The Seven Last Words from the Cross, op. 51 H.XX, no. 1: Grave e cantabile

~ Recording by Annette Bik, Gérard Caussé, Ko Iwasaki, Gidon Kremer

Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
1.4The Seven Last Words from the Cross, op. 51 H.XX, no. 1: Grave e cantabile7:08Joseph HaydnLockenhaus Collection Vol. 1: « Credo »J. S. Bach, Haydn, Casals, Messiaen; Various ArtistsAlbum
Philips Classics (See annotation to check it's really this label.)434 031-2

Relationships

cello:Ko Iwasaki (cellist)
viola:Gérard Caussé (violist)
violin [1st violin]:Gidon Kremer (violinist)
violin [2nd violin]:Annette Bik (violinist)
recording of:The Seven Last Words of Our Saviour on the Cross, op. 51: Sonata II, Hob. III:51. Grave e Cantabile (for string quartet)

The Seven Last Words of Our Saviour on the Cross, op. 51: Sonata II, Hob. III:51. Grave e Cantabile (for string quartet)

composer:Joseph Haydn (composer)
version of:Septem Verba Christi in Cruce, Hob. XX:1: III. Sonata II. Grave e Cantabile
part of:The Seven Last Words of Our Saviour on the Cross, Hob. XX:1B, op. 51 (for string quartet) (order: 3)
arrangements:The Seven Last Words of Christ on the Cross: Sonata no. 2 in C minor. Grave e cantabile “Hodie mecum eris in Paradiso” (for flute and string quartet, Francisco Asenjo Barbieri)