The Complete Recordings on Deutsche Grammophon & Decca

~ Release by Claudio Abbado (see all versions of this release, 1 available)

Annotation

The complete set of recordings made by Claudio Abbado for Deutsche Grammophon and Decca. The set includes 258 CDs, 8 DVDs, a 112-page hardcover book with essays and photographs, and two booklets with tracklistings and credits. All CDs have original jacket artwork. The set is limited to 2,650 copies.

The set was originally released without the recording of Mozart's Piano Concerto no. 16 by Rudolf Serkin and Claudio Abbado. This missing disc was available on request from Deutsche Grammophon.

Annotation last modified on 2023-11-24 10:07 UTC.

Tracklist

1▶CD: Bach: Brandenburg Concertos nos. 1, 3 & 5
2▶CD: Bach: Brandenburg Concertos nos. 6, 4 & 2
3▶CD: Bartók: The Miraculous Mandarin / Two Portraits (One Ideal - One Grotesque)
4▶CD: Bartók: Piano Concertos nos. 1 & 2
5▶CD: Beethoven: Symphonies nos. 1 & 3 “Eroica” (Berliner Philharmoniker)
6▶CD: Beethoven: Symphonies nos. 2 & 4 (Berliner Philharmoniker)
7▶CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral” (Berliner Philharmoniker)
8▶CD: Beethoven: Symphonies nos. 7 & 8 (Berliner Philharmoniker)
9▶CD: Beethoven: Symphony no. 9 “Choral” (Berliner Philharmoniker)
10▶CD: Beethoven: Symphonies nos. 1 & 2 (Wiener Philharmoniker)
11▶CD: Beethoven: Symphony no. 3 “Eroica” (Wiener Philharmoniker)
12▶CD: Beethoven: Symphonies nos. 4 & 5 (Wiener Philharmoniker)
13▶CD: Beethoven: Meeresstille und glückliche Fahrt / Symphony no. 6 “Pastoral” / Choral Fantasy (Wiener Philharmoniker)
14▶CD: Beethoven: Symphonies nos. 7 & 8 (Wiener Philharmoniker)
15▶CD: Symphony no. 9 “Choral” (Wiener Philharmoniker)
16▶CD: Beethoven: Overtures
17▶CD: Beethoven: Overtures: Fidelio / Leonore I-III
18▶CD: Beethoven: Symphonies nos. 7 & 8 / Overture “Die Geschöpfe des Prometheus”
19▶CD: Beethoven: Piano Concertos nos. 1 & 2
20▶CD: Beethoven: Piano Concertos nos. 3 & 4
21▶CD: Beethoven: Piano Concerto no. 5 “Emperor” / Triple Concerto
22▶CD: Beethoven: Piano Concertos nos. 3 & 2
23▶CD: Beethoven: Musik zu Goethes Trauerspiel “Egmont” / “Ah! perfido” / Overture “Leonore III” / Choral Fantasy
24▶CD: Beethoven: Musik zu Die Weihe des Hauses / Leonore Prohaska / Egmont (Excerpts)
25▶CD: Beethoven: Fidelio (Act I)
26▶CD: Beethoven: Fidelio (Act II)
27▶CD: Berg: Lulu Suite / 3 Pieces for Orchestra / Altenberg Lieder
28▶CD: Berg: Altenberg Lieder / 3 Pieces from the Lyric Suite / Lulu Suite
29▶CD: Berg: 7 Early Songs / Der Wein / 3 Pieces for Orchestra
30▶CD: Berg: Wozzeck (Act I)
31▶CD: Berg: Wozzeck (Acts II & III)
32▶CD: Berlioz: Symphonie fantastique
33▶CD: Berlioz: Te Deum
34▶CD: Bizet: L'Arlésienne Suites nos. 1 & 2 / Carmen Suite
35▶CD: Bizet: Carmen (Acts I & II beg.)
