Johnny B. Goode: His Complete '50s Chess Recordings

~ Release by Chuck Berry (see all versions of this release, 1 available)

Tracklist

1▶CD
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4▼CD
#TitleRatingLength
1Little Queenie (take 8)
double bass:
Willie Dixon (on 1958-11-19)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1958-11-19)
guitar:
Chuck Berry (on 1958-11-19)
piano:
Lafayette Leake (on 1958-11-19)
vocals:
Chuck Berry (on 1958-11-19)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1958-11-19)
recording of:
Little Queenie (on 1958-11-19)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
2:31
2Little Queenie
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-11-19)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1958-11-19)
guitar and lead vocals:
Chuck Berry (on 1958-11-19)
piano:
Lafayette Leake (on 1958-11-19)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1958-11-19)
recording of:
Little Queenie (on 1958-11-19)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
42:43
3That’s My Desire
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1958-11-19)
guitar:
Chuck Berry (on 1958-11-19)
piano:
Lafayette Leake (on 1958-11-19)
vocals:
Chuck Berry (on 1958-11-19)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1958-11-19)
cover recording of:
That’s My Desire (on 1958-11-19)
lyricist:
Carroll Loveday
composer:
Helmy Kresa
publisher:
Mills Music, Inc.
2:19
4Do You Love Me (alternate take)
double bass:
Willie Dixon (on 1959-02-17)
drums (drum set):
Jasper Thomas (on 1959-02-17)
guitar:
Chuck Berry (on 1959-02-17)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1959-02-17)
vocals:
Chuck Barksdale (on 1959-02-17), Chuck Berry (on 1959-02-17), Harvey Fuqua (on 1959-02-17), Etta James (on 1959-02-17), James Nolan (Second Tenor, Baritone singer) (on 1959-02-17), Reese Palmer (First Tenor singer) (on 1959-02-17) and Chester Simmons (on 1959-02-17)
orchestra:
Marvin Gaye (on 1959-02-17)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1959-02-17)
recording of:
Do You Love Me (on 1959-02-17)
lyricist and composer:
Chuck Berry
publisher:
Tristan Music Ltd.
2:24
5Do You Love Me
double bass:
Willie Dixon (on 1959-02-17)
drums (drum set):
Jasper Thomas (on 1959-02-17)
guitar:
Chuck Berry (on 1959-02-17)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1959-02-17)
vocals:
Chuck Barksdale (on 1959-02-17), Chuck Berry (on 1959-02-17), Harvey Fuqua (on 1959-02-17), Etta James (on 1959-02-17), James Nolan (Second Tenor, Baritone singer) (on 1959-02-17), Reese Palmer (First Tenor singer) (on 1959-02-17) and Chester Simmons (on 1959-02-17)
orchestra:
Marvin Gaye (on 1959-02-17)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1959-02-17)
recording of:
Do You Love Me (on 1959-02-17)
lyricist and composer:
Chuck Berry
publisher:
Tristan Music Ltd.
2:37
6Almost Grown (take 14)
double bass:
Willie Dixon (on 1959-02-17)
drums (drum set):
Jasper Thomas (on 1959-02-17)
guitar:
Chuck Berry (on 1959-02-17)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1959-02-27)
vocals:
Chuck Berry (on 1959-02-17) and The Marquees (on 1959-02-17)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1959-02-17)
recording of:
Almost Grown (on 1959-02-17)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
2:35
7Almost Grown (take 28)
double bass:
Willie Dixon (on 1959-02-17)
drums (drum set):
Jasper Thomas (on 1959-02-17)
guitar:
Chuck Berry (on 1959-02-17)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1959-02-27)
vocals:
Chuck Berry (on 1959-02-17) and The Marquees (on 1959-02-17)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1959-02-17)
recording of:
Almost Grown (on 1959-02-17)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
2:55
8Almost Grown
producer:
Leonard & Phil Chess (legendary US production duo)
bass and double bass:
Willie Dixon (on 1959-02-17)
drums (drum set):
Jasper Thomas (on 1959-02-17)
guitar:
Chuck Berry (on 1959-02-17) and Bo Diddley (American singer, guitarist, songwriter and music producer) (on 1959-02-17)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1959-02-17)
background vocals:
Chuck Barksdale (on 1959-02-17), Harvey Fuqua (on 1959-02-17), Marvin Gaye (on 1959-02-17), Etta James (on 1959-02-17), The Marquees (on 1959-02-17), The Moonglows (1950s Cleveland R&B group) (on 1959-02-17), James Nolan (Second Tenor, Baritone singer) (on 1959-02-17), Reese Palmer (First Tenor singer) (on 1959-02-17) and Chester Simmons (on 1959-02-17)
lead vocals:
Chuck Berry (on 1959-02-17)
vocals:
Chuck Berry (on 1959-02-17)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1959-02-17)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 6)
recording of:
Almost Grown (on 1959-02-17)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
3.52:21
9Back in the USA
