltd (Great Walrus Ltd Divi) and Fifth Floor Music, Inc.
Ronnie Laws4:53
8Bye Bye Blackbird
recording engineer and mixer:
Jim Anderson (engineer) (from 2000-05-15 until 2000-05-19)
assistant engineer:
Bill Douglass (engineer), Jeffrey Lane (assistant engineer) and Gabriel Weldin (sound engineer)
producer:
Patricia Barber
bass:
Marc Johnson (US jazz bassist, composer & band leader) (from 2000-05-15 until 2000-05-19)
drums (drum set):
Adam Nussbaum (from 2000-05-15 until 2000-05-19)
piano:
Patricia Barber (from 2000-05-15 until 2000-05-19)
vocals:
Patricia Barber (from 2000-05-15 until 2000-05-19)
piano technician:
Charles Terr (piano technician)
phonographic copyright (℗) by:
Capitol Records Ltd. (not for release label use; UK company) (in 2000) and Premonition Records, Inc. (in 2000)
recorded at and mixed at:
Chicago Recording Company, Studio 4 in Chicago, Illinois, United States (from 2000-05-15 until 2000-05-19)
cover recording of:
Bye Bye Blackbird (from 2000-05-15 until 2000-05-19)
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
Patricia Barber4:04
9Angelina
Earl Klugh4:49
10Sippin' at Bell's
assistant engineer:
Aya Takemura
engineer:
James Farber (sound engineer)
producer:
Joe Lovano (American jazz artist)
alto saxophone:
Steve Slagle (from 1999-11-03 until 1999-11-04)
baritone saxophone:
Gary Smulyan (from 1999-11-03 until 1999-11-04)
bass:
Dennis Irwin (from 1999-11-03 until 1999-11-04)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1999-11-03 until 1999-11-04)
piano:
John Hicks (American jazz pianist) (from 1999-11-03 until 1999-11-04)
tenor saxophone:
George Garzone (from 1999-11-03 until 1999-11-04), Ralph Lalama (from 1999-11-03 until 1999-11-04) and Joe Lovano (American jazz artist) (from 1999-11-03 until 1999-11-04)
trombone:
Conrad Herwig (American jazz trombonist) (from 1999-11-03 until 1999-11-04)
trumpet:
Tim Hagans (from 1999-11-03 until 1999-11-04)
orchestrator:
Willie "Face“ Smith (American jazz alto-saxophonist, composer and arranger, 1926-2009)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
recorded at and engineered at:
Avatar Studios, Studio A in New York, New York, United States (from 1999-11-03 until 1999-11-04)
instrumental recording of:
Sippin' at Bells (from 1999-11-03 until 1999-11-04)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Joe Lovano5:11
11Dance Lesson #2
Karl Denson6:11
12Never Said
Dianne Reeves5:36
13The Watcher
recording engineer:
Joseph Marciano (from 1999-09-08 until 1999-09-09)
assistant engineer:
Nancy Marciano
co-producer:
Kay Vaughn
producer:
Greg Osby (American jazz saxophonist)
mixer:
Joseph Marciano (from 1999-10-01 until 1999-10-02)
bass:
Scott Colley (bass) (from 1999-09-08 until 1999-09-09)
drums (drum set):
Terri Lyne Carrington (from 1999-09-08 until 1999-09-09)
piano:
Andrew Hill (jazz pianist) (from 1999-09-08 until 1999-09-09)
reeds:
Greg Osby (American jazz saxophonist) (from 1999-09-08 until 1999-09-09)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Systems Two Recording Studio (old Brooklyn location, 1975–2018) in Brooklyn, New York, New York, United States (from 1999-09-08 until 1999-09-09)
mixed at:
Systems Two Recording Studio (old Brooklyn location, 1975–2018) in Brooklyn, New York, New York, United States (from 1999-10-01 until 1999-10-02)
Greg Osby5:40
2▼Medium
#TitleArtistRatingLength
1Cantaloop (Flip Fantasia)
programming, producer and mixer:
Mel Simpson (Member of Us3) and Geoff Wilkinson
engineer:
Mel Simpson (Member of Us3)
keyboard [keyboards]:
Mel Simpson (Member of Us3)
sampler [samples] and turntable [scratches]:
Geoff Wilkinson
trumpet:
Gerard Presencer
other vocals [rap]:
Rahsaan
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at and mixed at:
Flame Studios in London (Greater London), England, United Kingdom
samples:
Cantaloupe Island by Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Everything I Do Gonna Be Funky (From Now On) by Lou Donaldson
recording of:
Cantaloop (Flip Fantasia)
writer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer), Rahsaan Kelly, Mel Simpson (Member of Us3) and Geoff Wilkinson
publisher:
Us3 Music
is based on:
Cantaloupe Island
Us344:40
2First Song
Gonzalo Rubalcaba9:43
3Sure Thing
producer and mixer:
Ludovic Navarre