36▶CD: Bizet: Carmen (Acts II cont. & III)
37▶CD: Brahms: Symphony no. 1 / Gesang der Parzen
38▶CD: Brahms: Alto Rhapsody, op. 53 / Symphony no. 2
39▶CD: Brahms: Tragische Ouvertüre / Schicksalslied / Symphony no. 3
40▶CD: Brahms: Haydn Variations / Nänie / Symphony no. 4
41▶CD: Brahms: Symphony no. 1
42▶CD: Brahms: Symphony no. 2 / Akademische Festouvertüre
43▶CD: Brahms: Symphony no. 3 / Haydn Variations
44▶CD: Brahms: Symphony no. 4 / Tragische Ouvertüre
45▶CD: Brahms: Serenades nos. 1 & 2
46▶CD: Brahms: Hungarian Dances
47▶CD: Brahms: Piano Concerto no. 2 (Pollini)
48▶CD: Brahms: Piano Concerto no. 1 (Brendel)
49▶CD: Brahms: Piano Concerto no. 2 (Brendel)
50▶CD: Brahms: Piano Concerto no. 1 (Pollini)
51▶CD: Brahms: Piano Concerto no. 2 (Pollini)
52▶CD: Brahms: Violin Concerto / Akademische Festouvertüre
53▶CD: Brahms: Violin Concerto
54▶CD: Brahms: Violin Concerto / Double Concerto
55▶CD: Brahms: Ein Deutsches Requiem
56▶CD: Brahms: Rinaldo / Schicksalslied
57▶CD: Bruckner: Symphony no. 1 (Wiener Philharmoniker, 1996)
58▶CD: Bruckner: Symphony no. 4 “Romantic”
59▶CD: Bruckner: Symphony no. 5
60▶CD: Bruckner: Symphony no. 7
61▶CD: Bruckner: Symphony no. 9 (Wiener Philharmoniker, 1996)
62▶CD: Bruckner: Symphony no. 1 (Lucerne Festival Orchestra, 2012)
63▶CD: Bruckner: Symphony no. 1 (Wiener Philharmoniker, 1969)
64▶CD: Bruckner: Symphony no. 9 (Lucerne Festival Orchestra, 2013)
65▶CD: Chopin & Liszt: Piano Concertos nos. 1
66▶CD: Chopin: Piano Concerto no. 2 / Polonaise, op. 44
67▶CD: Debussy: Prélude à l'après-midi d'un faune / Nocturnes / Pelléas et Mélisande - Concert Suite
68▶CD: Debussy: Nocturnes / La Mer / Ravel: Daphnis et Chloé (Fragments symphoniques II) / Pavane pour une infante défunte
69▶CD: Debussy: La Damoiselle élue / Prélude à l'après-midi d'un faune / Images Nᵒ 2 « Ibéria »
70▶CD: Debussy: Pelléas et Melisande (Acts I-III beg.)
71▶CD: Debussy: Pelléas et Melisande (Acts III cont. - V)
72▶CD: Dvořák: Symphony no. 9
73▶CD: Haydn: Symphony, Hob. I:93 / Symphony “The Clock”, Hob. I:101
74▶CD: Haydn: Symphony “The Miracle”, Hob. I:96 / Sinfonia concertante, Hob. I:105
75▶CD: Haydn: Overture to “Il mondo della luna” / Symphony, Hob I:98 / “Military” Symphony, Hob. I:100
76▶CD: Haydn: Symphony, Hob. I:102 / “Drum Roll” Symphony, Hob. I:103
77▶CD: Hindemith: Symphonie »Mathis der Maler« / Nobilissima visione / Symphonische Metamorphosen
78▶CD: Hindemith: Symphonische Metamorphosen / Janáček: Sinfonietta / Prokofiev: Romeo and Juliet (Excerpts)
79▶CD: Janáček: The Diary of One Who Disappeared / Sinfonietta
80▶CD: Kurtág: Grabstein fär Stephan / Stele / Stockhausen: Gruppen
81▶CD: Mahler: Symphony no. 1 “Titan” (Berliner Philharmoniker)
82▶CD: Mahler: Symphony no. 2 “Resurrection” (Lucerne Festival Orchestra)
83▶CD: Mahler: Symphony no. 3 (Part I) (Berliner Philharmoniker)
84▶CD: Mahler: Symphony no. 3 (Part II) (Berliner Philharmoniker)
85▶CD: Mahler: Symphony no. 4 / Berg: 7 Early Songs (Berliner Philharmoniker)
86▶CD: Mahler: Symphony no. 5 (Berliner Philharmoniker)
87▶CD: Mahler: Symphony no. 6 (Berliner Philharmoniker)
88▶CD: Mahler: Symphony no. 7 (Berliner Philharmoniker)
89▶CD: Mahler: Symphony no. 8 “Symphony of a Thousand” (Part I) (Berliner Philharmoniker)
90▶CD: Mahler: Symphony no. 8 “Symphony of a Thousand” (Part II) (Berliner Philharmoniker)
91▶CD: Mahler: Symphony no. 9 (Berliner Philharmoniker)