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1959-02-17)
drums (drum set):
Fred Below (on 1959-02-17)
guitar and lead vocals:
Chuck Berry (on 1959-02-17)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1959-02-17)
background vocals:
Etta James (on 1959-02-17) and The Marquees (on 1959-02-17)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1959-02-17)
recording of:
Back in the U.S.A. (on 1959-02-17)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
2:29
10Blue on Blue (alternate a/k/a Upchuck) (alternate take)
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1959-02-17)
drums (drum set):
Jasper Thomas (on 1959-02-17)
guitar:
Chuck Berry (on 1959-02-17)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1959-02-17)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1959-02-17)
recording of:
Blue on Blue (on 1959-02-17)
composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
3:10
11Blue on Blue
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Willie Dixon (on 1959-02-17)
drums (drum set):
Jasper Thomas (on 1959-02-17)
guitar:
Chuck Berry (on 1959-02-17)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (on 1959-02-17)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1959-02-17)
recording of:
Blue on Blue (on 1959-02-17)
composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
3:00
12Betty Jean (alternate take 14)
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
guitar:
Chuck Berry (from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1959-07-27 until 1959-07-29)
vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
recording of:
Betty Jean (from 1959-05-27 until 1959-05-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
2:27
13Betty Jean (alternate take 17)
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
guitar:
Chuck Berry (from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1959-07-27 until 1959-07-29)
vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
recording of:
Betty Jean (from 1959-05-27 until 1959-05-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
2:40
14Betty Jean
bass:
Willie Dixon (from 1959-07-27 until 1959-07-29)
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
guitar:
Chuck Berry (from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1959-07-27 until 1959-07-29)
vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
recording of:
Betty Jean (from 1959-07-27 until 1959-07-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
42:32
15County Line
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
guitar:
Chuck Berry (from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1959-07-27 until 1959-07-29)
vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
recording of:
Country Line (from 1959-07-27 until 1959-07-29)
miscellaneous support:
Chuck Berry
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
2:18
16Childhood Sweetheart (alternate take)
bass:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
guitar:
Chuck Berry (from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1959-07-27 until 1959-07-29)
vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
recording of:
Childhood Sweetheart (from 1959-07-27 until 1959-07-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Ltd.
3:13
17Childhood Sweetheart
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (in 1959-07)
guitar:
Chuck Berry (from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1959-07-27 until 1959-07-29)
vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
recording of:
Childhood Sweetheart (from 1959-07-27 until 1959-07-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Ltd.
42:45
18One O’Clock Jump
bass:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
drums (drum set):
Fred Below (in 1959-07)
guitar:
Chuck Berry (from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (in 1959-07)
tenor saxophone:
J.C. Davis (in 1959-07)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
cover recording of:
One O’Clock Jump (from 1959-07-27 until 1959-07-29)
composer:
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
3:09
19I Just Want to Make Love to You (take 3)
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
guitar:
Chuck Berry (from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1959-07-27 until 1959-07-29)
vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
recording of:
I Just Wanna Make Love to You (from 1959-07-27 until 1959-07-29)
lyricist and composer:
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hoochie Coochie Music
2:19
20I Just Want to Make Love to You
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
guitar:
Chuck Berry (from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1959-07-27 until 1959-07-29)
vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
recording of:
I Just Wanna Make Love to You (from 1959-07-27 until 1959-07-29)
