Ansermet's approach to interpretation

~ Recording by Jon Tolansky, Ernest Ansermet, Orchestre de la Suisse Romande

Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
88.3Ansermet's approach to interpretation2:04Ernest AnsermetThe Stereo YearsErnest AnsermetAlbum + Compilation
  • XW2023-06-03
Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only)485 1583

Relationships

producer:Jon Tolansky
spoken vocals [commentary]:Ernest Ansermet (conductor) (in 1968)
spoken vocals [narrator]:Jon Tolansky
orchestra:Orchestre de la Suisse Romande (OSR)
conductor:Ernest Ansermet (conductor)
recording of:Daphnis et Chloé (partial)

Daphnis et Chloé

composer:Maurice Ravel (French composer) (from 1909 until 1912)
was commissioned by:Sergei Diaghilew (Sergei Diaghilev, Russian art critic, patron, ballet impresario and founder of the Ballets Russes)
premiered at:Théâtre du Châtelet in Paris, Île-de-France, France (on 1912-06-08)
referred to in medleys:IllumiNations (Nighttime Spectacular, Epcot) (order: 7)
parts:1. Daphnis et Chloé: Tableau I
2. Daphnis et Chloé: Tableau II
3. Daphnis et Chloé: Tableau III
is based on:Daphnis and Chloe
is the basis for:Daphnis et Chloé (Suite for Piano)
Daphnis et Chloé, Suite no. 1
Daphnis et Chloé, Suite no. 2
arrangements:Daphnis et Chloé (arr. piano)
Daphnis et Chloé (catch-all for arrangements)