92▶CD: Mahler: Symphony no. 10 (unfinished) / Symphony no. 2 “Resurrection” (beg.) (Wiener Philharmoniker)
93▶CD: Mahler: Symphony no. 2 “Resurrection” (cont.) (Wiener Philharmoniker)
94▶CD: Mahler: Symphony no. 3 (Parts I & II beg.) (Wiener Philharmoniker)
95▶CD: Mahler: Symphony no. 3 (Part II cont.) (Wiener Philharmoniker)
96▶CD: Mahler: Symphony no. 4 (Wiener Philharmoniker)
97▶CD: Mahler: Symphony no. 9 (Wiener Philharmoniker)
98▶CD: Mahler: Symphony no. 1 “Titan” (Chicago Symphony Orchestra)
99▶CD: Mahler: Symphony no. 2 “Resurrection” (Chicago Symphony Orchestra)
100▶CD: Mahler: Symphony no. 5 (Chicago Symphony Orchestra)
101▶CD: Mahler: Symphony no. 6 (beg.) (Chicago Symphony Orchestra)
102▶CD: Mahler: Symphony no. 6 (cont.) / Rückert Lieder (Chicago Symphony Orchestra)
103▶CD: Mahler: Symphony no. 7 (Chicago Symphony Orchestra)
104▶CD: Mahler: Lieder nach Gedichten aus Des Knaben Wunderhorn
105▶CD: Mendelssohn: Symphony no. 1 / Scherzo from Octet, op. 20 / Overtures: Ein Sommernachtstraum / Die Hebriden / Meeresstille und glückliche Fahrt
106▶CD: Mendelssohn: Symphony no. 2 “Hymn of Praise”
107▶CD: Mendelssohn: Symphony no. 3 “Scottish” / Overtures: Die schöne Melusine / Trompeten-Ouvertüre / Ruy Blas
108▶CD: Mendelssohn: Symphonies nos. 1 “Italian” & 5 “Reformation” / Overture for Wind Instruments
109▶CD: Mendelssohn: Symphonies nos. 3 “Scottish” & 4 “Italian”
110▶CD: Mendelssohn: Violin Concerto / Bruch: Violin Concerto no. 1
111▶CD: Mozart: Symphonies nos. 35 “Haffner”, 29 & 33
112▶CD: Mozart: Symphonies nos. 38 “Prague” & 41 “Jupiter”
113▶CD: Mozart: Symphonies nos. 39 & 40
114▶CD: Mozart: Symphonies nos. 40 & 41 “Jupiter”
115▶CD: Mozart: Piano Concertos nos. 8 “Lützow” & 12 (Serkin)
116▶CD: Mozart: Piano Concertos nos. 9 “Jeunehomme” & 17 (Serkin)
117▶CD: Mozart: Piano Concertos nos. 15 & 22 (Serkin)
118▶CD: Mozart: Piano Concertos nos. 18 & 24 (Serkin)
119▶CD: Mozart: Piano Concertos nos. 25 & 19 “Second Coronation Concerto” (Serkin)
120▶CD: Mozart: Piano Concertos nos. 20 & 27 (Serkin)
121▶CD: Mozart: Piano Concertos nos. 21 & 23 (Serkin)
122▶CD: Mozart: Piano Concertos nos. 14 & 26 “Coronation” (Pires)
123▶CD: Mozart: Piano Concertos nos. 17 & 21 (Pires)
124▶CD: Mozart: Piano Concertos nos. 27 & 20 (Pires)
125▶CD: Mozart: Piano Concertos nos. 25 & 20 (Argerich)
126▶CD: Mozart: Piano Concertos nos. 20 & 21 (Gulda)
127▶CD: Mozart: Piano Concertos nos. 25 & 27 (Gulda)
128▶CD: Mozart: Violin Concertos nos. 1-3
129▶CD: Mozart: Violin Concertos nos. 4 & 5 / Sinfonia concertante, K. 364 (320d)
130▶CD: Mozart: Violin Concertos nos. (7) & 4 / Violin Sonata, K. 454
131▶CD: Mozart: Sinfonia concertante, K. 297b / Concerto for Flute, Harp and Orchestra
132▶CD: Mozart: Horn Concertos nos. 1-4
133▶CD: Mozart: Clarinet Concerto / Flute Concerto no. 2 / Bassoon Concerto
134▶CD: Mozart: Horn Concerto no. 3 / Bassoon Concerto / Oboe Concerto / Allegro for Oboe and Orchestra / Haydn: Trumpet Concerto, Hob. VIIe:1
135▶CD: Auf Mozarts Spuren
136▶CD: Mozart: Missa solemnis “Waisenhaus”
137▶CD: Mozart: Requiem / Laudate Dominum / Aria »Betracht dies Herz und frage mich«
138▶CD: Mozart: Arias / R. Strauss: Orchestral Songs
139▶CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
140▶CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
141▶CD: Mozart: Le nozze di Figaro (Act IV)
142▶CD: Mozart: Don Giovanni (Act I beg.)