lyricist and composer:
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hoochie Coochie Music
2:14
21Broken Arrow (take 21)
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
guitar:
Chuck Berry (from 1959-07-27 until 1959-07-29)
tenor saxophone:
Leroy C. Davis (from 1959-07-27 until 1959-07-29)
vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
recording of:
Broken Arrow (from 1959-07-27 until 1959-07-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
2:45
22Broken Arrow
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
guitar:
Chuck Berry (from 1959-07-27 until 1959-07-29)
tenor saxophone:
Leroy C. Davis (from 1959-07-27 until 1959-07-29)
vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
recording of:
Broken Arrow
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
2:29
23Let It Rock (alternate mix)
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
guitar:
Chuck Berry (from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1959-07-27 until 1959-07-29)
vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
recording of:
Let It Rock (from 1959-07-27 until 1959-07-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Isalee Music Publishing Company
1:58
24Let It Rock
recorded in:
Chicago, Illinois, United States (in 1959-07)
producer:
Leonard & Phil Chess (legendary US production duo)
bass:
Willie Dixon (in 1959-07)
drums (drum set):
Fred Below (in 1959-07, from 1959-07-27 until 1959-07-29)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
guitar:
Chuck Berry (in 1959-07, from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (in 1959-07, from 1959-07-27 until 1959-07-29)
lead vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
vocals:
Chuck Berry (in 1959-07)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
recording of:
Let It Rock (from 1959-07-27 until 1959-07-29)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Isalee Music Publishing Company
recording of:
Let It Rock (in 1959-07)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Isalee Music Publishing Company
3.651:48
25Too Pooped to Pop (take 4a)
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
guitar:
Chuck Berry (from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1959-07-27 until 1959-07-29)
tenor saxophone:
Leroy C. Davis (from 1959-07-27 until 1959-07-29)
vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
recording of:
Too Pooped to Pop (from 1959-07-27 until 1959-07-29)
lyricist and composer:
Billy Davis (r&b producer/songwriter/performer Roquel Davis)
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
2:38
26Too Pooped to Pop
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
electric bass guitar:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
guitar:
Chuck Berry (from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1959-07-27 until 1959-07-29)
tenor saxophone:
Leroy C. Davis (from 1959-07-27 until 1959-07-29)
vocals:
Chuck Berry (from 1959-07-27 until 1959-07-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
recording of:
Too Pooped to Pop (from 1959-07-27 until 1959-07-29)
lyricist and composer:
Billy Davis (r&b producer/songwriter/performer Roquel Davis)
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
42:36
27Say You’ll Be Mine
bass:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
guitar:
Chuck Berry (from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1959-07-27 until 1959-07-29)
vocals:
The Equadors (from 1959-07-27 until 1959-07-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
recording of:
Say You’ll Be Mine (from 1959-07-27 until 1959-07-29)
writer:
Chuck Berry
2:19
28Let Me Sleep Woman
bass:
Reggie Boyd (US blues guitarist/bassist) (from 1959-07-27 until 1959-07-29)
drums (drum set):
Fred Below (from 1959-07-27 until 1959-07-29)
guitar:
Chuck Berry (from 1959-07-27 until 1959-07-29)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1959-07-27 until 1959-07-29)
vocals:
The Equadors (from 1959-07-27 until 1959-07-29)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1959-07-27 until 1959-07-29)
recording of:
Let Me Sleep Woman (from 1959-07-27 until 1959-07-29)
lyricist and composer:
Chuck Berry
publisher:
Tristan Music Ltd.
2:25

Credits

Release

art direction:Michele Horie
Vartan (art direction)
photography:Keith Morris (Photographer)
Popsie Randolph
Chuck Stewart (photographer, best known for his portraits of jazz singers and musicians)
liner notes:Fred Rothwell
executive producer:Pat Lawrence
producer:Andy McKaie
remastering:Erick Labson
compiler:Andy McKaie
Fred Rothwell
design:Mike Fink
copyrighted (©) by and phonographic copyright (℗) by:Geffen Records (in 2007)
remastered at:Universal Mastering West in Los Angeles, California, United States
Discogs:https://www.discogs.com/release/2446723 [info]
ASIN:US: B0012IWJAS [info]