Summertime

~ Release by Louis Armstrong (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1You Rascal You
recording of:
I’ll Be Glad When You’re Dead, You Rascal You
lyricist and composer:
Sam Theard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Louis Armstrong with Louis Jordan3:07
2Do You Know What It Means to Miss New Orleans
recording of:
Do You Know What It Means to Miss New Orleans
lyricist:
Eddie DeLange and Cathrine Legardh
writer:
Louis Alter and Eddie DeLange
composer:
Louis Alter
Louis Armstrong3:04
3Where the Blues Were Born in New Orleans
recording of:
Where the Blues Were Born in New Orleans
writer:
Bob Carleton and Charlie Dixon (Jazz banjoist)
Louis Armstrong3:09
4Sugar
cover recording of:
Sugar (That Sugar Baby o’ Mine)
writer:
Edna Pinkard, Sidney Mitchell and Maceo Pinkard
composer:
Edna Alexander, Sidney Mitchell and Maceo Pinkard
publisher:
EMI Robbins Catalog (ASCAP) and Robbins Music Corp.
Louis Armstrong3:25
5(What Did I Do to Be So) Black and Blue
recording of:
Black and Blue
lyricist:
Harry Brooks (jazz pianist & songwriter) and Andy Razaf
composer:
Fats Waller
publisher:
Memory Lane Music Ltd. and Redwood Music Ltd. (Carlin)
Louis Armstrong4:26
6Old Rockin’ Chair
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song)
lyricist:
Hoagy Carmichael
composer:
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
Louis Armstrong5:04
7When the Saints Go Marching In
recording of:
When the Saints Go Marching In (Louis Armstrong’s version)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Louis Armstrong
version of:
When the Saints Go Marching In
Louis Armstrong2:41
8I’m in the Mood for Love
recording of:
I’m in the Mood for Love
lyricist:
Dorothy Fields (American librettist and lyricist)
writer:
James Moody (jazz saxophonist)
composer:
Jimmy McHugh (songwriter)
publisher:
CBS Hastings Catalog inc. and SBK Robbins Catalog, Inc.
version of:
I’m in the Mood for Love
Louis Armstrong3:09
9Basin Street Blues
recording of:
Basin Street Blues
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Louis Armstrong5:12
10Gee Baby Ain’t I Good to You
recorded in:
Los Angeles, California, United States (on 1957-07-23)
double bass:
Ray Brown (jazz bassist) (on 1957-07-23)
drums (drum set):
Louie Bellson (on 1957-07-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-23)
trumpet:
Louis Armstrong (on 1957-07-23)
vocals:
Louis Armstrong (on 1957-07-23) and Ella Fitzgerald (American jazz singer) (on 1957-07-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
Gee, Baby Ain’t I Good to You (on 1957-07-23)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, Volume I)
Louis Armstrong with Ella Fitzgerald4:12
11Willow Weep for Me
engineer:
Val Valentin (in 1957)
producer:
Norman Granz (in 1957)
double bass:
Ray Brown (jazz bassist) (in 1957)
drums (drum set):
Louie Bellson (in 1957)
guitar:
Herb Ellis (jazz guitarist) (in 1957)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957)
trumpet:
Louis Armstrong (in 1957)
vocals:
Louis Armstrong (in 1957)
cover recording of:
Willow Weep for Me (in 1957)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Louis Armstrong44:19
12You Can’t Lose a Broken Heart
recording of:
You Can’t Lose a Broken Heart
lyricist:
Flournoy E. Miller
composer:
James P. Johnson
Louis Armstrong with Billie Holiday3:15
13Don’t Get Around Much Anymore
recording of:
Don’t Get Around Much Anymore
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
version of:
Never No Lament
Louis Armstrong3:39
14Sweet Lorraine
recording of:
Sweet Lorraine
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
Louis Armstrong5:13
15Stompin’ at the Savoy
double bass:
Ray Brown (jazz bassist) (on 1957-07-23)
drums (drum set):
Louie Bellson (on 1957-07-23)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-07-23)
trumpet:
Louis Armstrong (on 1957-07-23)
vocals:
Louis Armstrong (on 1957-07-23) and Ella Fitzgerald (American jazz singer) (on 1957-07-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
Stompin’ at the Savoy (on 1957-07-23)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Louis Armstrong with Ella Fitzgerald3.55:15
16I Gotta Right to Sing the Blues
recording of:
I Gotta Right to Sing the Blues
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
Louis Armstrong3:55
17Top Hat, White Tie and Tails
recording of:
Top Hat, White Tie and Tails (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
Louis Armstrong4:12
18Let’s Call the Whole Thing Off
cover recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
translated version of:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
part of:
Shall We Dance (1937 film soundtrack)
Louis Armstrong with Ella Fitzgerald4:13
19A Kiss to Build a Dream On
recording of:
A Kiss to Build a Dream On
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1935) and Bert Kalmar (in 1935)
composer:
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
part of:
The 24th Academy Award for Best Original Song (number: 2)
part of:
The Strip (1951 film)
Louis Armstrong3:02
20We’ll Be Together Again
recording of:
We’ll Be Together Again
lyricist:
Frankie Laine
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Louis Armstrong4:04