143▼CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
#TitleArtistRatingLength
1Don Giovanni, K. 527: Atto Primo. Recitativo: “Io deggio ad ogni patto” (Leporello, Don Giovanni)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Io deggio ad ogni patto” (Leporello, Don Giovanni) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:48
2Don Giovanni, K. 527: Atto Primo. N. 11 Aria: “Fin ch'han dal vino” (Don Giovanni)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso] and baritone vocals [Don Giovanni]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:21
3Don Giovanni, K. 527: Atto Primo. Recitativo: “Masetto, senti un po'” (Zerlina, Masetto)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Masetto: senti un po’!” (Zerlina, Masetto) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:11
4Don Giovanni, K. 527: Atto Primo. N. 12 Aria: “Batti, batti, oh bel Masetto” (Zerlina)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:31
5Don Giovanni, K. 527: Atto Primo. Recitativo: “Guarda un po'” (Masetto, Don Giovanni, Zerlina)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Guarda un po’ come seppe” (Masetto, Don Giovanni, Zerlina) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:36
6Don Giovanni, K. 527: Atto Primo. N. 13 Finale I: “Presto, presto, pria ch'ei venga” (Masetto, Zerlina) / “Su svegliatevi, da bravi” (Don Giovanni, servi)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
choir vocals:
Coro di Ferrara Musica (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
chorus master:
Giordano Tunioli (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. “Su, svegliatevi, da bravi” (Don Giovanni, Servi) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. No. 13 Finale “Presto, presto, pria ch’ei venga” (Masetto, Zerlina) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:56
7Don Giovanni, K. 527: Atto Primo. N. 13 Finale I: “Tra quest'arbori celata” (Zerlina, Don Giovanni, Masetto)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. “Tra quest’ arbori celata” (Zerlina, Don Giovanni, Masetto, Coro) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:18
8Don Giovanni, K. 527: Atto Primo. N. 13 Finale I: “Bisogna aver coraggio” (Donna Elvira, Don Ottavio, Donna Anna, Leporello, Don Giovanni)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. “Bisogna aver coraggio” (Donna Elvira, Don Ottavio, Donna Anna) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:46
9Don Giovanni, K. 527: Atto Primo. N. 13 Finale I: “Riposate, vezzose ragazze” (Don Giovanni, Leporello, Masetto, Zerlina, Donna Anna, Donna Elvira, Don Ottavio)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. “Riposate, vezzose ragazze” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart8:44
10Don Giovanni, K. 527: Atto Secondo. N. 14 Duetto: “Eh via, buffone” (Don Giovanni, Leporello)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. No. 14 Duetto “Eh via buffone, non mi seccar” (Don Giovanni, Leporello) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:04
11Don Giovanni, K. 527: Atto Secondo. Recitativo: “Leporello” / “Signore” (Don Giovanni, Leporello)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. Recitativo “Leporello! Signore?” (Don Giovanni, Leporello) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:04
12Don Giovanni, K. 527: Atto Secondo. N. 15 Terzetto: “Ah! taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. No. 15 Terzetto “Ah taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:31