baritone saxophone [baryton]:
Claudio (Cacao) De Queiroz
flute and saxophone:
Edouard Labor
keyboard:
Alexandre Destrez
percussion:
Edmundo Carneiro
talking drum [talkin drum]:
Idrissa Diop
trumpet:
Pascal Ohsé
phonographic copyright (℗) by:
Primary Society (in 2000)
recorded at and mixed at:
The Magic House Studio in Chatou, Yvelines, Île-de-France, France
samples:
Harry’s Philosophy by John Lee Hooker (US blues singer, songwriter & guitarist) and Windy C by 100% Pure Poison
music videos:
Sure Thing by St. Germain (French house/nu jazz project)
recording of:
Sure Thing
composer:
Ludovic Navarre
publisher:
Primary Society Publishing and Universal Music Publishing France (not for release label use!)
St. Germain36:23
4Time After Time
recording engineer:
Danny Kopelson (from 1998-05 until 1998-09)
acoustic guitar:
Marvin Sewell (from 1998-05 until 1998-09)
bouzouki and electric guitar:
Kevin Breit (from 1998-05 until 1998-09)
double bass:
Lonnie Plaxico (from 1998-05 until 1998-09)
percussion:
Jeffrey Haynes (from 1998-05 until 1998-09)
vocals:
Cassandra Wilson (from 1998-05 until 1998-09)
recorded at:
Bearsville Studios in Bearsville, New York, United States (from 1998-05 until 1998-09)
cover recording of:
Time After Time (from 1998-05 until 1998-09)
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cassandra Wilson4:09
5I'll Take Les
assistant recording engineer:
Chris Albert (US engineer) (in 1993-10)
recording engineer:
James Farber (sound engineer) (in 1993-10)
producer:
Lee Townsend
assistant mixer:
Tony Gillis (engineer) (in 1993-11)
mixer:
James Farber (sound engineer) (in 1993-11)
bass:
Dennis Irwin (in 1993-10)
drums (drum set):
Bill Stewart (US jazz drummer) (in 1993-10)
guitar:
John Scofield (US guitarist/composer) (in 1993-10)
organ and piano:
Larry Goldings (in 1993-10)
percussion:
Don Alias (in 1993-10)
tenor saxophone:
Eddie Harris (saxophone, piano, vocals) (in 1993-10)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1993-10)
mixed at:
River Sound Studio in New York, New York, United States (in 1993-11)
John Scofield7:03
6Prelude to Sadness
Thierry Lang5:40
7The Time Is Now
recording engineer and mixer:
James Farber (sound engineer)
assistant engineer:
Lawrence Manchester and Gary Townsley
producer:
Eliane Elias
assistant mixer:
Anthony Gillis and Anthony Gonzales (sound engineer)
editor:
Federico Panero
bass:
Marc Johnson (US jazz bassist, composer & band leader) (in 1996)
drums (drum set):
Satoshi Takeishi (Japanese drummer, percussionist, and arranger) (in 1996)
flute:
Dave Valentin (in 1996)
percussion:
Manolo Badrena (in 1996)
piano:
Eliane Elias (in 1996)
arranger:
Eliane Elias
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1996)
mixed at:
River Sound Studio in New York, New York, United States
edited at:
EastSide Sound in New York, New York, United States
recording of:
The Time Is Now (in 1996)
composer:
Eliane Elias
publisher:
Pandamandium Music
Eliane Elias4:38
8Lady in My Life
Stanley Jordan6:24
9Freedom Is a Voice
Bobby McFerrin4:51
10Oleo
Pat Martino6:59
11Lorraine's Habanera
Chucho Valdés3:51
12Larghetto
recording engineer:
Tom Lazarus (from 2000-04 until 2000-05)
producer:
Don Byron and Hans Wendl
mixer:
Tom Lazarus
clarinet:
Don Byron (from 2000-04 until 2000-05)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2000-04 until 2000-05)
mixed at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
Don Byron2:14
13September Second
assistant recording engineer:
Neil Dignon and Joe Martin (Engineer)
engineer:
Tom Swift (engineer)
producer:
Eric Kressmann and Michel Petrucciani
assistant mixer:
David Merrill (Recording engineer at Master Sound Astoria; also bass player)
bass guitar:
Anthony Jackson (US bassist)
drums (drum set):
Omar Hakim
percussion:
Steve Thornton (Percussionist)
piano and synthesizer:
Michel Petrucciani
arranger:
Michel Petrucciani
co-arranger:
Adam Holzman (American keyboardist, composer and producer)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States
mixed at:
Master Sound Studios in Queens, New York, New York, United States
recording of:
September Second
composer:
Michel Petrucciani
publisher:
Eden Joy Music (publishing)
Michel Petrucciani4:46

Credits

Release group

part of:Jazz History (number: 4) (order: 4)