13Don Giovanni, K. 527: Atto Secondo. Recitativo: “Amico, che ti par?” (Don Giovanni, Leporello) / “Eccomi a voi!” (Donna Elvira, Don Giovanni, Leporello)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. Recitativo “Amico che ti par?” (Don Giovanni, Leporello, Donna Elvira) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. Recitativo “Eccomi a voi!” (Donna Elvira, Don Giovanni, Leporello) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:07
14Don Giovanni, K. 527: Atto Secondo. N. 16 Canzonetta: “Deh, vieni alla finestra” (Don Giovanni)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:04
15Don Giovanni, K. 527: Atto Secondo. Recitativo: “V'è gente alla finestra!” (Don Giovanni) / Recitativo: “Non ci stanchiamo” (Masetto, Don Giovanni)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. Recitativo “V’è gente alla finestra!” (Don Giovanni) / “Non ci stanchiamo” (Masetto, Don Giovanni) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:17
16Don Giovanni, K. 527: Atto Secondo. N. 17 Aria: “Metà di voi qua vadano” (Don Giovanni)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. No. 17 Aria “Metà di voi qua vadano” (Don Giovanni) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:47
17Don Giovanni, K. 527: Atto Secondo. Recitativo: “Zitto! lascia ch'io senta” (Don Giovanni, Masetto) / Recitativo: “Ahi! ahi! la testa mia!” (Masetto, Zerlina)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. Recitativo “Ahi ahi! la testa mia” (Masetto, Zerlina) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. Recitativo “Zitto! Lascia ch’io senta” (Don Giovanni, Masetto, Zerlina) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:05
18Don Giovanni, K. 527: Atto Secondo. N. 18 Aria: “Vedrai, carino” (Zerlina)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:22
19Don Giovanni, K. 527: Atto Secondo. Recitativo: “Di molte faci il lume” (Leporello, Donna Elvira)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. Recitativo “Di molte faci il lume” (Leporello, Donna Elvira) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:32
20Don Giovanni, K. 527: Atto Secondo. N. 19 Sestetto: “Sola, sola, in buio loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. No. 19 Sestetto “Sola sola in buio loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. Recitativo “Ferma, briccone” … “Mille torbidi pensieri” (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart7:21
21Don Giovanni, K. 527: Atto Secondo. Recitativo: “Dunque quello sei tu” (Zerlina, Donna Elvira, Don Ottavio, Masetto)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. Recitativo “Dunque quello sei tu” (Zerlina, Donna Elvira, Don Ottavio, Masetto) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:23
22Don Giovanni, K. 527: Atto Secondo. N. 20 Aria: “Ah, pietà, signori miei” (Leporello)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. No. 20 Aria “Ah pietà, signori miei” (Leporello) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:46
23Don Giovanni, K. 527: Atto Secondo. Recitativo: “Ferma, perfido, ferma” (Donna Elvira, Masetto, Zerlina, Don Ottavio)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. Recitativo “Ferma, perfido, ferma” (Donna Elvira, Masetto, Zerlina, Don Ottavio) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:45
24Don Giovanni, K. 527: Atto Secondo. N. 21 Aria: “Il mio tesoro intanto” (Don Ottavio)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:07
144▶CD: Mozart: Don Giovanni (Act II cont.) / Bonus - Arias
145▶CD: Mozart: Die Zauberflöte (Acts I & II beg.)
146▶CD: Mozart: Die Zauberflöte (Act II cont.)
147▶CD: Mussorgsky: Night on Bald Mountain / Choral Works / Pictures at an Exhibition (Berliner Philharmoniker)
148▶CD: Mussorgsky: Pictures at an Exhibition (London Symphony Orchestra)
149▶CD: Mussorgsky: Khovanshchina (Act I)
150▶CD: Mussorgsky: Khovanshchina (Acts II & III)
151▶CD: Mussorgsky: Khovanshchina (Acts IV & V)
152▶CD: Nono: Como una ola de fuerza y luz / ..... sofferte onde serene ... / Contrappunto dialettico alla mente
153▶CD: Pergolesi: Stabat Mater / Violin Concerto / Salve Regina
154▶CD: Pergolesi: Missa S. Emidio / Salve Regina / Manca la guida al piè / Laudate pueri Dominum
155▶CD: Pergolesi: Confitebor tibi, Domine / Chi non ode e chi non vede / Salve Regina / Dixit Dominus
156▶CD: Pergolesi: Stabat Mater
157▶CD: Prokofiev: Symphonies nos. 1 “Classical” & 3 / Ballet Suite “Chout” (Excerpts)
158▶CD: Prokofiev: March, op. 99 / Peter and the Wolf / Overture on Hebrew Themes / Symphony no. 1 “Classical”
159▶CD: Prokofiev: Scythian Suite / Lieutenant Kijé
160▶CD: Prokofiev: Romeo and Juliet (Excerpts)
161▶CD: Prokofiev: Piano Concertos nos. 1 & 3
162▶CD: Prokofiev: Piano Concerto no. 3 / Ravel: Piano Concerto in G major
163▶CD: Prokofiev: Alexander Nevsky
164▶CD: Prokofiev: Violin Concertos nos. 1 & 2
165▶CD: Rachmaninoff: Piano Concertos nos. 2 & 3
166▶CD: Rachmaninoff: Rhapsody on a Theme of Paganini / Piano Concerto no. 2
167▶CD: Ravel: Boléro / Rapsodie espagnole / Ma mère l'Oye / Pavane pour une infante défunte
168▶CD: Ravel: Daphnis et Chloé / Valses nobles et sentimentales
169▶CD: Ravel: Le Tombeau de Couperin / Alborada del gracioso / Shéhérazade, M. 17 / Menuet antique / La Valse
170▶CD: Ravel: Piano Concerto in G major / Piano Concerto for the Left Hand / Tzigane / Shéhérazade, M.41
171▶CD: Rossini: Overtures (London Symphony Orchestra)
172▶CD: Rossini: Overtures (Chamber Orchestra of Europe)
173▶CD: Rossini: L'italiana in Algeri (Act I)
174▶CD: Rossini: L'italiana in Algeri (Act II)
175▶CD: Rossini: Il barbiere di Siviglia (Act I beg.) (Chamber Orchestra of Europe)
176▶CD: Rossi: Il barbiere di Siviglia (Acts I cont. & II) (Chamber Orchestra of Europe)
177▶CD: Rossini: Il barbiere di Siviglia (Act I beg.) (London Symphony Orchestra)
178▶CD: Rossini: Il barbiere di Siviglia (Act I cont. & II) (London Symphony Orchestra)
179▶CD: Rossini: La Cenerentola (Act I beg.)
180▶CD: Rossini: La Cenerentola (Act I cont. & II)
181▶CD: Rossini: Il viaggio a Reims (beg.)
182▶CD: Rossini: Il viaggio a Reims (cont.)
183▶CD: Schoenberg: Gurre-Lieder (Part I)
184▶CD: Schoenberg: Gurre-Lieder (Parts II & III)
185▶CD: Schubert: Symphonies nos. 1 & 2
186▶CD: Schubert: Symphonies nos. 3 & 4 “Tragic”
187▶CD: Schubert: Symphonies nos. 5 & 6
188▶CD: Schubert: Symphony no. 8 “Unfinished” / Grand Duo
189▶CD: Schubert: Symphony no. 9 “Great” / Overture “Die Zauberharfe”
190▶CD: Schubert: Symphonies nos. 8 “Unfinished” & 5
191▶CD: Schubert: Symphony no. 9 “Great”
192▶CD: Schubert: Rosamunde, Prinzessin von Zypern
193▶CD: Schubert: Mass no. 2 / Tantum ergo / Psalm 23 / Schumann: Requiem für Mignon
194▶CD: Schubert: Mass no. 6
195▶CD: Schubert: Lieder with Orchestra
196▶CD: Schubert: Fierrabras (Act I)
197▶CD: Schubert: Fierrabras (Acts II & III)
198▶CD: Schumann: Symphony no. 2 / Overtures: Manfred, Genoveva
199▶CD: Schumann: Piano Concerto / Piano Quintet
200▶CD: Schumann & Schoenberg: Piano Concertos
201▶CD: Schumann: Piano Concerto / Weber: Konzertstück
202▶CD: R. Strauss: Don Juan / Till Eulenspiegels lustig
203▶CD: R. Strauss: Orchestral Songs
204▶CD: Stravinsky: Le Sacre du printemps / L'Oiseau de feu / Jeu de cartes
205▶CD: Stravinsky: Pétrouchka / Pulcinella
206▶CD: Tchaikovsky: Symphony no. 2 “Little Russian”
207▶CD: Tchaikovsky: Symphony no. 4
208▶CD: Tchaikovsky: Symphony no. 5
209▶CD: Tchaikovsky: Symphony no. 6 “Pathétique”
210▶CD: Tchaikovsky: The Tempest / Slavonic March / Romeo and Juliet / Ouverture solennelle “1812”
211▶CD: Tchaikovsky: Romeo and Juliet / Scriabin: Le Poème de l'extase
212▶CD: Tchaikovsky: Piano Concerto no. 1 (Argerich)
213▶CD: Tchaikovsky: Piano Concerto no. 1 (Pogorelich)
214▶CD: Tchaikovsky & Mendelssohn: Violin Concertos
215▶CD: Verdi: Overtures and Preludes
216▶CD: Verdi: Messa da Requiem (beg.) (Wiener Philharmoniker)
217▶CD: Verdi: Messa da Requiem (cont.) / Quattro pezzi sacri (Wiener Philharmoniker)
218▶CD: Verdi: Messa da Requiem (beg.) (Coro e Orchestra del Teatro alla Scala)
219▶CD: Verdi: Messa da Requiem (cont.) (Coro e Orchestra del Teatro alla Scala)
220▶CD: Verdi: Macbeth (Acts I & II)
221▶CD: Verdi: Macbeth (Acts III & IV)
222▶CD: Verdi: Simon Boccanegra (Prologue & Act I)
223▶CD: Verdi: Simon Boccanegra (Acts II & III)
224▶CD: Verdi: Un ballo in maschera (Act I)
225▶CD: Verdi: Un ballo in maschera (Acts II & III)
226▶CD: Verdi: Don Carlos (Acts I & II beg.)
227▶CD: Verdi: Don Carlos (Acts II cont. & III)
228▶CD: Verdi: Don Carlos (Act IV)
229▶CD: Verdi: Don Carlos (Act V & Appendix)
230▶CD: Verdi: Aida (Acts I & II)
231▶CD: Verdi: Aida (Acts III & IV)
232▶CD: Verdi: Falstaff (Acts I & II beg.)
233▶CD: Verdi: Falstaff (Acts II cont. & III)
234▶CD: Verdi: Choruses
235▶CD: Verdi: Arias
236▶CD: Verdi: Arias & Scenes
237▶CD: Vivaldi: Le quattro stagioni / Concerto “Per l'orchestra di Dresda”, RV 577
238▶CD: Vivaldi: Le quattro stagioni
239▶CD: Wagner: Orchestral Music
240▶CD: Wagner: Opera Arias
241▶CD: Wagner Gala 1993
242▶CD: Wagner: Lohengrin (Acts I & II beg.)
243▶CD: Wagner: Lohengrin (Act II cont.)
244▶CD: Wagner: Lohengrin (Act III)
245▶CD: Berlin Gala 1997: A Salute to Carmen
246▶CD: Berlin Gala 1998
247▶CD: Jonas Kaufmann - Sehnsucht
248▶CD: Schoenberg: Chamber Symphony no. 1 / Sciarrino: Autoritratto nella notte / Ligeti: Six Bagatelles / Double Concerto
249▶CD: Anna Netrebko - Sempre libera
250▶CD: New Year's Concert 1988
251▶CD: New Year's Concert 1991
252▶CD: Schoenberg: A Survivor from Warsaw / Bach/Webern: Fuga (Ricercata no. 2) / Webern: Passacaglia
253▶CD: Wien Modern I
254▶CD: Wien Modern II
255▶CD: Wien Modern III
256▶CD: Janáček: From the House of the Dead (Acts I & II)
257▶CD: Janáček: From the House of the Dead (Act III)
258▶CD: Mozart: Piano Concerto no. 16
259▶DVD: A Russian Night
260▶DVD: Claudio Abbado in Concert: Mozart & Schubert
261▶DVD: Claudio Abbado in Concert: Brahms & Rossini
262▶DVD: Neujahrskonzert 1991
263▶DVD: Peter and the Wolf: A Prokofiev Fantasy
264▶DVD: La Cenerentola
265▶DVD: Rossini: Il barbiere di Siviglia
266▶DVD: Janáček: From the House of the Dead